Hanspostcard has a movie draft challenge. This is my Round Eight pick.
Film: The Final Countdown
Captain Yelland: […to his Native American Weather Officer…] “Ahhh, Black Cloud, you’ve been doing unauthorized rain dances again.”
Lasky: […as a Japanese pilot is holding Laurel at gunpoint…] “Why don’t you tell him what’s going on here, Commander? You’re an expert on what’s gonna happen tomorrow…”
Captain Yelland: “Go ahead, tell him.”
Commander Richard Owens: “26 November, six carriers left the Kuril Isles north of Japan. The carriers were the Akagi, Kaga, Shokaku, Zuikaku, Hiryu, Soryu. Tomorrow at dawn, these carriers will send 353 planes to attack Pearl Harbor.”
Senator Chapman: “How in the hell do you know all that?”
F-14 Pilot #1: “Mission aborted? But, we can see ’em!”
F-14 Pilot #2: “They’re gonna let the Japs do it, again.”
Directed by Don Taylor, it was produced by Peter Vincent Douglas and Lloyd Kaufman with Kirk Douglas executive producing without credit. The story, and screenplay, was written by the team of Thomas Hunter, Peter Powell, David Ambrose and Gerry Davis. The ensemble cast was Kirk Douglas, Martin Sheen, Katharine Ross, James Farentino, Charles Durning, Ron O’Neal, Victor Mohica, Soon-Tek Oh and James Coleman, with producers Lloyd Kaufman and Peter Douglas playing small parts.
It’s 1980 and Warren Lasky (Sheen) is a Systems Analyst from Tideman Industries, working with the Department of Defense as an efficiency expert. He is dispatched by his secretive employer to board the USS Nimitz before its departure from Naval Station Pearl Harbor for naval exercises in the Pacific. Tideman Industries designed and built the carrier. Not long at sea, a strange storm appears out of nowhere and the Nimitz can neither outrun nor maneuver away from it. Passing thru the storm, electronics and people, alike, are knocked out. Once the storm is gone and everything returns to normal, Captain Yelland (Douglas), his crew and his civilian passenger discover that they have been thrown backwards in time to 1941, just hours before the attack on Pearl Harbor. What now?
It’s original premiere was in London on May 21, 1980, Japan on July 5 and the US on August 1. I didn’t get to see it at the theater but, caught it on HBO a year later. IMDb lists this as Action & Sci-Fi, which it is but, I think it fits in the Adventure/Thriller categories, too. As a contributor on IMDb, I’ve made a suggested update of the genre. Having been on board the USS Enterprise on December 7, 2001, I have a much greater appreciation for the making of this movie. It received mixed reviews and didn’t make a lot of money. Two months later, another time travel film was released…Somewhere In Time and The Philadelphia Experiment, four years later, is the reverse of this movie in time frames. ~Vic
♦ Peter Douglas is Kirk Douglas’ son with his second wife. This was his first film as producer and his only credited acting role.
♦ This was made with the full cooperation of the US Navy and 48 Nimitz crew members were credited.
♦ Filming took place on board ship at sea (exterior shots) with interior shots filmed in dry dock at Naval Station Norfolk. The USS Kitty Hawk was a stand-in, pulling into Pearl Harbor. Flight and water scenes were shot at Naval Air Station Key West.
♦ The production crew was allowed to film a real emergency landing and recovery of an aircraft that appeared in the film.
♦ The first setup to film an F-14 takeoff resulted in both camera and operator being pitched down the runway.
♦ The black and white Pearl Harbor attack footage was taken from Tora! Tora! Tora!
♦ WWII ace fighter pilot Archie Donahue was one of the Zero pilots. The Zeros were converted T-6 Texans, flying full throttle and the F-14s were flying at stall speeds so that both aircraft would be in the same shot.
♦ When filming wrapped, possibly early, the USS Nimitz was recalled to home base to participate in Operation Eagle Claw, the attempt to rescue the hostages held at the U.S. Embassy in Iran on April 24, 1980.
Archie Donahue: WWII Ace Pilot (HistoryNet/Jon Guttman/July 2007)
Filming of Final Countdown: You Want Us To Do What? (Pilots For Christ Forum/Administrator Don Gieseke/12-08-2016)
Commander Richard “Fox” Farrell: Lead F-14 Pilot (Dignity Memorial/03-31-2014)
Watch the movie for free: Daily Motion
Hanspostcard has a movie draft challenge. This is my Round Seven pick.
