“[It can] meow out of one mouth and eat out of the other.”
Meet Biscuits & Gravy: The Two-Faced Oregon Kitten
When Kyla King got up Wednesday morning to check on her pregnant cat, she knew there was a good chance she’d find a litter of newborn kittens. She walked outside to the special crate she had put the expectant mother into overnight and noticed four tiny kittens. But, then she noticed two more hiding behind their mom. So, Kyla picked one up and set it down with the rest of the litter. She picked up the last kitten and found herself face-to-face with two tiny noses, four eyes tightly shut and two mewing mouths.
Kyla said she sent a picture to her husband, BJ King, with a text that read: “We have 6-1/3 kitty cats now!”
Kyla reached out to their vet to learn more about the kitten’s condition, how to care for it and its odds of survival. She learned there wasn’t much to be done medically for the tiny creature. All she could do was make it comfortable and help it eat. “It doesn’t really know how to nurse properly because it has two mouths so, I’ve been trying to feed it,” Kyla said. “And, I mean, I’m gonna do the best I can but, these animals don’t usually live too long.”
Photo Credit: dailyhive.com
Cats with two faces are known as Janus cats, after the Roman god Janus, often depicted with two faces in mythology. They suffer from a rare congenital defect called diprosopus, or cranial duplication. Most Janus cats don’t live longer than a day but, one defied the odds. His name was Frank and Louie and he passed away in 2014 at the age of 15. The Guinness Book of World Records named him the world’s longest surviving Janus cat.
There were only six episodes that aired between March 31 and June 11 with a seventh episode intended for a May slot, never airing. It’s first episode was on a Friday, the second episode aired the following Wednesday, the third episode went back to Friday, the following week and the fourth episode showed up on a Sunday, the next week. The last two aired episodes were on Sundays in June. [No wonder it failed. ~Vic]
Legal drama with Charles Wright, an Englishman, working as a lawyer in New York City. Sandy Hamar is an ex-NYPD detective who serves as the mandatory private eye and Lydia is the super efficient secretary.
The Wright Verdicts is mature in the best sense. [I]t’s smart, has no false innocence and has the right amount of fun. Criminal lawyer Charles Wright (Tom Conti) will win juries over like clockwork and the series should likewise charm viewers. The character’s chief skill is blarney or, as his investigator puts it, shucking and jiving. Charles is bumbling and self-deprecating one minute, erudite and mischievous the next. Conti brings off Wright’s sense of humor and his status as a ladies’ man. The dynamic between Conti and his two female employees […] needs some work. [T]here’s so much flirtation that the relationships in this office triangle seem headed in only one direction.
The hour has a surplus of spectacular aerial shots of Manhattan.
With crimes revolving around designer drugs and cellular phones, the show poses itself as a Perry Mason for the ’90s. It’s about as conventional and formulaic as that old warhorse. The parlor-game plotting is more than passable but, the writing is undistinguished. Only Conti’s malty voice and trilling accent are enough to elevate the program’s mark a little.
Executive producer Dick Wolf has cannily combined two genres…Murder, She Wrote’s warm coziness and his own Law & Order’s cold, complex cases…and come up with a lukewarm show that’s nonetheless pretty irresistible.
There is very little written about this special, save a New York Times Article, written the next day (No writer credited):
ONE of the tiredest gimmicks of variety shows was coupled last night with a fresh idea on “The Robert Goulet Hour.” When the tenor turned his profile toward the sun on a southern California beach and a light wind ruffled his perfectly groomed hair as he sang “Lost in the Stars,” his program consciously aimed for the creative touch. Few singers are willing to compete with the Pacific Ocean.
But when Mr. Goulet was on the sound stage of C.B.S. Television City in Hollywood, he was engulfed in that shopworn gag of pretending to be rehearsing a musical special for TV. Leslie Caron joined him in “Call Me Irresponsible” and then said “no,” she simply would not sing on his show. Peter Gennaro demonstrated a possible dance step and Fredd Wynne [sic] agonized over material for Mr. Goulet and sketches for Miss Caron. Even the ad‐libs were planned.
Visiting the University of California at Los Angeles, Mr. Goulet and company held a press conference for tanned Tammys and Gidgets, who watched Terry‐Thomas mug shamelessly as a fine arty professor. The atypical students acted like graduates of the Hollywood Professional School.
When the script permitted Mr. Goulet to forget the script, his show had possibilities. Still, the evening’s honors must go to Miss Caron, who, impersbnating [sic] Marlene Dietrich as the Blue Angel, tackled a chair with the finesse of an Olympic champion.
IMDB states that it was filmed at the Wilshire Boulevard Brown Derby. The second video, below, appears to be from a Robert Goulet channel that was set up by his widow, Vera Novak. Written below the video:
Robert Goulet Live From Sahara Hotel In Las Vegas was filmed as part of “An Hour With Robert Goulet” TV special in 1964 and produced by our company Rogo Productions, Inc. This is a rare gem and wonderful historical footage of a remarkable entertainer showcasing live entertainment in Las Vegas during 1960s. In this clip, Robert sings a “Medley Of Old Songs” written by Jerry Bresler and Lyn Duddy, which was also recorded in 1963 on Columbia Records “Robert Goulet in Person“.
Hutton stars as Goldie, a showgirl-turned-manicurist. One of Goldie’s regular customers is a millionaire, Mr. Strickland. After he suddenly dies, Goldie discovers that he has left everything he owns, including his $60 million fortune and his three children, to her.
Although Hutton was a popular actress, the show only lasted for thirty episodes before being cancelled, mainly because it was scheduled opposite ABC‘s popular series The Donna Reed Show.
