Pittsburgh pitcher Sam Leever injured his shoulder while trap-shooting, so his teammate Deacon Phillippe pitched five complete games. Phillippe won three of his games but, it was not enough to overcome the club from the new American League. Boston pitchers Bill Dinneen and Cy Young led Boston to victory. In Game #1, Phillippe struck out ten Boston batters. The next day, Dinneen bettered that mark, striking out 11 Pittsburgh batters in Game #2.
Honus Wagner [was] bothered by injuries […] and committed six errors. The shortstop was deeply distraught by his performance. The following spring, Wagner […] refused to send his portrait to a “Hall of Fame” for batting champion:
“I was too bum last year. I was a joke in that Boston-Pittsburgh Series. What does it profit a man to hammer along and make a few hits, when they are not needed, only to fall down when it comes to a pinch? I would be ashamed to have my picture up now.”
Due to overflow crowds at the Exposition Park games in Allegheny City, if a batted ball rolled under a rope in the outfield that held spectators back, a “ground-rule triple” would be scored. [Seventeen] ground-rule triples were hit in the four games played at the stadium.
In the series, Boston came back from a three-games-to-one deficit, winning the final four games (on October 13) to capture the title…(118 years ago). Such a large comeback would not happen again until the Pirates came back to defeat the Washington Senators in the 1925 World Series […]. […] Much was made of the influence of Boston’s Royal Rooters, who traveled to Exposition Park and sang their theme song Tessie to distract the opposing players […]. Boston wound up winning three out of four games in Allegheny City.
Pirates owner Barney Dreyfuss added his share of the gate receipts to the players’ share, so the losing team’s players actually finished with a larger individual share than the winning team’s.
The Series brought the new American League prestige and proved its best could beat the best of the National League, thus strengthening the demand for future World Series competitions.
Hanspostcard has a song draft challenge. This is my Round Seven pick.
Pat Benatar exploded on the music scene in the Summer/Fall of 1979 with her debut album In The Heat of the Night. I was in 8th grade and the first song I remember hearing on the radio from the album was Heartbreaker. I went to my hometown’s only mall and headed into a store called Stereo Village. I wanted this song and, when I asked for it, the guy trying to help me automatically thought I was talking about Led Zepplin. When I mentioned Pat Benatar’s song, he didn’t know what I was talking about. He told me to sing some of the music for him…so, my 13 year old self obliged, right there in the middle of the store, “in front of God and everybody” (Southern colloquialism). He still didn’t know the song but, said “Nice voice!” I never did get that 45 and a few months later, rolling into the new decade, We Live For Love was released in February and, I liked it even better than Heartbreaker. Crimes of Passion, her sophomore album, came out the following August and the hits kept coming. You Better Run (The Young Rascals cover) became the second video broadcast on the debut of MTV, behind Video Killed the Radio Star by The Buggles (a 45 I managed to get my hands on). I was a devoted fan at that point without owning a single song or album. By the time of my 16th birthday, a young man I was dating presented me with the Crimes of Passion album. I was overjoyed.
Image Credit: Discogs
I nearly got to see her perform during the 1986 Seven the Hard Way tour. It started in January 1986 and stopped, abruptly, in April. She was a mom by then and family pressures caused cancellations. Greensboro Coliseum lost out. I did get to see her for the Can’t Stop Rockin’ tour in 1995 in Raleigh. Prior to those two, my mother considered me too young to see the earlier concerts. 😭
Gravity’s Rainbow was her ninth, and the last studio album to be in the Billboard 200 chart in the top 100s, peaking at #85 on June 19, 1993 and making it to #44 in Canada for one week on July 31, 1993. Named after the Thomas Pynchon novel, it was also the last album released on Chrysalis Records. It was not one of her better albums, statistically speaking but, it yielded three singles, two of which, I love. My favorite album of hers is, of course, the tour that got cancelled in 1986. That being said, after all these years of her music catalog, Somebody’s Baby is my favorite single, released July 5, 1993 (my second favorite single is Le Bel Age). She and Spyder James had already geared down quite a bit, releasing the blues-themed True Love in 1991, to much less fanfare than Wide Awake in Dreamland from 1988. True Love was her first album that did not rate with RIAA.
I am a fan of Benatar like Hans & Max are of the Beatles. I love this one because of the lyrics, the mood, the blend of the music and her stunning voice, though, in this piece, it is not quite as “up there” as when she sings Invincible (she has a four octave range). I am normally indifferent to most lyrics, choosing to immerse myself in musical arrangements and wonderful voices but, the writing speaks to my heart and I confess that, the first time I heard this, it brought me to tears. ~Vic
Hanspostcard has a song draft challenge. This is my Round Six pick.
