I am battling something that I am not totally sure I will survive. I don’t mean to come across as dramatic but, I need to let readers of this blog know why I won’t be posting. I may return…I may not. I don’t honestly know.
This is, now, effectively, a static blog. I encourage you to read all of my Chris Thomas posts. I have sporadically posted years ago, so, I do have some older posts going back to 2013, I think. Peruse if you wish.
Thank you to all of my readers. You are so appreciated.
Back in May, I did a post on the Battle of Alamance so, I won’t revisit the historical details. Yesterday, I visited the actual battleground with my buddy, Ray. They were having German Heritage Day with authentic German food for visitors. I was so glad we had a beautiful day. It was chilly but, there was a really good turnout. I hadn’t been to this site in nearly 45 years.
Battle map behind the Visitor Center Museum, facing the battleground.3-D Map of NC Militia troops and the Regulators.The rock in the 3-D battle map and
the small creek/tributary of Beaver Creek/Big Alamance Creek/Lake Mackintosh.Field cannon.Facing Inscription:
“HERE WAS FOUGHT THE BATTLE OF ALAMANCE
MAY 18, 1771
BETWEEN THE BRITISH AND
THE REGULATORSLeft Inscription:
Crossed Cannons & LIBERTY
Right Inscription:
FIRST BATTLE OF THE REVOLUTIONBattleground Sun
[Note: I originally posted this, yesterday, just before midnight. In researching the data, I stumbled across Bill Owens, a photographer that was at Altamont. He was hired by the Associated Press to cover the concert. I emailed him, reference the two photos of his I posted. I hit ‘publish’ before I found his contact page and statement about photos for sale. In my haste to get this up while it was still Friday, I jumped the gun and quickly made the post private. I asked Bill what the price would be to use two of his pictures. As a photographer myself, I understand copyright issues but, I also recognize the gray area that many a blogger operate in, in the blogosphere….Fair Use (link on that, below). Anyway, this very kind gentleman has allowed my one-time use for this 50th anniversary post. He also provided me with a copy of an interview, conducted by Tony D’Souza in April 2019, covering his Altamont experience and other questions regarding his career. I will post an excerpt and attach the full interview, below. ~Vic]
[It’s] not every day that a rock and roll band’s performance, let alone the Rolling Stones’, is accompanied by a knifing, stomping murder within a scream of the stage.
“The violence,” Keith Richard told the London Evening Standard, “just in front of the stage was incredible. Looking back, I don’t think it was a good idea to have [Hells] Angels there. But, we had them at the suggestion of the Grateful Dead. The trouble is, it’s a problem for us either way. If you don’t have them to work for you as stewards, they come, anyway and cause trouble. But, to be fair, out of the whole 300 Angels working as stewards, the vast majority did what they were supposed to do, which was to regulate the crowds as much as possible without causing any trouble. But, there were about ten or twenty who were completely out of their minds…trying to drive their motorcycles through the middle of the crowds.”
The Maysles Brothers, the film company which had shot the whole Stones’ tour, complete with its violent climax at Altamont, had gotten some remarkable footage of Hunter’s killing.
Robert Hiatt, a medical resident at the Public Health Hospital in San Francisco, was the first doctor to reach 18-year-old Meredith Hunter after the fatal wounds. He was behind the stage and responded to Jagger’s call from the stage for a doctor. When Hiatt got to the scene, people were trying to get Hunter up on the stage, apparently in the hope that the Stones would stop playing and help could get through quicker.
Stones on stage with Hells Angels.
Photo Credit: allthatsinteresting.com
Three others […] died (two in a hit-and-run accident, another by drowning) and, countless more were injured and wounded during the course of this daylong “free” concert. It was such a bad trip that it was almost perfect. All it lacked was mass rioting and the murder of one or more musicians.
All these things happened, and worse. Altamont was the product of diabolical egotism, hype, ineptitude, money manipulation and, at base, a fundamental lack of concern for humanity.
