“Oh, it’s Friday night. Let’s run tonight, ’til the morning light…”
Returning to my Samsung playlist, this Saturday’s submission is Keep On Runnin’ by American rock band Journey, formed in San Francisco in 1973 out of former members of Santana and Frumious Bandersnatch. The fourth track from the album Escape (released in July 1981), it was co-written by Jonathan Cain, Steve Perry and Neal Schon and, was never released as a single, though the album, itself, reached #1 on the Billboard 200 on September 12, 1981. The song does show up in the Journey video game from Bally Midway, that came out in March of 1983, with this tagline (one of three):
“The hottest band in the country is about to take over the planet!”
I got to see the band in concert, twice, in Texas and was lucky enough to get to meet them. This is the tour where Journey dropped Steve Augeri and picked up Jeff Scott Soto for a year. Neither could match Perry but, Augeri was close.
I’m on the far left next to Jonathan Cain. My buddy Monica is in between Cain & Neal Schon. My buddy Amy is in between Deen Castronovo & Ross Valory.
It’s a shame the members are embroiled in a lawsuit. ~Vic
Twenty years ago, today, the science fiction series Harsh Realm debuted on Fox. Created and developed by Chris Carter (The X-Files & Millenium), it starred Scott Bairstow, D.B. Sweeney, Terry O’Quinn, Rachael Hayward, Max Martini, Samantha Mathis and Sarah-Jane Redmond with Cameron K. Smith as a Republican Guard Soldier (Smith had fourth billing but, much of his acting history is uncredited) and, Vinnie as Dexter the Dog (seventh billing in the cast list). Filmed in Vancouver, British Columbia, it was loosely based on the Harsh Realm comic book by James Hudnall and Andrew Paquette.
Tagline: Are you ready to play?
Harsh Realm is a virtual reality game created by the U.S. Army, programmed to minutely replicate the real world for training simulations. In the world of Harsh Realm, a small nuclear bomb is detonated in the program’s version of New York City, killing four million people and thrusting its participants into a post-apocalyptic disaster scenario. Lieutenant Tom Hobbes is unknowingly thrust into this world by his superiors with one mission: to kill “General” Omar Santiago. Along the way, he meets fellow soldiers sent into the game and alternate versions of people he knows in the real world (including Dexter, an alternate version of his real world dog). It is in this world that Hobbes must survive, defeat Santiago, save the real world and, somehow return to his real life and his fiancée, Sophie Green.
Lt. Hobbes, a young idealistic Marine who’s about to get married, is sent into a [virtual reality] war game simulation where he is to terminate a renegade General who has taken control of the program. [He] also learns that he is actually trapped in the game, along with numerous other soldiers previously sent to kill Santiago. Meanwhile, Hobbes real life fiancee investigates his disappearance with the help of a mysterious female ally with an agenda of her own.
♦ Notable director for one episode: Kim Manners (Supernatural)
♦ Notable writer for one episode: Frank Spotnitz (The X-Files)
♦ Notable composer for the series: Mark Snow (The X-Files & Starsky & Hutch)
♦ Gillian Anderson is the narrator of the Harsh Realm training video in the first episode.
♦ Thomas Hobbes is named for the philosopher Thomas Hobbes, who believed in predestination and that people are inherently selfish and power-hungry.
♦ Hobbes’ dog, Dexter, is named after the protagonist from the Harsh Realm comic book series upon which the show is loosely based.
♦ Many [have] wrongly speculated that [the] widely-publicized lawsuit brought about the series’ sudden cancellation. It was actually a struggle between Carter and Fox that got the series cancelled (after nine episodes).
♦ The term “harsh realm” originates from the grunge speak hoax of 1992 […]
♦ The theme music contains samples of speeches given by Benito Mussolini.
♦ Music from artists Prodigy, White Zombie (Rob Zombie) and Moby are featured in some episodes.
Fifteen years ago, today, the #1 film at the box office was The Passion of the Christ, a biblical drama starring Jim Caviezel, Maia Morgenstern, Monica Bellucci, Claudia Gerini and Sergio Rubini. Directed by Mel Gibson, the screenplay was co-written by Gibson and Benedict Fitzgerald. Released February 25, it was based on The Passion of Jesus in the New Testament and Clemens Brentano‘s The Dolorous Passion of Our Lord Jesus Christ, the first volume of his records (notes) from conversations regarding meditations by Anne Catherine Emmerich, a canoness, mystic, visionary and stigmatist. John Debney was composer and cinematographer was Caleb Deschanel (father of Emily & Zooey Deschanel).
The Passion of the Christ focuses on the last twelve hours of Jesus of Nazareth’s life. The film begins in the Garden of Gethsemane where Jesus has gone to pray after sitting [at] the Last Supper. Jesus must resist the temptations of Satan. Betrayed by Judas Iscariot, Jesus is then arrested and taken within the city walls of Jerusalem where leaders of the Pharisees confront him with accusations of blasphemy and, his trial results in a condemnation to death.
From Roger Ebert:
If ever there was a film with the correct title, that film is Mel Gibson’s “The Passion of the Christ.” The movie is 126 minutes long and, I would guess that at least 100 of those minutes, maybe more, are concerned, specifically and graphically, with the details of the torture and death of Jesus. This is the most violent film I have ever seen.
What Gibson has provided for me, for the first time in my life, is a visceral idea of what the Passion consisted of. That his film is superficial in terms of the surrounding message — that we get only a few passing references to the teachings of Jesus — is, I suppose, not the point. This is not a sermon or a homily but, a visualization of the central event in the Christian religion. Take it or leave it.
David Ansen, a critic I respect, finds in Newsweek that Gibson has gone too far. “The relentless gore is self-defeating,” he writes. “Instead of being moved by Christ’s suffering or awed by his sacrifice, I felt abused by a filmmaker intent on punishing an audience, for who knows what sins.” This is a completely valid response to the film, and I quote Ansen because I suspect he speaks for many audience members, who will enter the theater in a devout or spiritual mood and emerge deeply disturbed. You must be prepared for whippings, flayings, beatings, the crunch of bones, the agony of screams, the cruelty of the sadistic centurions, the rivulets of blood that crisscross every inch of Jesus’ body. Some will leave before the end.
♦ On February 11, 2008, Benedict Fitzgerald filed a lawsuit against Mel Gibson and the production company Icon Productions, alleging the unfair deprivation of compensation and deception on the overall expense of the film production budget after the blockbuster box office success of the film The Passion of the Christ, including, but not limited to, “fraud, breach of contract & unjust enrichment” seeking unspecified damages.
♦ Jim Caviezel experienced a shoulder separation when the 150lbs cross dropped on his shoulder. The scene is still in the movie.
♦ In an interview with Newsweek magazine, Jim Caviezel spoke about a few of the difficulties he experienced while filming. This included being accidentally whipped twice, which has left a 14-inch scar on his back. Caviezel also admitted he was struck by lightning while filming the Sermon on the Mount and during the crucifixion, experienced hypothermia during the dead of winter in Italy.