Category: Crime/Film Noir
Film: Cop Land
Written and directed by James Mangold, it was executive produced by the Weinstein brothers (though their names have been removed from the Wikipedia article). Released August 6, 1997 in New York (premiere) and nationwide on August 15, it was an incredible ensemble cast of Sly Stallone, Harvey Keitel, Ray Liotta, Robert De Niro, Robert Patrick, Peter Berg, Janeane Garafalo, Edie Falco, Michael Rapoport, Annabella Sciorra, John Spencer, Cathy Moriarty, Noah Emmerich, Frank Vincent, Malik Yoba, Arthur Nascarella and, cameos of Deborah Harry & Geraldo Rivera.
Sylvester Stallone put on 40 pounds to play Nowheresville, N.J., sheriff Freddy Heflin in Cop Land […]. His town is run by Ray Donlan (Keitel) and the other New York cops who have settled there with their families. He wears blinders when it comes to their lawbreaking and mob dealings. Moe Tilden (De Niro), the internal-affairs officer out to get the goods on Cop Land, correctly pegs Freddy as “a man looking for something to do.” Keitel’s [Donlan] exudes dangerous energy. He cares for his own as long as they don’t cross him […]. Robert Patrick brings sly menace to Rucker […]. Ray Liotta […], as Gary Figgis, [is] a tainted cop who sides with Freddy.
Mangold […] has a rare talent for finding the human drama in ordinary lives.
Writer-director James Mangold […] wrangles an impressive cast […] and spins a compelling tale of cancerous corruption among a secretive group of New York’s finest who have settled in the fictional New Jersey burg of Garrison. [Stallone] indeed looks chunky and plays the sleepy, docile Sheriff […] with sluggishness to spare in a largely commendable performance as a half-deaf small-town dreamer. [He] is not given much in the way of memorable dialogue but, he makes the character work […]. [Having] yet to replace his LP of The River with a CD, [he] carries a torch for the local Jersey girl (Sciorra) he saved from drowning…the reason for his loss of hearing in one ear…[he] once longed to be a big-city cop but, had to settle for policing them.
Freddy gradually realizes that he doesn’t like how the town has turned out.
The Hollywood Reporter
August 11, 1997
I saw this at the theater when it came out and caught it, again, a few nights ago. I was born and raised in law enforcement and, worked in it, too (non-sworn). I’ve known good cops and I’ve known some really bad ones. I love a well written cop movie and this was an unusual one in that Stallone wasn’t playing a bad ass like Rambo, Cobra, Tango, John Spartan (though I do love that movie) or Ray Quick. This character was different…subdued. His scenes with Annabella Sciorra have Springsteen playing in the background which adds depth and texture to the mood. This is clearly a period piece as all the vehicles, hair cuts and clothing styles are, effectively, early 80s. The River came out in 1980 and music from the Director’s Cut, like Blue Oyster Cult‘s Burnin’ For You came out in 1981. This also manages to cover the Crime category via IMDb and the Film Noir category, simultaneously, via Historical Dictionary of Film Noir (2010). ~Vic
♦ There is a disclaimer at the end of the credits which states “This film is a work of fiction. It is currently illegal for New York City Police officers to live outside the state of New York.”
♦ Arthur J. Nascarella was a real-life NYPD officer.
♦ Debbie Harry acted in the movie but, was edited out in the final cut. She explained on a live television special that although she was cut, she still got paid.
♦ In the scene in which Ray Liotta confronts Robert Patrick in the bar, the dart that Liotta shoves up Patrick’s left nostril was made out of rubber.
♦ Tom Cruise, Tom Hanks, Gary Sinise and John Travolta were considered for Sheriff Freddy Heflin.
The Making of an Urban Western
Hanspostcard has a movie draft challenge. This is my Round Six pick.
Film: El Dorado
Mississippi: “[…] My name is Alan Bourdillion Traherne.”
Cole: “Lord Almighty…”
Sheriff Harrah: “Who is he?”
Cole: “Tell him your name, Mississippi.”
Mississippi: [sigh] “Alan Bourdillion Traherne.”