Moving into 1986… My first introduction to R.E.M. wasn’t the radio or MTV. It was an odd video channel on Cablevision in the early 80s in my NC hometown (my mom only had basic cable…no MTV). I’ve talked at great length with Max (Powerpop Blogger) about this obscure video channel. I remember two VJs, one named “Dr. John” (not the musician) that wore blue scrubs and one named “Carrot Top” (not the comedian), that, of course, was a red-headed dude. I have no idea where this channel broadcast from but, it was a seriously stripped down operation. It was just rotating VJs, sitting at a desk, talking into a camera…and playing music videos. The first video I recall seeing was Radio Free Europe, the Murmur version, not the Hib-Tone single (I later found out). I was immediately hooked but, totally missed who the band was. (Interestingly, the Hib-Tone version was recorded at Drive-In Studios in Winston-Salem, NC and the Murmur version was recorded at Reflection Studios in Charlotte, NC.) Fast forward to the end of my senior year of high school and I see some of So. Central Rain (I’m Sorry) on MTV. I had no idea that this was the same band. It wasn’t until my sophomore year of college, when Driver 8 came out (another one I like), that a buddy of mine told me who R.E.M. was…a college band out of the University of Georgia (Bulldogs). Every piece of music of theirs that I was lucky enough to catch, I loved. Finally, in 1987, The One I Love broke thru to #9 on Billboard’s Hot 100 and they seemed to be everywhere. Their highest charting hit was Losing My Religion, getting to #4 in 1991. Out of their entire catalog, which is gi-hugic, Fall On Me wound up being my favorite, with my introductory piece, Radio Free Europe, coming in second. I wish I had seen them live.
Bit of odd trivia…five strange degrees of separation. R.E.M. had a manager by the name of Jefferson Holt. He was with them until 1996 when they got rid of him for sexual harassment. Jefferson Holt is from Chapel Hill and his mother is named Bertha “B” Holt. She was an NC State Rep. from 1975 to 1994, representing my home county (and another one). She was quite the pioneer, advocating for the ERA and married rape victims (which is ironic as hell considering her son’s behavior). My paternal grandmother was in Democratic politics in the 60s, 70s & 80s, running for local office, herself (and on first-names basis with several governors). She campaigned heavily for her favorites and “Bee” Holt was one of them. I met Bee Holt several times as a kid and remember all of her “Bee” 🐝 paraphernalia all over my grandmother’s house.
I guess this makes me closer to R.E.M. than Kevin Bacon! 😉 😊 ~Vic
“Of the genuinely new songs, Peter Buck’s basic music track for Fall On Me dated back to July of 1985, when Stipe had written a lyric about acid rain [but], the song had been virtually re-written, melody and lyrics, by the time it came to be recorded. Stipe, who declared in 1991 that “…this may be my favourite song in the R.E.M. catalogue…”, has described the final version as “…pretty much a song about oppression.” Trainspotters might like to know that the counter-melody used in the second verse is actually the song’s original tune.
Generations of reference books once included this term, including the first edition of the Encyclopaedia Britannica, dated 1771 […]
James Murray, the famous editor of the Oxford English Dictionary, found that the original word was bycoket, which was indeed a form of headgear, a cap or headdress with a peak both in front and behind, whose name he thought derived from an Old French term for a small castle crowning a hill. He declared abacot to be a ghost word and wrote in an article in [T]he Athenaeum in February 1882:
“There is not, never was, such a word.”
His entry for abacot in the first edition of the OED read in its entirity [sic] “a spurious word found in many dictionaries, originating in a misprint of bycoket.” In the bycoket entry, he told the story:
Through a remarkable series of blunders and ignorant reproductions of error, this word appears in modern dictionaries as abacot. In Hall’s Chronicles a bicocket appears to have been misprinted abococket, which was copied by Grafton, altered by Holinshed to abococke, and finally “improved” by Abraham Fleming to abacot (perhaps through an intermediate abacoc) […]
One may instead argue that since the word has — albeit rarely — been used, then it exists and ought to be treated as such. There is, after all, no shortage of words that have been grossly altered through popular error. The revision of its entry in the Oxford English Dictionary in December 2011 takes this view […]
Hanspostcard has a song draft challenge. This is my Round Two pick.
