Seventy years ago, today, the television anthology series Trapped debuted on WOR-TV in New York. Also known as Trapped: Tales of the Supernatural, the host was John Carradine and some guest actors were Charles Korvin, Elizabeth Morgan, Helen Baron, Rita Gam, Fran Malis, George L. Smith, Stanley Tackney and Harry Townes. There were 57 episodes that were 30 minutes long.
In accordance with Gallop, other hosts who aimed to set a mood of terror at the time included Andy Christopher […] (Mr. Black), James Monks (Tales of the Black Cat […]) and Lee Bowman (Eye Witness […]). Similarly, Jack La Rue (Lights Out), Boris Karloff (The Boris Karloff Mystery Playhouse) and John Carradine (Trapped: Tales of the Supernatural […]) offered external examples of film stars hired for TV hosting roles in which an emphasis was placed on their associations with the horror genre [with] typecasting as villainous and/or monstrous characters as part of their respective series façade. Due to a lack of surviving/missing material associated with some live series pre-1955, in the cases of some hosts, it is not always possible to definitively discern to what extent horror elements were adopted as part of a series persona.
Trapped (1950-1952) (Classic TV Archive)
Sixty-five years ago, today, the war film To Hell and Back was released, originally in San Antonio. Directed by Jesse Hibbs and based on the book of the same name, it starred Audie Murphy, Marshall Thompson, Charles Drake, Jack Kelly, Gregg Palmer, Paul Picerni, David Janssen, Denver Pyle, Brett Halsey (Admiral’s great-nephew) and Gordon Gebert as a young Audie.
Biopic of the wartime exploits of Audie Murphy (played by himself), the most decorated US soldier in World War II. Starting with his boyhood in Texas, where he became the head of his family at a young age, the story follows his enrollment in [the] Army where he was assigned to the 3rd Division. He fought in North Africa, Sicily and Italy, before landing in southern France and, eventually, fighting in Germany. A Medal of Honor recipient, he also received battle honors from the French and Belgian government.
The highly variable Audie Murphy delivers his best screen performance as “himself” in Universal‘s To Hell and Back. Based on the star’s autobiography, this is the story of how Murphy became America’s most-decorated soldier during WW II. After dwelling a bit on Murphy’s hard-scrabble Texas upbringing, the story moves ahead to 1942, when, as a teenager, Audie joined the army. Within a year, he was a member of the 7th Army, serving in North Africa, Italy, France and, ultimately, Germany and Austria. One by one, the members of Murphy’s Company B are killed in the war, until only three men from the original company are left. [The] others appear at the finale as ghostly images […]. The bulk of the film is given over to Murphy’s conspicuous acts of combat bravery and his killing of 240 enemy soldiers. Highlighted by excellent battle sequences, To Hell and Back is a serviceable tribute to a most complex individual.
♦ Filmed at Fort Lewis, WA, Yakima River, WA, Oak Creek Wildlife Area, WA and Universal Studios.
♦ Audie Murphy originally declined the opportunity to portray himself in the movie, not wanting people to think that he was attempting to cash in on his role as a war hero. Murphy initially suggested his friend Tony Curtis to play him.
♦ Audie Murphy’s war buddy Onclo Airheart was slated to play himself, but he declined due to the fact that the movie was to be shot during planting season.
♦ [Author] David Morell [sic] cites Audie Murphy as the inspiration for the character of John Rambo.
♦ In the movie, […] Murphy does his one-man standoff on top of a medium M-4 Sherman tank. [In] real life it happened on top of an M10 Wolverine tank destroyer.
♦ Audie Murphy’s feats of heroism and his much decorated status have been compared to those of his counterpart during World War I, Sgt. Alvin C. York […].
Murphy […] wrote poetry and songs, and, himself a sufferer, was among the first advocates for Post-Traumatic Stress Disorder. He died on May 28, 1971, when the private airplane in which he was riding crashed.