I realize that September 11 is usually reserved for the remembrance of 9/11 but, that seems to be all over the news as it is. There are other things that have happened on September 11. ~Vic
Carla was the most intense hurricane to make landfall on the Texas coast in the 20th century and second in recorded history only to the Indianola hurricane of 1886. Carla was the last of 6 hurricanes to make landfall on the Texas coast as a Category 4 hurricane on the Saffir-Simpson scale, with sustained winds stronger than 130 mph, in the 20th century. Carla ranks as the 9th most intense hurricane to affect the United States since 1851.
Carla made landfall on the afternoon of the 11th on the northeast part of Matagorda Island as a strong Category 4 hurricane […]. The eye of Carla moved across Port O’Connor and Port Lavaca and, then, inland just east of Victoria. Carla weakened to a tropical storm on the morning of the 12th just east of Austin.
Carla was an extremely large hurricane with devastating effects from the winds and storm surge […]. The extreme tides inundated downtown Port Lavaca with 2 feet of flood water and displaced fishing boats and tug boats on Highway 35. With the slow movement of Carla, the hurricane pushed a storm surge of 22 feet above mean sea level at the head of Lavaca Bay in Port Lavaca. This is the highest storm surge in Texas hurricane history.
[Little-known] newsman Dan Rather reported live from the second floor of a building in Texas City during the storm, an act that would be imitated by later reporters. This marked the first live television broadcast of a hurricane. Rather also alerted the public of the size of Carla in a way that “literally changed the way the world sees hurricanes”, according to a fellow reporter. Broadcasting live at the Weather Bureau Office in Galveston, Rather asked a meteorologist to draw an outline of the Gulf of Mexico on a transparent sheet of plastic. He then held the map over the black and white radar screen, which put the size of Carla into perspective, saying that Carla was the size of the Gulf of Mexico. CBS was so impressed with Rather’s work that he was offered the position of correspondent.
This is the show that introduced the world to Elvis Presley.
Dave Marsh, in his insightful musical biography Elvis, writes about the moment Elvis Presley burst upon the American scene via The Dorsey Brothers Stage Show on January 28, 1956. “In his first appearance on the Dorsey Brothers’ TV show, the young singer rocked the world”. Marsh described Elvis’ startling rendition of Heartbreak Hotel and concluded, “He owned the song and he owned the crowd”.
March 17, 1956
Photo Credit: elvispresleymusic.com.au
After 17 months of personal appearances all over the south […], Elvis […] made his first appearance […]. Those shows were broadcast, live, from the CBS Studios in New York City. Young Elvis The Pelvis’ first appearance […] was followed by 5 others throughout the next 2 months until the 24 of March, 1956.
[The show] features Matt Frewer as [Dr. Mike Stratford] who belongs to the practice Northeast Medical Partners with three other doctors in Providence, Rhode Island. Most of the comedy surrounds [his] zany antics, tempered by his obvious commitment to his profession and his patients. Though at first serving as “straight men” for Frewer’s manic style of comic acting, the other characters gained more depth as the series progressed, sometimes focusing on issues such as AIDS, breast cancer and homophobia.
The focal point of the series is Mike Stratford, a semi-psychotic doctor who has a passion for healing, anybody. Besides being a doctor, Mike has written a couple of books and is a daily feature on Wake Up Providence…, a local morning TV show. Other major characters include: Richard, Mike’s gay brother and an assistant English professor; Dierdre, a doctor whose looking for the right man and once slept with Mike; Grant, a doctor whose only looking to keep his image perfect; Abe, a doctor whose married with a son and a perfect family life; Faye, a nurse who likes crossword puzzles and kinky things.
Forty-five years ago, today, the #1 song on the Billboard Hot 100 chart was Sunshine on My Shoulders by John Denver. Co-written with guitarist Mike Taylor and bassist Richard Kniss, the song was originally released in 1971 as an album track on Poems, Prayers & Promises. It wasn’t released as a single until October 1973 (oddly, the same month as his death) and hit #1 on Billboard’s Adult Contemporary chart just two weeks prior to making the Hot 100. It had been re-mixed to include woodwinds and strings and, had the last verses removed. The full length single mix showed up on Denver’s later compilation albums.
Denver described how he wrote “Sunshine on My Shoulders”: “I wrote the song in Minnesota at the time I call ‘late winter, early spring’. It was a dreary day, gray and slushy. The snow was melting and, it was too cold to go outside and have fun but, God, you’re ready for spring. You want to get outdoors again and you’re waiting for that sun to shine and, you remember how, sometimes, just the sun, itself, can make you feel good. And, in that very melancholy frame of mind, I wrote ‘Sunshine on My Shoulders’.”
Lyrics: Sunshine on my shoulders makes me happy
Sunshine in my eyes can make me cry
Sunshine on the water looks so lovely
Sunshine almost always makes me high
If I had a day that I could give you
I’d give to you a day just like today
If I had a song that I could sing for you
I’d sing a song to make you feel this way
Sunshine on my shoulders makes me happy
Sunshine in my eyes can make me cry
Sunshine on the water looks so lovely
Sunshine almost always makes me high
If I had a tale that I could tell you
I’d tell a tale sure to make you smile
If I had a wish that I could wish for you
I’d make a wish for sunshine all the while
Sunshine on my shoulders makes me happy
Sunshine in my eyes can make me cry
Sunshine on the water looks so lovely
Sunshine almost always makes me high
Sunshine almost all the time makes me high
Sunshine almost always
