One hundred years, ago, today, the black & white silent film [The] Forbidden Lover was released. Brackets around “THE” is a product of the differences of the title from data sources. This film is an edited version of The Power of Love, the very first 3-D movie, released on September 27, 1922 at the Ambassador Hotel Theater in Los Angeles. Both films are believed lost.
Yankee sea captain lands on the coast during the old Spanish days to trade with the ranch owners. He meets a girl who is betrothed to a man she loathes. After a series of adventures and narrow escapes, he shows up the unscrupulous ranch owner and wins the girl.
Still Image
The Power Of Love
Image Credit: IMDb & Amazon
Because of his financial trouble, Don Almeda promises his daughter, Maria, to Don Alvarez but, Maria does not love [him]. In fact, she falls in love with Terry O’Neil, a stranger who has been wounded by robbers associated with Alvarez. O’Neil takes Alvarez’s place at a masked ball. Alvarez, in turn, robs the old Padre of some pearls and stabs him to death with O’Neil’s knife. He then accuses O’Neil of the murder and tries to shoot him but, wounds Maria instead, having thrown herself in front of him. Maria recovers and, after proving that Alvarez is a thief and a killer, weds O’Neil.
IMDb The Power of Love Storyline Moving Picture World
October 1922 Production Company:Perfect Pictures Tagline: A pair of spectacles will be handed to you as you enter the theatre, through which you will view the new sterescopic pictures.
The Power of Love was screened in front of a live audience at the Ambassador Hotel Theater […]. It was projected dual-strip in the red/green anaglyph format, making it both the earliest known film that utilized dual strip projection and the earliest known film in which anaglyph glasses were used. The camera rig used to shoot the film was made by the producers themselves and as you can imagine, it was far from perfect. Simply put, the film was not a success. It was screened, again, for exhibitors, and press, in New York City and, then, almost immediately fell out of sight. It was not booked again by other exhibitors. Unfortunately, we may never see what this movie looked like.
3-D TV & Movies
The first stereoscopic image dates to 1844, which makes 3-D images as old as the art of photography. [No] less a personage than Queen Victoria was photographed in 1854 in stereoscopic 3-D. 3-D stereoscopic moving images date to the 1850s with what was called the Kinetamatoscope [sic]. The first public display of a 3-D movie came in 1922 with The Power of Love […]. The film received a decent review in Moving Pictures World, then promptly disappeared from history by changing its title to Forbidden Lover and touring the country in a 2-D version. It was too complex and costly at the time to take 3-D on the road.
Randome
Looking Up/My Daily Plant Blogspot (Blogger) Cirque de 3-D
March 6, 2009
You’ve probably heard of ChatGPT, a computer program that is trained to follow your instruction and provide a variety of wide ranging responses. As someone that has spent some time actually using the AI, I have to say, the results it produces can be eerily human but, did you know that computer scientists have been working alongside chatbots as early as the 1960s?
It was the late 1960’s and Joseph Weizenbaum, an MIT computer scientist, had just completed work on his revolutionary chatbot ELIZA. Weizenbaum was born in Berlin, Germany, in 1923 and fled the country with his family in 1935 to escape the political turmoil. Weizenbaum came to the United States where his road to computer science would ultimately begin. After time spent in the Air Force, Weizenbaum would go on to study as a computer scientist and eventually work in the industry. You have to remember, computers at that time were not portable devices that could fit in our pockets. In fact, they often barely fit into a room! As an associate Professor at MIT, Weizenbaum became obsessed with the way computers could directly interact with humans through language. It was this early through line between computers and human language that would work to lay the foundation for his own chatbot and eventually lay the groundwork for the AI development of programs such as ChatGPT, Siri and Alexa.