Technically, today is also a bust for Flick Friday, just like my July 24 post. There were no movie releases, today, in 1950, either, so I will grab the August 6 release. Seventy years ago, yesterday, the western film Vigilante Hideout was released. Directed by Fred C. Bannon and written by Richard Wormser, it starred Allan Lane, Black Jack (Allan Lane’s horse), Eddie Waller, Roy Barcroft and Virginia Herrick.
Rocky (Lane), a Range Detective, arrives to help Nugget (Waller) with rustlers. When he learns Nugget owns only three cows, he stays on, anyway and, soon, becomes involved in Benson’s attempt to blow open the bank’s safe. When Rocky upsets his plans, Benson (Don Haggerty), supposedly, gets rid of him by having him declared an outlaw, wanted dead or alive. Then, Benson takes a load of explosives into an old mine located directly under the bank vault.
Double-barreled justice catches up with a cold-blooded killer when “Rocky” takes up the chase! Cattle detective, Rocky Lane, arrives in town to investigate cattle disappearances only to realize just three cows, owned by eccentric inventor Nugget Clark, are involved. However, the disappearances lead to a deeper mystery involving dynamite explosions, rampaging cowboys and a water shortage.
Lane and his trusty black stallion are on hand to help old-timer Waller find water for a town which is threatening to fold up due to drought. Some crooked townsfolk don’t want the water to be found because they want to collect on the $25,000 being stashed away for an aqueduct. Lane’s job is to make sure these people don’t pose too much of a problem, while Waller goes about finding the water. The characterization of Waller as a crazed inventor of gadgets is an added attraction to this oater with a realistic bent.
Full Synopsis (Turner Classic Movies)
American Film Institute
The Complete Movie
Up until this point, the only TV shows I have been posting were American. I will be branching out a bit. Naturally, the first non-American show I choose doesn’t have a lot of information written about it…or a video. ~Vic
Fifty-five years ago, today, the British comedy mini-series It’s Not Me, It’s Them! debuted on BBC2. Produced by Graeme Muir and written by Donald Churchill (The Hound of the Baskervilles), it starred Churchill, Norman Bird (Fawlty Towers), Jack Bligh (Doctor Who), George Betton (Coronation Street) and Anthony Dawes (Fawlty Towers).
[This was] an early series from the pen of actor/writer Donald Churchill, focused on Albert Curfew, […] a young man unable to hold down a job for any length of time. The title came from a regular saying of Curfew’s every time he lost his job. Churchill (who also starred as well as wrote the scripts) claimed he based the series on a close friend of his. Guest stars in the single season show included Liz Fraser, Bill Kerr and Kate O’Mara.
“She may be one good reason to leave but, I’m a hundred reasons to stay…”
This Sunday’s playlist submission is Hands Tied by American pop rock band Scandal, formed in 1981 in New York City by guitarist Zack Smith…and not to be confused with the Japanese band or the Australian band. Written by Holly Knight and Mike Chapman, it was the third track from the album Warrior (featuring Patty Smyth). I can’t find a release date but, it entered the Billboard Hot 100 on October 20, 1984, and peaked at #41 on December 1st. It also peaked at #21 on the Billboard Mainstream Rock Tracks on the same day.
This album was the very first CD I ever owned. It was a gift and, up until that point, I only had vinyl, 45s and cassettes. I wore this one out, too. The band called it quits in 1985 but, reformed in 2004 and are still active. The song Love’s Got A Line On You from their debut EP Scandal was on the soundtrack to the 1983 movie Easy Money and Smyth was a solo artist on soundtracks for Caddyshack II & Armageddon. Other songs have appeared in additional movies and TV.
Patty Smyth & Scandal (Official Site)
Twenty years ago, today, the Walt Disney World Summer Jam Concert aired on ABC at 8:00pm EDT on a Friday night. The concert was in Orlando, FL and hosted by Christina Aguilera. Directed by Jeff Palmer, performers were Aguilera, Enrique Iglesias, Smash Mouth, Destiny’s Child and BBMak.
