Yes. He’s dead…by his own admission. I heard him say he was born in 1735 when addressing his tour subjects. He was pleased that I wished to photograph him. I guess the lantern adds to the spookiness.
The town I live in is haunted…in some places. It’s pretty common knowledge. It is an old town. During the summer, there are ghost tours. I’m not kidding. I might take a tour one day. ~Vic
Specific dates are a little hard to come by but, one-hundred, twenty-five years ago in May, Edison Studios produced three silent actuality films of German bodybuilder Eugen Sandow (born Friedrich Wilhelm Müller). It was directed by Scottish mutoscope inventor, photographer and Edison employee William K. L. Dickson.
Florenz Ziegfeld wanted to display Sandow at the 1893 World’s Columbian Exposition in Chicago. Ziegfeld found that the audience was more fascinated by Sandow’s bulging muscles than by the amount of weight he was lifting so, Ziegfeld had Sandow move in poses which he dubbed “muscle display performances”…and the legendary strongman added these displays in addition to performing his feats of strength with barbells. He added chain-around-the-chest breaking and other colorful displays to Sandow’s routine and Sandow quickly became Ziegfeld’s first star. The [Edison] film was of only part of his act and featured him flexing his muscles rather than performing any feats of physical strength.
From Film Threat:
Did you ever stop and say to yourself: “Hey, who was the very first movie star?” You never did? That’s funny, because I did. In researching the answer, I found myself going all the way back to the dawn of motion pictures, where a scantily clad muscleman flexing his biceps was the unlikely pioneer in the realm of celluloid stardom. The year was 1894 and the American motion picture industry consisted solely of Thomas Edison and his team of inventors. Edison had the technology in place but, he was missing one key element: the film contents. […] there was one man who had no problem filling that void. In between the expected presentations for feats of strength, there were posing sequences where Sandow arched and twisted his body in a manner that detailed the excesses of his musculature. Today, we call that bodybuilding, and no one thinks twice about it but, in the 1890s, it was a startling and exciting physical display. Reportedly, Sandow made a nice side business by accepting money from women who wanted to feel his mighty muscles! Sandow’s fame in the United States grew fairly quickly and he became a major headliner on the vaudeville circuit. Edison realized he could also cash in on Sandow’s fame and, in early 1894, he sent word to Ziegfeld about having Sandow appear in a kinetoscope film. Edison then handed Sandow over to William K.L. Dickson, who was in charge of the film production at Edison’s studio. Sandow stripped off his clothing, donned his tighty-whitey posing trunks and stood before the hand-cranked kinetoscope camera. And, to employ the ultimate cliché, history was made.
One-hundred, nineteen years ago, today, The Wonderful Wizard of Oz children’s novel was published. It was written by L. Frank Baum, illustrated by W. W. Denslow and published by the George M. Hill company in Chicago, IL. The title was shortened to The Wizard of Oz for the Broadway Musical adaptation in 1902 and the Musical Film adaptation in 1939.
The book is one of the best-known stories in American literature and has been widely translated. The Library of Congress has declared it “America’s greatest and best-loved homegrown fairytale.” Its groundbreaking success and the success of the Broadway musical adapted from the novel led Baum to write thirteen additional Oz books that serve as official sequels to the first story.
Baum dedicated the book “to my good friend & comrade, My Wife,” Maud Gage Baum. In January 1901, George M. Hill Company completed printing the first edition, a total of 10,000 copies, which quickly sold out. It sold three million copies by the time it entered the public domain in 1956.
The Wonderful Wizard of Oz is considered the first American fairy tale because of its references to clear American locations such as Kansas and Omaha. Baum agreed with authors such as Carroll that fantasy literature was important for children, along with numerous illustrations but, he also wanted to create a story that had recognizable American elements in it such as farming and industrialization. Baum did not offer any conclusive proof that he intended his novel to be a political allegory.
The Wonderful Wizard of Oz has become an established part of multiple cultures, spreading from its early young American readership to becoming known throughout the world. It has been translated or adapted into well over fifty languages, at times being modified in local variations. For instance, in some abridged Indian editions, the Tin Woodman was replaced with a horse. In Russia, a translation by Alexander Melentyevich Volkov produced six books, The Wizard of the Emerald City series, which became progressively distanced from the Baum version, as Ellie and her dog Totoshka travel throughout the Magic Land. More recently, the story has become an American stage production (The Wiz) with an all-black cast, set in the context of modern African-American culture.
The Battle of Alamance was the final battle of the War of the Regulation, a rebellion in colonial North Carolina over issues of taxation and local control. Some historians in the late nineteenth-early twentieth centuries considered the battle to be the opening salvo of the American Revolution and locals agreed with this assessment. Named for nearby Great Alamance Creek, the battle took place in what was, then, Orange County and has since become Alamance County in the central Piedmont about 6 miles (9.7 km) south of present-day Burlington, North Carolina.
From North Carolina History:
On a field in [the] Piedmont [of] North Carolina, Regulators clashed with North Carolina militia on May 16, 1771. Many probably had predicted the day when public disagreements, political protests and riots would one day escalate into an armed conflict. For a couple decades, tensions had been mounting. Piedmont farmers believed that they were being overtaxed and had been paying excessive fees to local sheriffs, and the colonial government. Piedmont farmers started demanding changes to the law and, publicly humiliating, intimidating and sometimes, flogging officials whom they deemed to be corrupt…Judge Richard Henderson and Sheriff Edmund Fanning are two examples.
