Forty-five years ago, today, the one-hour documentary Nat Hurst, MD: 20th Century American Physician aired on TV (network unknown). Written and directed by Raúl daSilva, it was produced and narrated by Jerry Carr.
The life of prominent African American medical doctor, Nathaniel Hurst, who rose from a poor family to the presidency of both a major hospital and the Monroe County Medical Association.
There is very little written about this production but, I did manage to dig up some data on Nat. ~Vic
Nat received his M.D. from the University of Rochester School of Medicine and Dentistry in 1954. He did his internship and residency in internal medicine at Rochester General Hospital. He entered private practice in 1958.
In 1976, Nat was installed as the first African-American president of the Monroe County Medical Society. In 1981, he received the Edward Mott Moore Award, the Medical Society’s highest honor and The Community Leadership Award of the Urban League of Rochester.
Nat was an expertise [sic] in geriatrics, pioneering a number of innovative programs. His interests included giving time to such projects as the Sickle Cell Anemia Project, the Inner City Health Council and the Catholic Interracial Council
Nat left an indelible imprint on Rochester’s medical community, first as an internist in the late 1950s and then as vice president, and president, of the former Park Avenue Hospital medical staff. He is credited with major involvement in the planning, building and operating of Park Ridge Hospital and Nursing Home. He later became director of the hospital’s internal medicine department and subsequently medical director of Park Ridge Hospital.
Birth: December 11, 1919, Suffolk City, VA
Death: December 22, 2000, North Carolina
Buried: White Haven Memorial Park, Pittsford, NY
Dr. Nathaniel John Hurst
Find A Grave Memorial
Five years ago, today, the #1 film at the box office was Captain America: Civil War. Directed by the Russo Brothers and produced by Kevin Feige, the all-star cast is extensive (and well known). If you are unaware of this blockbuster film, it took in $1.15 billion.
The basic plot is one that weaves thru much of the Marvel Comics (and DC Comics, as well) regarding mutant and superhero discrimination and the government wanting to register and track them. The idea was alluded to in the Uncanny X-Men issue #141, published in January of 1981 and the specific words “Mutant Control Act“ showed up in the Uncanny X-Men issue #181, published in May of 1984. It was featured prominently in the movie X-Men (2000).
In Civil War, the Sokovia Accords is a United Nations version of a registration act to monitor or control the superheroes. Tony Stark (Ironman) agrees with this registration out of remorse for Ultron and the destruction of Sokovia. Steve Rogers (Captain America) disagrees and wants no part of political intervention or any form of registration. Complicating matters, Rogers’ childhood friend Bucky Barnes (Winter Soldier) is responsible for the death of T’Challa’s (Black Panther) father and Stark’s parents. The Avengers split along ideological and loyalty lines. Unlike the comics, Captain America isn’t killed off but, he does walk away from the job. He returns during Infinity War & Endgame.
I find all of the above quite prophetic considering recent insane events taking place. Society, once again, finds itself being driven towards more discrimination, tracking/registration with vaccine passports (shall we return to gold stars on lapels and “your papers, please?”) and possible civil war? Please…wake up. ~Vic
♦ The film coincides with the 75th anniversary of Captain America, the 10th anniversary of the original Civil War comic book and Black Panther’s 50th anniversary.
♦ This is the live-action debut of T’Challa, the Black Panther, one of the first black superheroes in American comic books, which debuted in Fantastic Four #52 (July 1966).
♦ By the end of the movie, The Avengers logo on Captain America’s arm is no longer there, representing the fact that The Avengers are no longer his.
Hanspostcard has a movie draft challenge. This is my Round Seven pick.
Category: Crime/Film Noir
Film: Cop Land
Written and directed by James Mangold, it was executive produced by the Weinstein brothers (though their names have been removed from the Wikipedia article). Released August 6, 1997 in New York (premiere) and nationwide on August 15, it was an incredible ensemble cast of Sly Stallone, Harvey Keitel, Ray Liotta, Robert De Niro, Robert Patrick, Peter Berg, Janeane Garafalo, Edie Falco, Michael Rapoport, Annabella Sciorra, John Spencer, Cathy Moriarty, Noah Emmerich, Frank Vincent, Malik Yoba, Arthur Nascarella and, cameos of Deborah Harry & Geraldo Rivera.
Sylvester Stallone put on 40 pounds to play Nowheresville, N.J., sheriff Freddy Heflin in Cop Land […]. His town is run by Ray Donlan (Keitel) and the other New York cops who have settled there with their families. He wears blinders when it comes to their lawbreaking and mob dealings. Moe Tilden (De Niro), the internal-affairs officer out to get the goods on Cop Land, correctly pegs Freddy as “a man looking for something to do.” Keitel’s [Donlan] exudes dangerous energy. He cares for his own as long as they don’t cross him […]. Robert Patrick brings sly menace to Rucker […]. Ray Liotta […], as Gary Figgis, [is] a tainted cop who sides with Freddy.
Mangold […] has a rare talent for finding the human drama in ordinary lives.
Writer-director James Mangold […] wrangles an impressive cast […] and spins a compelling tale of cancerous corruption among a secretive group of New York’s finest who have settled in the fictional New Jersey burg of Garrison. [Stallone] indeed looks chunky and plays the sleepy, docile Sheriff […] with sluggishness to spare in a largely commendable performance as a half-deaf small-town dreamer. [He] is not given much in the way of memorable dialogue but, he makes the character work […]. [Having] yet to replace his LP of The River with a CD, [he] carries a torch for the local Jersey girl (Sciorra) he saved from drowning…the reason for his loss of hearing in one ear…[he] once longed to be a big-city cop but, had to settle for policing them.
Freddy gradually realizes that he doesn’t like how the town has turned out.
