Hanspostcard has a song draft challenge. This is my Round Ten and final pick.
Back in 2014, I happened to catch a wonderful song that played during a commercial on HDNET (movies). HDNET didn’t have normal commercials, they just had clips from movies that it was showcasing, changing each month. I loved the song but, had no idea what the name of it was, other than what I could glean from the lyrics. I desperately wanted to know who the singer was because she had a beautiful voice. I could find nothing, so, I contacted HDNET for help. Her name? Emily Hackett. The song? A Heart Worth Saving (and I wasn’t the only one asking). It is the third track from a short compilation album called Girl Electro Pop, released July 11, 2014 (as best as I can tell). There is no chart information on the album or the song and what lyrics that are on the Internet do not match all of the words she sings. That being said, I was overjoyed to find it and download it.
That brings me to Bad Weather (no chart information on it, either). In digging around for data on Emily, I found a demo video of her singing the song with a guitarist. Then, I found the album it was on…The Raw EP, released July 24, 2015. It’s a beautiful, sad song that reminds me of a stripped down Carrie Underwood piece.
“I started this song in California when I was making lunch one day at my parent’s house. My boyfriend, Mikey, was goofing around on the guitar and I stopped him like, “What is that? We are writing that. It’s awesome.” It wasn’t until we got back to Nashville, a couple months later that we sat down with our friend Adam James and poured out this song in a couple of hours. It felt so right, we just went with it. It’s one of my favorites I’ve ever written.”
Daily Discovery: Emily Hackett
She was born in Cleveland, Ohio and was in high school in Georgia when she took off with a friend to visit Belmont University. Headed for the University of Georgia, she fell in love with Nashville and interned in the music industry:
“Here I was in Nashville at school. I had no idea that there was this whole world of music where you could have careers. I didn’t realize there was so much to it. It was cool to be studying the music business at college. I thought I could always be a writer and in Nashville, writers actually get to perform.”
Some months ago, I commented on one of Music City Mike‘s blog posts, regarding interviews of local musicians in Nashville. I told him about Emily but, I don’t know if he ever got the chance to chat with her. Give her a listen. She is a different genre from Lissie but, just as talented.
Thanks, Hans, for the invite to participate. Much like the movie draft, picking favorites is a tough go. There is SO much good music out there. I look forward to sharing more in the upcoming 2022 Draft. ~Vic
Emily Hackett Looks To The Past & Future On “Nostalgia” (Taste of Country/Sterling Whitaker/08-10-2017)
CMT’s Next Women Of Country (People Magazine/Katie Kauss/11-16-2018)
Cleveland Native Emily Hackett Comes To Beachland (Cleveland Scene/Jeff Niesel/12-04-2019)
Emily Hackett Releases Heartfelt “Handle” (The Virginia Star/Bethany Bowman/05-29-2020)
Emily Hackett Is Creating Magic (The Aquarian/Debra Kate Schafer/05-31-2020)
Demo In The Attic
Royals Cover With Megan Davies
Happy Christmas Cover
Twenty years ago, today, the animated series The Grim Adventures of Billy & Mandy or just Billy & Mandy premiered on the Cartoon Network. Created by Maxwell Atoms, the story line follows a ditzy, kind-hearted boy and, a sinister, cynical girl, that have the Grim Reaper as a personal slave after he lost a wager in a limbo match. They use the Reaper’s supernatural powers to visit the underworld and other weird locations for twisted adventures. They encounter creatures such as Dracula, the Wolfman and the Bogeyman.
♥ Billy (Richard Steven Horvitz)
♥ Mandy (Grey DeLisle Griffin)
♥ Grim Reaper (Greg Eagles)
♥ Irwin (Vanessa Marshall)
♥ Harold (Richard Steven Horvitz)
♥ Gladys (Jennifer Hale)
♥ Dick (Phil LaMarr)
♥ Grandmama (Phil LaMarr)
♥ Mindy (Rachael MacFarlane)
♥ Sperg (Greg Eagles)
♥ Phil (Dee Bradley Baker)
♥ Claire (Vanessa Marshall)
♥ General Skarr (Armin Shimerman)
♥ Pud’n (Jane Carr)
♥ Hoss Delgado (Diedrich Bader)
♥ Jeff the Spider (Maxwell Atoms)
♥ Nergal (David Warner)
♥ Nergal, Jr. (Debi Derryberry)
♥ Bogeyman (Fred Willard)
♦ The spooky droning gibberish played in the end credits in a creepy voice is Maxwell Atoms talking backwards, saying: “No, no. This is the end of the show. You’re watching it backwards!”
