“Oh, it’s Friday night. Let’s run tonight, ’til the morning light…”
Returning to my Samsung playlist, this Saturday’s submission is Keep On Runnin’ by American rock band Journey, formed in San Francisco in 1973 out of former members of Santana and Frumious Bandersnatch. The fourth track from the album Escape (released in July 1981), it was co-written by Jonathan Cain, Steve Perry and Neal Schon and, was never released as a single, though the album, itself, reached #1 on the Billboard 200 on September 12, 1981. The song does show up in the Journey video game from Bally Midway, that came out in March of 1983, with this tagline (one of three):
“The hottest band in the country is about to take over the planet!”
I got to see the band in concert, twice, in Texas and was lucky enough to get to meet them. This is the tour where Journey dropped Steve Augeri and picked up Jeff Scott Soto for a year. Neither could match Perry but, Augeri was close.
I’m on the far left next to Jonathan Cain. My buddy Monica is in between Cain & Neal Schon. My buddy Amy is in between Deen Castronovo & Ross Valory.
It’s a shame the members are embroiled in a lawsuit. ~Vic
“Somehow I see, there are ships in her eyes…”
This Saturday’s playlist submission was never released as a single and it never charted…anywhere. It’s the last track, number 12, on the original 1997 debut release of Your Body Above Me by Black Lab. An alternative rock band founded in San Franciso, CA, in 1995 by Paul Durham, the band’s name is an amalgam of band names Black Sabbath and Stereolab. The album did have two hits, one of which peaked at #6 on the Billboard Mainstream Rock chart.
There is not a bad song on this album and I nearly wore out my CD. I took notice of them when an alternative rock station showcased their first track (the #6 hit). I love Paul Durham‘s voice and, the band has had many songs used in movies and television, most notably Spider-Man (2002), Blade: Trinity and Transformers.
“Too young to know, too old to listen…”
Saturday evening’s playlist submission is Early Warning by Australian band Baby Animals. The second track from their debut album Baby Animals, it was released on April 21, 1991, as their debut single. Written by Suze DeMarchi, Dave Leslie and Eddie Parise, the song was nominated for Single of the Year and Song of the Year in 1992 by the Australian Recording Industry Association. The album was awarded Album of the Year at The Arias Awards.
I discovered this band when their third track Painless was released in the US in November 1991. Suze’s voice is stunning and powerful and, her band is as hard rocking as any from Downunder. I bought the CD and there’s not a bad song on it. It deserved Album of the Year. They broke up in 1996 but, reformed in 2007. They continue to perform and record.
Baby Animals Channel From 1992
MTV’s Video From 1991
Returning to my phone playlist, I submit for your approval on this chilly Saturday night, Blondie‘s Call Me, the theme from the 1980 movie American Gigolo. I was 13 when this film came out and, with its “R” rating, I wasn’t allowed to see it (I caught it on HBO, later, tho…). The drum beat opens the movie as Richard Gere cruises in a black Mercedes. This movie was so bad-ass (to a teenager) and Siskel & Ebert gave it a decent rating but, the rest of the critics panned it. Oh, well. This was the movie that put Gere on my radar (I hadn’t seen Looking For Mr. Goodbar).
Produced and co-written by Giorgio Moroder, he originally approached Stevie Nicks to assist in composing and performing a song for the soundtrack but, she was prevented by contract to another company. Moroder then asked Debbie Harry and she fashioned lyrics, and the melody, in a few hours.
The song made it to the #1 spot on Billboard’s Hot 100 and stayed there for six weeks. It also made it to #1 in Canada, the UK and in Record World magazine. There are 20 covers of this song with Blondie re-recording it in 2014 and, a live cover done in 2002.
Changing things a bit. I’ve got Music Mondays and I’ve had Tune Tuesdays (I may return to that) that showcase music by release date, in five year increments (if I can). Early on, I listed number ones, only. There was also my jump into the 30-Day Song Challenge back in December 2018. Now, I’m stretching Saturday out a bit for some music, too…an idea I got from the Nostalgic Italian. I might even stretch it to Sunday, if I take a notion to. It just depends upon my mood. All blogs evolve and, I’m always looking for new and different things.
This is a song on my playlist on my phone. I have a lot of music on my phone…things that I love to hear when I go out for my afternoon and evening walks or, just sitting in my Adirondack chair, watching the sunset. ~Vic
From Mix Online:
Paich recalls writing Africa on his living room piano.
“Over many years, I had been taken by the UNICEF ads with the pictures of Africa and the starving children. I had always wanted to do something to connect with that and bring more attention to the continent. I wanted to go there, too, so, I sort of invented a song that put me in Africa. I was hearing the melody in my head and, I sat down and played the music in about 10 minutes. And, then, the chorus came out. I sang the chorus out as you hear it. It was like God channeling it. I thought, ‘I’m talented but, I’m not that talented. Something just happened here!'”
Paich, then, proceeded to work on the lyrics for another six months. He brought the skeleton to drummer Jeff Porcaro with the idea of having percussion being an integral part of the composition.
“Jeff got out African sticks with bottle caps that his dad (Joe Porcaro) and Emil Richards (both percussionists) used on National Geographic films. He brought in a marimba and a wooden xylophone kind of thing. This was pre-synthesizer. We didn’t have samples back then. You’re hearing bass marimba, that other instrument and you’re hearing, probably, one of the first loops that was ever done.”
Sadly, Jeff Porcaro passed away nearly ten years later.