Hanspostcard has a song draft challenge. This is my Round Two pick.
I grew up around lots of music. My dad had his tastes, my mom had hers and I got some exposure to my grandparents music, too. There was plenty of Elvis, Buddy Holly, Everly Brothers, Ricky Nelson, Gene Pitney, Chuck Berry, Johnny Cash, Johnny Horton, The Ventures, The Beach Boys, instrumental music (think Hugo Montenegro or Paul Mauriat), funny stuff like Ben Colder/Sheb Wooley, Ray Stevens or David Seville (my dad’s stuff), The Four Seasons, Motown, soul music, beach music (my mom’s stuff), big band music (my paternal grandparents) and, bluegrass, country and Latin/jazz (maternal grandparents). One song, in particular, that reminds me of my dad the most is Cathy’s Clown. When I was a kid, my dad liked to just get in the car, drive around and listen to the radio. It was, literally, No Particular Place To Go. When I became an adult, we’d still get in the car and cruise. He and I would sing Cathy’s Clown, together, with me taking Phil’s harmony. I still own my dad’s original 45. ~Vic
Written by Don, it was recorded in March and released in April 1960. It was recorded live, in a single take, with both brothers sharing a microphone. Floyd Cramer was on piano, Floyd Chance on bass and Buddy Harman on drums. An odd song, it has a chorus and bridges but, no verses. It was their first single for Warner Bros. It spent five weeks at #1 on Billboard’s Hot 100 chart, one week on the Billboard’s R&B chart and seven weeks at #1 on UK’s Singles chart. It was their biggest selling single and their last #1 after Wake Up Little Susie and All I Have to Do Is Dream.
The song is ranked at #150 Rolling Stone’s 500 Greatest Songs of All Time and it was added to the National Recording Registry of the Library of Congress in 2013. Covers have been done by Reba McEntire and Neil Sedaka (1983) with McEntire’s version reaching #1 on Billboard’s Hot Country Songs chart and Canada’s RPM Country Tracks chart in 1989. There is even a Jan and Dean version on Filet Of Soul Redux: The Rejected Master Recordings (2017).
“We owe those guys everything. They started it all.” ~Bob Dylan
Additional Reading & References:
The Everly Brothers: That Sibling Sound (BBC News/2014)
Cathy’s Clown ~ The Everly Brothers (Library of Congress/PDF)
Recording Cathy’s Clown (Steve Hoffman Music Forum)
Saturday Night Beech-Nut Show 1960
Johann Sebastian Bach was a German composer and organist. The most important member of the Bach family, his genius combined outstanding performing musicianship with supreme creative powers in which forceful and original inventiveness, technical mastery and intellectual control, are perfectly balanced. While it was in the former capacity, as a keyboard virtuoso, that in his lifetime he acquired an almost legendary fame, it is the latter virtues and accomplishments, as a composer, that, by the end of the 18th century, earned him a unique historical position. His musical language was distinctive and extraordinarily varied, drawing together and surmounting the techniques, the styles and the general achievements, of his own and earlier generations, and leading on to new perspectives, which later ages have received, and understood, in a great variety of ways.
Wachet! Betet! Betet! Wachet! (Watch! Pray! Pray! Watch!) is the title of two church cantatas by Johann Sebastian Bach. He composed a first version, BWV 70a, in Weimar for the second Sunday in Advent of 1716 and expanded it in 1723 in Leipzig to BWV 70, a cantata in two parts for the 26th Sunday after Trinity.
On [March] 2, 1714, Bach was appointed concertmaster of the Weimar court capelle of the co-reigning dukes Wilhelm Ernst and Ernst August of Saxe-Weimar. As concertmaster, he assumed the principal responsibility for composing new works, specifically cantatas for the Schlosskirche (palace church), on a monthly schedule. Bach originally wrote this cantata in his last year there […].
The instrumentation of the Weimar cantata is lost.
Bach first performed the cantata on [December] 6, 1716.
Gächinger Kantorei Choir
Dvořák Hall Prague
John Eliot Gardiner
Finn McMissile: “Finn McMissile, British Intelligence.”
