satan
Flick Friday: To Hell With The Kaiser! 1918
Source: Archive Image
Author: Metro Pictures/Screen Classics, Inc.
One-hundred, five years, ago, today…the silent black & white, comedy-drama To Hell With The Kaiser! was released. Written by June Mathis and directed by George Irving, it starred Lawrence Grant (as The Kaiser/actor Robert Graubel), Olive Tell, Betty Howe, John Sunderland, Earl Schenck (as the Crown Prince), Mabel Wright, Frank Currier, Karl Dane and Walter P. Lewis as Satan.
Following the death of his father, Frederick III of Germany, Wilhelm Hohenzollern becomes the German Kaiser and forms a pact with the devil that, he will conquer the globe in exchange for his soul. During the Kaiser’s invasion of Belgium, the Crown Prince enters a church and rapes Ruth Monroe, the daughter of an American inventor who has perfected a noiseless communications device. When the professor denounces the Crown Prince, he immediately is shot, whereupon his other daughter Alice vows to obtain revenge. While Alice’s sweetheart, Winslow Dodge, fights with the Americans as an aviator, she arranges to meet the Crown Prince through her friend Robert Graubel, an actor who impersonates the Kaiser at public functions. With her father’s wireless [device], Alice informs Winslow of the Kaiser’s whereabouts and, as he captures the German emperor, she kills the Crown Prince. Now a prisoner, the Kaiser drowns himself and wakes up in Hell, where Satan abdicates in his favor, saying that the Kaiser’s tortures are more fiendish than any he ever devised.
IMDb Storyline
Lobby Poster
IMDb & Amazon
Lawrence Grant, who spent his lengthy career playing odious villains, appeared in the dual role of Kaiser Wilhelm II and his look-alike, German actor Robert Graubel. Terrified of being assassinated, the Kaiser hires Graubel to impersonate him at various political functions. In the film, the Kaiser achieves military success through an infernal pact with Satan. Once this is established, the film concentrates on the seemingly endless tally of misdeeds perpetrated by the Kaiser during his quarter-century reign over Germany. His “partner in crime” is the Crown Prince […], who thinks nothing of casually raping convent girls and gunning down protesting nuns. The Crown Prince’s latest conquest is Ruth Monroe […], the daughter of an American inventor. When Ruth’s father protests this outrage, he is brutally murdered, whereupon Ruth’s sister Alice […] vows revenge. Using her father’s newest invention, a wireless machine whose coded messages cannot be intercepted, Alice directs a battalion of planes to bomb the small German village where the Kaiser is hiding. Captured by the Allies, the Kaiser is ignominiously dumped in a POW camp but, not before enduring a well-aimed sock on the jaw from a pugnacious dough-boy. In despair, the Kaiser commits suicide and sends his soul to hell. In hell, the devil […] gives up his throne, confessing that the Kaiser is far more sinister than he could ever hope to be.
[On June 8, 1918], Motography ran a Screen Classics press release explaining that To Hell With The Kaiser “reveals the machinations of Europe’s military monster before and during the war, his contempt for Americans […], his elaborate plans to crush France, […] destroy Russia, […] partition the world, […] his [order] to employ deadly gases in the war, the true circumstances under which he ordered the sinking of the Lusitania, the raiding of hospitals […].” Years before the war, Mr. Grant’s physical likeness to the German ruler was noted by a high official of the Kaiser’s court and a proposition was made for Grant to play the Kaiser in a dramatization […]. The war broke out before discussions went any further.
Actor John Sunderland, playing American pilot Winslow Dodge, was himself “an aviator who has seen service in Belgium.”
[It] had been released in the press that Kaiser Wilhelm II had half a dozen doubles who were employed to pose for him in various parts of the country, where there might be danger of assassination, while the real Kaiser, himself, remained safe behind this cloak.
To Hell With The Kaiser opened in New York City at the Broadway Theatre on June 30, 1918, immediately after it had emerged from the cutting and editing rooms […].
The film turned out to be an effective propaganda tool […]. Not only has the picture been shown in munitions plants and training camps […] but, this power has now been demonstrated in a new way…to convert conscientious objectors.
The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.
I found the building of this post fascinating. What started out as a simple movie post, turned into a history lesson. It’s a shame that it is lost. There are photographs of still pictures on IMDb. ~Vic
Hans 2021 Movie Draft: Round Five-Pick Two-The Ninth Gate 1999
The Nine Doors (or Gates) to the Kingdom of Shadows
Aristide Torchia, Venice, 1666
Image Credit: IMDb & Amazon
Hanspostcard has a movie draft challenge. This is my Round Five pick.