♦ Originally, Maxwell Atoms wanted Grim to speak in a “British” accent and had Jonathan Harris in mind to voice him. When Greg Eagles auditioned, and spoke in a Jamaican accent, he was impressed and had him retooled.
♦ Tom Kenny was originally considered to voice Billy in the show, but he declined.
Forty-five years ago, today, the one-hour documentary Nat Hurst, MD: 20th Century American Physician aired on TV (network unknown). Written and directed by Raúl daSilva, it was produced and narrated by Jerry Carr.
The life of prominent African American medical doctor, Nathaniel Hurst, who rose from a poor family to the presidency of both a major hospital and the Monroe County Medical Association.
There is very little written about this production but, I did manage to dig up some data on Nat. ~Vic
Nat received his M.D. from the University of Rochester School of Medicine and Dentistry in 1954. He did his internship and residency in internal medicine at Rochester General Hospital. He entered private practice in 1958.
In 1976, Nat was installed as the first African-American president of the Monroe County Medical Society. In 1981, he received the Edward Mott Moore Award, the Medical Society’s highest honor and The Community Leadership Award of the Urban League of Rochester.
Nat was an expertise [sic] in geriatrics, pioneering a number of innovative programs. His interests included giving time to such projects as the Sickle Cell Anemia Project, the Inner City Health Council and the Catholic Interracial Council
Nat left an indelible imprint on Rochester’s medical community, first as an internist in the late 1950s and then as vice president, and president, of the former Park Avenue Hospital medical staff. He is credited with major involvement in the planning, building and operating of Park Ridge Hospital and Nursing Home. He later became director of the hospital’s internal medicine department and subsequently medical director of Park Ridge Hospital.
Birth: December 11, 1919, Suffolk City, VA
Death: December 22, 2000, North Carolina
Buried: White Haven Memorial Park, Pittsford, NY
Dr. Nathaniel John Hurst
Find A Grave Memorial
Hanspostcard has a movie draft challenge. This is my Round Ten pick.
Category: Movie Series
Films: Jesse Stone
Chief Stone: “I *know* who killed them.”
Captain Healy: “Do you have a motive?”
Chief Stone: “No.”
Captain Healy: “Witnesses?”
Chief Stone: “No.”
Captain Healy: “Weapon?”
Chief Stone: “No.”
Captain Healy: “Hell, I’ll warm up a cell right now.”
Jesse Stone is a character in a series of novels written by Robert B. Parker (the creator of Spenser from the TV Series Spenser: For Hire, the film series and the recent Netflix movie). Portrayed by Tom Selleck, the first four films are based on actual novels but, produced and shown out of order. The last five films are a collaboration between Tom Selleck, Michael Brandman and Ronni Kern.
As the series begins, Stone is approximately 35 years old (despite Selleck’s age) and is a former short stop in the minor leagues, leaving the career due to a shoulder injury. After a painful divorce from his beautiful actress wife Jennifer, he begins to drink heavily and is asked to resign from his job with LAPD’s Robbery-Homicide Division. Traveling to the small town of Paradise, Massachusetts (loosely based on Marblehead), for an interview to be Chief of Police, he is visibly drunk. Thinking him easy to control, the president of the town council, hires him, anyway. Stone realizes that the president is corrupt and, the town has serious issues with the mob, money laundering and murder. Throughout each movie, except for one, Jesse & Jenn talk on the phone.
