[Thomas] Meredith finds himself the recipient of a very mysterious and unexpected gift…[a] Persian kitten in a basket. More mysterious still, the note accompanying it only reads: For the young man who strokes cats.
Thomas is indeed a cat-lover and, is both delighted and intrigued by his new present. But, before long, things take another strange turn. He receives a mysterious anonymous phone call from a dying woman…and this turns out to be the start of a bizarre nightly telephone romance.
From BBC Genome/Radio Times Magazine (Issue 1672/November 25, 1955):
It has been said that the world is divided into two main classes of people […] those who love cats and those who don’t. Among those who do is Tom, a young man who can’t resist giving a friendly word and a quick stroke to every stray he meets on his way to work, with results that even the most superstitious of black-cat lovers couldn’t possibly have foreseen…
August 25, 1930 ~ October 31, 2020
Bond. James Bond.
Photo Credit: Far Out Magazine UK
I just found out about the passing of actor Sean Connery. There are certain actors I have a thing for and he is one of them. Our birthdays are five days apart and we both have Scottish (and Irish) ancestry. He enlisted in the Royal Navy at the age of 16, was assigned to the HMS Formidable as an Able Seaman and was medically discharged at 19 for ulcers.
Darby O’Gill & The Little People
Image Credit: Time
“[I] realised that a top-class footballer could be over the hill by the age of 30 and I was already 23. I decided to become an actor and it turned out to be one of my more intelligent moves.”
He managed to make it all the way to 90 but, according to his son Jason, he had been unwell for some time. He passed peacefully in his sleep at his home in the Bahamas. I think it altogether fitting and proper that Sir Sean left on Halloween during a full Blue Moon. Godspeed. ~Vic
Awards:
♥ 1987 Academy Award (Best Supporting Actor/The Untouchables)
♥ 1987 BAFTA (Best Actor/The Name of the Rose)
♥ 1998 BAFTA Fellowship
♥ 1972 Golden Globe (Henrietta Award/World Film Favorite-Male)
♥ 1987 Golden Globe (Best Supporting Actor/The Untouchables)
♥ 1995 Golden Globe (Cecil B. DeMille Award)
Indiana Jones and the Last Crusade
Photo Credit: Pinterest
Nominations:
♦ 1987 BAFTA (Best Supporting Actor/The Untouchables)
♦ 1989 BAFTA (Best Supporting Actor/Indiana Jones and the Last Crusade)
♦ 1990 BAFTA (Best Actor/The Hunt for Red October)
♦ 1965 Golden Globe (Henrietta Award/World Film Favorite-Male)
♦ 1968 Golden Globe (Henrietta Award/World Film Favorite-Male)
♦ 1989 Golden Globe (Best Supporting Actor/Indiana Jones and the Last Crusade)
There are no pictures or video of this program and very little has been written about it. I did manage to find an article on Light’s Out host Frank Gallop that referenced Trapped:
In accordance with Gallop, other hosts who aimed to set a mood of terror at the time included Andy Christopher […] (Mr. Black), James Monks (Tales of the Black Cat […]) and Lee Bowman (Eye Witness […]). Similarly, Jack La Rue (Lights Out), Boris Karloff (The Boris Karloff Mystery Playhouse) and John Carradine (Trapped: Tales of the Supernatural […]) offered external examples of film stars hired for TV hosting roles in which an emphasis was placed on their associations with the horror genre [with] typecasting as villainous and/or monstrous characters as part of their respective series façade. Due to a lack of surviving/missing material associated with some live series pre-1955, in the cases of some hosts, it is not always possible to definitively discern to what extent horror elements were adopted as part of a series persona.
Frank Gallop: The Ghoulish Host of Lights Out Thomas Wilson Taylor & Francis Online Historical Journal of Film, Radio and Television March 20, 2020
Up until this point, the only TV shows I have been posting were American. I will be branching out a bit. Naturally, the first non-American show I choose doesn’t have a lot of information written about it…or a video. ~Vic
[This was] an early series from the pen of actor/writer Donald Churchill, focused on Albert Curfew, […] a young man unable to hold down a job for any length of time. The title came from a regular saying of Curfew’s every time he lost his job. Churchill (who also starred as well as wrote the scripts) claimed he based the series on a close friend of his. Guest stars in the single season show included Liz Fraser, Bill Kerr and Kate O’Mara.
After approximately eight minutes on screen and a quick promotional plug for his new film G.I. Blues, Presley was gone. The remainder of the special consisted of performances by the additional guest stars. Excerpts from this show appear in Warner Bros. 1981 documentary film This Is Elvis.
Trivia Bit:
♦ Elvis got paid an at the time incredible sum of $125,000 for only a few minutes of onscreen time.