What a Girl Wants (Aguilera)
All Star (Smash Mouth)
Be with You (Iglesias)
Say My Name (Destiny’s Child)
I Turn to You (Aguilera)
Then the Morning Comes (Smash Mouth)
Back Here (BBMak)
Genie in a Bottle (Aguilera)
Jumpin’, Jumpin’ (Destiny’s Child)
There is not a lot written about this. ~Vic
Genie in a Bottle
Say My Name & Jumpin’ Jumpin’
Eighty years ago, today, the Technicolor Special (Warner Bros. Series) short family musical Cinderella’s Feller was released. Directed by William C. McGann and produced by Gordon Hollingshead, it starred Juanita Quigley, Scotty Beckett, Maris Wrixon, Virginia Brissac and, Terry as Rex the Dog, the Cairn Terrier best known as Toto in the MGM film The Wizard of Oz.
I can’t find much written about this little short, though it is on YouTube in its entirety. It’s only a little over 19 minutes long. It is not listed on Turner Classic Movies or the American Film Institute but, does show up on the British Film Institute…which I find odd.
The site Letterboxd simply states:
The story of Cinderella with a children’s cast.
IMDB is not much longer:
The famous fairy tale is musicalized and given a modern 1940s spin with the principal characters (Cinderella, Prince Charming and the Wicked Step Sisters) all played by children.
I guess the story of The Little Glass Slipper needs no explaining.
♦ This short was produced toward the tail end of Shirley Temple‘s reign as Hollywood’s #1 box office star and it’s reasonable to assume it was made to showcase young talent that Warner Brothers may have thought had a shot at replicating Temple’s success.
“I think it’s strange you never knew…”
Sunday evening’s playlist submission is Fade Into You by alternative band Mazzy Star. Released April 12, 1994, it is the first track on the album So Tonight That I Might See. Written by Hope Sandoval and David Roback, it was a surprise hit, peaking at #44 on Billboard’s Hot 100, #19 on the Mainstream Top 40 chart, #3 on the Modern Rock Tracks (Alternative Songs, now) chart and #48 on the UK Singles chart. It was Mazzy Star‘s only single to make to make the Billboard Hot 100. It has been used, frequently, in movies, most notably Starship Troopers, Lord of War, Burlesque and Thank You For Your Service plus several TV shows.
I’d never heard of Mazzy Star or heard this song when it originally came out. I am late to the party finding this, just discovering them a few years ago. Sadly, David Roback passed away February 24, 2020, from cancer.
Sixty years ago, today, The Frank Sinatra Timex Show: Welcome Home Elvis aired on ABC. It was Elvis‘ first televised appearance following his military service in West Germany. This was also Frank Sinatra‘s fourth and final Timex sponsored outing for the 1959–60 television season. Other performers were Nancy Sinatra, Joey Bishop, Sammy Davis, Jr., Peter Lawford and The Jordanaires.
After approximately eight minutes on screen and a quick promotional plug for his new film G.I. Blues, Presley was gone. The remainder of the special consisted of performances by the additional guest stars. Excerpts from this show appear in Warner Bros. 1981 documentary film This Is Elvis.
♦ Elvis got paid an at the time incredible sum of $125,000 for only a few minutes of onscreen time.
Elvis & Frank
Behind The Scenes
Eighty-five years ago, today, the black & white short comedy Why Pay Rent? was released. Directed by Lloyd French and, co-written by Dolph Singer & Jack Henley, it starred Roscoe Ates, Shemp Howard, Billie Leonard, Ethel Sykes and Ron Le May.
Elmer (Roscoe Ates) fixes up a room for his just-married, freeloading brother-in-law and wife. When the newlyweds show up, Henry (Shemp Howard) brings a surprise in the form of stepson Junior. The apartment is now too small so, Henry decides that they’ll buy a lot and build a do-it-yourself home, a disaster in the making when Junior switches the house’s part numbers. It doesn’t help matters that Elmer, Henry and the wives are all incompetent.
