[This was] a series of 40 art films created by artist David Michalek. [It was] a free, public installation that [could] be seen on the facade of the David H. Koch Theatre, between July 5-31, 2011, nightly, from 8:45pm-11:45pm, as part of the 2011 Lincoln Center Festival. Each video depicts a dramatic scene shot in just 10 seconds and played back in hyper-slow motion, extending the length to about 7 minutes. The scenes vary from solos by famous actors […]. The extreme slowness allows the viewer to witness details of movement, such as muscles [or] facial expressions, revealing the gradual progression and in-between moments of developing emotions. Veteran film and theatre director, Paul Warner served as executive creative consultant and assisted in coaching and directing the actors.
The famous race car Lightning McQueen and his team are invited to compete in the World Grand Prix race. There, McQueen’s best friend Mater finds himself involved in international espionage and, alongside two professional British spies, attempts to uncover a secret plan led by a mysterious mastermind and his criminal gang, which threatens the lives of all competitors in the tournament.
This has been my worst category as I love science fiction anything. I have struggled over these past six months trying to pick just one. My choice would change, daily. I finally settled on one that is part of my teen years and became a cultural cult classic. I still have the sticker that I got when I went to see this at the theater in 1982. Like The Breakfast Club, this movie means something to me. Released the summer before my junior year, this movie got me interested in computers and graphics. There is also the memory of a scene I saw in the original release at the theater, that disappeared in subsequent showings on HBO, TV and the VHS tapes, and made me crazy:
The 20th Anniversary DVD edition includes a deleted love scene: Tron and Yori go to her apartment, where she pushes a button on the wall. [T]he walls [disappear] and her uniform changes into a different costume. Also included are a partially completed “morning after” scene…(all dialog tracks for this short scene are lost).
All the data on the Internet states that the scene was removed from the final cut. I beg to differ. I distinctly remember seeing them go to her “apartment.” That being said, what I remember from the scene is a little different from the “official deleted scene” (she glowed, her hair was blowing around and her helmet floated off her head). I think a shortened version of that scene was released to theaters and when the movie was released to HBO & VHS tapes, they wiped all of it out. This is a very clear memory. The prologue to the movie, when released to theaters, was also removed. The “original” opening monologue (that I’ve never heard) was restored in the 20th Anniversary DVD. ~Vic
Kevin Flynn is a software engineer and an ex-employee at ENCOM. He runs a video arcade and tries to hack into ENCOM’s mainframe, looking for proof that his video games were plagiarized. The Master Control Program stops him. Programmer Alan Bradley and engineer Dr. Lora Baines, his girlfriend, discover that they have lost access to their projects. When Alan questions Senior Exec. VP Ed Dillinger about the restriction, Dillinger states that extra security is needed to stop outside hacking. When Alan leaves, Dillinger asks the MCP about the issues and realizes that the MCP has become a power-hungry virtual intelligence. Dillinger is blackmailed into complying with the MCP’s wishes due to his theft of Flynn’s material. Alan, Lora & Flynn break into ENCOM and Flynn winds up digitized inside the mainframe when the MCP uses an experimental laser to dissect him. Flynn must navigate his way around a strange digital landscape where all the programs resemble the users that created them and find his way back out.
My sticker from 1982 and my date’s name
(high school classmate).
When Justin’s girlfriend of five years leaves him heartbroken and embarrassed after a public breakup, his “trying to be helpful” but, somewhat misguided friends talk him into the strange world of on-line dating.
With easy access to HD equipment, aspiring filmmakers can now make low-budget movies which look very slick. However, there’s not much [that] can be done for bad acting. Most every movie genre is difficult to master but, the raunchy sex comedy may be one of the most difficult. [They] struggle to find a balance between lewd jokes which often involve bodily fluids and anything remotely clever or interesting. Sadly, [this movie] doesn’t come close to finding this balance or presenting anything which is remotely humorous. The line between cringe-worth and funny is very thin but, this movie isn’t even close enough to the line…
Hanspostcard has a movie draft challenge. This is my Round Eleven pick.
Category: Romance/Holiday/Animation Film: Love Actually
All I have to say is, this is a great movie. It will make you laugh. It will make you cry. ~Vic
Written and directed by Richard Curtis (with six producers in tow), this is a Christmas romance romp with an all-star ensemble cast, mostly comprised of Brits. There are ten separate stories, that become interwoven in places…with one exception. This was Curtis’s Directorial Debut.
The movie opens with Prime Minister David talking about the state of the world.
