the wayback machine
Sixty-five years ago, [today] on November 12, 1954, a Norwegian merchant seaman named Arne Peterssen became the last immigrant to pass through Ellis Island. Later that month, the ferry Ellis Island made its final stop at the island in New York Harbor and the immigration facility closed for good, ending its run as a gateway to the United States for generations of immigrants.
These days Ellis Island is a national symbol remembered in sepia tones but, while it was in active service, the station reflected the country’s complicated relationship with immigration, one that evolved from casual openness to rigid restriction. “It was not a great welcoming place for immigrants but, it was not a place of horrors either,” says Vincent Cannato, author of American Passage: The History of Ellis Island.
Until the end of the 19th century, individual states handled immigration with rules varying by jurisdiction. [T]hen, immigration soared. In light of the influx, the federal government decided in 1891 that it had to take charge.
New York was immigration’s epicenter. Some 75 percent of the country’s steamship traffic came through New York Harbor and so did 75 percent of the nation’s immigrants, according to Cannato. New York state ran an immigration facility called Castle Gardens at the tip of Manhattan but, the new federal Office of Immigration wanted an intake and inspection station in a more controlled location. It selected Ellis Island, a three-acre spot of land in the harbor between New York and New Jersey […].
The immigrants who eventually passed through Ellis Island started their journey by buying passage on a steamship, usually sailing from Europe. Between 1892 and 1924, 12 million people successfully traversed this highly efficient conveyor-belt immigration system. Most immigrants were processed through Ellis Island in a few hours and only 2 percent that arrived on the island were prevented from entering the United States.
[T]his era of mass immigration came to an end with the passage in 1921 and 1924 of new laws that severely limited immigration by establishing quotas for individual countries and requiring immigrants to obtain visas from American consulates. Since most official immigration screening now happened at U.S. consulates abroad, Ellis Island became increasingly irrelevant. The facility, which had once teemed with thousands of hopeful immigrants, transformed into “a major center for deportation and for holding enemy alien spies,” says [Barry] Moreno. “It was like night and day.” President Eisenhower quietly closed Ellis Island in 1954.
How Ellis Island Shepherded Millions of Immigrants Into America
November 13, 2019
“Your world is falling down, you may as well crash with me…”
Returning to my Samsung playlist for this Saturday evening submission, I present Natural One by The Folk Implosion. Written by Lou Barlow and bassist Wally Gagel of Orbit, it was the seventh song on the soundtrack album from the 1995 movie Kids, though it wasn’t actually played in the film. It entered the Billboard Hot 100 at #54 on December 9, 1995 and peaked at #29 on February 3, 1996. It peaked at #4 on the Modern Rock Tracks chart on December 16, 1995 and peaked at #21 on the Mainstream Rock Tracks chart on February 17, 1996. I hope you enjoy. ~Vic
Hanspostcard has a song draft challenge. This is my Round Nine pick.
This, and my last pick, will feature two women that are a little less known in the music world. I skipped right over the 2000s (only so many choices) and hopped into the next decade. I happened to catch this song while listening to the University of Texas @ Austin’s radio station (a station involved with SXSW). I was hooked and I went looking for it…and her. Elisabeth Corrin Maurus or Lissie is a singer-songwriter out of Rock Island, Illinois.
“I always sang, since I was little and wrote poems in high school. I sort of taught myself to play guitar lines to the poems and stuff. In high school, it seems like everyone has more drama than any other time in their life, [so] that was the time in my life where I really leaned on music as a way to stay sane…”
Interview With Lissie
Scott the Intern
Pop Culture Madness [Web Archive]
February 11, 2008
In her senior year, she was kicked out of high school (she spit in a teacher’s face) and had to get a GED, elsewhere. Then, she hit the road, troubadour-style. She attended Colorado State in Fort Collins and liked to open for other traveling acts. After a short time in Paris, she moved to Los Angeles, met Betsy Hammer and scored an introduction to Brooks Arthur. Hammer & Arthur took her to talent manager Guy Oseary and he got her to producer Glen Ballard. She can be heard singing in the movie Have Dreams, Will Travel (Dream It Out Loud) and performed at the wedding of Demi Moore & Ashton Kutcher in 2005 (Oseary’s referral). In January 2008, she opened for Lenny Kravitz (via a hook-up on MySpace).