There were only six episodes that aired between March 31 and June 11 with a seventh episode intended for a May slot, never airing. It’s first episode was on a Friday, the second episode aired the following Wednesday, the third episode went back to Friday, the following week and the fourth episode showed up on a Sunday, the next week. The last two aired episodes were on Sundays in June. [No wonder it failed. ~Vic]
Legal drama with Charles Wright, an Englishman, working as a lawyer in New York City. Sandy Hamar is an ex-NYPD detective who serves as the mandatory private eye and Lydia is the super efficient secretary.
The Wright Verdicts is mature in the best sense. [I]t’s smart, has no false innocence and has the right amount of fun. Criminal lawyer Charles Wright (Tom Conti) will win juries over like clockwork and the series should likewise charm viewers. The character’s chief skill is blarney or, as his investigator puts it, shucking and jiving. Charles is bumbling and self-deprecating one minute, erudite and mischievous the next. Conti brings off Wright’s sense of humor and his status as a ladies’ man. The dynamic between Conti and his two female employees […] needs some work. [T]here’s so much flirtation that the relationships in this office triangle seem headed in only one direction.
The hour has a surplus of spectacular aerial shots of Manhattan.
With crimes revolving around designer drugs and cellular phones, the show poses itself as a Perry Mason for the ’90s. It’s about as conventional and formulaic as that old warhorse. The parlor-game plotting is more than passable but, the writing is undistinguished. Only Conti’s malty voice and trilling accent are enough to elevate the program’s mark a little.
Executive producer Dick Wolf has cannily combined two genres…Murder, She Wrote’s warm coziness and his own Law & Order’s cold, complex cases…and come up with a lukewarm show that’s nonetheless pretty irresistible.
Rocky Nelson is a New York City cop who, after making a major bust and selling the rights of his story to Hollywood, decides to try his luck out as an actor. However, when he gets there, the directors think that he is too short to be an actor. He is, then, approached by someone who offers him a job at a Hollywood security agency because he would fit in there being an ex-cop and, while working there, he could come in contact with some Hollywood heavyweights who could give him the break he needs. [At] the same time, he gets to live in Dean Martin’s guest house.
Rocky Nelson is a former New York cop who is trying to make it as an actor in Hollywood. However, like most actor wannabees, he is still looking for his big break and his lack of stature doesn’t endear him to the directors. So, he is currently working for Beverly Hills Patrol, a private security agency that caters to the needs of the Hollywood elite and, who also try to keep things quiet for their clients. [Every] now and then, Rocky comes across a case which requires him to slip into his old mold of cop, which doesn’t make his boss or the police lieutenant that he encounters, happy.
Sixty years ago, today, the 17th annual Golden Globe Awards ceremony was held and aired on KTTV in Los Angeles (an independent station in 1960). The Globes are given by members of the Hollywood Foreign Press Association, the first gathering in 1944. Recognition is for excellence in film (American and International) and television (American). The 1960 ceremony was honoring work done in 1959.
Winners:
♥ Best Drama Film: Ben Hur
♥ Best Comedy Film: Some Like It Hot
♥ Best Musical Film: Porgy & Bess
♥ Best International (Understanding) Film: The Diary of Anne Frank
♥ Best Drama Actor: Anthony Franciosa
♥ Best Drama Actress: Elizabeth Taylor
♥ Best (Comedy/Musical) Actor: Jack Lemmon
♥ Best (Comedy/Musical) Actress: Marilyn Monroe
♥ Best Supporting Actor: Stephen Boyd
♥ Best Supporting Actress: Susan Kohner
♥ Best Director: William Wyler
♥ Best Original Score: Ernest Gold
♥ Cecil B.deMille Award: Bing Crosby
♥ Television Achievement: Edward R. Murrow
♥ Henrietta Awards (World Film Favorite): Doris Day & Rock Hudson
Trivia Bits:
♦ Two and a half years later, on August 4, 1962, Marilyn Monroe was found dead in her Los Angeles home.
♦ On June 5, 1968, Robert F. Kennedy was shot three times inside the Ambassador Hotel and died 26 hours later.
Smooth con man Dudley Jerico sets out to rob corrupt millionaire Victor Rosso [sic] of his legendary Gemini diamond.
A conman hatches a plan to swindle a corrupt millionaire out of his treasured priceless diamond by claiming to have discovered its twin. However, his plot is disrupted by a rival hustler who comes up with the same idea and, the two crooks must each convince their suspicious target that they can be trusted and the other is lying.
Reviews:
This disappointing comedy caper evidently got the green light due to the popularity of Patrick Macnee‘s dapper superspy John Steed in The Avengers. Unfortunately, this attempt to turn Macnee into an equally charismatic jewel thief just can’t compete with its bigger budgeted competition, despite the catchy title track from Lulu and the star’s stunning array of flowery shirts. Herbert Lom is good value as the object of Macnee’s felonious attentions (in a role similar to the one he played in the Michael Caine caper Gambit three years before) but, this lacklustre yarn, ultimately, can’t cut it in the excitement or suspense stakes.