[1] Rock and Roll legend Billy Mack records a Christmas version of the song Love Is All Around (by The Troggs). He thinks it’s crap but, he promotes it, anyway. He spends Christmas with his manager Joe and, you can see him on various TV sets throughout the movie. [2] Best man Mark (a very young Andrew Lincoln sans Colt Python) is in love with Peter’s soon-to-be wife, Juliet, though they both believe that Mark dislikes her. He declares his love with cue cards on Christmas Eve. [3]Jamie discovers his girlfriend is having an affair with his brother. He meets Aurélia but, she doesn’t speak any English. He learns Portuguese to communicate his love for her. [4]Harry & Karen are happily married and raising their children. Mia is Harry’s new secretary. He is drawn to her and nearly destroys his marriage over her. [5] Karen’s brother is David, the Prime Minister. He finds himself attracted to staffer Natalie and having to deal with the U.S. President.
Image Credit: Wikipedia & Wikimedia
[6]Daniel, Karen’s friend, is still mourning the loss of his wife, Joanna. His step-son Sam is interested in an American classmate, also named Joanna. Sam shows his affection for Joanna at the airport (before she returns to the US). Daniel crosses paths with Carol and is interested. [7]Sarah works for Harry and is in love with Karl. Karl is interested but, Sarah’s mentally ill brother Michael is an issue. [8]Colin tells his friend Tony that he is traveling to America to try to woo some women there. He meets Stacey, Jeannie and Carol-Anne in Milwaukee and they invite him to stay with them. Roommate Harriet shows up, later. [9]John (a young Martin Freeman…Arthur Dent/Bilbo Baggins) and Judy meet as nude stand-ins for a film that Tony is a production assistant for. Comfortable with each other simulating sex, they are shy with clothes on, later. [10]Rufus is a jewelry salesman, wrapping Harry’s gift for Mia and, he assists Sam at the airport in getting to Joanna before her flight. He was, originally, to be a Christmas angel but, a script re-write removed that part of the story.
The video for Billy Mack’s [Christmas single] is a reference to
a series of […] videos by Robert Palmer.
Image Credit: IMDb
Gore Vidal: […on Truman’s voice…] “To the lucky person who has never heard it, I can only say…imagine what a brussel sprout would sound like, if a brussel sprout could talk.”
Truman Capote: […on Smith & Hickock…] “When you’re talking to them, they seem like perfectly nice boys. To be frank, I’m much more concerned for my safety around Norman Mailer.”
This is the second movie on Truman Capote regarding his foray into the Clutter Family murders. Released August 31, 2006, at the Venice Film Festival and widely on October 13, 2006, this film stood in the shadow of Philip Seymour Hoffman‘s Capote and his Academy Award for Best Actor. Unlike its predecessor, this film, with its $13 million budget, lost money. That being said, despite Hoffman’s turn, Toby Jones is no slouch and his interpretation has its own unique depth. Jones was awarded the London Critics’ Circle Film Award for British Actor of the Year. I found this film to be fascinating and quite entertaining, with parts difficult to watch. Bubbly Sandra Bullock brings forth the subdued, Southern To Kill A Mockingbird novelist Harper Lee. Much of the storytelling is done in mock interviews with the actors, in character, talking about their interactions with Truman. I seem to have a thing for underdog/obscure movies. ~Vic
“Why shouldn’t there be a fizzy, comedic take on the naughty adventures of the Park Avenue gadabout as he fashioned In Cold Blood […]? Why not a movie that concentrates on the contrast between the writer’s frivolous party-boy side and the brutal murders in Kansas, the exotic and colorful tropical specimen who becomes a fish-out-of water when he jumps from his luxurious high-rise swan pond into the Midwestern plains?
[A]fter In Cold Blood, [Capote] never published another major work. Out of career desperation as much as anything else, he sold out his friendships with these […] people, publishing gossipy stories about them in an Esquire excerpt from Answered Prayers in 1976 and was banished from their lives.
[T]he movie centers on the symbiotic relationship between Truman and Perry, pondering the extent of the seduction and, who seduced whom.
Toby Jones inhabits Truman as if he were to the character born, a livelier and more perversely ebullient man than Phillip Seymour Hoffman‘s version in Capote (2005).”
Captain Yelland: […to his Native American Weather Officer…] “Ahhh, Black Cloud, you’ve been doing unauthorized rain dances again.”