The third track from the album Catching A Tiger, In Sleep was released in April of 2010 and the only chart it showed up on was the UK iTunes Single of the Week. The album did manage to make it to #5 on the Billboard Folk Albums & Top Heatseekers charts and, #34 on the Independent Albums chart. The album’s first release was in the UK and hit the US two months later.
“Not to be mistaken for Lissy Trullie, […] Lissie Maurus deals in sun-kissed pop-blues straight from Laurel Canyon.
Her 12-track debut conjures images of highways and horses, with Lissie’s smoky tones echoing Fleetwood Mac’s Stevie Nicks.”
CDs of the Week: Eminem and Lissie
London Evening Standard [Web Archive]
June 18, 2010
Give her a listen. I think she is fantastic and her two band members are outstanding, as well. They are all over YouTube and, in live recordings, her bassist is sitting down, keeping the drum/cymbal beat. Talk about multitasking. I’ve included the studio version of this that has more drum work on it and a possible synthesizer. I’m also including her version of Go Your Own Way. which actually charted in the UK in 2012. The studio version sounds like it has a cello in it and is part of the soundtrack from the movie Safe Haven. She has been very busy.
Happy Halloween, Y’all! ~Vic
Interview: Lissie (Stereofox/06-12-2013)
Lissie (CTN Music Interview/12-22-2008/Web Archive)
Lissie and Her Connections (The Uncarved Blog/Ken Chawkin/05-11-2019)
Lissie Catching A Tiger Review (BBC Review/Mike Diver/2010)
Local Q&A: Lissie (Chicago Tribune Metromix/Matt Pais/11-09-2009/Web Archive)
Rock Island Native Lissie Hits Billboard’s Charts (Quad-City Times/David Burke/05-09-2008/Web Archive)
Live Recording On ARD
From Discovery of Witches
Hanspostcard has a song draft challenge. This is my Round Eight pick.
I remember when I heard Possession on the radio the first time. I was driving home from work and I was immediately in love. The music was stunning, her voice was stunning and I was captivated. Who is she, I thought to myself (I had no idea that Sarah McLachlan had two previous albums). I found the Fumbling Towards Ecstasy CD as fast as I could. It is a fantastic album. There is not a bad song on it.
When Surfacing came out in July 1997, I snatched it, too. It was released to coincide with the Lilith Fair. Though Fumbling Towards Ecstasy remains my favorite of her albums, Witness is my favorite single. The sixth track, it was never released as a single, has no chart information what-so-ever and it remains in the shadow of Building A Mystery, Sweet Surrender, Adia and, in particular, Angel. The album is one of two that reached #2 on the Billboard 200. It was the #1 album on Billboard’s Canadian Albums chart on August 2, 1997 and on Canada’s RPM Top Albums/CDs chart on July 28, 1997.
As an odd bit of trivia, this album is mentioned in the Starr Report, Ken Starr‘s investigation of the Monica Lewinsky Scandal, as was Altoid Mints, the movie Titanic, Billie Holliday, Elvis, Spinach Dip, Starbucks and Leaves of Grass. Monica apparently liked track #5.
This song speaks to me on so many levels. It’s a beautiful piece with beautiful lyrics… ~Vic
Make me a witness
Take me out
Out of darkness
Out of doubt
I won’t weigh you down
With good intention
Won’t make fire out of clay
Or other inventions
Will we burn in heaven
Like we do down here
Will the change come
While we’re waiting
Everyone is waiting
And, when we’re done
As we carried the weight
And died for the cause
Is misery made beautiful
Right before our eyes
Will mercy be revealed
Or blind us where we stand
Lilith Fair @ 20 (Billboard Article/Gil Kaufman/07-05-2017)
Sarah McLachlan Named In Starr Report (MTV News/09-16-1998)
Starr Report Unearths New Bedfellows (The Hartford Courant/Rock Critic Roger Catlin/09-17-1998)
The Pop Life: Musical Damage In Starr Report (The New York Times/Neil Strauss/09-24-1998/Web Archive)
No Official Video
Live From Mirrorball
Sarah Discussing The Surfacing CD
Hanspostcard has a song draft challenge. This is my Round Six pick.
