One-hundred years ago, today, the silent black & white drama film The Girl In Number 29 premiered (though not released, widely). Directed by John Ford and written by Philip D. Hurn, it was based upon the novel The Girl In The Mirror (1919) by Elizabeth Jordan. Starring Frank Mayo, Elinor Fair, Claire Anderson, Robert Bolder and Bull Montana, it is considered a lost film.
After turning out a successful drama, young playwright Laurie Devon settles down to a life of idleness. Alarmed and disgusted, his friends make every effort to get him to work again but, he refuses. One evening, while glancing into his mirror, Laurie sees a beautiful girl in the apartment across the way, holding a revolver to her head. Dashing out of his apartment house, he prevents her from pulling the trigger. He learns that her name is Doris Williams and discovers that her plight is caused by a man named Shaw. Soon after, Shaw and his thugs abduct her, and Laurie comes to her rescue, shooting her tormentor. Returning home, he confesses his crime to his sister and friends, and learns that the whole incident was a trick to restore his interest in life. The plot succeeds and Laurie writes another hit play in which his new wife Doris is the star.
Laurie Devon (Mayo) is a New York playwright who, having had one success, refuses to work on another play. One night he sees a woman (Anderson) in an apartment across the street take out a gun and place it to her forehead. He reaches her in time to save her and she tells him that she is under some terrible evil influence, which she will not disclose. Devon attempts to untangle the mystery and is led on an adventure. The woman is taken to a house on Long Island, where Devon, after a fight, rescues her. He takes out the revolver and shoots one of the pursuers, who falls to the ground. On returning home, he is heartbroken and tells his sister Barbara (Fair) and his friends that he is a murderer. His sister, and two of his friends, then confess that the whole thing was a frame-up. [T]hey had hired some actors to stage everything and that it was an attempt to get the ambitionless [sic] author to write again. The revolver used in the suicide attempt by the woman, and in the later shooting, had blanks. Devon and the woman from the apartment melt into each other’s arms at the final fade-out.
Twenty-five years ago, today, the television series The Wright Verdicts debuted on CBS. Created and executive-produced by Dick Wolf, it starred Tom Conti, Margaret Colin and Aida Turturro as the main cast (Variety also lists John Glover but, IMDB does not.). Notable guest stars were Candy Clark, Peter Facinelli, Allison Janney and Leslie Mann.
There were only six episodes that aired between March 31 and June 11 with a seventh episode intended for a May slot, never airing. It’s first episode was on a Friday, the second episode aired the following Wednesday, the third episode went back to Friday, the following week and the fourth episode showed up on a Sunday, the next week. The last two aired episodes were on Sundays in June. [No wonder it failed. ~Vic]
Legal drama with Charles Wright, an Englishman, working as a lawyer in New York City. Sandy Hamar is an ex-NYPD detective who serves as the mandatory private eye and Lydia is the super efficient secretary.
The Wright Verdicts is mature in the best sense. [I]t’s smart, has no false innocence and has the right amount of fun. Criminal lawyer Charles Wright (Tom Conti) will win juries over like clockwork and the series should likewise charm viewers. The character’s chief skill is blarney or, as his investigator puts it, shucking and jiving. Charles is bumbling and self-deprecating one minute, erudite and mischievous the next. Conti brings off Wright’s sense of humor and his status as a ladies’ man. The dynamic between Conti and his two female employees […] needs some work. [T]here’s so much flirtation that the relationships in this office triangle seem headed in only one direction.
The hour has a surplus of spectacular aerial shots of Manhattan.
With crimes revolving around designer drugs and cellular phones, the show poses itself as a Perry Mason for the ’90s. It’s about as conventional and formulaic as that old warhorse. The parlor-game plotting is more than passable but, the writing is undistinguished. Only Conti’s malty voice and trilling accent are enough to elevate the program’s mark a little.
Executive producer Dick Wolf has cannily combined two genres…Murder, She Wrote’s warm coziness and his own Law & Order’s cold, complex cases…and come up with a lukewarm show that’s nonetheless pretty irresistible.
Quick Promo Advertisement
Sixty years ago, today, the 17th annual Golden Globe Awards ceremony was held and aired on KTTV in Los Angeles (an independent station in 1960). The Globes are given by members of the Hollywood Foreign Press Association, the first gathering in 1944. Recognition is for excellence in film (American and International) and television (American). The 1960 ceremony was honoring work done in 1959.
♥ Best Drama Film: Ben Hur
♥ Best Comedy Film: Some Like It Hot
♥ Best Musical Film: Porgy & Bess
♥ Best International (Understanding) Film: The Diary of Anne Frank
♥ Best Drama Actor: Anthony Franciosa
♥ Best Drama Actress: Elizabeth Taylor
♥ Best (Comedy/Musical) Actor: Jack Lemmon
♥ Best (Comedy/Musical) Actress: Marilyn Monroe
♥ Best Supporting Actor: Stephen Boyd
♥ Best Supporting Actress: Susan Kohner
♥ Best Director: William Wyler
♥ Best Original Score: Ernest Gold
♥ Cecil B.deMille Award: Bing Crosby
♥ Television Achievement: Edward R. Murrow
♥ Henrietta Awards (World Film Favorite): Doris Day & Rock Hudson
♥ Samuel Goldwyn Award: Room at the Top
♥ Special Award (Silent Film Star): Ramon Novarro
♦ Two and a half years later, on August 4, 1962, Marilyn Monroe was found dead in her Los Angeles home.