Lasky: […as a Japanese pilot is holding Laurel at gunpoint…] “Why don’t you tell him what’s going on here, Commander? You’re an expert on what’s gonna happen tomorrow…” Captain Yelland: “Go ahead, tell him.” Commander Richard Owens: “26 November, six carriers left the Kuril Isles north of Japan. The carriers were the Akagi, Kaga, Shokaku, Zuikaku, Hiryu, Soryu. Tomorrow at dawn, these carriers will send 353 planes to attack Pearl Harbor.” Senator Chapman: “How in the hell do you know all that?”
F-14 Pilot #1: “Mission aborted? But, we can see ’em!” F-14 Pilot #2: “They’re gonna let the Japs do it, again.”
It’s 1980 and Warren Lasky (Sheen) is a Systems Analyst from Tideman Industries, working with the Department of Defense as an efficiency expert. He is dispatched by his secretive employer to board the USS Nimitz before its departure from Naval Station Pearl Harbor for naval exercises in the Pacific. Tideman Industries designed and built the carrier. Not long at sea, a strange storm appears out of nowhere and the Nimitz can neither outrun nor maneuver away from it. Passing thru the storm, electronics and people, alike, are knocked out. Once the storm is gone and everything returns to normal, Captain Yelland (Douglas), his crew and his civilian passenger discover that they have been thrown backwards in time to 1941, just hours before the attack on Pearl Harbor. What now?
It’s original premiere was in London on May 21, 1980, Japan on July 5 and the US on August 1. I didn’t get to see it at the theater but, caught it on HBO a year later. IMDb lists this as Action & Sci-Fi, which it is but, I think it fits in the Adventure/Thriller categories, too. As a contributor on IMDb, I’ve made a suggested update of the genre. Having been on board the USS Enterprise on December 7, 2001, I have a much greater appreciation for the making of this movie. It received mixed reviews and didn’t make a lot of money. Two months later, another time travel film was released…Somewhere In Time and The Philadelphia Experiment, four years later, is the reverse of this movie in time frames. ~Vic
Sylvester Stallone put on 40 pounds to play Nowheresville, N.J., sheriff Freddy Heflin in Cop Land […]. His town is run by Ray Donlan (Keitel) and the other New York cops who have settled there with their families. He wears blinders when it comes to their lawbreaking and mob dealings. Moe Tilden (De Niro), the internal-affairs officer out to get the goods on Cop Land, correctly pegs Freddy as “a man looking for something to do.” Keitel’s [Donlan] exudes dangerous energy. He cares for his own as long as they don’t cross him […]. Robert Patrick brings sly menace to Rucker […]. Ray Liotta […], as Gary Figgis, [is] a tainted cop who sides with Freddy.
Mangold […] has a rare talent for finding the human drama in ordinary lives.
Writer-director James Mangold […] wrangles an impressive cast […] and spins a compelling tale of cancerous corruption among a secretive group of New York’s finest who have settled in the fictional New Jersey burg of Garrison. [Stallone] indeed looks chunky and plays the sleepy, docile Sheriff […] with sluggishness to spare in a largely commendable performance as a half-deaf small-town dreamer. [He] is not given much in the way of memorable dialogue but, he makes the character work […]. [Having] yet to replace his LP of The River with a CD, [he] carries a torch for the local Jersey girl (Sciorra) he saved from drowning…the reason for his loss of hearing in one ear…[he] once longed to be a big-city cop but, had to settle for policing them.
Freddy gradually realizes that he doesn’t like how the town has turned out.
I saw this at the theater when it came out and caught it, again, a few nights ago. I was born and raised in law enforcement and, worked in it, too (non-sworn). I’ve known good cops and I’ve known some really bad ones. I love a well written cop movie and this was an unusual one in that Stallone wasn’t playing a bad ass like Rambo, Cobra, Tango, John Spartan (though I do love that movie) or Ray Quick. This character was different…subdued. His scenes with Annabella Sciorra have Springsteen playing in the background which adds depth and texture to the mood. This is clearly a period piece as all the vehicles, hair cuts and clothing styles are, effectively, early 80s. The River came out in 1980 and music from the Director’s Cut, like Blue Oyster Cult‘s Burnin’ For You came out in 1981. This also manages to cover the Crime category via IMDb and the Film Noir category, simultaneously, via Historical Dictionary of Film Noir (2010). ~Vic
Mississippi: “[…] My name is Alan Bourdillion Traherne.” Cole: “Lord Almighty…”
Sheriff Harrah: “Who is he?” Cole: “Tell him your name, Mississippi.” Mississippi: [sigh] “Alan Bourdillion Traherne.” Sheriff Harrah: “Well, no wonder he carries a knife.”