Eliza was completed in 1966 and Weizenbaum offered MIT students the opportunity to interact with the chatbot. This process consisted of messages typed into the computer by students and, responses would then be provided by ELIZA, […] routed to an electronic typewriter and printer. Weizenbaum was initially happy with the response that was garnered from users’ experience with ELIZA but, there was one thing he did begin to notice that he viewed as considerably concerning. Overtime, Weizenbaum made note of users starting to divulge deep personal information, looking for help similar to that of a therapy session. This observation ended up pushing Weizenbaum to advocate for caution when relying too heavily on computers for human thought…
“There are aspects to human life that a computer cannot understand—cannot. It’s necessary to be a human being. Love and loneliness have to do with the deepest consequences of our biological constitution. That kind of understanding is in principle impossible for the computer.”
Wealthy young Charles Carpenter is pressured by his family to marry Suzanne, even though he is really in love with young “flapper” Valerie. He gives in to his family’s pressure, however and marries Suzanne, after which Valerie leaves town. Years later, after Charles and Suzanne have had a child, Valerie comes back to town and, Charles realizes he is still in love with her…and she with him. Complications ensue. [Source]
Through the scheming of his respectable, and wealthy family, Charles Carpenter is obliged to marry Suzanne, although he is in love with young flapper Valerie Winship. Years later, when Valerie is back in town, they renew the affair and, Carpenter plans to leave his wife and child for her. […] in the end, he yields to family duty and respectability. [Source]
“…a comedian of deftness and appealing humor. He is sad. He is preoccupied. He is apprehensive or insinuating with those floating eyes… In the past he has been funny, clever and ludicrous. But, he has never been so enjoyable.”
Of the music, he states:
“Walter Donaldson has composed an appropriate score worthy of better singing than it falls heir to.”
Apparently, Mr. Atkinson disliked Cantor’s singing ability.
The musical was made into a movie in 1930, also pre-code and Eddie Cantor reprised his role from the musical. There was also a 1979 Broadway revival that did very well.
In California, Sheriff Bob Wells and the daughter of a rancher, Sally Morgan, are getting married. She is in love with Wanenis, whose part-Indian heritage presents social difficulties for their romance. Sally abandons Sheriff Bob and their wedding, catching a ride with Henry Williams. As a hypochondriac, Henry has problems of his own but, Sally adds to his problems when she leaves a note saying they have eloped. A chase ensues with the jilted Bob, Mary, Henry’s nurse (who is in love with him) and a cast of others. Along the way, they arrive at the Indian Reservation where Wanenis lives. The movie star Leslie Daw enters the proceedings and sings the torchy, sentimental “Love Me, or Leave Me.”
Trivia Bits:
♦ Eddie Cantor invented the name The March of Dimes for the donation campaigns of the National Foundation for Infantile Paralysis (polio), a play on the “March of Time” newsreels. He began the first campaign on his own radio show in January 1938, asking people to mail a dime to the nation’s most famous polio victim, President Franklin D. Roosevelt. Other entertainers joined in the appeal via their own shows and the White House mail room was deluged with 2,680,000 dimes.
♦ At one time, when the rights to The Wizard of Oz (1939) were owned by Samuel Goldwyn, Cantor was considered for the role of the Scarecrow. Goldwyn eventually sold the rights to Metro-Goldwyn-Mayer.
♦ Quote: “Marriage is an attempt to solve problems together which you didn’t have when you were on your own.”
The first part tells the story of Moses leading the Jews from Egypt to the Promised Land, his receipt of the tablets and the worship of the golden calf. The second part shows the efficacy of the commandments in modern life through a story set in San Francisco. Two brothers, rivals for the love of Mary, also come into conflict when John discovers Dan used shoddy materials to construct a cathedral.
Trivia Bits:
♦ Most of the chariot crashes in the prologue were real and unplanned.
♦ After production, the enormous movie sets were bulldozed and buried in sand. It is now the legendary “Lost City of DeMille” and the site is recognized as an official archaeological site by the state of California.
♦ Midway through production, the film ran out of money and Cecil B. DeMille’s original backers pulled out. The production was saved when DeMille called in a personal favor from his friend Amadeo Giannini, one of the founders of Bank of America. Giannini’s $500,000 investment allowed the production to continue without stopping.