Tow Mater: “Tow Mater, average intelligence.”
Ten years ago, today, the #1 movie at the box office was Cars 2. Directed by John Lasseter and Brad Lewis, it was produced by Denise Ream. The original story was penned by Lasseter, Lewis and Dan Fogelman with Ben Queen crafting the screenplay. Voices were Owen Wilson (Lightning McQueen), Larry the Cable Guy (Sir Tow Mater), Michael Caine (Finn McMissile), Emily Mortimer (Holley Shiftwell), John Turturro (Francesco Bernoulli), Eddie Izzard (Sir Miles Axlerod), Thomas Kretschmann (Professor Zündapp), Joe Mantegna (Grem), Peter Jacobson (Acer), Bonnie Hunt (Sally Carrera, Bruce Campbell (Rod Redline), Tony Shalhoub (Luigi), Darrell Waltrip (Darrell Cartrip), Brent Musburger (Brent Mustangburger), Colin Cowherd (Colin Cowling Blimp), Jason Isaacs (Siddeley Gulfstream V/Leland Turbo), Lloyd Sherr (Fillmore/Tony Trihull Combat Ship), Paul Dooley (Sarge), Cheech Marin (Ramone), Katherine Helmond (Lizzie), John Ratzenberger (Mack), Jeff Gordon (Jeff Gorvette) and John Lasseter as Crew Chief John Lassetire.
The famous race car Lightning McQueen and his team are invited to compete in the World Grand Prix race. There, McQueen’s best friend Mater finds himself involved in international espionage and, alongside two professional British spies, attempts to uncover a secret plan led by a mysterious mastermind and his criminal gang, which threatens the lives of all competitors in the tournament.
Tagline: Going where no car has gone before.
The French Baroque composer Jean-Philippe Rameau wrote three books of Pièces de clavecin for the harpsichord. The first, Premier Livre de Pièces de Clavecin (first book of harpsichord pieces), was published in 1706. [T]he second, Pièces de Clavessin, [was] in 1724. [T]he third, Nouvelles Suites de Pièces de Clavecin, [was] in 1726 or 1727. They were followed in 1741 by Pièces de clavecin en concerts, in which the harpsichord can either be accompanied by violin (or flute) and viola da gamba or played alone. An isolated piece, La Dauphine, survives from 1747.
Jean-Philippe Rameau was one of the most important French composers and music theorists of the 18th century. He replaced Jean-Baptiste Lully as the dominant composer of French opera and is also considered the leading French composer of his time for the harpsichord, alongside François Couperin.
Little is known about Rameau’s early years. It was not until the 1720s that he won fame as a major theorist of music with his Traité de L’harmonie Réduite à ses Principes naturels (1722…Treatise on Harmony reduced to its natural principles) and also in the following years as a composer of masterpieces for the harpsichord, which circulated throughout Europe. He was almost 50 before he embarked on the operatic career on which his reputation chiefly rests today.
Rameau’s music had gone out of fashion by the end of the 18th [C]entury and it was not until the 20th [Century] that serious efforts were made to revive it. Today, he enjoys renewed appreciation with performances and recordings of his music ever more frequent.
Jean Philippe Rameau (Atlanta Symphony Orchestra)
Jean-Philippe Rameau (Britannica)
Treatise On Harmony (CMuse)
Jean Philippe Rameau (Find A Grave)
Jean-Philippe Rameau Biography (The Famous People)
Mumtaz Mahal (exalted one of the palace), born Arjumand Banu Begum, was the Empress consort of the Mughal Empire, from January 19, 1628 to June 17, 1631, [and] chief consort of the Mughal emperor Shah Jahan.
[Born] to a family of Persian nobility, [she] was the daughter of Abu’l-Hasan Asaf Khan […]. She was married at the age of 19 [in 1612] to Prince Khurram, [later named] Jahan, [becoming] his second wife. [They] had fourteen children, including Jahanara Begum […] and the Crown prince Dara Shikoh [..]. Shikoh was, eventually, deposed by younger sibling Aurangzeb.