Sheriff Harrah: “Well, no wonder he carries a knife.”
Mississippi: “Always make you mad, don’t I?”
Produced and directed by Howard Hawks, the film is a loose adaption of The Stars in Their Courses, a 1960 novel by Harry Brown. The screenplay was written by Leigh Brackett and starred John Wayne, Robert Mitchum, James Caan, Charlene Holt, Paul Fix, Arthur Hunnicutt, Michele Carey, R. G. Armstrong, Ed Asner, Christopher George and Johnny Crawford. Jim Davis (Jock Ewing) and John Mitchum have small parts. It was released December 17, 1966, in Japan, oddly and didn’t make it to US theaters until June 7, 1967.
Cole Thornton (Wayne) is a gunslinger for hire and land owner Bart Jason (Asner) has offered him a job. J. P. Harrah (Mitchum) is a Sheriff and an old friend of Cole’s. When Harrah informs Cole of Jason’s intention to use him to push the MacDonald family off of their land for water rights, Cole refuses the job. After shooting the youngest MacDonald son, unintentionally, during a volley of gunfire, Cole is wounded by the MacDonald daughter (Carey), in return, after he brings the deceased boy back home. Cole suffers intermittent paralysis on his right side throughout the rest of the movie. With the help of a gambler (Caan) he crosses paths with and the Sheriff’s deputy (Hunnicutt), Cole straightens out the drunken Sheriff, tangles with another gunslinger (George), derails Jason’s takeover and just might stop his previous ways for his lady, Maudie (Holt).
Mississippi repeats parts of the Edgar Allen Poe poem (except the second stanza) during the film, aggravating Cole somewhat (Caan had trouble with the word “boldly”, slurring it to sound like either “bowlie” or “bodie”). He’s also terrible with a gun and couldn’t hit the broadside of a barn (but, I love that hat!). Cole gets him a shotgun and later regrets it as he has scatter shot in his leg at the end of the movie.
This is my favorite John Wayne movie even though it is an ensemble cast. A close second is The Quiet Man where Wayne played another “Thornton” character. ~Vic
♦ Archival footage of this movie was used in The Shootist as some backstory for Wayne’s character J.B. Books.
♦ The artwork in the opening credits was painted by Olaf Wieghorst, the Swedish gunsmith.
♦ At the end of the movie, both Cole & Harrah are on crutches under the wrong arm.
♦ The bathtub scene was Mitchum’s idea.
♦ Mitchum’s brother was a bartender named Elmer. He called him by his real name by accident.
♦ Wayne and Asner did not get along.
Caan on Wayne
Hanspostcard has a movie draft challenge. This is my Round Five pick.
Film: The Ninth Gate
A French/Spanish Roman Polanksi vehicle (director & producer), he co-wrote the screenplay with John Brownjohn and Enrique Urbizu. Loosely based on the 1993 book El Club Dumas, a Spanish language novel by Arturo Pérez-Reverte Gutiérrez, the Polanski/Brownjohn script removed a sub-plot, changed the two main characters’ names and altered the finale. Filmed in France, Portugal and Spain, it stars Johnny Depp (Corso), Frank Langella (Balkan), Lena Olin, Barbara Jefford and, Emmanuelle Seigner (mysterious woman & Polanski’s wife). Actor Allen Garfield suffered a stroke prior to filming and Polanski incorporated Garfield’s paralysis as part of the character. Released August 25, 1999, in Belgium, France and Spain (premiere), and November 1999 at the Stockholm International Film Festival, it wasn’t released, widely, in the US until March 10, 2000.
I would have to describe the movie like this…:
“[It] is a riddle, wrapped in a mystery, inside an enigma…”
October 1, 1939
Dean Corso is a bit of a sleazy rare book dealer from New York with questionable ethics. Boris Balkan, a wealthy collector, hires Corso to determine if a book he owns (the book to the left/above) is authentic. The author, supposedly, wrote the book with help from the Devil and only three copies of the book are known to exist after the author was burned at the stake during the Inquisition, along with his works. Corso must find the other two to complete his investigation. Balkan believes that the owner of the book would have the power to summon said Devil. As the skeptical Corso travels and searches, he is followed by a mysterious woman. He eventually becomes obsessed with his task and desires the complete truth. The movie twists and turns to it’s bizarre ending. Depp is a strange cat but, he makes really interesting movies. Visually, Polanski intended for Corso to resemble Philip Marlowe. ~Vic
Hanspostcard has a movie draft challenge. This is my Round Four pick.