♦ On June 5, 1968, Robert F. Kennedy was shot three times inside the Ambassador Hotel and died 26 hours later.
Additional Reading & Sources:
17th Golden Globe Awards (Wiki)
Winners & Nominees (Golden Globes site)
17th Annual Golden Globes (IMDb)
1960 Awards (IMDb)
Marilyn Monroe (Wiki)
Robert F. Kennedy (Wiki)
Video clips are few and rare. ~Vic
Oh, it has been work looking for a film for today’s date. IMDB had plenty to choose from but, I couldn’t seem to get any further information from the others…Wikipedia, American Film Institute, Turner Classic Movies… Even the Silent Era site and Silent Hollywood were slim pickings and, Silentology had nothing.
Anyway, one hundred, five years ago, today, Episode #17 of The Hazards of Helen, The Death Train, was released. Similar to The Perils of Pauline, The Hazards of Helen was a film serial or series that ran from November 7, 1914 to February 24, 1917.
There were 119 episodes that were 12 minutes long, most of which have been lost. Based upon a novel written by John Russell Corvell and a play written by Denman Thompson, W. Scott Darling adapted the material for the silent screen and Edward T. Matlack wrote The Death Train, specifically. Directors were J. P. McGowan (1-48) and J. Gunnis Davis for the rest. The original actress was Helen Holmes (1-48), followed by Helen Gibson for the remainder of the series, with Anna Nilsson filling in for Holmes for Episode #18.
The discovery that detectives are on their trail causes Doyle, Broden and Etzer, counterfeiters, to pack their paraphernalia into a trunk and express it to Lone Point. Upon its arrival at that station, a corner of the trunk is smashed. Helen thus learns of its contents. The telegrapher immediately wires to Savage, a railroad detective. The latter, accompanied by Duncan, a Secret Service detective, hastens to the scene. At their suggestion, Helen arranges a trap for the counterfeiters. When the latter appear, they are set upon by the officers. Etzer is captured but, his pals get away. Doyle eludes pursuit but, Broden later falls into Savage’s hands. Helen, watching the pursuit, ventures on the high trestle which crosses the dry bed of the Loro River. Doyle, who is hiding, sees Helen. Overpowered by a desire for revenge, the man attacks the telegrapher and makes her a prisoner. A rope lies nearby. Binding Helen, Doyle suspends his victim from the trestle and fastens the end of the line around the rails. Duncan sees this from afar. Although he rushes forward, he knows that the Keene local, due any moment, will cut the rope as it crosses the trestle. Meanwhile, Helen, after a tremendous effort, frees her hands. There is one chance for life. The girl commences swinging her body. Each time, she [manages] a wider arc. The train is crossing the trestle when Helen swings toward a beam. The engine wheels sever the rope. Helen flies through the air and reaches the beam. Doyle is captured. Savage and Duncan raise Helen to the tracks and find her uninjured.
Moving Picture World
This is one of the lost pieces so, there isn’t a YouTube clip and I could only find one picture. ~Vic
Fifty years ago, today, the British crime-comedy, made-for-tv movie Mister Jerico aired on ABC. Directed by Sidney Hayers, it starred Patrick Macnee, Connie Stevens, Herbert Lom, Marty Allen and Bruce Boa.
A conman hatches a plan to swindle a corrupt millionaire out of his treasured priceless diamond by claiming to have discovered its twin. However, his plot is disrupted by a rival hustler who comes up with the same idea and, the two crooks must each convince their suspicious target that they can be trusted and the other is lying.
This disappointing comedy caper evidently got the green light due to the popularity of Patrick Macnee‘s dapper superspy John Steed in The Avengers. Unfortunately, this attempt to turn Macnee into an equally charismatic jewel thief just can’t compete with its bigger budgeted competition, despite the catchy title track from Lulu and the star’s stunning array of flowery shirts. Herbert Lom is good value as the object of Macnee’s felonious attentions (in a role similar to the one he played in the Michael Caine caper Gambit three years before) but, this lacklustre yarn, ultimately, can’t cut it in the excitement or suspense stakes.
Jeremy Aspinall of RadioTimes
Mister Jerico is one of those charming and fluffy capers that the 1960s did well, quite similar to the higher-budgeted Gambit or How to Steal a Million. The palette is sun-soaked, the plot buoyant and just this side of ridiculous. The second half of the film, in particular, moves along at a nice pace, complicating matters without making anything seem too serious. If you think too deeply about the story, it will all appear very nonsensical but, this is a stylized caper film not intended for deeper scrutiny. It’s a surface film and as such it’s quite enjoyable.
Lauren Humphries of Suddenly, A Shot Rang Out… Blog
A fun film with a very Avengers feel to it, which should be obvious given the cast and crew. Allen is a little out of place but, Macnee and Lom are great, as is Laurie Johnson‘s score. I’ll even admit, against that, Lulu‘s theme song is catchy. Apparently [it was] intended as a pilot for a Macnee series to follow The Avengers but, instead, [was] released theatrically (though, in the US, it only ended up as a TV movie of the week).