Moving into 1986… My first introduction to R.E.M. wasn’t the radio or MTV. It was an odd video channel on Cablevision in the early 80s in my NC hometown (my mom only had basic cable…no MTV). I’ve talked at great length with Max (Powerpop Blogger) about this obscure video channel. I remember two VJs, one named “Dr. John” (not the musician) that wore blue scrubs and one named “Carrot Top” (not the comedian), that, of course, was a red-headed dude. I have no idea where this channel broadcast from but, it was a seriously stripped down operation. It was just rotating VJs, sitting at a desk, talking into a camera…and playing music videos. The first video I recall seeing was Radio Free Europe, the Murmur version, not the Hib-Tone single (I later found out). I was immediately hooked but, totally missed who the band was. (Interestingly, the Hib-Tone version was recorded at Drive-In Studios in Winston-Salem, NC and the Murmur version was recorded at Reflection Studios in Charlotte, NC.) Fast forward to the end of my senior year of high school and I see some of So. Central Rain (I’m Sorry) on MTV. I had no idea that this was the same band. It wasn’t until my sophomore year of college, when Driver 8 came out (another one I like), that a buddy of mine told me who R.E.M. was…a college band out of the University of Georgia (Bulldogs). Every piece of music of theirs that I was lucky enough to catch, I loved. Finally, in 1987, The One I Love broke thru to #9 on Billboard’s Hot 100 and they seemed to be everywhere. Their highest charting hit was Losing My Religion, getting to #4 in 1991. Out of their entire catalog, which is gi-hugic, Fall On Me wound up being my favorite, with my introductory piece, Radio Free Europe, coming in second. I wish I had seen them live.
Bit of odd trivia…five strange degrees of separation. R.E.M. had a manager by the name of Jefferson Holt. He was with them until 1996 when they got rid of him for sexual harassment. Jefferson Holt is from Chapel Hill and his mother is named Bertha “B” Holt. She was an NC State Rep. from 1975 to 1994, representing my home county (and another one). She was quite the pioneer, advocating for the ERA and married rape victims (which is ironic as hell considering her son’s behavior). My paternal grandmother was in Democratic politics in the 60s, 70s & 80s, running for local office, herself (and on first-names basis with several governors). She campaigned heavily for her favorites and “Bee” Holt was one of them. I met Bee Holt several times as a kid and remember all of her “Bee” 🐝 paraphernalia all over my grandmother’s house.
I guess this makes me closer to R.E.M. than Kevin Bacon! 😉 😊 ~Vic
Released 0n August 11, 1986, it was the third track from the album Lifes Rich Pageant. It debuted on the Billboard Hot 100 at #96 the weekend of October 4, peaking at #94 on October 11 before finally disappearing from the chart on October 25. It did better on the Album Rock Tracks, making it to #5 for one week on September 6.
“Of the genuinely new songs, Peter Buck’s basic music track for Fall On Me dated back to July of 1985, when Stipe had written a lyric about acid rain [but], the song had been virtually re-written, melody and lyrics, by the time it came to be recorded. Stipe, who declared in 1991 that “…this may be my favourite song in the R.E.M. catalogue…”, has described the final version as “…pretty much a song about oppression.” Trainspotters might like to know that the counter-melody used in the second verse is actually the song’s original tune.
Johnny Black (2004)
Reveal: The Story of R.E.M.
His Favorite Song
Three hundred, twenty years ago, yesterday, Scottish Sea Captain William Kidd was hanged at Execution Dock in London at low tide:
[P]roceedings against [Kidd] had been long and notorious. The actions for which he was tried had been still more notorious, one involving murder and five [involving] piracy. His career had been brief, brilliant in the beginning [but], catastrophic at the end. The general excitement at the time of his execution and, all during his imprisonment in London, had been at [a] fever pitch. Gossip went to work and, the wildest of tales of Kidd’s wickedness and wealth were believed. […] Upon his death, numerous accounts, both factual and fictitious, appeared.
William Hallam Bonner
University of Buffalo
American Literature, Vol. 15, No. 4, Jan. 1944
Kidd was commissioned by King William III (William of Orange) as a Privateer and carried a license to hunt pirates, reserving 10% of any bounty acquired for the Crown. His murder charge was the result of the killing of crew member William Moore, his gunner, during a near mutiny.