In the 1930s, the Vitaphone division of Warner Brothers made a bunch of very uninspired and, often, unfunny comedy shorts. One of them, Why Pay Rent? is a bit like One Week (with Buster Keaton) but, only if the folks building the house were dumber than a pile of bricks. In many ways, this might have worked better as a Three Stooges short, which is interesting because Shemp Howard stars in this one, as well as Roscoe Ates, an incredibly unfunny comedian whose shtick was stuttering…which was annoying rather and cruel.
Ninety years ago, today, the obscure, low budget, black & white western film The Cheyenne Kid was released. Directed and co-written by Jacques Jaccard, it starred Jay Wilsey, Joan Jaccard (Catherine Dirking), Yakima Canutt (co-writer & stuntman), Jack Mower and Frank Ellis.
Buck Allen, The Cheyenne Kid, has been accused of holding up the payroll car of the Cody Dam Construction Company and is being pursued by U.S. Marshal Utah Kane and, Sheriff Hank Bates but, they lose him. Buck proceeds to the home of Betty Thorpe, where he meets Duke Porter, who is posing as his friend. [Duke], who advised him that, by running away from the law, he can keep out of jail and force the guilty party to confess. Hiding in the barn, he hears a conversation between Gorman and Madge. [H]e leaps to the floor as Gorman runs out. Gorman shoots at him but, hits Madge instead. The Marshal and Sheriff ride up and Buck, knowing that Madge needs medical attention, gives himself up and, is jailed. Marshal Kane believes that Buck is innocent and is on the hunt for the guilty party but, allows the sheriff to believe that Buck is guilty. Kane has the sheriff bring Gorman to the jail and, tells Buck and Gorman of an old Indian legend that, when two people are given one weapon between them, the survivor will be the innocent party. He throws a bull-whip between them and says that is the weapon.
In the trivia section, there is one entry:
This film is presumed lost. Please check your attic.
One-hundred years ago, today, the silent black & white drama film The Girl In Number 29 premiered (though not released, widely). Directed by John Ford and written by Philip D. Hurn, it was based upon the novel The Girl In The Mirror (1919) by Elizabeth Jordan. Starring Frank Mayo, Elinor Fair, Claire Anderson, Robert Bolder and Bull Montana, it is considered a lost film.
After turning out a successful drama, young playwright Laurie Devon settles down to a life of idleness. Alarmed and disgusted, his friends make every effort to get him to work again but, he refuses. One evening, while glancing into his mirror, Laurie sees a beautiful girl in the apartment across the way, holding a revolver to her head. Dashing out of his apartment house, he prevents her from pulling the trigger. He learns that her name is Doris Williams and discovers that her plight is caused by a man named Shaw. Soon after, Shaw and his thugs abduct her, and Laurie comes to her rescue, shooting her tormentor. Returning home, he confesses his crime to his sister and friends, and learns that the whole incident was a trick to restore his interest in life. The plot succeeds and Laurie writes another hit play in which his new wife Doris is the star.
Laurie Devon (Mayo) is a New York playwright who, having had one success, refuses to work on another play. One night he sees a woman (Anderson) in an apartment across the street take out a gun and place it to her forehead. He reaches her in time to save her and she tells him that she is under some terrible evil influence, which she will not disclose. Devon attempts to untangle the mystery and is led on an adventure. The woman is taken to a house on Long Island, where Devon, after a fight, rescues her. He takes out the revolver and shoots one of the pursuers, who falls to the ground. On returning home, he is heartbroken and tells his sister Barbara (Fair) and his friends that he is a murderer. His sister, and two of his friends, then confess that the whole thing was a frame-up. [T]hey had hired some actors to stage everything and that it was an attempt to get the ambitionless [sic] author to write again. The revolver used in the suicide attempt by the woman, and in the later shooting, had blanks. Devon and the woman from the apartment melt into each other’s arms at the final fade-out.