Three hundred, ninety years ago, today, Mumtaz Mahal died [from a postpartum hemorrhage] in Burhanpur, Deccan (present-day Madhya Pradesh), during the birth of her fourteenth child, a daughter named Gauhar Ara Begum. Her body was temporarily buried at Burhanpur in a walled pleasure garden known as Zainabad […].
[The] emperor was reportedly inconsolable. Apparently, after her death, he went into secluded mourning for a year. When he appeared again, his hair had turned white, his back was bent and his face worn. Mumtaz’s eldest daughter, Jahanara […], gradually brought her father out of grief and took her mother’s place at court.
The Myth of the Taj Mahal and a New Theory of It’s Symbolic Meaning (College Art/Wayne E. Begley/PDF)
Hanspostcard has a movie draft challenge. This is my Round Twelve and final pick. Thanks for the invitation, Hans!
This has been my worst category as I love science fiction anything. I have struggled over these past six months trying to pick just one. My choice would change, daily. I finally settled on one that is part of my teen years and became a cultural cult classic. I still have the sticker that I got when I went to see this at the theater in 1982. Like The Breakfast Club, this movie means something to me. Released the summer before my junior year, this movie got me interested in computers and graphics. There is also the memory of a scene I saw in the original release at the theater, that disappeared in subsequent showings on HBO, TV and the VHS tapes, and made me crazy:
The 20th Anniversary DVD edition includes a deleted love scene: Tron and Yori go to her apartment, where she pushes a button on the wall. [T]he walls [disappear] and her uniform changes into a different costume. Also included are a partially completed “morning after” scene…(all dialog tracks for this short scene are lost).
All the data on the Internet states that the scene was removed from the final cut. I beg to differ. I distinctly remember seeing them go to her “apartment.” That being said, what I remember from the scene is a little different from the “official deleted scene” (she glowed, her hair was blowing around and her helmet floated off her head). I think a shortened version of that scene was released to theaters and when the movie was released to HBO & VHS tapes, they wiped all of it out. This is a very clear memory. The prologue to the movie, when released to theaters, was also removed. The “original” opening monologue (that I’ve never heard) was restored in the 20th Anniversary DVD. ~Vic
Directed by Steve Lisberger, the screenplay was written by Charles S. Haas & Lisberger, adapted from the original story by Bonnie MacBird (whom is married to DARPA-connected computer scientist Alan Kay). Produced by Donald Kushner, it starred Jeff Bridges, Bruce Boxleitner, David Warner, Cindy Morgan, Barnard Hughes, Dan Shor and Peter Jurasik and, was released July 9.
Kevin Flynn is a software engineer and an ex-employee at ENCOM. He runs a video arcade and tries to hack into ENCOM’s mainframe, looking for proof that his video games were plagiarized. The Master Control Program stops him. Programmer Alan Bradley and engineer Dr. Lora Baines, his girlfriend, discover that they have lost access to their projects. When Alan questions Senior Exec. VP Ed Dillinger about the restriction, Dillinger states that extra security is needed to stop outside hacking. When Alan leaves, Dillinger asks the MCP about the issues and realizes that the MCP has become a power-hungry virtual intelligence. Dillinger is blackmailed into complying with the MCP’s wishes due to his theft of Flynn’s material. Alan, Lora & Flynn break into ENCOM and Flynn winds up digitized inside the mainframe when the MCP uses an experimental laser to dissect him. Flynn must navigate his way around a strange digital landscape where all the programs resemble the users that created them and find his way back out.
♦ [T]he Motion Picture Academy refused to nominate Tron for a special-effects award because, as director Steven Lisberger put it, “The Academy thought we cheated by using computers”.
♦ Originally MacBird envisioned Flynn more comedically, suggesting the then-30-year-old Robin Williams for the role.
♦ Bruce Boxleitner and Peter Jurasik would later work together on Babylon 5.
♦ Nine script revisions caused bitter credit disputes.