Mississippi: “Always make you mad, don’t I?” Cole: “Mostly.”
Cole Thornton (Wayne) is a gunslinger for hire and land owner Bart Jason (Asner) has offered him a job. J. P. Harrah (Mitchum) is a Sheriff and an old friend of Cole’s. When Harrah informs Cole of Jason’s intention to use him to push the MacDonald family off of their land for water rights, Cole refuses the job. After shooting the youngest MacDonald son, unintentionally, during a volley of gunfire, Cole is wounded by the MacDonald daughter (Carey), in return, after he brings the deceased boy back home. Cole suffers intermittent paralysis on his right side throughout the rest of the movie. With the help of a gambler (Caan) he crosses paths with and the Sheriff’s deputy (Hunnicutt), Cole straightens out the drunken Sheriff, tangles with another gunslinger (George), derails Jason’s takeover and just might stop his previous ways for his lady, Maudie (Holt).
Mississippi repeats parts of the Edgar Allen Poepoem (except the second stanza) during the film, aggravating Cole somewhat (Caan had trouble with the word “boldly”, slurring it to sound like either “bowlie” or “bodie”). He’s also terrible with a gun and couldn’t hit the broadside of a barn (but, I love that hat!). Cole gets him a shotgun and later regrets it as he has scatter shot in his leg at the end of the movie.
This is my favorite John Wayne movie even though it is an ensemble cast. A close second is The Quiet Man where Wayne played another “Thornton” character. ~Vic
Dean Corso is a bit of a sleazy rare book dealer from New York with questionable ethics. Boris Balkan, a wealthy collector, hires Corso to determine if a book he owns (the book to the left/above) is authentic. The author, supposedly, wrote the book with help from the Devil and only three copies of the book are known to exist after the author was burned at the stake during the Inquisition, along with his works. Corso must find the other two to complete his investigation. Balkan believes that the owner of the book would have the power to summon said Devil. As the skeptical Corso travels and searches, he is followed by a mysterious woman. He eventually becomes obsessed with his task and desires the complete truth. The movie twists and turns to it’s bizarre ending. Depp is a strange cat but, he makes really interesting movies. Visually, Polanski intended for Corso to resemble Philip Marlowe. ~Vic
“Saturday, March 24, 1984. Shermer High School, Shermer, Illinois, 60062 (fictional town). […] You see us as you want to see us… […] You see us as a brain, an athlete, a basket case, a princess and a criminal. […] That’s the way we saw each other at 7:00 this morning. We were brainwashed.”
This is my graduating class…the class of 1984 (despite the age of some of the actors). Released February 15, 1985, I was in my freshman year of college and it was a bittersweet revisit. I knew these characters…every single one of them. My high school even had a library that resembled that set. This movie was made with only a one million budget but, brought in $51 million and, in 2016, was selected for preservation with the National Film Registry of the Library of Congress. There is no CGI or special effects. There are no sweeping views of beautiful locations. There are no “shoot-em-up-bang-bang” sequences. There is some action with the cast running through the hallways, dancing while high and Judd Nelson (John Bender/The Criminal) falling through the ceiling tiles. This is, primarily, a study of human nature, parental influence, peer influence, subtle & overt abuse and the struggle to understand. It’s heartbreaking, it’s hilarious and it is so Generation X. ~Vic
The film spans Jill’s slalom races to her national championship, her best friend’s polio contraction, her accident while attempting to win the Alta, UT, Snow Cup, her hospital stay, her slow rehabilitation, her heartbreak from the losses of two dear men and her triumph at becoming a teacher.
Released July 25, 1975, the film was panned by critics for being too much of a tear-jerker. That may be true but, she did have a really hard time. The sequel was released February 10, 1978 and was panned even worse. I saw them in reverse order. I was only nine years old when the first movie came out so, I didn’t get to see it until I was an adult. I saw Part II, first, when it was released to television. I enjoyed both films despite the bad reviews. Sometimes, bringing someone’s life story to the big screen is handled poorly. Jill passed away February 9, 2012.
I don’t think I need to provide a trailer or to hack out a plot or synopsis on this one but, you might find the trivia interesting. I did my own post back in 2018.
I was 11 years old when it was released. I was such an Olivia Newton-John fan. I begged my mom to buy me the album soundtrack. I nearly wore it out. I still have it to this day. And, I remember those shoes. I was headed to seventh grade that year and ALL the girls had to have a pair of the Candies that Sandy made famous. Can you imagine a bunch of ‘tween girls in the late 70s trying to change classes, going up and down stairs in Sandy’s Candies? Oh, my… ~Vic
Trivia Bits:
♦ Rizzo’s hickeys were real. Stockard Channing said in an interview that Jeff Conaway insisted on applying them himself.