Characters (regular ones):
♦ Kohl Sudduth as Ofc. Luther “Suitcase” Simpson (nicknamed by Stone after first baseman/outfielder Harry Simpson)
♦ Viola Davis as Ofc. Molly Crane (first four movies)
♦ Kathy Baker as Ofc. Rose Gammon
♦ Vito Rezza as Ofc. Anthony D’Angelo
♦ Stephen McHattie as Captain Healy, head of the Massachusetts State Police Homicide Division
♦ William Devane as Dr. Dix (cop turned therapist)
♦ Saul Rubinek as Hasty Hathaway (former town council president)
♦ William Sadler as Gino Fish (crime boss)
♦ Sylvia Villagran (first movie) & Gil Anderson (voice of Jenn)
♦ Polly Shannon as Abby Taylor (first two movies)
♦ Stephanie March as Cissy Hathaway (second movie)
♦ Leslie Hope as Sydney Greenstreet (with MSP/5th & last movie)
♦ Gloria Reuben as Thelma Gleffey (last three movies)
This series was never theatrically released. These are made-for-TV movies (CBS & Hallmark) and are still in development. These are great movies. ~Vic
Stone Cold 2005 Trailer
Night Passage 2006 Trailer (Prequel Movie)
A rare documentary by Scottish folk singer Donovan P. Leitch. Insights into his life with rare recordings from the beginning of his career as a folk singer. Portions of the film was [sic] filmed on St. Ives, Cornwall on Porthminster [B]each in 1966.
It shows Donovan’s life before becoming famous, when he was busking and living in Saint Ives with his friend Gypsy Dave. And, then, when the fame came in with Ready Steady Go! Donovan and his friends are seen smoking marihuana [sic], very shocking for its time. This warned the police to keep him under surveillance and ended up arresting him for drugs [sic] possession in mid-1966.
Born Donovan Philips Leitch in Glasgow, Scotland on May 10, 1946, Donovan was part of the British folk scene and the British music invasion in America. His style was distinctive and incredibly eclectic. As a child, Donovan was vaccinated with the polio vaccine and contracted polio. Though the vaccine was later made safer with the Sabin oral vaccine, the disease and treatment left Donovan with a limp. The public never knew this.
He established close relationships with leading musicians of the time including Joan Baez, Brian Jones of the Rolling Stones and, the Beatles. He taught John Lennon and Paul McCartney […] his finger-picking guitar technique. On his first trip to the USA, he performed in New York with Pete Seeger, […] appeared on The Ed Sullivan Show, Hullabaloo, and Shindig! He gained critical acclaim and acceptance when he performed at the Newport Folk Festival in 1965.
[E]arly on, he was compared with Bob Dylan […]. By 1966, [he] had become one of the first British pop musicians to adopt the flower power image. His music contained many drug references during this time. His recordings were also the first pop music to contain the sound of the sitar, later copied by other famed music groups. [He] was the first high-profile British pop star to be arrested for possession of marijuana. Though Donovan’s drug use appeared to have been moderate, and his drug use was not on the scale of others such as Jimi Hendrix and Brian Jones who later died from overdoses, his use of LSD is referred to in many of his lyrics. Public attention was drawn to his drug use by [the] TV documentary, A Boy Called Donovan, which was broadcast during that year and newspaper coverage of the drug scene in England.
The Hurdy Gurdy Man of the Psychedelic Sixties: Donovan Leitch
I just found out about the passing of actor Sean Connery. There are certain actors I have a thing for and he is one of them. Our birthdays are five days apart and we both have Scottish (and Irish) ancestry. He enlisted in the Royal Navy at the age of 16, was assigned to the HMS Formidable as an Able Seaman and was medically discharged at 19 for ulcers.
One of his early endeavors was as an artist’s model. He was into bodybuilding and was in a Mr. Universe contest, though the actual year is disputed. He was a footballer, playing for Bonnyrigg Rose and was once offered a contract to play professionally:
“[I] realised that a top-class footballer could be over the hill by the age of 30 and I was already 23. I decided to become an actor and it turned out to be one of my more intelligent moves.”
He was a member of the Scottish National Party and campaigned for Scottish Independence, financially supporting the party until the UK passed legislation to prohibit overseas funding. One of his two tattoos was “Scotland Forever.”