Dave W. of Actors Compendium
Video Link: (Late Update)
YouTube Link (Video will not embed as the owner of the account disabled embedding.)
One hundred, ten years ago, the silent, black & white short film The Roman was released. Directed by Francis Boggs and written by Edward Bulwer-Lytton, it starred Hobart Bosworth, Betty Harte, Robert Z. Leonard and Tom Santschi. It was filmed at the studios of the Selig Polyscope Company.
The Moving Picture World (January-June 1910 Archive):
Perhaps the most attractive feature of this picture is the reproduction of early Roman costumes and Roman surroundings. It is a story of political intrigue, with all the contests and disagreeable features, connected therewith in the ancient city. But, the reproduction of manners and customs and, the historically correct scenery and settings, add immensely to the interest and, insure attention when, perhaps, the mere political story would scarcely be considered. The greatest service the motion picture can do is in the direction of educating the people, and a film like this, which faithfully illustrates long past and, perhaps, partially forgotten life, is of vast importance and, deserves a cordial reception. The Selig players have brought enthusiasm to their work and, have put much ability and life into the interpretation of this play.
This film may have been based on the 1835 novel Rienzi, the Last of the Tribunes, by Edward Bulgar-Lytton [sic]. An advertisement in the [February] 19, 1910, Film Index billed Bosworth above the title, “Hobart Bosworth in The Roman,” and labeled the movie “Film De Art of the Classics,” declaring: “Its teachings are based upon the scriptures and traditions of the early history of the eternal city.” The advertisement also suggested that theater owners book The Roman as a “Special Lenten Picture.”
A young woman [orders] her girl slave to deposit in the waters of the Tiber a child which she has cause to be rid of. The infant is found by one of the aristocracy and adopted. In later years she is betrothed but, just before the wedding, the ruler of the land claims the young woman, on the ground that she was born in slavery. By military force, she is torn from the arms of her foster father and taken to the ruling house where she is held captive for only a few hours, as the father and young lover, have aroused a popular rebellion which overthrows the ruler, end[ing] in his death and the defeat of his defenders. (Variety February 19, 1910)
One Trivia Bit:
♦ Per [Hobart] Bosworth, first picture made at Selig’s (Studio at 1845 Allesandro Street, now Glendale Blvd.) in the Edendale (now Silver Lake) plant of Los Angeles.
[There was not much written about this film and no video clip(s). The image, above, doesn’t seem to jive with the TCM synopsis. But, that is all I could find.
Addendum: I continued to dig and found the, above, write-ups via the Internet Archive database and AFI. Turner Classic Movies synopsis was WAY off. ~Vic]
Forty-five years ago, today, the Hallmark Hall of Fame television movie All Creatures Great and Small aired on NBC. Based on two novels by James Alfred Wight (pen name James Herriot), If Only They Could Talk (1970) and It Shouldn’t Happen To A Vet (1972), it was the first of a series of films and TV series based on his work. Directed by Claude Whatham and produced by David Susskind, it starred Simon Ward (as James Herriot), Anthony Hopkins, Lisa Harrow, Brian Stirner and Freddie Jones.
It is 1937 and newly qualified vet James Herriot travels to Yorkshire to apply for the post of assistant in Siegfried Farnon’s practice. He soon learns the facts of country life but, struggles to overcome the prejudices of the Darrowby locals who are skeptical of the novice vet’s ability. In between cases, Herriot courts pretty farmer’s daughter Helen Alderson and finally marries her.
From Turner Classic Movies:
A gentle, episodic account of author Herriot’s apprenticeship in the mid-1930s to an eccentric rural English veterinarian and his awkward courtship of a farmer’s daughter.
The story of a young veterinarian’s apprenticeship to a somewhat eccentric, older vet in the English countryside and the young man’s hesitating courtship of the daughter of a local farmer.
♦ Although born in Sunderland, England, James Herriot spent the first twenty-three years of his life in Glasgow, Scotland and never lost the accent, as can be heard in television interviews. Simon Ward however, plays him as a Londoner.
♦ Known to the cast and crew as “All Creatures Grunt and Smell”.
Twenty-five years ago, this week (November 26/December 2, 1994) the song Bang and Blame by R.E.M. debuted on the Billboard Alternative Songs chart (Page 119/called Modern Rock Tracks in 1994), entering at #8, making it to #1 on December 17. Released October 31, it was the second single from the album Monster, their ninth studio album. Co-produced by the band and Scott Litt, all song writing credits are the band members. The song also made it to #1 in Canada on February 20, 1995, and peaked in the top ten in the Billboard Mainstream Rock chart (Album Rock Tracks in 1994), Billboard Mainstream Top 40 chart and, in Finland, Iceland and Poland.
Rain Phoenix (sister of River & Joaquin) and Lynda Stipe (Michael’s sister) sang backing vocals. Recordings were difficult with Mike Mills and Bill Berry‘s illnesses and, the deaths of Kurt Cobain and River Phoenix. The album is dedicated to Phoenix.
