1995
Hans 2021 Song Draft: Round Seven-Pick Ten-Somebody’s Baby-Pat Benatar (1993)

Hanspostcard has a song draft challenge. This is my Round Seven pick.
Pat Benatar exploded on the music scene in the Summer/Fall of 1979 with her debut album In The Heat of the Night. I was in 8th grade and the first song I remember hearing on the radio from the album was Heartbreaker. I went to my hometown’s only mall and headed into a store called Stereo Village. I wanted this song and, when I asked for it, the guy trying to help me automatically thought I was talking about Led Zepplin. When I mentioned Pat Benatar’s song, he didn’t know what I was talking about. He told me to sing some of the music for him…so, my 13 year old self obliged, right there in the middle of the store, “in front of God and everybody” (Southern colloquialism). He still didn’t know the song but, said “Nice voice!” I never did get that 45 and a few months later, rolling into the new decade, We Live For Love was released in February and, I liked it even better than Heartbreaker. Crimes of Passion, her sophomore album, came out the following August and the hits kept coming. You Better Run (The Young Rascals cover) became the second video broadcast on the debut of MTV, behind Video Killed the Radio Star by The Buggles (a 45 I managed to get my hands on). I was a devoted fan at that point without owning a single song or album. By the time of my 16th birthday, a young man I was dating presented me with the Crimes of Passion album. I was overjoyed.

I nearly got to see her perform during the 1986 Seven the Hard Way tour. It started in January 1986 and stopped, abruptly, in April. She was a mom by then and family pressures caused cancellations. Greensboro Coliseum lost out. I did get to see her for the Can’t Stop Rockin’ tour in 1995 in Raleigh. Prior to those two, my mother considered me too young to see the earlier concerts. 😭
Gravity’s Rainbow was her ninth, and the last studio album to be in the Billboard 200 chart in the top 100s, peaking at #85 on June 19, 1993 and making it to #44 in Canada for one week on July 31, 1993. Named after the Thomas Pynchon novel, it was also the last album released on Chrysalis Records. It was not one of her better albums, statistically speaking but, it yielded three singles, two of which, I love. My favorite album of hers is, of course, the tour that got cancelled in 1986. That being said, after all these years of her music catalog, Somebody’s Baby is my favorite single, released July 5, 1993 (my second favorite single is Le Bel Age). She and Spyder James had already geared down quite a bit, releasing the blues-themed True Love in 1991, to much less fanfare than Wide Awake in Dreamland from 1988. True Love was her first album that did not rate with RIAA.
Somebody’s Baby did not chart on Billboard but, it did chart in the UK on the Singles Chart (#48), in Canada (#41) and in New Zealand (#36).
I am a fan of Benatar like Hans & Max are of the Beatles. I love this one because of the lyrics, the mood, the blend of the music and her stunning voice, though, in this piece, it is not quite as “up there” as when she sings Invincible (she has a four octave range). I am normally indifferent to most lyrics, choosing to immerse myself in musical arrangements and wonderful voices but, the writing speaks to my heart and I confess that, the first time I heard this, it brought me to tears. ~Vic
Additional:
BenatarGiraldo (Official Website)
Gravity’s Rainbow (RockWired/Brian Lush/06-12-2018)
Pat Benatar (Hip Online/01-05-2008)
Pat Benatar: Gravity’s Rainbow (Rolling Stone/Andrea Odintz/2003/Web Archive)
Richmond: Benatar’s Rise to Fame (Richmond Times-Dispatch/Nicole Kappatos/04-11-2017/Web Archive)
Unofficial Video?
Live On Leno
Regis & Kathie Lee Show (Stripped Down Short Version)
Song Sunday: Gates of the Country

June 1998
Wikipedia
“Somehow I see, there are ships in her eyes…”
This Sunday’s playlist submission was never released as a single and it never charted…anywhere. It’s the last track, number 12, on the original 1997 debut release of Your Body Above Me by Black Lab. An alternative rock band founded in San Franciso, CA, in 1995 by Paul Durham, the band’s name is an amalgam of band names Black Sabbath and Stereolab. The album did have two hits, one of which peaked at #6 on the Billboard Mainstream Rock chart.
There is not a bad song on this album and I nearly wore out my CD. I took notice of them when an alternative rock station showcased their first track (the #6 hit). I love Paul Durham‘s voice and, the band has had many songs used in movies and television, most notably Spider-Man (2002), Blade: Trinity and Transformers.
Black Lab World (Official Site)
Paul Durham (Official Site)
TV Tuesday: The Wright Verdicts 1995