Bill Owens took iconic photos of the Hells Angels beating concertgoers with pool cue sticks at the Rolling Stones’ performance during the Altamont Speedway Free Festival four months after Woodstock on December 6, 1969. Altamont, which included violence almost all day and one stabbing death, is considered by historians as the end of the Summer of Love and the overall 1960’s youth ethos. This series of photos include panoramas of the massive, unruly crowd, Grace Slick and Carlos Santana on stage with the press of humanity so close in, they’re clearly performing under duress.
Of that day, Owens has written: “I got a call from a friend, she said the Associated Press wanted to hire me for a day to cover a rock and roll concert. I road my motorcycle to the event. I had two Nikons, three lenses, thirteen rolls of film, a sandwich, and a jar of water.”
Owens was so fearful of retribution by the Hells Angels that he published the photos under pseudonyms. Some of the negatives were later stolen…Owens believes by the Angels. He continues to have conflicted feelings about Altamont. He had no interest in violence and took no pride in photographing it.
In 1972, Owens released a book of black and white photography called Suburbia, also, now, an American icon. Irascible, stubborn, funny, grouchy, ornery and deeply rooted in small town life, Owens is built like a middleweight puncher and wears his hair as though he was a Marine. Indeed, Owens was never a hippie but, a clean-cut newspaper photographer, husband and father, who joined the Peace Corps to serve his country and “do good.” Turning 80 this September, Owens has also had noted careers as a craft beer brewer and pub owner, a magazine publisher many times over and, is now a distiller. His books include Suburbia, Working, Leisure and many others. He is the recipient of a Guggenheim and two NEAs. His work is collected in leading museums the world over, including the Smithsonian. Recent coverage of Owens includes an April retrospective in the New York Times (link above) of his Altamont photos for the event’s impending 50th anniversary. The photos are available for viewing at Owens’ website (link above and below).
I first met Owens at the defunct Rostel Gallery in remote and far northern Dunsmuir, CA, in late August or early September of 2008 (I remember because my daughter had just been born and the event was the first outing of her life), where they were showing images from Suburbia. These are images of people embarking on a new, modern way of life that they look excited by, but also confused, as though technology and the modish styles of the time were costumes they were still getting comfortable in. Owens’ photograph of a young suburban boy wearing cowboy boots, carrying a toy rifle and riding a Big Wheel, “Ritchie,” has always haunted me, though I couldn’t say precisely why.
A merchant brigantine, the Mary Celeste was built at Spencer’s Island, Nova Scotia and launched under British registration as Amazon in 1861. She was transferred to American ownership and registration in 1868 when she acquired her new name. Thereafter, she sailed, uneventfully, until her 1872 voyage.
[She was] discovered adrift and deserted in the Atlantic Ocean off the Azores Islands on December 4, 1872. The Canadian brigantine Dei Gratia found her in a disheveled but seaworthy condition under partial sail and with her lifeboat missing. The last entry in her log was dated ten days earlier.
She left New York City for Genoa on November 7 and [the] Dei Gratia departed for Gibraltar on November 15, following the same general route eight days [later]. [She] was still amply provisioned when found. Her cargo of denatured alcohol was intact and, the captain’s and crew’s personal belongings were undisturbed. None of those who had been on board were ever heard from again.
Image Credit: gutenberg.org
At the salvage hearings in Gibraltar following her recovery, the court’s officers considered various possibilities of foul play, including mutiny by Mary Celeste’s crew, piracy by the Dei Gratia crew or others and conspiracy to carry out insurance or salvage fraud. No convincing evidence supported these theories but, unresolved suspicions led to a relatively low salvage award.
The inconclusive nature of the hearings fostered continued speculation as to the nature of the mystery and, the story has repeatedly been complicated by false detail and fantasy. Hypotheses that have been advanced include the effects on the crew of alcohol fumes rising from the cargo, submarine earthquakes (seaquakes), waterspouts, attack by a giant squid and paranormal intervention. The story of her 1872 abandonment has been recounted and dramatized many times in documentaries, novels, plays and films and, the name of the ship has become a byword for unexplained desertion.
[Were] it not for Dr. Arthur Conan Doyle, struggling to establish himself as a writer prior to creating Sherlock Holmes, perhaps the world would not have ever known or cared [about the ship]. Conan Doyle’s short story about the ‘Marie Celeste‘ (he changed the name from Mary) turned a minor puzzle into one of the most famous legends of the sea. Nevertheless, we should recognise it was fiction, for which his editor paid 30 Pounds, […] a respectable sum in 1884.