Television Episodes (song used)
Lyrics (from LyricFind):
If you could see yourself now, baby
It’s not my fault, you used to be so in control
You’re going to roll right over this one
Just roll me over, let me go
You’re laying blame
Take this as no, no, no, no, no
You bang, bang, bang, bang, bang
Then blame, blame, blame
You bang, bang, bang, bang, bang
It’s not my thing, so let it go
If you could see yourself now, baby
The tables have turned, the whole world hinges on your swings
Your secret life of indiscreet discretions
I’d turn the screw and leave the screen
Don’t point your finger
You know that’s not my thing
You came to bang, bang, bang, bang, bang
To blame, blame, blame
Bang, bang, bang, bang, bang
It’s not my thing, so let it go now
You’ve got a little worry
I know it all too well
I’ve got your number
But so does every kiss and tell
Who dares to cross your threshold
Happens on you way
Stop laying blame
You know that’s not my thing
You know that’s not my thing
You came to bang, bang, bang, bang, bang
Then blame, blame, blame
Bang, bang, bang, bang, bang
It’s not my thing so let it go, you
Bang, bang, bang, bang, bang
Then blame, blame, blame
Bang, bang, bang, bang, bang
It’s not my thing so let it go
You kiss on me
Tug on me
Rub on me
Jump on me
You bang on me
Beat on me
Hit on me
Let go on me
You let go on me
Fifty-five years ago, today, the TV Special An Hour With Robert Goulet, a variety show, aired on CBS. Directed by Clark Jones (The Carol Burnett Show) and written by Arthur Alsberg (Herbie, the Love Bug & No Deposit, No Return), guest stars were Leslie Caron, Peter Gennaro, Phil Silvers, Ed Sullivan, Terry-Thomas, Fredd Wayne and Earl Wilson.
There is very little written about this special, save a New York Times Article, written the next day (No writer credited):
ONE of the tiredest gimmicks of variety shows was coupled last night with a fresh idea on “The Robert Goulet Hour.” When the tenor turned his profile toward the sun on a southern California beach and a light wind ruffled his perfectly groomed hair as he sang “Lost in the Stars,” his program consciously aimed for the creative touch. Few singers are willing to compete with the Pacific Ocean.
But when Mr. Goulet was on the sound stage of C.B.S. Television City in Hollywood, he was engulfed in that shopworn gag of pretending to be rehearsing a musical special for TV. Leslie Caron joined him in “Call Me Irresponsible” and then said “no,” she simply would not sing on his show. Peter Gennaro demonstrated a possible dance step and Fredd Wynne [sic] agonized over material for Mr. Goulet and sketches for Miss Caron. Even the ad‐libs were planned.
Visiting the University of California at Los Angeles, Mr. Goulet and company held a press conference for tanned Tammys and Gidgets, who watched Terry‐Thomas mug shamelessly as a fine arty professor. The atypical students acted like graduates of the Hollywood Professional School.
When the script permitted Mr. Goulet to forget the script, his show had possibilities. Still, the evening’s honors must go to Miss Caron, who, impersbnating [sic] Marlene Dietrich as the Blue Angel, tackled a chair with the finesse of an Olympic champion.
IMDB states that it was filmed at the Wilshire Boulevard Brown Derby. The second video, below, appears to be from a Robert Goulet channel that was set up by his widow, Vera Novak. Written below the video:
Robert Goulet Live From Sahara Hotel In Las Vegas was filmed as part of “An Hour With Robert Goulet” TV special in 1964 and produced by our company Rogo Productions, Inc. This is a rare gem and wonderful historical footage of a remarkable entertainer showcasing live entertainment in Las Vegas during 1960s. In this clip, Robert sings a “Medley Of Old Songs” written by Jerry Bresler and Lyn Duddy, which was also recorded in 1963 on Columbia Records “Robert Goulet in Person“.
I usually do movie posts in five year increments but, this one kinda fell in my lap. Sixty-three years ago, today, Elvis Presley made his acting debut in the film Love Me Tender. Directed by Robert D. Webb, it was originally titled The Reno Brothers and was based on a story written by Maurice Geraghty. When Presley’s single Love Me Tender passed one million copies, a first for a single, the title to the film was changed. This was the only movie in which Presley played an historical figure and the only movie in which he did not receive top billing.
Elvis plays Clint Reno, one of the Reno Brothers who stayed home while his brother went to fight in the Civil War for the Confederate army. When his brother Vance comes back from the war, he finds that his old girlfriend Cathy has married Clint. The family has to struggle to reach stability with this issue. Vance is involved in a train robbery, while a Confederate soldier, of Federal Government money. There is a conflict of interest, when Vance tries to return the money, against the wishes of some of his fellow Confederates.
♦ Originally, this movie had no singing in it. Songs were added to cash in on Elvis Presley’s stardom.
♦ Priscilla Presley reportedly copied Debra Paget’s unique hairstyle from this film to attract Elvis in 1959.
♦ According to Penny Stallings‘ “Flesh and Fantasy”, Presley developed a crush on co-star Debra Paget, which went unreciprocated because she was seeing Howard Hughes at the time.
♦ When the film played in theaters, Elvis Presley’s fans were screaming so loud that audiences couldn’t hear any of his lines.