Category: Foreign/Silent
Film: The Ninth Gate
A French/Spanish Roman Polanksi vehicle (director & producer), he co-wrote the screenplay with John Brownjohn and Enrique Urbizu. Loosely based on the 1993 book El Club Dumas, a Spanish language novel by Arturo Pérez-Reverte Gutiérrez, the Polanski/Brownjohn script removed a sub-plot, changed the two main characters’ names and altered the finale. Filmed in France, Portugal and Spain, it stars Johnny Depp (Corso), Frank Langella (Balkan), Lena Olin, Barbara Jefford and, Emmanuelle Seigner (mysterious woman & Polanski’s wife). Actor Allen Garfield suffered a stroke prior to filming and Polanski incorporated Garfield’s paralysis as part of the character. Released August 25, 1999, in Belgium, France and Spain (premiere), and November 1999 at the Stockholm International Film Festival, it wasn’t released, widely, in the US until March 10, 2000.
I would have to describe the movie like this…:
“[It] is a riddle, wrapped in a mystery, inside an enigma…”
Winston Churchill
October 1, 1939
Dean Corso is a bit of a sleazy rare book dealer from New York with questionable ethics. Boris Balkan, a wealthy collector, hires Corso to determine if a book he owns (the book to the left/above) is authentic. The author, supposedly, wrote the book with help from the Devil and only three copies of the book are known to exist after the author was burned at the stake during the Inquisition, along with his works. Corso must find the other two to complete his investigation. Balkan believes that the owner of the book would have the power to summon said Devil. As the skeptical Corso travels and searches, he is followed by a mysterious woman. He eventually becomes obsessed with his task and desires the complete truth. The movie twists and turns to it’s bizarre ending. Depp is a strange cat but, he makes really interesting movies. Visually, Polanski intended for Corso to resemble Philip Marlowe. ~Vic
Additional Reading:
The Ninth Gate (Roger Ebert)
The Ninth Gate Opens (Philip Coppens Web Archive)
Movie Monday: The Passion of The Christ 2004
Fifteen years ago, today, the #1 film at the box office was The Passion of the Christ, a biblical drama starring Jim Caviezel, Maia Morgenstern, Monica Bellucci, Claudia Gerini and Sergio Rubini. Directed by Mel Gibson, the screenplay was co-written by Gibson and Benedict Fitzgerald. Released February 25, it was based on The Passion of Jesus in the New Testament and Clemens Brentano‘s The Dolorous Passion of Our Lord Jesus Christ, the first volume of his records (notes) from conversations regarding meditations by Anne Catherine Emmerich, a canoness, mystic, visionary and stigmatist. John Debney was composer and cinematographer was Caleb Deschanel (father of Emily & Zooey Deschanel).
The Passion of the Christ focuses on the last twelve hours of Jesus of Nazareth’s life. The film begins in the Garden of Gethsemane where Jesus has gone to pray after sitting [at] the Last Supper. Jesus must resist the temptations of Satan. Betrayed by Judas Iscariot, Jesus is then arrested and taken within the city walls of Jerusalem where leaders of the Pharisees confront him with accusations of blasphemy and, his trial results in a condemnation to death.
Quotes
From Roger Ebert:
If ever there was a film with the correct title, that film is Mel Gibson’s “The Passion of the Christ.” The movie is 126 minutes long and, I would guess that at least 100 of those minutes, maybe more, are concerned, specifically and graphically, with the details of the torture and death of Jesus. This is the most violent film I have ever seen.
What Gibson has provided for me, for the first time in my life, is a visceral idea of what the Passion consisted of. That his film is superficial in terms of the surrounding message — that we get only a few passing references to the teachings of Jesus — is, I suppose, not the point. This is not a sermon or a homily but, a visualization of the central event in the Christian religion. Take it or leave it.
David Ansen, a critic I respect, finds in Newsweek that Gibson has gone too far. “The relentless gore is self-defeating,” he writes. “Instead of being moved by Christ’s suffering or awed by his sacrifice, I felt abused by a filmmaker intent on punishing an audience, for who knows what sins.” This is a completely valid response to the film, and I quote Ansen because I suspect he speaks for many audience members, who will enter the theater in a devout or spiritual mood and emerge deeply disturbed. You must be prepared for whippings, flayings, beatings, the crunch of bones, the agony of screams, the cruelty of the sadistic centurions, the rivulets of blood that crisscross every inch of Jesus’ body. Some will leave before the end.
*David Edelstein with Slate Magazine
* Jami Bernard with New York Daily News
Trivia Bits
♦ On February 11, 2008, Benedict Fitzgerald filed a lawsuit against Mel Gibson and the production company Icon Productions, alleging the unfair deprivation of compensation and deception on the overall expense of the film production budget after the blockbuster box office success of the film The Passion of the Christ, including, but not limited to, “fraud, breach of contract & unjust enrichment” seeking unspecified damages.
♦ Jim Caviezel experienced a shoulder separation when the 150lbs cross dropped on his shoulder. The scene is still in the movie.
♦ In an interview with Newsweek magazine, Jim Caviezel spoke about a few of the difficulties he experienced while filming. This included being accidentally whipped twice, which has left a 14-inch scar on his back. Caviezel also admitted he was struck by lightning while filming the Sermon on the Mount and during the crucifixion, experienced hypothermia during the dead of winter in Italy.
Nominations, Awards & Other Accolades