Twenty-five years ago, today, the television series The Wright Verdicts debuted on CBS. Created and executive-produced by Dick Wolf, it starred Tom Conti, Margaret Colin and Aida Turturro as the main cast (Variety also lists John Glover but, IMDB does not.). Notable guest stars were Candy Clark, Peter Facinelli, Allison Janney and Leslie Mann.
There were only six episodes that aired between March 31 and June 11 with a seventh episode intended for a May slot, never airing. It’s first episode was on a Friday, the second episode aired the following Wednesday, the third episode went back to Friday, the following week and the fourth episode showed up on a Sunday, the next week. The last two aired episodes were on Sundays in June. [No wonder it failed. ~Vic]
Legal drama with Charles Wright, an Englishman, working as a lawyer in New York City. Sandy Hamar is an ex-NYPD detective who serves as the mandatory private eye and Lydia is the super efficient secretary.

The Wright Verdicts is mature in the best sense. [I]t’s smart, has no false innocence and has the right amount of fun. Criminal lawyer Charles Wright (Tom Conti) will win juries over like clockwork and the series should likewise charm viewers. The character’s chief skill is blarney or, as his investigator puts it, shucking and jiving. Charles is bumbling and self-deprecating one minute, erudite and mischievous the next. Conti brings off Wright’s sense of humor and his status as a ladies’ man. The dynamic between Conti and his two female employees […] needs some work. [T]here’s so much flirtation that the relationships in this office triangle seem headed in only one direction.
The hour has a surplus of spectacular aerial shots of Manhattan.
With crimes revolving around designer drugs and cellular phones, the show poses itself as a Perry Mason for the ’90s. It’s about as conventional and formulaic as that old warhorse. The parlor-game plotting is more than passable but, the writing is undistinguished. Only Conti’s malty voice and trilling accent are enough to elevate the program’s mark a little.
Executive producer Dick Wolf has cannily combined two genres…Murder, She Wrote’s warm coziness and his own Law & Order’s cold, complex cases…and come up with a lukewarm show that’s nonetheless pretty irresistible.
Opening Credits
Music Monday: REM 1994

Twenty-five years ago, this week (November 26/December 2, 1994) the song Bang and Blame by R.E.M. debuted on the Billboard Alternative Songs chart (Page 119/called Modern Rock Tracks in 1994), entering at #8, making it to #1 on December 17. Released October 31, it was the second single from the album Monster, their ninth studio album. Co-produced by the band and Scott Litt, all song writing credits are the band members. The song also made it to #1 in Canada on February 20, 1995, and peaked in the top ten in the Billboard Mainstream Rock chart (Album Rock Tracks in 1994), Billboard Mainstream Top 40 chart and, in Finland, Iceland and Poland.
Rain Phoenix (sister of River & Joaquin) and Lynda Stipe (Michael’s sister) sang backing vocals. Recordings were difficult with Mike Mills and Bill Berry‘s illnesses and, the deaths of Kurt Cobain and River Phoenix. The album is dedicated to Phoenix.
Television Episodes (song used)
Lyrics (from LyricFind):
If you could see yourself now, baby
It’s not my fault, you used to be so in control
You’re going to roll right over this one
Just roll me over, let me go
You’re laying blame
Take this as no, no, no, no, no
You bang, bang, bang, bang, bang
Then blame, blame, blame
You bang, bang, bang, bang, bang
It’s not my thing, so let it go
If you could see yourself now, baby
The tables have turned, the whole world hinges on your swings
Your secret life of indiscreet discretions
I’d turn the screw and leave the screen
Don’t point your finger
You know that’s not my thing
You came to bang, bang, bang, bang, bang
To blame, blame, blame
Bang, bang, bang, bang, bang
It’s not my thing, so let it go now
You’ve got a little worry
I know it all too well
I’ve got your number
But so does every kiss and tell
Who dares to cross your threshold
Happens on you way
Stop laying blame
You know that’s not my thing
You know that’s not my thing
You came to bang, bang, bang, bang, bang
Then blame, blame, blame
Bang, bang, bang, bang, bang
It’s not my thing so let it go, you
Bang, bang, bang, bang, bang
Then blame, blame, blame
Bang, bang, bang, bang, bang
It’s not my thing so let it go
You kiss on me
Tug on me
Rub on me
Jump on me
You bang on me
Beat on me
Hit on me
Let go on me
You let go on me
Throwback Thursday: Mississippi & The Thirteenth Amendment 2013