♦ Though it made $50 million from a $17 million budget and had $70 million in merchandise sales, it was considered a financial failure.
♦ The ENCOM laser bay was real. It was actually the target bay for the twenty-beam SHIVA solid-state laser facility at the Lawrence Livermore National Laboratory
♦ The soundtrack was primarily composed by Wendy Carlos with two additional tracks provided by Journey after Supertramp had to leave the project.
Bruce & Cindy Discuss Deleted Scenes (Beyond The Marquee/12-24-2013)
Tron Then and Now (Digital Content Producer/Archive/07-07-2012)
Deleted Love Scene (Fandom Wiki)
Tron 30th Anniversary Screening Review (Nuke The Fridge/10-30-2012)
Tron’s 20th Anniversary (SFGate/01-09-2002)
End of line…
Opening Scene (Missing Prologue)
Officially Deleted Scene
Bruce Boxleitner & Cindy Morgan @ California Convention
(helmets coming off mentioned) 11-16-2013
Five years ago, today, the film Casual Encounters was released. Directed by Zachary Adler, it was written by Sebastian J. Michael and Erik Steinmetz. Filmed in Los Angeles, it starred Taran Killam, Brooklyn Decker, David Krumholtz, Mark Boone Junior, David Arquette, Sienna Farall and Aimee-Lynn Chadwick.
When Justin’s girlfriend of five years leaves him heartbroken and embarrassed after a public breakup, his “trying to be helpful” but, somewhat misguided friends talk him into the strange world of on-line dating.
With easy access to HD equipment, aspiring filmmakers can now make low-budget movies which look very slick. However, there’s not much [that] can be done for bad acting. Most every movie genre is difficult to master but, the raunchy sex comedy may be one of the most difficult. [They] struggle to find a balance between lewd jokes which often involve bodily fluids and anything remotely clever or interesting. Sadly, [this movie] doesn’t come close to finding this balance or presenting anything which is remotely humorous. The line between cringe-worth and funny is very thin but, this movie isn’t even close enough to the line…
June 1, 2016
Hmmm…sounds like a dog of a movie, even with David Krumholtz (Numb3rs TV Series). ~Vic
Three hundred, twenty years ago, yesterday, Scottish Sea Captain William Kidd was hanged at Execution Dock in London at low tide:
[P]roceedings against [Kidd] had been long and notorious. The actions for which he was tried had been still more notorious, one involving murder and five [involving] piracy. His career had been brief, brilliant in the beginning [but], catastrophic at the end. The general excitement at the time of his execution and, all during his imprisonment in London, had been at [a] fever pitch. Gossip went to work and, the wildest of tales of Kidd’s wickedness and wealth were believed. […] Upon his death, numerous accounts, both factual and fictitious, appeared.
William Hallam Bonner
University of Buffalo
American Literature, Vol. 15, No. 4, Jan. 1944
Kidd was commissioned by King William III (William of Orange) as a Privateer and carried a license to hunt pirates, reserving 10% of any bounty acquired for the Crown. His murder charge was the result of the killing of crew member William Moore, his gunner, during a near mutiny.
Of all the things written and expressed, the ballad Captain Kid’s Farewel to the Seas (or the Famous Pirate’s Lament) was the only thing to survive. It was quite popular in the Colonies where the Captain had a home and may be considered America’s first folk legend. There is a British version and an American version, which changed the Captain’s first name to Robert for some strange reason and, several contemporary covers. The last website, below, has his name as John. He had to be hanged, twice, as the rope broke the first time. ~Vic
Captain Kidd Lyrics (David Kidd Website/Wayback Machine)
Captain Kidd Song (Wikipedia)
The Ballad of Captain Kidd (Chivalry Website Archive)
Wizard of the Seas (Ex-Classics Website)
Five years ago, today, the #1 film at the box office was Captain America: Civil War. Directed by the Russo Brothers and produced by Kevin Feige, the all-star cast is extensive (and well known). If you are unaware of this blockbuster film, it took in $1.15 billion.