The Actual Movie
I couldn’t come up with any movie releases for today but, seventy years ago, on this date (as best as I can tell), the The Heiress was the most popular film at the box office. Directed, and produced, by William Wyler, it premiered in New York on October 6 and in Los Angeles on October 20. Based on the 1947 play of the same name by American playwrights Ruth and Augustus Goetz, it starred Olivia de Havilland, Montgomery Clift, Ralph Richardson, Miriam Hopkins and Vanessa Brown.
Catherine Sloper is a shy and backwards young woman who lives with her father, Dr. Austin Sloper, in 1849 New York. By all accounts, Catherine’s mother was a beautiful and graceful creature with the charm of queens. Catherine never knew her mother since she died while in childbirth but, her father often reminds her of all the things her mother was and that she is not. Catherine inherited a great deal of money after her mother passed and will inherit twice as much more at the passing of her father. So, when a poor but handsome and well-bred man, Morris Townsend, begins to court Catherine, her father becomes suspicious that he must be after her money. After all, Catherine is plain and boring. What could she possibly offer to this young man other than her money? When she refuses to give up her new beau, her father threatens to disinherit her. Will her father eventually convince her to give him up and wait for a suitable husband? Will Catherine and Morris elope and, live on the money left to her by her mother? Or, could it be that Catherine finally finds all the grace and charm of her mother only to use it against the men in her life?
♦ Montgomery Clift was so unhappy with his performance, he walked out of the Premiere.
♦ Cary Grant was interested in playing Morris Townsend but, William Wyler turned him down.
♦ Montgomery Clift took some piano lessons for the scene where he sings “Plaisir d’Amour” to Olivia de Havilland.
♦ William Wyler wanted Erroll Flynn for the role of Morris Townsend.
♦ This movie was selected to the National Film Registry, Library of Congress, in 1996.
Forty years ago, today, the television film The Flame Is Love aired on NBC. Based on the Barbara Cartland novel of the same name, it starred Linda Purl, Shane Briant, Timothy Dalton, Richard Johnson and Joan Greenwood. Directed and co-produced by Michael O’Herlihy, it was written by Hindi Brooks (teleplay) and filmed in Ireland.
Synopsis from The Movie Database:
This sudsy made-for-TV melodrama is based on a Barbara Cartland novel and follows the romantic exploits of an American heiress who sets sail for exciting Paris at the turn-of-the-century. She is traveling there to meet her fiance but, ends up falling in love with a French journalist.
Synopsis from the actual novel:
Reluctant to accept her arranged marriage to an English Duke she has never met, beautiful, young, American oil heiress, Emmeline Nevada Holtz, nicknamed “Vada” after the state, travels to Paris to buy her trousseau before meeting her husband-to-be. When her travelling companion, Nancy Sparling, has an accident and hurts her leg, Vada assumes her name to avoid unwelcome attention. [She] travels on with just her elderly maid, determined to make the most of her last chance to explore Bohemian Paris and, the wonders of the city that she had heard and read so much about. At her hotel she finds a handsome intruder in her suite, not a thief as she at first thinks but, a journalist looking to interview the famous heiress Emmeline. Smitten by this charismatic Frenchman and his talk of poetry, Vada finds herself agreeing to go with him to the Soleil d’Or, wellspring of the Symbolist movement. Soon, they are deeply and uncontrollably in love, a love that is surely doomed by her deception, her betrothal to the Duke and, now, a terrifying ordeal at a Satanist Black Mass on the dark side of the City of Light.
The Complete Movie
Sixty years ago, today, the sitcom The Betty Hutton Show debuted on CBS. Originally titled Goldie, it was sponsored by General Foods‘ Post Cereals and, produced by Desilu and Hutton Productions. Created by Stanley Roberts, it starred Betty Hutton, Dennis Joel (Olivieri), Peter Miles, Gigi Perreau, Gavin Muir, Tom Conway and Jean Carson.
Hutton stars as Goldie, a showgirl-turned-manicurist. One of Goldie’s regular customers is a millionaire, Mr. Strickland. After he suddenly dies, Goldie discovers that he has left everything he owns, including his $60 million fortune and his three children, to her.
A talkative manicurist inherits a legacy and the custody of three children from a rich Wall Street broker customer.
Betty Hutton’s Website
Episode One: Betty Crosses The Tracks
Fifty-five years ago, today, the action–adventure series Daniel Boone debuted on NBC. Produced by 20th Century Fox Television, it starred Fess Parker, Patricia Blair, Darby Hinton, Veronica Cartwright, Ed Ames & Dallas McKennon. Country singer Jimmy Dean was a guest star for fifteen episodes from 1968-1970 and NFL football player Rosie Greer had regular appearances from 1969-1970. The show’s first season was in black & white.
Daniel Boone was one of two significant historical figures played by Fess Parker. He previously appeared as Davy Crockett in a series of episodes of the Walt Disney anthology television series […]. Efforts had been made to secure the rights to Crockett from Walt Disney but, Disney refused to sell, so, the series wound up being about Boone instead. In contrast, Parker’s Boone was less of an explorer and more a family man than Parker’s Crockett. Parker as Crockett also generally wore a light beard, whereas his Boone was predominantly clean-shaven.