Eight-four years ago, today, Austrian physicist Erwin Schrödinger published his first of three essays on a Thought Experiment regarding a hypothetical cat:
[A] cat, a flask of poison and a radioactive source are placed in a sealed box. If an internal monitor (e.g. Geiger counter) detects radioactivity (i.e. a single atom decaying), the flask is shattered, releasing the poison, which kills the cat. The Copenhagen interpretation of quantum mechanics implies that, after a while, the cat is simultaneously alive and dead. Yet, when one looks in the box, one sees the cat either alive or dead, not both alive and dead. This poses the question of when, exactly, quantum superposition ends and reality collapses into one possibility or the other.
[Schrödinger] intended the example [above] to illustrate the absurdity of the existing view of quantum mechanics:
One can even set up quite ridiculous cases. A cat is penned up in a steel chamber, along with the following device (which must be secured against direct interference by the cat): in a Geiger counter, there is a tiny bit of radioactive substance, so small, that perhaps in the course of the hour one of the atoms decays, but also, with equal probability, perhaps none. [If] it happens, the counter tube discharges and, through a relay, releases a hammer that shatters a small flask of hydrocyanic acid. If one has left this entire system to itself for an hour, one would say that the cat still lives if, meanwhile, no atom has decayed. The first atomic decay would have poisoned it. The psi-function of the entire system would express this by having in it the living and dead cat (pardon the expression) mixed or smeared out in equal parts.
It is typical of these cases that an indeterminacy originally restricted to the atomic domain becomes transformed into macroscopic indeterminacy, which can then be resolved by direct observation. That prevents us from so naively accepting as valid a “blurred model” for representing reality. In itself, it would not embody anything unclear or contradictory. There is a difference between a shaky or out-of-focus photograph and a snapshot of clouds and fog banks.
Schrödinger’s famous thought experiment poses the question, “when does a quantum system stop existing as a superposition of states and become one or the other?”
As I type this, I am nearly comatose from the tryptophan overload. I’m glad I went for a walk before I ate as I would never have been able to get off the couch. I didn’t prepare a full size turkey as there was only three of us eating. I slow cooked a turkey breast in my crock pot. I did have the usual mashed potatoes, green beans, cranberry sauce and my lumpy mushroom gravy. With a small gathering, no traditional dressing but, stove top stuffing instead. I’ve struggled for years to make non-lumpy gravy. It just ain’t happening. *sigh*
Many well wishes and, safe travels to family and friends. The weather is a mess in many parts of the US. *yawn* ~Vic
I was actually trying to capture not only the sun setting but,
the crescent moon as well.You can just see the crescent moon in the center.
Just below it, hard to see, is Venus.
It’s a truly slim crescent but, my phone always blurs Moon.
I am an avid herbal tea drinker. My favorite brand is Traditional Medicinals. They always put inspirational thoughts and quotes on the tea bag tag. I love this one. ~Vic
A “W” with a smile.
06-22-2018A big feather or…a Gremlin?
06-27-2019Reminds me of cooked fish.
10-17-2019Ribbons of color.
The phone couldn’t capture the deep pinks.
11-12-2019
I have no idea what this is nor can I tell if it is a flowering shrub or a small tree. It doesn’t mind cool weather but, sadly, the hard freeze the next day destroyed all the blooms.
Twenty-five years ago, this week, the song Creep by TLCdebuted on the Billboard Hot 100, entering the chart at #71. Written and produced by Dallas Austin, it was the first single released from their second studio album CrazySexyCool. It is based on member Tionne “T-Boz” Watkins‘s experience with infidelity. The lyrics portray the singers as women who cheat on their unfaithful lovers for attention.
You’re with a guy and he’s not showing you attention, so another guy comes along and you’re like, “Hey, if you were where you were supposed to be, he couldn’t be showing me attention right now!” I was in the middle of this drama, because the other guy was [my boyfriend’s] friend and my boyfriend was just not getting it together.