Film: The Breakfast Club
“So, Ahab, can I have all my doobage?”
“Chicks cannot hold dey smoke, dat’s what it is.”
“Saturday, March 24, 1984. Shermer High School, Shermer, Illinois, 60062 (fictional town). […] You see us as you want to see us… […] You see us as a brain, an athlete, a basket case, a princess and a criminal. […] That’s the way we saw each other at 7:00 this morning. We were brainwashed.”
This is my graduating class…the class of 1984 (despite the age of some of the actors). Released February 15, 1985, I was in my freshman year of college and it was a bittersweet revisit. I knew these characters…every single one of them. My high school even had a library that resembled that set. This movie was made with only a one million budget but, brought in $51 million and, in 2016, was selected for preservation with the National Film Registry of the Library of Congress. There is no CGI or special effects. There are no sweeping views of beautiful locations. There are no “shoot-em-up-bang-bang” sequences. There is some action with the cast running through the hallways, dancing while high and Judd Nelson (John Bender/The Criminal) falling through the ceiling tiles. This is, primarily, a study of human nature, parental influence, peer influence, subtle & overt abuse and the struggle to understand. It’s heartbreaking, it’s hilarious and it is so Generation X. ~Vic
Written, produced and directed by John Hughes, it also stars Emilio Estevez (Andrew Clark/The Athlete), Molly Ringwald (Claire Standish/The Princess), Ally Sheedy (Allison Reynolds/The Basket Case), Paul Gleason (Asst. Principal Richard Vernon) and John Kapelos (Carl Reed/The Janitor).
♦ The scene in which all characters sit in a circle on the floor in the library and tell stories about why they were in detention was not scripted. Writer and director John Hughes told them all to ad-lib.
♦ There is a deleted scene of Claire and Allison in the bathroom that didn’t show up until the Blu-Ray edition was released.
♦ Sixteen year old Hall hit a growth spurt during shooting and outgrew 24 year old Nelson, prompting Nelson to joke about writing letters to geneticists.
♦ Bender’s joke about the blonde, the poodle and the six foot salami has no punchline as it was never in the script.
♦ Nelson was nearly fired for method-acting harassment.
♦ Hall’s mother & sister play themselves in the movie.
♦ Keith Forsey wrote the lyrics to Don’t You (Forget About Me) and Bryan Ferry of Roxy Music was approached to sing it. Billy Idol was also approached and recorded his own version, later. An offer to Chrissie Hynde lead to her, then, husband Jim Kerr of Simple Minds.
♦ Nelson improvised the part at the closing of the film where Bender raises his fist in defiance. Everyone loved it and it has also become an iconic symbol of the 1980s as well as cinema history.
Hanspostcard has a movie draft challenge. This is my Round Three pick.
Film: The Other Side of the Mountain
“You know where you’ll find sympathy in the dictionary, don’t ya’? Between shit and suicide.”
Directed by Larry Peerce, the movie is based on the 1966 novel A Long Way Up by E. G. Valens, written about national slalom ski champion (1955) and a 1956 U.S. Olympic skiing team candidate, Jill Kinmont. Produced by Edward Feldman, the screenplay adaption was written by David Seltzer. Jill is played by Marilyn Hassett and, Beau Bridges plays Olympic skiing team member (1952) and stunt pilot Dick “Mad Dog” Buek. Dabney Coleman plays Coach Dave McCoy and Bill Vint plays Buddy Werner. Belinda Montgomery plays Audra Jo or “A.J.”, Jill’s best friend, Nan Martin plays June Kinmont and William Bryant plays Bill Kinmont. Griffin Dunne has a small part.
The film spans Jill’s slalom races to her national championship, her best friend’s polio contraction, her accident while attempting to win the Alta, UT, Snow Cup, her hospital stay, her slow rehabilitation, her heartbreak from the losses of two dear men and her triumph at becoming a teacher.