Mister Jerico is one of those charming and fluffy capers that the 1960s did well, quite similar to the higher-budgeted Gambit or How to Steal a Million. The palette is sun-soaked, the plot buoyant and just this side of ridiculous. The second half of the film, in particular, moves along at a nice pace, complicating matters without making anything seem too serious. If you think too deeply about the story, it will all appear very nonsensical but, this is a stylized caper film not intended for deeper scrutiny. It’s a surface film and as such it’s quite enjoyable.
A fun film with a very Avengers feel to it, which should be obvious given the cast and crew. Allen is a little out of place but, Macnee and Lom are great, as is Laurie Johnson‘s score. I’ll even admit, against that, Lulu‘s theme song is catchy. Apparently [it was] intended as a pilot for a Macnee series to follow The Avengers but, instead, [was] released theatrically (though, in the US, it only ended up as a TV movie of the week).
[This was] the finale of the television series about Dr. David Banner, a scientist who transforms into a mighty, larger-than-life creature called the Hulk when he gets angry. Desperately attempting to purge himself of his monster-like alter ego, Banner sneaks into a research laboratory. During the critical experiment to purge him of the Hulk, once and for all, a spy sabotages the laboratory. Banner falls in love with the spy, Jasmin, who performs missions only because her sister is being held hostage by Jasmin’s superiors. Banner and Jasmin attempt to escape from the enemy agents to rebuild their lives together but, the Hulk is never far from them.
The Incredible Hulk Returns and The Trial of the Incredible Hulk actually served as backdoor pilots for possible Thor and Daredevil series that never materialized. The third film, The Death of the Incredible Hulk was originally supposed to be the same sort of experiment, introducing She-Hulk, with Iron Man scheduled for the following film.
Image Credit: imdb.com
[However], when it finally came together, it, instead, served as a swan-song for Bill Bixby and focused on one last attempt at a cure for Banner’s Hulk-itis. Unfortunately, even though it wasn’t intended to really be the end of the Hulk on television (the plan was to have him return from the grave with Banner’s mind in the Hulk body), Bill Bixby’s health went south and he died before a proposed Rebirth of the Incredible Hulk film could get underway.
Photo Credit: syfy.com
Trivia Bits:
♦ After the ratings failure of this film, NBC decided not to continue the series. CBS already wanted nothing to do with The Incredible Hulk, prior to The Incredible Hulk Returns (1989). [For] the planned next installment, […] Bill Bixby tried to reach an agreement with ABC and they turned him down. [Then], he did the same for the Fox Network, who agreed to air another movie. Bixby and Fox were doing business together until Bixby was diagnosed with prostate cancer, causing production […] [to] shut down.
Image Credit: americanmovieawards.com & The Wayback Machine
Screen Capture
Forty years ago, today, the very first American Movie Awards was televised on NBC. Filmed at the Wilshire Theatre, the ceremony honored film, actors, directors, screenwriters, music, favorites and a special recognition. Co-hosts were David Frost (also Executive Producer) and Dudley Moore with Angie Dickinson as Co-Hostess. Susan Anton was a performer. Judging by what few images I could find, the trophy was designed to resemble the Empire State Building.
Winners:
♦ Best Film: Rocky II
♦ Best Actor: Alan Alda (The Seduction of Joe Tynan)
♦ Best Actress: Sally Field (Norma Rae)
♦ Best Supporting Actor: Robert Duvall (Apocalypse Now)
♦ Best Supporting Actress: Meryl Streep (The Deer Hunter)
♦ Best Director: Michael Cimino (The Deer Hunter)
♦ Best Screenplay: The China Syndrome
♦ Best Original Song: Every Which Way But Loose (Every Which Way But Loose)
♦ Favorite Film Star-Female: Jane Fonda
♦ Favorite Film Star-Male: Burt Reynolds
♦ Special Marquee: Clint Eastwood (Distinguished and Continuing Career)
There was another ceremony in March 1982 at a different location and a relaunch in 2013 with ceremonies in 2014, 2015, 2016, 2017 and 2018 focusing mainly on Independent Film. I doubt there will be anymore ceremonies as the website was taken down last year. There are no videos of the event on YouTube, either.
It is 1937 and newly qualified vet James Herriot travels to Yorkshire to apply for the post of assistant in Siegfried Farnon’s practice. He soon learns the facts of country life but, struggles to overcome the prejudices of the Darrowby locals who are skeptical of the novice vet’s ability. In between cases, Herriot courts pretty farmer’s daughter Helen Alderson and finally marries her.
A gentle, episodic account of author Herriot’s apprenticeship in the mid-1930s to an eccentric rural English veterinarian and his awkward courtship of a farmer’s daughter.
The story of a young veterinarian’s apprenticeship to a somewhat eccentric, older vet in the English countryside and the young man’s hesitating courtship of the daughter of a local farmer.
Trivia Bits:
♦ Although born in Sunderland, England, James Herriot spent the first twenty-three years of his life in Glasgow, Scotland and never lost the accent, as can be heard in television interviews. Simon Ward however, plays him as a Londoner.
♦ Known to the cast and crew as “All Creatures Grunt and Smell”.