[I have to confess that I have never heard this song. The middle 90s was the time I stopped listening to Top 40 and moved to Alternative Rock stations. ~Vic]
The twenty second of loneliness
And we’ve been through so many things.
I love my man with all honesty,
But I know he’s cheating on me.
Look him in the eyes,
But all he tells me is lies to keep me near.
I’ll never leave him down though I might mess around.
It’s only ’cause I need some affection, oh.
So I creep, yeah, just creepin’ on,
On the down low, ‘cept nobody is supposed to know.
So I creep yeah, ’cause he doesn’t know what I do
And no attention goes to show oh.
So I creep.
The twenty third of loneliness
And we don’t talk, like we used to do.
Now this is pretty strange,
But I’m not buggin’ ’cause I still feel the same.
I Keep giving loving till the day he pushes me away.
Never go a stray.
If he knew the things I did, he couldn’t handle me.
And I choose to keep him protected, oh.
So I creep, yeah, just creepin’ on,
But I’ll know. ‘cept nobody is supposed to know.
So I creep, yeah, ’cause he doesn’t know what I do,
And no attention goes to show oh.
So I creep, yeah, just creepin’ on,
But I’ll know. ‘cept nobody is supposed to know.
So I creep, yeah, ’cause he doesn’t know what I do,
And no attention goes to show.
So I creep, oh ah, oh ah, oh ah yeah
So I creep, oh ah, oh ah, oh ah yeah
So I creep, oh ah, oh ah, oh ah yeah
Baby, oh ah, oh ah, oh ah yeah
So I creep, yeah, just creepin’ on,
But I’ll know.
So I creep, yeah, ’cause he doesn’t know what I do,
And no attention goes to show.
So I creep, yeah, just creepin’ on,
But I’ll know.
So I creep, yeah, ’cause he doesn’t know what I do,
So I creep, ‘cept nobody is supposed to know.
Shutterbug Saturday was a bust. I spent most of the day battling a computer (not the laptop, again). I still continue to curse Microsoft. I did manage a bit of a respite. Last night was our monthly Seabee gathering. It was a wonderful turnout and we had a great meal. If you are ever in the area of Roxboro and/or Person County, you should visit Homestead Steakhouse.
I usually do movie posts in five year increments but, this one kinda fell in my lap. Sixty-three years ago, today, Elvis Presley made his acting debut in the film Love Me Tender. Directed by Robert D. Webb, it was originally titled The Reno Brothers and was based on a story written by Maurice Geraghty. When Presley’s single Love Me Tender passed one million copies, a first for a single, the title to the film was changed. This was the only movie in which Presley played an historical figure and the only movie in which he did not receive top billing.
Elvis plays Clint Reno, one of the Reno Brothers who stayed home while his brother went to fight in the Civil War for the Confederate army. When his brother Vance comes back from the war, he finds that his old girlfriend Cathy has married Clint. The family has to struggle to reach stability with this issue. Vance is involved in a train robbery, while a Confederate soldier, of Federal Government money. There is a conflict of interest, when Vance tries to return the money, against the wishes of some of his fellow Confederates.
Trivia Bits:
♦ Originally, this movie had no singing in it. Songs were added to cash in on Elvis Presley’s stardom.
♦ Priscilla Presley reportedly copied Debra Paget’s unique hairstyle from this film to attract Elvis in 1959.
♦ According to Penny Stallings‘ “Flesh and Fantasy”, Presley developed a crush on co-star Debra Paget, which went unreciprocated because she was seeing Howard Hughes at the time.
♦ When the film played in theaters, Elvis Presley’s fans were screaming so loud that audiences couldn’t hear any of his lines.
Last year, I did a post on World War I for Veterans Day as it had been 100 years, exactly, since the end of that war. I also covered how other countries memorialize and/or celebrate and, ended the post with two poems. I’ve written in a previous post about my almost Army brat status and referred to my significant other in this post.
Hargrave Military Academy Circa 1958
Ken’s first foray into the ‘military’ was the Hargave Military Academy in Virginia. His mother sent him there for summer school to assist with grades after a poor eighth grade year. He stayed for his ninth grade year and did very well. Unfortunately, it was extremely expensive and he returned to regular high school for tenth grade.