Released July 25, 1975, the film was panned by critics for being too much of a tear-jerker. That may be true but, she did have a really hard time. The sequel was released February 10, 1978 and was panned even worse. I saw them in reverse order. I was only nine years old when the first movie came out so, I didn’t get to see it until I was an adult. I saw Part II, first, when it was released to television. I enjoyed both films despite the bad reviews. Sometimes, bringing someone’s life story to the big screen is handled poorly. Jill passed away February 9, 2012.
The Complete Movie
I’m worn out right now. I’ll be taking a break for a while. ~Vic
We don’t get the snow like we used to when I was a kid. I remember lots of snow and ice in the 70s. There were some decent snows in the middle 80s. There was one big snowstorm in early 1996 and that was the last one I saw until the two snow bombs in 2018. I spent nearly a decade in Texas and, I saw one small snow covering and two minor ice storms. That was it.
Here is our first snow of 2021. Colorado has gotten some, too. ~Vic
The Gunpowder Plot of 1605, […] often called the Gunpowder Treason Plot or the Jesuit Treason [in earlier centuries], was a failed assassination attempt against King James I by a group of provincial English Catholics led by Robert Catesby.
The plan was to blow up the House of Lords during the State Opening of Parliament on [November] 5, 1605, as the prelude to a popular revolt in the Midlands, during which James’s nine-year-old daughter, Elizabeth, was to be installed as the Catholic head of state. Catesby may have embarked on the scheme after hopes of securing greater religious tolerance under King James had faded, leaving many English Catholics disappointed. His fellow plotters were John and Christopher Wright, Robert and Thomas Wintour, Thomas Percy, Guy Fawkes, Robert Keyes, Thomas Bates, John Grant, Ambrose Rookwood, Sir Everard Digby and Francis Tresham. Fawkes, who had 10 years of military experience fighting in the Spanish Netherlands in the failed suppression of the Dutch Revolt, was given charge of the explosives.
The plot was revealed to the authorities in an anonymous letter sent to William Parker, 4th Baron Monteagle, on [October] 26, 1605. During a search of the House of Lords in the evening on [November] 4, 1605, Fawkes was discovered guarding 36 barrels of gunpowder, enough to reduce the House of Lords to rubble, and [was] arrested. Most of the conspirators fled from London as they learned of the plot’s discovery, trying to enlist support along the way. Several made a stand against the pursuing Sheriff of Worcester and his men at Holbeche House […]. [In] the ensuing battle, Catesby was one of those shot and killed. At their trial on [January] 27 1606, four hundred, fifteen years ago, today, eight of the survivors, including Fawkes, were convicted and sentenced to be hanged, drawn and quartered.
The thwarting of the Gunpowder Plot was commemorated for many years afterwards by special sermons and other public events such as the ringing of church bells, which evolved into the British variant of Bonfire Night of today.
A Forum Blog Post From: The Chris Thomas Files
Change is upon us. The problem is that most of us are too busy fire-fighting our lives that we have difficulty sorting out just how we are changing. In order to understand ourselves and, our place within this change, we need to return to some of the basic truths of who and what we are. In this way, we will be better able to steer our way to the future. As humans, we are used to thinking of ourselves as physical bodies with some kind of extra bit we call a soul but, this is a false impression. What we really are is a soul that is 100 million years old and our soul has built for itself many physical bodies over the course of human history. As each of our many lifetimes has ended, we have merged with our higher soul aspect to review our successes and failures in the physical life we have just ended. With that process of review completed, we then plan our next physical life.
Everyone who is alive on Earth has undergone this process many times, with each successive lifetime planned to provide […] new experiences, as well as to re-live some of our past failures, in order that we complete the lesson our soul chose to learn. In this way, each new physical life is lived as a mixture of clearing out past failures, lessons we did not learn, as well as learning from the new experiences our next life will provide us with. Nobody directs the actions our souls take. Every action is chosen with full and free choice. It is how we, the physical body, react to our soul’s choices, as we encounter them in life, that determines how straight forwards our lives are. If we stray from our soul’s chosen path, we receive hints from our higher self in the guise of an illness. We return to our chosen path and the symptoms heal themselves.
All of the main choices we are faced with in life are chosen by our higher selves before we are re-born into our new bodies as babies. Babies and children are souls of the same age as we are, they just inhabit younger bodies until they become adults. Who our parents are, who our siblings are, the country we are born into, our way of life, our means of earning an income, who our lovers will be…all of the main aspects of our new lives are worked out before we are born.