Six years ago, today, Mississippi finally got around to ratifying The Thirteenth Amendment, 148 years later.
Mississippi […] only got around to officially ratifying the amendment last month — 148 years later — thanks to the movie “Lincoln.” The state’s historical oversight came to light after Mississippi resident Ranjan Batra saw the Steven Spielberg-directed film last November […]. After watching the film, which depicts the political fight to pass the 13th Amendment, Batra did some research. He learned that the amendment was ratified after three-fourths of the states backed it in December 1865. Four remaining states all eventually ratified the amendment — except for Mississippi. Mississippi voted to ratify the amendment in 1995 but failed to make it official by notifying the U.S. Archivist. Batra spoke to another Mississippi resident, Ken Sullivan, who contacted Mississippi Secretary of State Delbert Hosemann about the oversight. Finally, on Jan. 30, Hosemann sent the Office of the Federal Register a copy of the 1995 resolution, and on Feb. 7, the Federal Register made the ratification official.

Two medical school colleagues, one an immigrant from India, the other a life-long Mississippian, joined forces to resolve a historical oversight that until this month had never officially been corrected. Dr. Ranjan Batra, professor of Neurobiology and Anatomical sciences at the University of Mississippi Medical Center, told ABC News he was inspired to investigate the history of the Thirteenth Amendment in his state after a viewing of the film “Lincoln.” […] Batra proceeded to do some investigating of his own, noticing on the website usconstitution.net, that there was an asterisk next to the state of Mississippi in connection with the ratification of the Thirteenth Amendment.
Batra: “Mississippi gets a lot of bad press about this type of stuff and I just felt that it is something that should be fixed, and I saw every reason that could be done.” “Everyone here would like to put this part of Mississippi’s past behind us and move on into the 21 st century rather than the 19th.”
[…] Batra enlisted the help of University of Mississippi Medical Center colleague Ken Sullivan, who took an immediate interest in the story, calling the national archives to confirm that they had in fact never received the proper paperwork.
Batra: “The last paragraph [of the bill] directs the Secretary of State of Mississippi to inform the national archives of the law of the ratification which is exactly the way ratification is supposed to proceed, but that hadn’t been done for whatever reason.”
Sullivan: “For me it was just important that this part of history was done from our state.” “I know we have some dark spots in our history through the south, it still affects people’s opinions about Mississippi today.”
Sullivan and Batra are thankful the ratification question has finally been resolved. Now, that asterisk next to Mississippi can finally be removed.
The Mississippi Legislature had actually formally ratified the historic amendment in 1995, which even then was more than a century late […]. Throughout 1865, 26 states ratified the critical law, and in December of that year, the amendment was formally adopted into U.S. law after Georgia’s approval brought the number the required 27. Several states, including Kentucky and Delaware, waited decades to ratify the amendment, the last being Mississippi in 1995 — or so the state thought.
Better late than never, I suppose. Yikes. ~Vic
30-Day Song Challenge: Day 24

A song by a band you still wish were together…
Oh, the music we have lost.
Lone Justice (1982-1986)
What a powerhouse voice this little thing had. I wore out the Shelter cassette.
Cry of Love (1989-1997)
A band out of Raleigh, they only made one studio album in 1993 with their original lead singer, Kelly Holland, who quit after one tour. He died young in 2014 at the age of 52. They got a lot of airplay, locally. The remaining members tried to continue with former Warrant lead singer, Robert Mason and made a second album that produced one single in 1997. Band members moved on/scattered to The Black Crowes, Lynyrd Skynyrd and Sheryl Crow‘s touring band. To me, once Kelly left, the magical sound was gone (no offense to Robert Mason).
Seven Mary Three (1992-2012)
A band out of Williamsburg, Virginia, they started when two Jasons met at William & Mary. The band name came from the TV Show CHiPs as 7 Mary 3 was Officer Jon Baker‘s call sign. Their best-selling album, American Standard, was produced in 1995 by the, now, defunct Mammoth Records out of Carrboro, NC, after their first attempt in 1994 failed to chart.
Far Too Jones (1995-2000)
This was another band out of Raleigh, nicknamed the Tobacco Road Quintet. They also had one album produced by Mammoth Records and got a lot of local airplay. The only reason this band broke up, as best as I can tell, is because they had no label support. They just couldn’t break out of the region, much like what happened to Echo 7 in Myrtle Beach (whom, I know, personally…I may have to put up some of their music one day).
And, just for Christmas Eve, this one. I remember this playing on G105 in the late 90s. This band was so loved here. Quote from them, regarding this song, posted on Facebook, yesterday:
“A little history on that one… we wrote it for the Acoustic Christmas Party we did for G105 many moons ago. We actually did not know we were going to write a song until one of the on-air personalities mentioned on the air that we were…LOL!”