I grew up around lots of music. My dad had his tastes, my mom had hers and I got some exposure to my grandparents music, too. There was plenty of Elvis, Buddy Holly, Everly Brothers, Ricky Nelson, Gene Pitney, Chuck Berry, Johnny Cash, Johnny Horton, The Ventures, The Beach Boys, instrumental music (think Hugo Montenegro or Paul Mauriat), funny stuff like Ben Colder/Sheb Wooley, Ray Stevens or David Seville (my dad’s stuff), The Four Seasons, Motown, soul music, beach music (my mom’s stuff), big band music (my paternal grandparents) and, bluegrass, country and Latin/jazz (maternal grandparents). One song, in particular, that reminds me of my dad the most is Cathy’s Clown. When I was a kid, my dad liked to just get in the car, drive around and listen to the radio. It was, literally, No Particular Place To Go. When I became an adult, we’d still get in the car and cruise. He and I would sing Cathy’s Clown, together, with me taking Phil’s harmony. I still own my dad’s original 45. ~Vic
Written by Don, it was recorded in March and released in April 1960. It was recorded live, in a single take, with both brothers sharing a microphone. Floyd Cramer was on piano, Floyd Chance on bass and Buddy Harman on drums. An odd song, it has a chorus and bridges but, no verses. It was their first single for Warner Bros. It spent five weeks at #1 on Billboard’s Hot 100 chart, one week on the Billboard’s R&B chart and seven weeks at #1 on UK’s Singles chart. It was their biggest selling single and their last #1 after Wake Up Little Susie and All I Have to Do Is Dream.
Hanspostcard has a song draft challenge. This is my Round One pick. I will be posting these per decade.
Having grown up on the East Coast/Mid-Atlantic, one thing my state is known for is shagging (for the Brits, no, that is not what it means). While my grandparents did the Jitterbug as youths, my parents shagged (a descendant of the Jitterbug), as did my classmates and I. This song, in particular, was my favorite to shag to, though I enjoyed many beach music songs. ~Vic
[P]roceedings against [Kidd] had been long and notorious. The actions for which he was tried had been still more notorious, one involving murder and five [involving] piracy. His career had been brief, brilliant in the beginning [but], catastrophic at the end. The general excitement at the time of his execution and, all during his imprisonment in London, had been at [a] fever pitch. Gossip went to work and, the wildest of tales of Kidd’s wickedness and wealth were believed. […] Upon his death, numerous accounts, both factual and fictitious, appeared.
William Hallam Bonner
University of Buffalo
American Literature, Vol. 15, No. 4, Jan. 1944 Journal Storage
Of all the things written and expressed, the ballad Captain Kid’s Farewel to the Seas (or the Famous Pirate’s Lament) was the only thing to survive. It was quite popular in the Colonies where the Captain had a home and may be considered America’s first folk legend. There is a British version and an American version, which changed the Captain’s first name to Robert for some strange reason and, several contemporary covers. The last website, below, has his name as John. He had to be hanged, twice, as the rope broke the first time. ~Vic
August 25, 1930 ~ October 31, 2020
Bond. James Bond.
Photo Credit: Far Out Magazine UK
I just found out about the passing of actor Sean Connery. There are certain actors I have a thing for and he is one of them. Our birthdays are five days apart and we both have Scottish (and Irish) ancestry. He enlisted in the Royal Navy at the age of 16, was assigned to the HMS Formidable as an Able Seaman and was medically discharged at 19 for ulcers.
Darby O’Gill & The Little People
Image Credit: Time
“[I] realised that a top-class footballer could be over the hill by the age of 30 and I was already 23. I decided to become an actor and it turned out to be one of my more intelligent moves.”
He managed to make it all the way to 90 but, according to his son Jason, he had been unwell for some time. He passed peacefully in his sleep at his home in the Bahamas. I think it altogether fitting and proper that Sir Sean left on Halloween during a full Blue Moon. Godspeed. ~Vic
Awards:
♥ 1987 Academy Award (Best Supporting Actor/The Untouchables)
♥ 1987 BAFTA (Best Actor/The Name of the Rose)
♥ 1998 BAFTA Fellowship
♥ 1972 Golden Globe (Henrietta Award/World Film Favorite-Male)
♥ 1987 Golden Globe (Best Supporting Actor/The Untouchables)
♥ 1995 Golden Globe (Cecil B. DeMille Award)
Indiana Jones and the Last Crusade
Photo Credit: Pinterest
Nominations:
♦ 1987 BAFTA (Best Supporting Actor/The Untouchables)
♦ 1989 BAFTA (Best Supporting Actor/Indiana Jones and the Last Crusade)
♦ 1990 BAFTA (Best Actor/The Hunt for Red October)
♦ 1965 Golden Globe (Henrietta Award/World Film Favorite-Male)
♦ 1968 Golden Globe (Henrietta Award/World Film Favorite-Male)
♦ 1989 Golden Globe (Best Supporting Actor/Indiana Jones and the Last Crusade)
In 1879, London was the center of the photographic and business world. George Eastman went there to obtain a patent on his plate-coating machine. An American patent was granted the following year. In April 1880, Eastman leased the third floor of a building on State Street in Rochester and began to manufacture dry plates for sale. Success of the dry plate venture so impressed businessman Henry A. Strong, that he invested some money in the infant concern. On January 1, 1881, Eastman and Strong formed a partnership called The Eastman Dry Plate Company. While actively managing all phases of the firm’s activities, [Eastman] continued research in an effort to simplify photography.