This is something that we really have forgotten about. Everything we do in life, our way of life, our nationality, is all pre-determined BEFORE we are born. It is very easy to become distracted by the plight of those who live in other countries as we often compare their way of life with ours. If we consider that they have less than we in the west do, we become concerned. In doing this, we are making a judgement on the lives those others are living and who are we to make judgements in this way? The old Native American saying is something we really need to pay attention to: “Before you judge someone, walk a mile in their moccasins.”
This is not to say that we should not be compassionate or that we should not care. What we should be doing is finding a balance. Having spent thirty years working with people’s health problems, there have been many times where it was very tempting to step over the line and try to take on the problems my clients were having in their lives but, I had to draw back. No matter how much I might have wanted to cross that line, the reality is that, the situations that had arisen in my client’s lives were as a result of their soul’s choices and all that I could ever do was to help them understand the choices that they were faced with whilst doing everything I could to heal their ailments.
As we undergo this process of change, we become more and more aware of the plight of others and it becomes increasingly tempting to try to step in and solve their problems for them or allow the compassion we feel to distract us from sorting out our own problems. What we need to do is to find the correct balance. To give an example: The farmers in India have been under huge pressures by the [GMO] companies to only grow [GMO] crops. The Indian government, and banks, increased that pressure by insisting that bank loans to buy seeds were only granted to farmers who agreed to plant [GMO] crops. Traditional seeds (non-GMO) are 10,000 times cheaper than [GMO] seeds but, faced with bank and government pressure, Indian farmers planted [GMO] instead of traditional crops. Consistently, the [GMO] crops failed or produced much lower yields whilst at the same time requiring 300 percent more water and, huge quantities of herbicides and insecticides. Many thousands of farmers became bankrupt and committed suicide by drinking pesticides. But, by people in Europe rejecting [GMO] products, the pressure has now come off the farmers and they are able to re-plant using their traditional seeds. This is where balance lies. [By] rejecting to buy [GMO] products, we in the west have helped to save the lives of Indian farmers and improve their lives, immeasurably. This is compassion in action. We are not physically able to step in and alter the lives of these farmers, no matter how much we might want to but, by forcing the [GMO] companies to cut back on their crops, lives have been saved and livelihoods saved.
We need to remember to think before we act.
© Chris Thomas 2011
Hanspostcard has a movie draft challenge. This is my Round Two pick.
I don’t think I need to provide a trailer or to hack out a plot or synopsis on this one but, you might find the trivia interesting. I did my own post back in 2018.
I was 11 years old when it was released. I was such an Olivia Newton-John fan. I begged my mom to buy me the album soundtrack. I nearly wore it out. I still have it to this day. And, I remember those shoes. I was headed to seventh grade that year and ALL the girls had to have a pair of the Candies that Sandy made famous. Can you imagine a bunch of ‘tween girls in the late 70s trying to change classes, going up and down stairs in Sandy’s Candies? Oh, my… ~Vic
Released June 16, 1978 (NYC premiere was June 13), it was based on the 1971 musical created by Jim Jacobs and Warren Casey. Bronte Woodard crafted the screenplay and Randal Kleiser directed. Produced by Robert Stigwood and Allan Carr, it starred John Travolta, Olivia Newton-John, Stockard Channing, Jeff Conaway, Barry Pearl, Michael Tucci, Kelly Ward, Didi Conn, Jamie Donnelly, Dinah Manoff, Eve Arden, Frankie Avalon, Joan Blondell, Edd Byrnes, Sid Caesar, Alice Ghostley, Dody Goodman, Sha-Na-Na, Susan Buckner, Lorenzo Lamas, Fannie Flagg, Dick Patterson, Eddie Deezen, Darrell Zwerling, Ellen Travolta, Annette Charles and Dennis Stewart.
 The opening beach scene was shot at Malibu’s Leo Carrillo State Beach, making explicit reference to From Here to Eternity.
 The exterior shots of Rydell High, the Summer Nights musical number and the athletic scenes were shot at Venice High School in Los Angeles, CA.
 Look At Me, I’m Sandra Dee & Hopelessly Devoted to You, sung at the slumber party, were performed at a private home in East Hollywood.