♦ Hopelessly Devoted to You was written and recorded after the movie had wrapped.
♦ Elvis Presley turned down the role of The Guardian Angel in the Beauty School Drop-Out scene.
♦ Due to a zipper breaking, Olivia Newton-John had to be sewn into the trousers she wears in the last sequence (the carnival at Rydell).
♦ Jeff Conaway was so infatuated with Olivia Newton-John, he was tongue-tied whenever she was around. He later married Olivia’s sister, Rona Newton-John.
♦ Danny’s blue windbreaker at the beginning of the film was intended as a nod to Rebel Without a Cause.
♦ Jamie Donnelly had prematurely grey hair, which she dyed black to play Jan. Her hair grew really quickly, so her roots had to be colored in daily with a black crayon.
♦ Rydell High is a reference to teen idol Bobby Rydell who had a million selling hit with Swingin’ School in 1960.
♦ The “blonde pineapple” line was improvised by Barry Pearl.
♦ Olivia Newton-John insisted on a screen test for the role of Sandy. She was concerned that she didn’t have the acting skills and would look too old to be a high school student. The part was originally meant for Susan Dey, who turned it down on her manager’s advice.
The soundtrack was certified 14x Platinum in Australia, Diamond in Canada and 8x Platinum in the UK & the US.
A rare documentary by Scottish folk singer Donovan P. Leitch. Insights into his life with rare recordings from the beginning of his career as a folk singer. Portions of the film was [sic] filmed on St. Ives, Cornwall on Porthminster [B]each in 1966.
It shows Donovan’s life before becoming famous, when he was busking and living in Saint Ives with his friend Gypsy Dave. And, then, when the fame came in with Ready Steady Go! Donovan and his friends are seen smoking marihuana [sic], very shocking for its time. This warned the police to keep him under surveillance and ended up arresting him for drugs [sic] possession in mid-1966.
Born Donovan Philips Leitch in Glasgow, Scotland on May 10, 1946, Donovan was part of the British folk scene and the British music invasion in America. His style was distinctive and incredibly eclectic. As a child, Donovan was vaccinated with the polio vaccine and contracted polio. Though the vaccine was later made safer with the Sabin oral vaccine, the disease and treatment left Donovan with a limp. The public never knew this.
[E]arly on, he was compared with Bob Dylan […]. By 1966, [he] had become one of the first British pop musicians to adopt the flower power image. His music contained many drug references during this time. His recordings were also the first pop music to contain the sound of the sitar, later copied by other famed music groups. [He] was the first high-profile British pop star to be arrested for possession of marijuana. Though Donovan’s drug use appeared to have been moderate, and his drug use was not on the scale of others such as Jimi Hendrix and Brian Jones who later died from overdoses, his use of LSD is referred to in many of his lyrics. Public attention was drawn to his drug use by [the] TV documentary, A Boy Called Donovan, which was broadcast during that year and newspaper coverage of the drug scene in England.
The Hurdy Gurdy Man of the Psychedelic Sixties: Donovan Leitch Felice Prager
Marie is a French TV journalist that has a near death experience after nearly drowning during a tsunami. George is a psychic medium but, works in a factory and tries to avoid talking to dead people. Twins Jason & Marcus have a drug-addicted, alcoholic mom and, when Jason is killed, accidentally, Marcus is sent to a foster home. Melanie meets George in a cooking class and a psychic reading ends badly. When George is laid off, his brother Billy tries to get him to revive his psychic practice. After an impromptu trip to London, George crosses paths with Marie and Marcus. Death surrounds the three main characters and their reactions to it unfolds, slowly.
Clint Eastwood’s Hereafter considers the idea of an afterlife with tenderness, beauty and a gentle tact. I was surprised to find it enthralling. I don’t believe in woo-woo but, then, neither, I suspect, does Eastwood. This is a film about the afterlife that carefully avoids committing itself on such a possibility. The closest it comes is the idea of consciousness after apparent death. This is plausible. Many near-death survivors report the same memories, of the white light, the waiting figures and a feeling of peace.
I absolutely love this movie. It’s a thoughtful drama, without being over-the-top, with an inherent mystery built into the story line. I’m not a big Damon fan but, I am an Eastwood fan. ~Vic
You must be logged in to post a comment.