He managed to make it all the way to 90 but, according to his son Jason, he had been unwell for some time. He passed peacefully in his sleep at his home in the Bahamas. I think it altogether fitting and proper that Sir Sean left on Halloween during a full Blue Moon. Godspeed. ~Vic
His acting debut (uncredited) was in the UK film Lilacs in the Spring (titled Let’s Make Up in the US) in 1954, a British musical starring Errol Flynn. On UK TV, he played MacBeth, Alexander the Great and Count Vronsky. His first appearance on US TV was on The Jack Benny Program in 1957. His first credited film roll in the US was a UK/US collaboration in the movie Action of the Tiger, also in 1957. He was the first James Bond (and some say the only one), he played a savage in the distant future, became Robin Hood, was a Marshal in outer space, was King Agamemnon, was a sword-wielding immortal, did a turn as a Franciscan friar, was an Untouchable, a Provost Marshall in San Francisco, was the father of Indiana Jones, a Russian submarine Captain, appeared as King Richard, became a doctor, was a detective, a professor, played King Arthur, played an ex-con & an art thief, was a reclusive author and, was the voice of The Last Dragon. He was only in one Western in 1968. His last time on the big screen was in 2003 playing Allan Quatermain in The League of Extraordinary Gentlemen and his last time on TV was playing character John Muir in an episode of the documentary Freedom: A History of US, also in 2003. He did voice work up to 2012.
♥ 1987 Academy Award (Best Supporting Actor/The Untouchables)
♥ 1987 BAFTA (Best Actor/The Name of the Rose)
♥ 1998 BAFTA Fellowship
♥ 1972 Golden Globe (Henrietta Award/World Film Favorite-Male)
♥ 1987 Golden Globe (Best Supporting Actor/The Untouchables)
♥ 1995 Golden Globe (Cecil B. DeMille Award)
♦ 1987 BAFTA (Best Supporting Actor/The Untouchables)
♦ 1989 BAFTA (Best Supporting Actor/Indiana Jones and the Last Crusade)
♦ 1990 BAFTA (Best Actor/The Hunt for Red October)
♦ 1965 Golden Globe (Henrietta Award/World Film Favorite-Male)
♦ 1968 Golden Globe (Henrietta Award/World Film Favorite-Male)
♦ 1989 Golden Globe (Best Supporting Actor/Indiana Jones and the Last Crusade)
www.seanconnery.com (Web Archive)
Additional Reading & Sources:
Belly Buzz (Web Archive of Connery’s Military Service)
List of Work (IMDb)
List of Work (Wikipedia)
Muscle Memory (As Tom Connery)
Scottish Junior Football Association (Web Archive)
Talk-Talk UK (Archive Today Copy of Connery’s Biography)
Seventy years ago, today, the television anthology series Trapped debuted on WOR-TV in New York. Also known as Trapped: Tales of the Supernatural, the host was John Carradine and some guest actors were Charles Korvin, Elizabeth Morgan, Helen Baron, Rita Gam, Fran Malis, George L. Smith, Stanley Tackney and Harry Townes. There were 57 episodes that were 30 minutes long.
In accordance with Gallop, other hosts who aimed to set a mood of terror at the time included Andy Christopher […] (Mr. Black), James Monks (Tales of the Black Cat […]) and Lee Bowman (Eye Witness […]). Similarly, Jack La Rue (Lights Out), Boris Karloff (The Boris Karloff Mystery Playhouse) and John Carradine (Trapped: Tales of the Supernatural […]) offered external examples of film stars hired for TV hosting roles in which an emphasis was placed on their associations with the horror genre [with] typecasting as villainous and/or monstrous characters as part of their respective series façade. Due to a lack of surviving/missing material associated with some live series pre-1955, in the cases of some hosts, it is not always possible to definitively discern to what extent horror elements were adopted as part of a series persona.
Trapped (1950-1952) (Classic TV Archive)
In This House…
The Force Is With Us.
We don’t care what others think,
because in this house…
We Do Geek
Up until this point, the only TV shows I have been posting were American. I will be branching out a bit. Naturally, the first non-American show I choose doesn’t have a lot of information written about it…or a video. ~Vic
Fifty-five years ago, today, the British comedy mini-series It’s Not Me, It’s Them! debuted on BBC2. Produced by Graeme Muir and written by Donald Churchill (The Hound of the Baskervilles), it starred Churchill, Norman Bird (Fawlty Towers), Jack Bligh (Doctor Who), George Betton (Coronation Street) and Anthony Dawes (Fawlty Towers).