 The drive-in movie scene and the musical number Sandy were shot & performed at Pickwick Drive-In in Burbank, CA (torn down in 1989).
 The Frosty Palace (exterior shot), Greased Lightnin’ and Beauty School Dropout were performed at Paramount Studios.
 Rydell interior shots and the dance in the gym were filmed at Huntington Park High School in Los Angeles, CA.
 The race was filmed at the Los Angeles River‘s dry riverbed, starting at the 6th Street bridge and u-turning after passing the 1st Street bridge.
 The carnival scenes, You’re the One That I Want and We Go Together were shot & performed at John Marshall High School in Los Angeles, CA.
♦ Rizzo’s hickeys were real. Stockard Channing said in an interview that Jeff Conaway insisted on applying them himself.
♦ Hopelessly Devoted to You was written and recorded after the movie had wrapped.
♦ Elvis Presley turned down the role of The Guardian Angel in the Beauty School Drop-Out scene.
♦ Due to a zipper breaking, Olivia Newton-John had to be sewn into the trousers she wears in the last sequence (the carnival at Rydell).
♦ Jeff Conaway was so infatuated with Olivia Newton-John, he was tongue-tied whenever she was around. He later married Olivia’s sister, Rona Newton-John.
♦ Danny’s blue windbreaker at the beginning of the film was intended as a nod to Rebel Without a Cause.
♦ Jamie Donnelly had prematurely grey hair, which she dyed black to play Jan. Her hair grew really quickly, so her roots had to be colored in daily with a black crayon.
♦ Rydell High is a reference to teen idol Bobby Rydell who had a million selling hit with Swingin’ School in 1960.
♦ The “blonde pineapple” line was improvised by Barry Pearl.
♦ Olivia Newton-John insisted on a screen test for the role of Sandy. She was concerned that she didn’t have the acting skills and would look too old to be a high school student. The part was originally meant for Susan Dey, who turned it down on her manager’s advice.
The soundtrack was certified 14x Platinum in Australia, Diamond in Canada and 8x Platinum in the UK & the US.
A rare documentary by Scottish folk singer Donovan P. Leitch. Insights into his life with rare recordings from the beginning of his career as a folk singer. Portions of the film was [sic] filmed on St. Ives, Cornwall on Porthminster [B]each in 1966.
It shows Donovan’s life before becoming famous, when he was busking and living in Saint Ives with his friend Gypsy Dave. And, then, when the fame came in with Ready Steady Go! Donovan and his friends are seen smoking marihuana [sic], very shocking for its time. This warned the police to keep him under surveillance and ended up arresting him for drugs [sic] possession in mid-1966.
Born Donovan Philips Leitch in Glasgow, Scotland on May 10, 1946, Donovan was part of the British folk scene and the British music invasion in America. His style was distinctive and incredibly eclectic. As a child, Donovan was vaccinated with the polio vaccine and contracted polio. Though the vaccine was later made safer with the Sabin oral vaccine, the disease and treatment left Donovan with a limp. The public never knew this.
He established close relationships with leading musicians of the time including Joan Baez, Brian Jones of the Rolling Stones and, the Beatles. He taught John Lennon and Paul McCartney […] his finger-picking guitar technique. On his first trip to the USA, he performed in New York with Pete Seeger, […] appeared on The Ed Sullivan Show, Hullabaloo, and Shindig! He gained critical acclaim and acceptance when he performed at the Newport Folk Festival in 1965.
[E]arly on, he was compared with Bob Dylan […]. By 1966, [he] had become one of the first British pop musicians to adopt the flower power image. His music contained many drug references during this time. His recordings were also the first pop music to contain the sound of the sitar, later copied by other famed music groups. [He] was the first high-profile British pop star to be arrested for possession of marijuana. Though Donovan’s drug use appeared to have been moderate, and his drug use was not on the scale of others such as Jimi Hendrix and Brian Jones who later died from overdoses, his use of LSD is referred to in many of his lyrics. Public attention was drawn to his drug use by [the] TV documentary, A Boy Called Donovan, which was broadcast during that year and newspaper coverage of the drug scene in England.
The Hurdy Gurdy Man of the Psychedelic Sixties: Donovan Leitch