The series is set in the 1770s and 1780s, just before, during and after the American Revolution and, mostly centered on adventures in, and about, Boonesborough, Kentucky. Some aspects of the show were less than historically faithful, which, at one point, led the Kentucky legislature to condemn the inaccuracies. The series’ story line does not follow historical events. Instead, story lines run back and forth concerning historical events.
[Ed Ames] role as Mingo led to a famous tomahawk-throwing demonstration on The Tonight Show, that was rerun on anniversary clip shows for decades afterward, in which Ames threw a tomahawk at a target of a man and the hatchet landed between the cutout’s legs, much to host Johnny Carson‘s amusement.
♦ According to an interview with Veronica Cartwright, she left the series because the producers wanted to have her character of Jemima Boone involved in more mature situations, such as budding romantic relationships. Patricia Blair did not like this because it made her feel too old, so she threatened to leave the series if Cartwright was not let go from the series.
♦ Israel Boone was one of seventy-two killed at the Battle of Blue Licks, one of the last battles of the Revolutionary War, on August 19, 1782. He was twenty-three. His father Daniel was there and saw his son killed. Coincidentally, Darby Hinton, who played Israel, was born on the 175th Anniversary of Israel’s death, August 19, 1957.
♦ [The] Boones [actually] had ten children […].
♦ Unlike Fess Parker [6’5″ 1/2], the real Daniel Boone was only about 5’8″.
Seventy-five years ago, today, the adventure film Frenchman’s Creek was released (or New York opening). Directed by Mitchell Leisen, it was based on the 1941 novel of the same name by Daphne Du Maurier. Starring Joan Fontaine (sister of Olivia de Havilland), Arturo de Córdova, Basil Rathbone, Nigel Bruce and Cecil Kellaway, it was produced by Buddy DeSylva (co-founder of Capitol Records) with Talbot Jennings (The Sons of Katie Elder) crafting the screenplay. The musical score included Claude DeBussy‘s Clair de Lune.
An English lady bored with London society brings her [two] children to their country home. Her servant William is also working for a French pirate who holds up with his ship and crew off the coast. They soon meet and she embarks on an adventure with the pirates!
As a beautiful, learned lady of means, Dona St. Columb had it all…and a loveless marriage. After years of being royally subjected to mistreatment, she retreats with her most prized possessions, her two children, to a secluded manor overlooking Britain’s Atlantic shoreline. [She] is enthralled with the tall tales of a scoundrel of a pirate, who has been plundering nearby coastal villages. Full of adventure and fueled by years of neglect, she sets forth to seek him out and, it is not long before she finds him…
“A Lady of Fire and Ice…A Rogue of Steel and Gallantry”
♦ The only film featuring Basil Rathbone and Nigel Bruce in which they do not play Sherlock Holmes and Dr. Watson.
♦ To make Arturo de Córdova appear taller than Joan Fontaine, he had to wear lifts in his shoes, causing him to teeter when he walked.
Unfortunately, there aren’t any video clips of this movie. There are clips of the 1998 remake. ~Vic
I’m trying something different. We’ll see how it goes. ~Vic
Sixty-five years ago, today, the sitcom Dear Phoebe debuted on NBC. Created by Alex Gottlieb, it starred Peter Lawford, Marcia Henderson, Charles Lane and Joe Corey. The first episode to air, Bill Gets a Job, included a young Chuck Connors and The Christmas Show episode included Jesse White (Maytag Man). The show’s theme music was composed by George & Ira Gershwin.
Bill Hastings works for a daily newspaper in a large city. His duties include a lonely hearts column, where he advises everyone on their problems, as “Phoebe”, while trying to deal with his own.
Lawford stars as Bill Hastings, a former college professor who becomes the writer of the advice-to-the-lovelorn column at the fictitious Los Angeles Daily Star. Hastings writes under the pseudonym “Miss Phoebe Goodheart”. Marcia Henderson portrayed Mickey Riley, the female sportswriter at the newspaper and Hastings’s own romantic interest. Charles Lane, who later portrayed J. Homer Bedloe in the CBS series Petticoat Junction, played newspaper boss Mr. Fosdick. Joe Corey played Humphrey Humpsteader, a copy boy trying to become a reporter.
♦ Peter Lawford’s wife, Patricia Kennedy Lawford (sister of John F. Kennedy), made a cameo appearance in one episode.
♦ This series was sponsored by Campbell Soup Company in its original prime time run.
The Christmas Show
Eighty years ago, today, the crime–mystery Dick Tracy’s G-Men was released. A serial film with fifteen chapters, it was co-directed by John English and William Witney and, is over four and a half hours long in total. Produced by Robert Beche, it starred Ralph Byrd, Irving Pichel, Ted Pearson, Phyllis Isley (also known as Jennifer Jones) and Walter Miller (his last film). Based on Chester Gould‘s Dick Tracy comic strip, this serial had Tracy working for the FBI. As a sequel to the original serial, Gould’s contract barred him from production and payment. It was re-released on September 19, 1955.
A mad doctor named Zanoff uses a drug to bring himself back from the dead after his execution in prison. Dick Tracy sets out to capture Zanoff before he can put his criminal gang back together again.