After the Johnston [Riot] Act was passed, Rowan Regulators deemed it “riotous,” writes historian William Powell and, “swore that they would pay no more taxes.” Similar sentiment spread throughout the backcountry, so, in 1771, Governor Tryon flexed his executive muscle and ordered a special court in Hillsborough. Predicting that disgruntled Regulators would protest this action, Tryon sent out militia to the courthouse to quell any rebellious activity or interference with court sessions.
As the militia marched westward, approximately 2,000 Regulators assembled and, converged and met the militiamen camping beside Great Alamance Creek. On May 16, the Regulators relayed to Governor Tryon that they wanted to discuss their differences with government officials. Tryon scoffed at the suggestion and returned a message stating that a prerequisite for such an audience necessitated that the Regulators disarm. The royal governor gave the Regulators one hour to surrender. Their reply: “Fire and be damned.” No doubt believing the other side to be condemned to eternal fire, Tryon and the militia answered with cannon fire.
The Battle of Alamance lasted for two hours. The Regulators fired weapons behind trees and large rocks [but] their effort lacked organization. Sometimes when a Regulator would run out of ammunition, he left the field of battle. As to be expected, the militia was more organized in its attack, and maneuvers, and Tryon defeated the Regulators.
From the North Carolina Geneology Project:
The War of the Regulation which culminated in the Battle of Alamance is one of the most controversial events in the history of North Carolina.
A great many of the people of North Carolina in the years just before the American Revolution were restless and dissatisfied with the state of affairs in their province. Their grievances were serious and affected their daily lives. Royal governors sent from outside the province were not able to maintain peace and quiet but, instead, frequently gave the people further cause for discontent. The outstanding group opposing the ruling class represented by the governor and his friends were known as Regulators.
It was a movement based upon the social and economic differences between the tidewater section and the back country of North Carolina. In the East, the people were almost entirely of English descent. It was here that an aristocratic form of society prevailed, based upon large plantations and slave labor. This area had taken on many of the forms and luxuries of older societies. The people looked to Virginia, and the mother country, for its social, intellectual and political standards. In the West, Scotch-Irish and German ancestries were predominant. Here, plantations were small and slaves were few in number. For the most part, the West was still in the pioneer stage. The forms and ideals of society were democratic. Philadelphia was the principal center for the interchange of ideas, as well as of produce. With slight intercourse between them, the two sections felt but little sympathetic interest in each other.
From Rainbow Rob’s Blog:
[…] North Carolina’s Governor Tryon built himself a mansion of grandiose proportions from those unfair taxes levied on struggling farmers. At this point emerged the Regulators. A group formed to protest these abuses, initially to print petitions, distribute pamphlets, advertise their demands for fair hearing and tax.
What started as a war of words swiftly moved to confrontation in the North Carolina courthouse of Hillsborough when a mob took over the building and removed the judge. Governor Tryon immediately passed a law making membership in the Regulators an act of treason.
One man from the Regulators, attempting to negotiate peace, crossed to Tryon who took a gun from one of his militiamen and shot the man dead. An order to ‘Fire and be damned’ was given and the Battle of Alamance ensued. The Regulators, though not outnumbered, were without sufficient arms and ammunition and, the outcome was swift. Governor Tryon took 13 prisoners and six were later executed in nearby Hillsborough.
North Carolina Historic Sites: Alamance Battleground
[Historical records of the casualties are disputed. The numbers of dead range from nine to 27 and the wounded range from 61 to 300. Historians of the time claim that this was, indeed, the beginning of the American Revolution. Modern historians disagree with this.
Alamance is my home county. ~Vic]
I am going WAY back this time…back to the days of moving pictures and short films. Sticking with my five year increments, one-hundred & thirty years ago, William Friese-Greene, an English inventor, and professional photographer, shot a silent, actuality film in the Autumn of 1889. It was titled Leisurely Pedestrians, Open Topped Buses and Hansom Cabs with Trotting Horses.
[…] shot by inventor and film pioneer William Friese-Greene on celluloid film using his ‘machine’ camera, the 20 feet of film […] was shot […] at Apsley Gate, Hyde Park, London. [It] was claimed to be the first motion picture [but] Louis Le Prince successfully shot on glass plate before 18 August 1887 and on paper negative in October 1888. It may, nonetheless, be the first moving picture film on celluloid and the first shot in London.
It is now considered a lost film with no known surviving prints and only one possible still image extant.
An article in This Is Bristol UK from December 17, 2009, (via The Wayback Machine) has an interview with David Friese-Greene, the great-grandson. From the article:
My great-grandfather was an idealist and a brilliant inventor, with 71 patents to his name but, he was a dreadful businessman. He died without ever having made a penny out of his inventions. He married his first wife Helena Friese when he was just 19 and incorporated her surname with his, because he felt it sounded more impressive. Tragically, Helena died at the age of 21 […].
It was during the late 1880s, shortly after Helena’s death, that Friese-Greene first began to experiment with the idea of creating moving pictures. […] in 1890, he patented [a] new device, which he dubbed the chronophotographic camera. Unfortunately, he was so pleased with his creation that, he wrote to the great American inventor, Thomas Edison, telling him what he had come up with and, even, included plans and designs […]. William never heard back from the inventor of the electric light bulb, though, the following year, Edison patented his own version of a movie camera and went down in many history books as the inventor of cinema.
In fact, William died a pauper but, [was] still passionate about his most famous creation. He was at a cinema industry meeting in London, which had been called to discuss the poor state of the British film industry in 1921. He had got to his feet to speak about his vision of how film could be used to create educational documentaries when he fell down dead. It is said he had just 21 pence in his pockets when he died.
There is additional information on this WordPress blog: William Friese-Greene & Me