At the end of his junior year, he’d had enough of regular high school and made it clear to his mother that he wanted to go into the Navy. The military was all he was interested in. So, at the tender age of 17, his mother signed him into service. He went into the reserves for two years and began to train as a Corpsman. His sea duties were aboard the USS Robinson (DD-562), a Fletcher Class destroyer, the second ship in the Navy to be named after Captain Isaiah Robinson (Continental Navy). The “Robbie” received eight battle stars for World War II service and appeared in the movie Away All Boats.
The Robbie
Circa 1953Circa 1961
After two years of training, he went active duty…and the Navy lost its mind. Orders to report to his new ship in hand, he was sent to Charleston, SC, to be assigned to the USS Canisteo (AO-99), a Cimarron Class fleet oiler, named for the Canisteo River in New York and the only ship to bear that name. It’s crew received nine medals.
Unfortunately, upon his arrival, there was no ship to board. The Charleston Naval Base had no record of it being there and, in the meantime, he was sent to the transit barracks. While waiting, he volunteered to be a lifeguard for a week. The remaining time was spent waiting at the barracks. After three weeks, the Navy adjusted his orders and sent him to Norfolk Naval Base, the home port of the Canisteo. Upon arrival, no ship. He was, again, assigned to the transit barracks…until they could find the ship. After a four-day wait, the Navy adjusted his orders a second time and he was sent to the Brooklyn Naval Shipyard. The shipyard had no record of the Canisteo being there so, he was sent…a-gain…to the transit barracks. His ship was finally found at the Todd Shipyards in Red Hook Brooklyn, a civilian shipyard. With his orders in hand (now, a rather large portfolio of paperwork), stamped by the Navy (adjusted a third time), he headed to his ship. He reported to the Officer of the Deck and was told that he had been reported AWOL. The OOD examined the orders, informed him that his Corpsman striker slot had been filled due to his (unintended) absence and, just like that, he was transformed into part of the deck force, wiping out two years of training. He became a Bosun’s Mate striker. *facepalm*
The Canisteo
Circa 1961Circa 1962
While on board the Canisteo, he participated in the Cuban Blockade
He left active service in 1964 and rolled into the IRR, waiting for the end of his contract to expire. On March 8, 1965, Marines landed near Da Nang, marking the beginning of the ground war in Vietnam. Ken was working a full time job and was watching what was going on. By the summer of 1966, he decided that he was going to go back to the Navy, interested in the River Patrol (and PBRs) and went to see a prior service recruiter. The recruiter told him that the Navy would not give him his rank back. Ken left his office and was stopped by a Marine recruiter in the hallway. He told him to go back in and ask about the Seabees. He did so and the Navy prior service recruiter changed his tune. Off he went to Camp Endicott in Rhode Island for training. He was assigned to Naval Mobile Construction Battalion 74 and sent to Gulfport, Home of the Seabees.
He arrived in Vietnam in July of 1967. His base was Camp Haskins on Red Beach in Da Nang. The Marines were on Monkey Mountain across the bay and at Da Nang Air Base in the opposite direction, across the highway. At the beginning of the Tet Offensive, the bombing of the Air Base in January of 1968 nearly knocked Ken out of a guard tower. He was designated a builder and did his share of such but, spent most of his time running patrols with the Marines.
Gulfport, MS
Ken on the left.
The puppy had been rescued from a house fire.
Circa 1967Camp Haskins
Notice the guy waving in the background.
On November 3, 1967, a fellow Seabee had an accident with a saw while cutting some wood. A sawhorse shifted and the man injured himself, accidentally. The blade cut an artery in his thigh and Ken’s Corpsman training kicked in. He, literally, stuck his hand into the guy’s thigh to clamp the artery with his thumb and forefinger. When the rescue helicopter arrived, the coagulated blood on Ken’s arm prevented him from being able to remove his hand from the guy’s thigh. Ken got a free ride in the helicopter to the hospital with his charge. A life was saved (the actual details are pretty gruesome).