[This was] an early series from the pen of actor/writer Donald Churchill, focused on Albert Curfew, […] a young man unable to hold down a job for any length of time. The title came from a regular saying of Curfew’s every time he lost his job. Churchill (who also starred as well as wrote the scripts) claimed he based the series on a close friend of his. Guest stars in the single season show included Liz Fraser, Bill Kerr and Kate O’Mara.
Twenty years ago, today, the Walt Disney World Summer Jam Concert aired on ABC at 8:00pm EDT on a Friday night. The concert was in Orlando, FL and hosted by Christina Aguilera. Directed by Jeff Palmer, performers were Aguilera, Enrique Iglesias, Smash Mouth, Destiny’s Child and BBMak.
What a Girl Wants (Aguilera)
All Star (Smash Mouth)
Be with You (Iglesias)
Say My Name (Destiny’s Child)
I Turn to You (Aguilera)
Then the Morning Comes (Smash Mouth)
Back Here (BBMak)
Genie in a Bottle (Aguilera)
Jumpin’, Jumpin’ (Destiny’s Child)
There is not a lot written about this. ~Vic
Genie in a Bottle
Say My Name & Jumpin’ Jumpin’
Sixty years ago, today, The Frank Sinatra Timex Show: Welcome Home Elvis aired on ABC. It was Elvis‘ first televised appearance following his military service in West Germany. This was also Frank Sinatra‘s fourth and final Timex sponsored outing for the 1959–60 television season. Other performers were Nancy Sinatra, Joey Bishop, Sammy Davis, Jr., Peter Lawford and The Jordanaires.
After approximately eight minutes on screen and a quick promotional plug for his new film G.I. Blues, Presley was gone. The remainder of the special consisted of performances by the additional guest stars. Excerpts from this show appear in Warner Bros. 1981 documentary film This Is Elvis.
♦ Elvis got paid an at the time incredible sum of $125,000 for only a few minutes of onscreen time.
Elvis & Frank
Behind The Scenes
Twenty-five years ago, today, the television series The Wright Verdicts debuted on CBS. Created and executive-produced by Dick Wolf, it starred Tom Conti, Margaret Colin and Aida Turturro as the main cast (Variety also lists John Glover but, IMDB does not.). Notable guest stars were Candy Clark, Peter Facinelli, Allison Janney and Leslie Mann.
There were only six episodes that aired between March 31 and June 11 with a seventh episode intended for a May slot, never airing. It’s first episode was on a Friday, the second episode aired the following Wednesday, the third episode went back to Friday, the following week and the fourth episode showed up on a Sunday, the next week. The last two aired episodes were on Sundays in June. [No wonder it failed. ~Vic]
Legal drama with Charles Wright, an Englishman, working as a lawyer in New York City. Sandy Hamar is an ex-NYPD detective who serves as the mandatory private eye and Lydia is the super efficient secretary.
The Wright Verdicts is mature in the best sense. [I]t’s smart, has no false innocence and has the right amount of fun. Criminal lawyer Charles Wright (Tom Conti) will win juries over like clockwork and the series should likewise charm viewers. The character’s chief skill is blarney or, as his investigator puts it, shucking and jiving. Charles is bumbling and self-deprecating one minute, erudite and mischievous the next. Conti brings off Wright’s sense of humor and his status as a ladies’ man. The dynamic between Conti and his two female employees […] needs some work. [T]here’s so much flirtation that the relationships in this office triangle seem headed in only one direction.
The hour has a surplus of spectacular aerial shots of Manhattan.
With crimes revolving around designer drugs and cellular phones, the show poses itself as a Perry Mason for the ’90s. It’s about as conventional and formulaic as that old warhorse. The parlor-game plotting is more than passable but, the writing is undistinguished. Only Conti’s malty voice and trilling accent are enough to elevate the program’s mark a little.
Executive producer Dick Wolf has cannily combined two genres…Murder, She Wrote’s warm coziness and his own Law & Order’s cold, complex cases…and come up with a lukewarm show that’s nonetheless pretty irresistible.
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