The Hollywood Reporter
August 11, 1997
I saw this at the theater when it came out and caught it, again, a few nights ago. I was born and raised in law enforcement and, worked in it, too (non-sworn). I’ve known good cops and I’ve known some really bad ones. I love a well written cop movie and this was an unusual one in that Stallone wasn’t playing a bad ass like Rambo, Cobra, Tango, John Spartan (though I do love that movie) or Ray Quick. This character was different…subdued. His scenes with Annabella Sciorra have Springsteen playing in the background which adds depth and texture to the mood. This is clearly a period piece as all the vehicles, hair cuts and clothing styles are, effectively, early 80s. The River came out in 1980 and music from the Director’s Cut, like Blue Oyster Cult‘s Burnin’ For You came out in 1981. This also manages to cover the Crime category via IMDb and the Film Noir category, simultaneously, via Historical Dictionary of Film Noir (2010). ~Vic
♦ There is a disclaimer at the end of the credits which states “This film is a work of fiction. It is currently illegal for New York City Police officers to live outside the state of New York.”
♦ Arthur J. Nascarella was a real-life NYPD officer.
♦ Debbie Harry acted in the movie but, was edited out in the final cut. She explained on a live television special that although she was cut, she still got paid.
♦ In the scene in which Ray Liotta confronts Robert Patrick in the bar, the dart that Liotta shoves up Patrick’s left nostril was made out of rubber.
♦ Tom Cruise, Tom Hanks, Gary Sinise and John Travolta were considered for Sheriff Freddy Heflin.
The Making of an Urban Western
“Oh, it’s Friday night. Let’s run tonight, ’til the morning light…”
Returning to my Samsung playlist, this Saturday’s submission is Keep On Runnin’ by American rock band Journey, formed in San Francisco in 1973 out of former members of Santana and Frumious Bandersnatch. The fourth track from the album Escape (released in July 1981), it was co-written by Jonathan Cain, Steve Perry and Neal Schon and, was never released as a single, though the album, itself, reached #1 on the Billboard 200 on September 12, 1981. The song does show up in the Journey video game from Bally Midway, that came out in March of 1983, with this tagline (one of three):
“The hottest band in the country is about to take over the planet!”
I got to see the band in concert, twice, in Texas and was lucky enough to get to meet them. This is the tour where Journey dropped Steve Augeri and picked up Jeff Scott Soto for a year. Neither could match Perry but, Augeri was close.
I’m on the far left next to Jonathan Cain. My buddy Monica is in between Cain & Neal Schon. My buddy Amy is in between Deen Castronovo & Ross Valory.
It’s a shame the members are embroiled in a lawsuit. ~Vic
I lived in Texas for nearly a decade. My ex-Marine and I did some traveling through the west when we had opportunities. I’ve been digging around in some old stuff and found some photos from a visit to the Old Fort Sumner Museum in New Mexico in December of 2008. We were on our way to Liar’s Lodge. The museum closed in 2017. ~Vic
BTKOG (Billy the Kid Outlaw Gang Site)
Whiskey and the Devil: Taiban, New Mexico (City of Dust Blogspot January 10, 2012)
Billy the Kid’s Two Graves (Roadside America August 15, 2020)
Caught With His Pants Down: Billy the Kid vs Pat Garrett (True West Magazine August 1, 2010)
Brushy Bill Roberts (Wikipedia)
A song you like by an artist no longer living…
I’ve already posted some Prince videos and I will have to work hard to keep this post trimmed down.
Can’t do a post like this without The King of Rock and Roll…Elvis. I grew up with this music.
Next up, The Queen of Disco…Donna. Her music covered my life from 10 years old to 18.
The Beatles were never played in my house. Their music was just not part of my childhood. I discovered who they were after they split up and I liked a lot of solo stuff that came out. My favorite was George. I liked his scratchy, squeaky voice. Paul came in second.
This one covers two that have left us…Freddie and Bowie. This song spoke to me at 15 and still does to this day (and I was extraordinarily annoyed when Vanilla Ice ripped it off).
This came out after I started college. Teena was the Ivory Queen of Soul.
Ok. I’m stopping at seven (I could be here all night). I grew up with this music, as well and still remember all the words. I previously posted my favorite of his songs related to the Gold Rush of 1896. So, I will post my second favorite. I give you Johnny Horton.
A song you like that is a cover by another artist…
This will be interesting.
First up, Angel of the Morning. Written by Chip Taylor (uncle to Angelina Jolie), this song has been covered by many. It was originally recorded by Evie Sands in 1967 and it got airplay but, the label went bankrupt and distribution halted. After that, it was a feeding frenzy spanning 45 years, culminating in the very last version by Rita Wilson (Mrs. Tom Hanks).
The two most popular versions, both released in February, 13 years apart, are also mine. I still have both 45s.
Merrilee Rush & The Turnabouts 1968
Juice Newton 1981
Next, One Tin Soldier. An anti-war song written by Dennis Lambert and Brian Potter, it was originally recorded by the Canadian group The Original Caste in 1969 and did very well on the Canadian charts. Skeeter Davis’ version in 1972 also did well in Canada.
And, last, Get It On. Originally written & recorded by the British group T. Rex in 1971, it was re-titled Bang A Gong (Get It On) by The Power Station in 1985. Sorry, T. Rex fans. I like this one better.
A song about drugs or alcohol…
From the 1981 Paradise Theatre album, I give you Snowblind by Styx. If anyone followed Styx and their concept-album-oriented story telling, Paradise Theatre is where the dystopian thugs broke up the concert (as recalled by Kilroy in prison). This was also the same time that bands were being accused of having Satanic messages backmasked into the recordings. James Young (JY), in live concerts, always makes sure that everyone knows that Snowblind is anti-cocaine…not pro-Satan.