International spy, Zarnoff, in the employ of “The Three Powers” (presumably a fictionalized reference to the Axis) is captured by Dick Tracy at the start of the serial, [then] tried and sentenced to death. However, through the use of a rare drug embedded by his agents in[to] the evening newspaper, he escapes from the gas chamber. His men pick up his “corpse” by ambushing the hearse and, administering another counter-drug. He continues his espionage plans, while taking the opportunity of revenge on Tracy.
From historian William Cline:
[Dick Tracy serials were] “unexcelled in the action field” [and] “in any listing of serials released after 1930, the four Dick Tracy adventures from Republic must stand out as classics of the suspense detective thrillers and the models for many others to follow.”
Dick Tracy Depot (Watch all 15 chapters)
Eighty-five years ago, today, the crime-drama mystery Fifteen Wives was released. Directed by Frank Strayer and produced by Maury Cohen, it starred Conway Tearle, Natalie Moorhead, Raymond Hatton, Noel Francis, John Wray, Margaret Dumont, Ralf Harolde, Oscar Apfel, Robert Frazer, Harry Bradley and Lew Kelly.
In a New York hotel, the body of Steven Humbolt is discovered and Chief Inspector Decker Dawes is called to investigate. After a brief inspection of Humbolt’s belongings, Dawes and Sergeant Meed determine that Humbolt had fifteen wives, three of whom…Sybilla Crum, a well-known reformer, wealthy Carol Arnold, and Ruby Cotton…live in New York. Dawes first questions the still devoted Sybilla, then quizzes Jason Getty, a florist who had sent Humbolt a funeral wreath hours before his death was discovered. While Meed checks out Getty’s lead that the wreath was ordered in Philadelphia, Dawes interrogates Carol Arnold. Carol tells Dawes that Humbolt had robbed, and deserted her, after three weeks of marriage and, that, a year later, she had received a letter from South America informing her of his demise. Just after Carol had married wealthy Gregory Arnold, Humbolt contacted her with blackmail demands but, according to Carol, she never saw him before his murder. Although Dawes doubts Carol’s story, he leaves her to talk to a chemist about a broken glass globe that was found near Humbolt’s body.
The chemist reveals that the globe, a Helmholtz Resonator, contained a lethal dose of hydrocynanic acid gas that was released when the glass was broken. Once Dawes determines that the globe came from Philadelphia, he demonstrates how a radio performer known as The Electric Voice, whose fiancée is Ruby Cotton, could have broken the globe during a broadcast. Dawes arrests The Voice and Ruby but, returns to question Carol, who he discovers is hiding a child she had by Humbolt. Then, Dawes receives a message from Sybilla about a clue she unearthed at Humbolt’s funeral. While at Sybilla’s home, Dawes discovers that florist Getty is impersonating the reformer and that he is wearing a pair of gloves similar to a pair Humbolt was wearing in his coffin. Suspicious, Dawes orders Humbolt’s coffin exhumed, which causes Getty, who needed the gloves to hide his amputated fingers, to panic. [He] confesses that he killed Sybilla and had used The Electric Voice’s broadcast to kill Humbolt out of revenge for stealing his wife in Australia. After thwarting Getty’s escape attempt, Dawes telephones Carol, who is divorcing [Gregory] Arnold and proposes that they leave for Europe together.
The Internet Movie Database (IMDB) and Wikipedia state that this film was released July 15, 1934. The American Film Institute (AFI) and Turner Classic Movies (TCM) state that it was released June 1, 1934. I have no way of verifying either. I also can’t find any video clips. ~Vic
Twenty years ago, today, the HBO special Bigger & Blacker, a stand-up routine by comedian Chris Rock, premiered. It was recorded at the Apollo Theater in Harlem. The, now, defunct DreamWorks Records released a DVD on July 13.
In his third HBO stand-up special, Chris Rock brings his critically acclaimed brand of social commentary-themed humor to this 1999 stand-up comedy presentation. Also released as an album, Chris Rock: Bigger and Blacker features Rock on-stage extolling his razor-sharp wit and wisdom on such topics as gun control, President Clinton, homophobia, racism, black leaders and relationships.
Grammy Award (Best Comedy Album)
Ninety years ago, today, the melodramatic silent film Thunder was released. Written by Ann Price and Byron Morgan, it was directed by William Nigh. Considered a lost film, it starred Lon Chaney, Sr. (The Man of a Thousand Faces), Phyllis Haver, James Murray, Tom Keene, Frances Morris (Adventures of Superman (TV Series)/Sarah Kent) and Wally Albright. Though a silent movie, it did have sound effects and a musical score. Only half of the reel survived and this was Chaney’s last silent. [During filming], Chaney caught a cold during the snow scenes which, then, developed into walking pneumonia. Production was shut down for a time but, was eventually completed. Chaney’s illness, combined with his throat cancer, led to his death two months after the release of his last film, and only talkie, 1930’s The Unholy Three.
Lon Chaney plays Grumpy Anderson, a railroad engineer with an obsession for running his train on time. His slavishness to promptness causes several tragedies which alienate him from his family. By the story’s end, the engineer restores their faith in him and validates his obsession by forcing his train through a flood to bring badly needed Red Cross supplies to the victims.