The basic plot is one that weaves thru much of the Marvel Comics (and DC Comics, as well) regarding mutant and superhero discrimination and the government wanting to register and track them. The idea was alluded to in the Uncanny X-Men issue #141, published in January of 1981 and the specific words “Mutant Control Act“ showed up in the Uncanny X-Men issue #181, published in May of 1984. It was featured prominently in the movie X-Men (2000).
In Civil War, the Sokovia Accords is a United Nations version of a registration act to monitor or control the superheroes. Tony Stark (Ironman) agrees with this registration out of remorse for Ultron and the destruction of Sokovia. Steve Rogers (Captain America) disagrees and wants no part of political intervention or any form of registration. Complicating matters, Rogers’ childhood friend Bucky Barnes (Winter Soldier) is responsible for the death of T’Challa’s (Black Panther) father and Stark’s parents. The Avengers split along ideological and loyalty lines. Unlike the comics, Captain America isn’t killed off but, he does walk away from the job. He returns during Infinity War & Endgame.
I find all of the above quite prophetic considering recent insane events taking place. Society, once again, finds itself being driven towards more discrimination, tracking/registration with vaccine passports (shall we return to gold stars on lapels and “your papers, please?”) and possible civil war? Please…wake up. ~Vic
♦ The film coincides with the 75th anniversary of Captain America, the 10th anniversary of the original Civil War comic book and Black Panther’s 50th anniversary.
♦ This is the live-action debut of T’Challa, the Black Panther, one of the first black superheroes in American comic books, which debuted in Fantastic Four #52 (July 1966).
♦ By the end of the movie, The Avengers logo on Captain America’s arm is no longer there, representing the fact that The Avengers are no longer his.
Hanspostcard has a movie draft challenge. This is my Round Nine pick.
Gore Vidal: […on Truman’s voice…] “To the lucky person who has never heard it, I can only say…imagine what a brussel sprout would sound like, if a brussel sprout could talk.”
This is the second movie on Truman Capote regarding his foray into the Clutter Family murders. Released August 31, 2006, at the Venice Film Festival and widely on October 13, 2006, this film stood in the shadow of Philip Seymour Hoffman‘s Capote and his Academy Award for Best Actor. Unlike its predecessor, this film, with its $13 million budget, lost money. That being said, despite Hoffman’s turn, Toby Jones is no slouch and his interpretation has its own unique depth. Jones was awarded the London Critics’ Circle Film Award for British Actor of the Year. I found this film to be fascinating and quite entertaining, with parts difficult to watch. Bubbly Sandra Bullock brings forth the subdued, Southern To Kill A Mockingbird novelist Harper Lee. Much of the storytelling is done in mock interviews with the actors, in character, talking about their interactions with Truman. I seem to have a thing for underdog/obscure movies. ~Vic
Written and directed by Douglas McGrath, the movie is based on George Plimpton’s book Truman Capote: In Which Various Friends, Enemies, Acquaintances and Detractors Recall His Turbulent Career (1997). Produced by John Wells & Christine Vachon, (a pre-James Bond) Daniel Craig is Perry Smith, Peter Bogdanovich is Bennett Cerf (Random House Publishing Co-Founder), Jeff Daniels is Alvin Dewey (Kansas Bureau of Investigation Special Agent), Hope Davis is Slim Keith (ex-wife of Producer & Director Howard Hawks), Gwyneth Paltrow has a singing cameo as Kitty Dean (a Peggy Lee clone and possible reference to The Royal Family play), Isabella Rossellini is Marella Agnelli (Italian Princess and wife of the Chairman of Fiat Automobiles), Juliet Stevenson is Diana Vreeland (Editor-in-Chief of Vogue), Sigourney Weaver is Babe Paley (wife of CBS founder William Paley), Lee Pace is Richard Hickock, John Benjamin Hickey is Jack Dunphy (Capote’s partner) and Michael Panes is Gore Vidal (writer and Democrat party candidate).
