An Iowa man, who received a postcard from his sister, said he was surprised to note the card had been mailed in 1987. Paul Willis, a hog farmer in Thornton, said a postcard appeared in his mailbox, recently, from his sister, Annie Lovell […]. [H]e soon noticed the card bore a picture of Lovell on a Grand Canyon hike in 1987 and a San Francisco postmark from December of that same year.
Willis said the postcard bore a second postmark from April 29 of this year in Des Moines so, he called the post office to see if they had any explanation for the postcard’s tardiness. [An] employee said the postcard may have been discovered while furniture and machines were being moved for cleaning. “She said, ‘Well, the post offices are all going through deep cleaning because of COVID-19…'” Willis [recounted to] the Santa Rosa Press-Democrat.
An Illinois woman experienced a similar incident in July 2019, when a postcard showed up at her home that had been mailed 26 years earlier. Kim Draper said the card was addressed to the previous residents of her Springfield home and, [it] recounted the residents’ father’s travels in Hong Kong.
Short Piece on Kim Draper
Five years ago, today, the #1 movie at the box office was The Other Woman, a comedy starring Cameron Diaz, Leslie Mann, Nikolaj Coster-Waldau, Don Johnson, Kate Upton, Taylor Kinney and Nicki Minaj. Released April 25, it was directed by Nick Cassavetes (the son of John Cassavetes & Gena Rowlands). Melissa Stack was hired to write a screenplay that was based on the 1996 movie The First Wives Club.
After discovering her boyfriend is married, Carly Whitten tries to get her ruined life back on track. But, when she accidentally meets the wife he’s been cheating on, she realizes they have much in common and her sworn enemy becomes her greatest friend. When yet another affair is discovered, all three women team up to plot mutual revenge on their cheating, lying, three-timing SOB.
From Justin Chang (Variety):
[…] an ungainly, often flat-footed yet weirdly compelling romantic dramedy about two gals who become unlikely best friends when they realize they’re being screwed (literally) by the same man. Like a watered-down “Diabolique” or a younger-skewing “First Wives Club,” this latest mainstream rebound from director Nick Cassavetes taps into the pleasures of sisterly solidarity and righteous revenge. Beneath the wobbly pratfalls and the scatological set pieces, there’s no denying the film’s mean-spirited kick, or its more-than-passing interest in what makes its women tick.
From Todd McCarthy (The Hollywood Reporter):
A female solidarity adultery comedy that’s three parts embarrassing farce to one part genuinely comic discharge.
From Christy Lemire (Roger Ebert):
Trouble is, Cassavetes, working from a script by Melissa K. Stack, veers wildly between cautionary tale, revenge comedy, scatological raunchfest and female empowerment drama. In theory, the joy of watching this kind of movie comes from seeing such a smooth operator squirm as his schemes are revealed and destroyed. […] plot contrivances abound […], along with not one but, two instances of characters, um, graphically relieving themselves at inopportune moments. The joke isn’t funny the first time and this kind of gross-out strain of comedy clangs uncomfortably with the feel-good message […]. Any semblance of intelligent humor or insight into female aging that may have existed gets tossed out the window of Carly’s high-rise office by the end […]
[There are, literally, NO good trivia bits for this movie. ~Vic]