Of all the things written and expressed, the ballad Captain Kid’s Farewel to the Seas (or the Famous Pirate’s Lament) was the only thing to survive. It was quite popular in the Colonies where the Captain had a home and may be considered America’s first folk legend. There is a British version and an American version, which changed the Captain’s first name to Robert for some strange reason and, several contemporary covers. The last website, below, has his name as John. He had to be hanged, twice, as the rope broke the first time. ~Vic
Captain Kidd Lyrics (David Kidd Website/Wayback Machine)
Captain Kidd Song (Wikipedia)
The Ballad of Captain Kidd (Chivalry Website Archive)
Wizard of the Seas (Ex-Classics Website)
They really wanted Galileo to shut up. Four hundred, four years, today, the Catholic Church was nearly successful with an injunction. Referred to as the Galileo Affair, it started in 1610 and ended in 1633 with the Roman Inquistion.
Galileo got into trouble for supporting Copernican Heliocentrism, the mathematical model put forth by Nicolaus Copernicus (see Copernican Revolution), that suggested the Earth, and other planets, revolve around the sun at the center of the Solar System, opposing Geocentrism, backed by the Catholic Church.
In 1610, Galileo published his Sidereus Nuncius (Starry Messenger), describing the surprising observations that he had made with [a] new telescope, among them, the Galilean Moons of Jupiter. With these observations, and additional observations that followed, such as the phases of Venus, he promoted the heliocentric theory of Nicolaus Copernicus published in De revolutionibus orbium coelestium in 1543. Galileo’s discoveries were met with opposition within the Catholic Church and, in 1616, the Inquisition declared heliocentrism to be “formally heretical.” Heliocentric books were banned and Galileo was ordered to abstain from holding, teaching or defending heliocentric ideas.
On February 19, 1616, the Inquisition asked a commission of theologians, known as qualifiers, about the propositions of the heliocentric view of the universe. [It was] confirmed that Galileo had advocated the Copernican doctrines of a stationary Sun, and a mobile Earth, and as a consequence, the Tribunal of the Inquisition would have eventually needed to determine the theological status of those doctrines.
On February 24, the Qualifiers delivered their unanimous report:
“[The] proposition that the Sun is stationary at the centre of the universe is foolish and absurd in philosophy and, formally, heretical since it explicitly contradicts, in many places, the sense of Holy Scripture. [The] proposition that the Earth moves and is not at the centre of the universe receives the same judgement in philosophy and … in regard to theological truth, it is at least erroneous in faith.”
At a meeting of the cardinals of the Inquisition on the following day, Pope Paul V instructed [Cardinal] Bellarmine to deliver this result to Galileo and to order him to abandon the Copernican opinions. [Should] Galileo resist the decree, stronger action would be taken. On February 26, Galileo was called to Bellarmine’s residence and ordered:
“[To] abstain completely from teaching or defending this doctrine and opinion or, from discussing it… to abandon completely… the opinion that the [Sun] stands still at the center of the world and the [Earth] moves and, henceforth, not to hold, teach or defend it in any way whatever, either orally or in writing.”
Galileo accepted the order. He didn’t have much choice as his reputation was at stake. Shortly afterwards, all books regarding the Copernican system were banned and Galileo’s works regarding Copernicanism were banned as well. His sentence prevented him from teaching or speaking of the matter further. He remained silent only for so long.
Very interesting take on what actually happened…
Forty years ago, today, the very first American Movie Awards was televised on NBC. Filmed at the Wilshire Theatre, the ceremony honored film, actors, directors, screenwriters, music, favorites and a special recognition. Co-hosts were David Frost (also Executive Producer) and Dudley Moore with Angie Dickinson as Co-Hostess. Susan Anton was a performer. Judging by what few images I could find, the trophy was designed to resemble the Empire State Building.
♦ Best Film: Rocky II
♦ Best Actor: Alan Alda (The Seduction of Joe Tynan)
♦ Best Actress: Sally Field (Norma Rae)
♦ Best Supporting Actor: Robert Duvall (Apocalypse Now)
♦ Best Supporting Actress: Meryl Streep (The Deer Hunter)
♦ Best Director: Michael Cimino (The Deer Hunter)
♦ Best Screenplay: The China Syndrome
♦ Best Original Song: Every Which Way But Loose (Every Which Way But Loose)
♦ Favorite Film Star-Female: Jane Fonda
♦ Favorite Film Star-Male: Burt Reynolds
♦ Special Marquee: Clint Eastwood (Distinguished and Continuing Career)
There was another ceremony in March 1982 at a different location and a relaunch in 2013 with ceremonies in 2014, 2015, 2016, 2017 and 2018 focusing mainly on Independent Film. I doubt there will be anymore ceremonies as the website was taken down last year. There are no videos of the event on YouTube, either.