“Why shouldn’t there be a fizzy, comedic take on the naughty adventures of the Park Avenue gadabout as he fashioned In Cold Blood […]? Why not a movie that concentrates on the contrast between the writer’s frivolous party-boy side and the brutal murders in Kansas, the exotic and colorful tropical specimen who becomes a fish-out-of water when he jumps from his luxurious high-rise swan pond into the Midwestern plains?
[A]fter In Cold Blood, [Capote] never published another major work. Out of career desperation as much as anything else, he sold out his friendships with these […] people, publishing gossipy stories about them in an Esquire excerpt from Answered Prayers in 1976 and was banished from their lives.
[T]he movie centers on the symbiotic relationship between Truman and Perry, pondering the extent of the seduction and, who seduced whom.
Toby Jones inhabits Truman as if he were to the character born, a livelier and more perversely ebullient man than Phillip Seymour Hoffman‘s version in Capote (2005).”
Truman On The Rocks
October 12, 2006
♦ Mark Walberg was to play Perry Smith, originally but, dropped out. Mark Ruffalo was next but, dropped out, as well.
♦ Sigourney Weaver portrays the wife of a CBS Executive and is the daughter of NBC Executive Pat Weaver.
♦ Michelle Pfeiffer was to play Slim Keith, originally.
The Story Behind A Non-Fiction Novel (George Plimpton/New York Times Archive/1997)
Warner Brothers Trailer
Hanspostcard has a movie draft challenge. This is my Round Seven pick.
Category: Crime/Film Noir
Film: Cop Land
Written and directed by James Mangold, it was executive produced by the Weinstein brothers (though their names have been removed from the Wikipedia article). Released August 6, 1997 in New York (premiere) and nationwide on August 15, it was an incredible ensemble cast of Sly Stallone, Harvey Keitel, Ray Liotta, Robert De Niro, Robert Patrick, Peter Berg, Janeane Garafalo, Edie Falco, Michael Rapoport, Annabella Sciorra, John Spencer, Cathy Moriarty, Noah Emmerich, Frank Vincent, Malik Yoba, Arthur Nascarella and, cameos of Deborah Harry & Geraldo Rivera.
Sylvester Stallone put on 40 pounds to play Nowheresville, N.J., sheriff Freddy Heflin in Cop Land […]. His town is run by Ray Donlan (Keitel) and the other New York cops who have settled there with their families. He wears blinders when it comes to their lawbreaking and mob dealings. Moe Tilden (De Niro), the internal-affairs officer out to get the goods on Cop Land, correctly pegs Freddy as “a man looking for something to do.” Keitel’s [Donlan] exudes dangerous energy. He cares for his own as long as they don’t cross him […]. Robert Patrick brings sly menace to Rucker […]. Ray Liotta […], as Gary Figgis, [is] a tainted cop who sides with Freddy.
Mangold […] has a rare talent for finding the human drama in ordinary lives.
Writer-director James Mangold […] wrangles an impressive cast […] and spins a compelling tale of cancerous corruption among a secretive group of New York’s finest who have settled in the fictional New Jersey burg of Garrison. [Stallone] indeed looks chunky and plays the sleepy, docile Sheriff […] with sluggishness to spare in a largely commendable performance as a half-deaf small-town dreamer. [He] is not given much in the way of memorable dialogue but, he makes the character work […]. [Having] yet to replace his LP of The River with a CD, [he] carries a torch for the local Jersey girl (Sciorra) he saved from drowning…the reason for his loss of hearing in one ear…[he] once longed to be a big-city cop but, had to settle for policing them.
Freddy gradually realizes that he doesn’t like how the town has turned out.