A life saved…
And, this concludes my long-ass tribute to my Fleet Navy/Vietnam Seabee veteran. If you have a veteran in your life…hug them. ~Vic
[Addendum: When I moved in with Ken some years ago, I was looking at his DD-214. He swore he only had one and I saw from the data that he had two. We sent off for his records and, sure enough, there were two. I discovered that, when he went to the prior service recruiter, the guy didn’t bother to check to see if Ken was still on contract. He was and, had he checked, Ken could have returned to the Navy, with rank intact, and left for Vietnam as part of the Brown Water Navy…and most likely died. The life span of PBR guys was fairly short.]
This place is a neat little find in downtown Hillsborough. It is a retro flashback to times when folks could go to a record store and buy albums & 45s. These were the years prior to CDs and, in some instances, prior to cassettes. Tony, the owner, has been in business for two years, now and is doing quite well. It’s a cozy place with a couch, chairs, stools, window seats and a charming little bar. He keeps 12 beers on tap, three ciders in bottles or cans and, provides some wine and soft drinks. All are welcome and he is closed on Mondays. He is a charming fellow and agrees that today’s music with its digital format has no soul in comparison to the tracks laid down in analog. Those days are long gone even though albums are making a comeback. I’d like to see the industry go back to analog tracks. Digital doesn’t have the texture. Put the needle on the record, put the needle on the record…
All photos are my personal collection. ~Vic
Neat record/glass symbol.Come in for a pint…or five.Old rabbit ear TV and ash tray tower with Jimi looking on.
Taken: 11-10-2019Lots to read above the couch.Ziggy! We miss you.There are some books.
The picture is U2…Achtung Baby!SO many records. And, this isn’t all of them.
Cat’s Cradle poster…of course.Plenty of beer.My cider for the evening.
I didn’t get out of here without at least three albums…
Jefferson Starship, Little River Band and The Babys.
What can I say. The vinyls were pristine.
I was planning to do a Flick Friday for 1954. No such luck. In fact, sticking with Friday and sticking with 1954, there are no releases until well into December. *sigh* So, you gets pix! All photos are my personal collection. ~Vic
Minimalist decorations for a home originally built in 1860.
Taken: 10-27-2018Rest in pieces. Love the black rose.
Taken: 10-28-2018Opposite side. Twins?I think this is supposed to be a ghost/skeleton mix. Not totally sure…Just hanging out on the porch with the dog…and a gargoyle.Hanging around.
Lovely home built in 1936.That is one big spider.
Can you see the barbie doll and the two baby spiders?Let me out!
Taken: 10-30-2018Skeletons can garden, too.Resting under the tree.
A suicide bomber drives a truck packed with explosives into the U.S. Marine barracks in Beirut, killing 241 U.S. military personnel. That same morning, 58 French soldiers were killed in their barracks two miles away in a separate suicide terrorist attack. The U.S. Marines were part of a multinational force sent to Lebanon in August 1982 to oversee the Palestinian withdrawal from Lebanon.
In 1975, a bloody civil war erupted in Lebanon, with Palestinian and leftist Muslim guerrillas battling militias of the Christian Phalange Party, the Maronite Christian community and other groups. During the next few years, Syrian, Israeli and United Nations interventions failed to resolve the factional fighting and, on August 20, 1982, a multinational force including 800 U.S. Marines was ordered to Beirut to help coordinate the Palestinian withdrawal.
[Following] the massacre of Palestinian refugees by a Christian militia, [the] next day, the first U.S. Marine to die during the mission was killed while defusing a bomb. Other Marines fell prey to snipers. On April 18, 1983, a suicide bomber driving a van devastated the U.S. embassy in Beirut, killing 63 people, including 17 Americans. Then, on October 23, a Lebanese terrorist plowed his bomb-laden truck through three guard posts, a barbed-wire fence and into the lobby of the Marines Corps headquarters in Beirut. [He] detonated a massive bomb killing 241 Marine, Navy and Army personnel. The bomb, which was made of a sophisticated explosive enhanced by gas, had an explosive power equivalent to 18,000 pounds of dynamite. The identities of the embassy and barracks bombers were not determined but, they were suspected to be Shiite terrorists associated with Iran.