“Grumpy” Anderson is an old railroad engineer that is obsessed with keeping his train on schedule, no matter the cost. His two sons are also railmen but, don’t share his single mindedness, which leads to one son’s death and a fight with the other on the first son’s funeral car. [This] leads to a crash and demotion of Grumpy to mechanic in the yards. His redemption comes during the Mississippi flood when he is, again, pressed into service to pilot a relief train along with his surviving son.
Thunder (the book) from Creepy Classics
Sixty-five years ago, today, the CBS TV variety series Stage Show debuted. It was produced by Jackie Gleason Enterprises and hosted by Tommy and Jimmy Dorsey. Starting out as an hour-long, summertime replacement for The Jackie Gleason Show, it was returned in the Fall of 1955.
This is the show that introduced the world to Elvis Presley.
Dave Marsh, in his insightful musical biography Elvis, writes about the moment Elvis Presley burst upon the American scene via The Dorsey Brothers Stage Show on January 28, 1956. “In his first appearance on the Dorsey Brothers’ TV show, the young singer rocked the world”. Marsh described Elvis’ startling rendition of Heartbreak Hotel and concluded, “He owned the song and he owned the crowd”.
After 17 months of personal appearances all over the south […], Elvis […] made his first appearance […]. Those shows were broadcast, live, from the CBS Studios in New York City. Young Elvis The Pelvis’ first appearance […] was followed by 5 others throughout the next 2 months until the 24 of March, 1956.
Bobby Darin also made his television debut on this show in March of 1956 singing Rock Island Line. The June Taylor Dancers were regular guests & performers and, Jack Carter became the permanent host in the show’s final season. Up against the The Perry Como Show on NBC, ratings began to decline. The final show was aired September 18, 1956, two months before the death of Tommy Dorsey. Jimmy passed in June of the following year.
Ninety-five years ago, today, the silent drama Being Respectable was released. Based on the novel of the same name written by Grace Flandrau, it was adapted by Dorothy Farnum. Directed by Phil Rosen, it starred Marie Prevost, Monte Blue, Louise Fazenda, Irene Rich, Theodore von Eltz, Frank Currier, Eulalie Jensen, Lila Leslie, Sidney Bracey and Charles French.
Wealthy young Charles Carpenter is pressured by his family to marry Suzanne, even though he is really in love with young “flapper” Valerie. He gives in to his family’s pressure, however and marries Suzanne, after which Valerie leaves town. Years later, after Charles and Suzanne have had a child, Valerie comes back to town and, Charles realizes he is still in love with her…and she with him. Complications ensue. [Source]
Through the scheming of his respectable, and wealthy family, Charles Carpenter is obliged to marry Suzanne, although he is in love with young flapper Valerie Winship. Years later, when Valerie is back in town, they renew the affair and, Carpenter plans to leave his wife and child for her. […] in the end, he yields to family duty and respectability. [Source]
New York Times Review [August 4, 1924]
I could not find any video clips of this movie. ~Vic
One-hundred, five years ago, today, The Brash Drummer and The Nectarine was released. A short, silent, black & white comedy, it was written and directed by George Ade, a popular American humorist for his time and a follower of Mark Twain. Starring Wallace Beery and Bevery Bayne, this piece was one of Ade’s Fables in Slang.
Gabby Gus made the town regularly every month. He was a swell guy and thought he could cop most any Jane that he took a liking to. Clara Louise Willoughby, a farmer’s daughter with a pretty face and figure, took the salesman’s eye. He looked the old gent up in Dunn and Bradstreet and, discovered that the old boy was worth some coin. Then, he set his traps for the daughter. Dad, however, sent her away to boarding school and when she returned, she was the swellest peach in the orchard. They all fell for her. Gus hastened to her home where he discovered she was some lemon when it came to the country stuff and that she was a real ‘highfalutin’ society butterfly now. […] her aspirations were higher than a poor hick drummer. She made him feel awfully small. [Source]
I can’t find a video clip of this film but, I did find Ade’s Fables in Slang in audio book form. It has 26 stories and was published in 1899. [Disclaimer: It is nearly two hours long.] ~Vic
An IMDB Summary:
A vignette of a bar-room/liquor-store in the West [with] no plot, per se. However, this short is usually regarded as the first “Western” in the sense that it depicts a western scene.
The film lasted one minute, had no action and the role of a barmaid was played by a man.
Summary From The Library of Congress:
Shows tap room of the “Miners Arms”, stout lady at the bar and three men playing stud horse. Old toper with a silk hat asleep by the stove. Rough miner enters, bar maid serves him with Red Eye Whiskey and he proceeds to clean out the place. Barmaid takes a hand with a siphon of vichy and, bounces the intruder with the help of the card players, who line up before the bar and take copious drinks on the house.
So the film’s supposed to be set in one of the rough mining towns that were part of the Wild West. Also, it was definitely named “Cripple Creek” for a reason. Cripple Creek, Colorado, was a real-life ranch town that experienced a major gold rush in the late 19th century. In 1890, Robert Miller Womack struck gold and, six years later, the town had swelled from a mere 500 souls to well over 30,000 gold-fevered prospectors. All in all, something in the range of a half-billion dollars worth of gold would be extracted from the area.