The Hollywood Reporter
August 11, 1997
I saw this at the theater when it came out and caught it, again, a few nights ago. I was born and raised in law enforcement and, worked in it, too (non-sworn). I’ve known good cops and I’ve known some really bad ones. I love a well written cop movie and this was an unusual one in that Stallone wasn’t playing a bad ass like Rambo, Cobra, Tango, John Spartan (though I do love that movie) or Ray Quick. This character was different…subdued. His scenes with Annabella Sciorra have Springsteen playing in the background which adds depth and texture to the mood. This is clearly a period piece as all the vehicles, hair cuts and clothing styles are, effectively, early 80s. The River came out in 1980 and music from the Director’s Cut, like Blue Oyster Cult‘s Burnin’ For You came out in 1981. This also manages to cover the Crime category via IMDb and the Film Noir category, simultaneously, via Historical Dictionary of Film Noir (2010). ~Vic
♦ There is a disclaimer at the end of the credits which states “This film is a work of fiction. It is currently illegal for New York City Police officers to live outside the state of New York.”
♦ Arthur J. Nascarella was a real-life NYPD officer.
♦ Debbie Harry acted in the movie but, was edited out in the final cut. She explained on a live television special that although she was cut, she still got paid.
♦ In the scene in which Ray Liotta confronts Robert Patrick in the bar, the dart that Liotta shoves up Patrick’s left nostril was made out of rubber.
♦ Tom Cruise, Tom Hanks, Gary Sinise and John Travolta were considered for Sheriff Freddy Heflin.
The Making of an Urban Western
Hanspostcard has a movie draft challenge. This is my Round Six pick.
Film: El Dorado
Mississippi: “[…] My name is Alan Bourdillion Traherne.”
Cole: “Lord Almighty…”
Sheriff Harrah: “Who is he?”
Cole: “Tell him your name, Mississippi.”
Mississippi: [sigh] “Alan Bourdillion Traherne.”
Sheriff Harrah: “Well, no wonder he carries a knife.”
Mississippi: “Always make you mad, don’t I?”
Produced and directed by Howard Hawks, the film is a loose adaption of The Stars in Their Courses, a 1960 novel by Harry Brown. The screenplay was written by Leigh Brackett and starred John Wayne, Robert Mitchum, James Caan, Charlene Holt, Paul Fix, Arthur Hunnicutt, Michele Carey, R. G. Armstrong, Ed Asner, Christopher George and Johnny Crawford. Jim Davis (Jock Ewing) and John Mitchum have small parts. It was released December 17, 1966, in Japan, oddly and didn’t make it to US theaters until June 7, 1967.
Cole Thornton (Wayne) is a gunslinger for hire and land owner Bart Jason (Asner) has offered him a job. J. P. Harrah (Mitchum) is a Sheriff and an old friend of Cole’s. When Harrah informs Cole of Jason’s intention to use him to push the MacDonald family off of their land for water rights, Cole refuses the job. After shooting the youngest MacDonald son, unintentionally, during a volley of gunfire, Cole is wounded by the MacDonald daughter (Carey), in return, after he brings the deceased boy back home. Cole suffers intermittent paralysis on his right side throughout the rest of the movie. With the help of a gambler (Caan) he crosses paths with and the Sheriff’s deputy (Hunnicutt), Cole straightens out the drunken Sheriff, tangles with another gunslinger (George), derails Jason’s takeover and just might stop his previous ways for his lady, Maudie (Holt).
Mississippi repeats parts of the Edgar Allen Poe poem (except the second stanza) during the film, aggravating Cole somewhat (Caan had trouble with the word “boldly”, slurring it to sound like either “bowlie” or “bodie”). He’s also terrible with a gun and couldn’t hit the broadside of a barn (but, I love that hat!). Cole gets him a shotgun and later regrets it as he has scatter shot in his leg at the end of the movie.
This is my favorite John Wayne movie even though it is an ensemble cast. A close second is The Quiet Man where Wayne played another “Thornton” character. ~Vic
♦ Archival footage of this movie was used in The Shootist as some backstory for Wayne’s character J.B. Books.
♦ The artwork in the opening credits was painted by Olaf Wieghorst, the Swedish gunsmith.
♦ At the end of the movie, both Cole & Harrah are on crutches under the wrong arm.
♦ The bathtub scene was Mitchum’s idea.
♦ Mitchum’s brother was a bartender named Elmer. He called him by his real name by accident.
♦ Wayne and Asner did not get along.
Caan on Wayne