Serious questions also arose over the quality of security in the American sector of war-torn Beirut. The U.S. peacekeeping force occupied an exposed area near the airport but, for political reasons, the Marine Commander had not been allowed to maintain a completely secure perimeter before the attack.
On February 26, 1984, the main force of Marines left Lebanon, leaving just a small contingent to guard the U.S. embassy in Beirut.
This one hits home. One of the Marines killed in that bombing graduated from my high school. He graduated in 1982 (two years ahead of me) and I never got to meet him but, I knew his younger brother whom was a year behind me. Many years later, I wound up married to the Corps for 12 years. My ex and I visited the Beirut Bombing Memorial in Jacksonville when he returned from Iraq War duty. I took pictures but, I don’t remember what happened to them. ~Vic
More local images. Part I was last year. All pictures are my personal collection. ~Vic
I *think* this is a stuffed squirrel.
11-03-2015Hamilton vs Burr
10-23-2016Another angle of the crazy skeleton from last year’s post.
11-05-2017I love the bat.
11-05-2017“I’m coming to take you away, ha-ha!”
10-28-2018This bat isn’t as well fed as the last one.
10-28-2018The snake skeleton is pretty creepy.
10-28-2018It’s Frankenstein Jack!
10-28-2018Spider in the bushes and EEK on the mailbox.
10-28-2018That is a big spider.
10-28-2018
Catherine Sloper is a shy and backwards young woman who lives with her father, Dr. Austin Sloper, in 1849 New York. By all accounts, Catherine’s mother was a beautiful and graceful creature with the charm of queens. Catherine never knew her mother since she died while in childbirth but, her father often reminds her of all the things her mother was and that she is not. Catherine inherited a great deal of money after her mother passed and will inherit twice as much more at the passing of her father. So, when a poor but handsome and well-bred man, Morris Townsend, begins to court Catherine, her father becomes suspicious that he must be after her money. After all, Catherine is plain and boring. What could she possibly offer to this young man other than her money? When she refuses to give up her new beau, her father threatens to disinherit her. Will her father eventually convince her to give him up and wait for a suitable husband? Will Catherine and Morris elope and, live on the money left to her by her mother? Or, could it be that Catherine finally finds all the grace and charm of her mother only to use it against the men in her life?
Trivia Bits:
♦ Montgomery Clift was so unhappy with his performance, he walked out of the Premiere.
♦ Cary Grant was interested in playing Morris Townsend but, William Wyler turned him down.
♦ Montgomery Clift took some piano lessons for the scene where he sings “Plaisir d’Amour” to Olivia de Havilland.
♦ William Wyler wanted Erroll Flynn for the role of Morris Townsend.
♦ This movie was selected to the National Film Registry, Library of Congress, in 1996.
Thirty years ago, today, It Ain’t Nothin’ by American country singer Keith Whitleydebuted on the Billboard Hot Country chart, entering at #59. The second release from the album I Wonder Do You Think of Me, it was written by Tony Haselden and Keith was a co-producer. Released posthumously, it spent 17 weeks on the chart and became a #1 hit January 13, 1990, seven months after his death. It also reached #1 on Canada’s RPM Country chart February 3, 1990.
Lyrics (via LyricFind): My boss is the boss’s son and that makes for a real long day.
When that day is finally done I’m facing 40 thousand cars on the interstate.
Feeling lower than a well diggers shoes
knee deep in a mess of blues.
But those blues just fade away
When I hear my baby say.
[Chorus] It ain’t nothin a little bit of love won’t fix
It ain’t nothin but a scratch, a little bit of love can’t stitch.
It ain’t nothin a little bit of love can’t heal.
Your love makes me feel.
No matter what hands me — it ain’t nothin, it ain’t nothin.
It was written all over her face she was about to climb the walls.
She said you gotta get me out of this place cause even
Cindarella got to go to the ball.
If you multiply hell times three that’s what this day has been like for me.
I said honey we’ll do the town.
Just don’t let it get you down.
Cause……
[Chorus]
[Chorus] It ain’t nothin, it ain’t nothin, it ain’t nothin, naugh it ain’t nothin, it ain’t nothin