In 1883, Eastman startled the trade with the announcement of film in rolls, with the roll holder adaptable to nearly every plate camera on the market. [By] 1884, the Eastman-Strong partnership had given way to a new firm…the Eastman Dry Plate and Film Company with 14 shareowners.
Also known as the Federal Aid Highway Act of 1956 (Public Law 84-627), [it] was enacted on June 29, 1956, when President Dwight D. Eisenhower signed the bill into law. With an original authorization of $25 billion for the construction of 41,000 miles (66,000 km) of the Interstate Highway System, supposedly over a 10-year period, it was the largest public works project in American history [at] that time.
The addition of the term defense in the act’s title was for two reasons. First, some of the original cost was diverted from defense funds. Secondly, most U.S. Air Force bases have a direct link to the system. One of the stated purposes was to provide access in order to defend the United States during a conventional or nuclear war with the Soviet Union and its communist allies. All of these links were in the original plans, [though] some, such as Wright Patterson AFB, were not connected […] in the 1950s but, [were] later.
Photo Credit: Timetoast
The money for the Interstate […] and Defense Highways was [drawn from] a Highway Trust Fund that paid for 90% of highway construction costs, with the states required to pay the remaining [10%]. It was expected that the money would be generated through new taxes on fuel, automobiles, trucks and tires. As a matter of practice, the federal portion of the cost of the Interstate Highway System has been paid for by taxes on gasoline and diesel fuel.
Eisenhower‘s support of the Federal Aid Highway Act of 1956 can be directly attributed to his experiences in 1919 as a participant in the U.S. Army’s first Transcontinental Motor Convoy across the United States on the historic Lincoln Highway, which was the first road across America. The convoy was memorable enough for a young Army officer, 28-year-old Lieutenant Colonel Dwight David Eisenhower, to include a chapter about the trip, titled Through Darkest America With Truck and Tank in his book At Ease: Stories I Tell to Friends (Doubleday and Company, Inc., 1967).
Following completion of the highways, the cross-country journey that took the convoy two months in 1919 was cut down to five days.
According to Herodotus, the appearance of the eclipse was interpreted as an omen and, interrupted a battle in a long-standing war between the Medes and the Lydians. The fighting immediately stopped and they agreed to a truce. Because astronomers can calculate the dates of historical eclipses, Isaac Asimov described this battle as the earliest historical event whose date is known with precision to the day and described the prediction as the birth of science.
Photo Credit: Ancient Origins
The Mechanics of a Monumentally Difficult Prediction
The reason this astronomical event is thought of as being so important is that predicting a solar eclipse, compared with a lunar eclipse, is exceptionally difficult. The astronomer must not only calculate when it will occur but, where on Earth’s surface it will be visible […]. [In] a lunar eclipse, the moon passes through the Earth’s sun shadow and the phenomena is visible on the whole side of the Earth that is in night-time […]. [They] often last longer than an hour. In solar eclipses, however, the moon’s shadow falls across the Earth in a comparatively narrow path, with a maximum duration, at any given location, of about 7 1/2 minutes.
[What] makes Thales’ prediction [an] historical mystery is that historians know early Greeks, at large, didn’t have this essential lunar data and there are no other records of Greek astronomers in this period accurately predicting any other eclipses. Thus, it is thought by historians that the only place Thales’ advanced astronomical knowledge could have come from was Egypt. [It’s] known [that] Thales studied Egyptian techniques for measuring sections of land with rope […].
Returning [to] the war (mentioned above), after 15 years of fighting, on May 28, 585 BC, the armies of King Aylattes of Lydia were in battle with the forces of King Cyaxares of Medes (or, possibly, Astyages, his son), near the River Halys in what is, today, central Turkey. Chroniclers noted the heavens darkening and soldiers on both sides laying down their weapons in awe of the spectacle […]. [The] event ended both the battle and the war.
[A] Wired article says this famous astronomical event has been debated by hundreds of scholars for nearly two millennia and that some authorities believe Thales’ eclipse may have occurred 25 years earlier in 610 BC. But, the reason most agree with the 585 BC date is the record of the famous battle in Asia Minor ending when the day was suddenly turned to night.
The battle was a total and bloody defeat for the Jacobites which effectively marked the end of almost sixty years of the Jacobite struggle, as never again would an armed uprising be used in the attempt to return the Stuarts to the throne. The government victory also paved the way for a sustained programme to destroy the power base of the rebel clans.
Culloden (pronounced culawden, with the emphasis on ‘oden‘) is one of the most important battles in the history of the British Isles and has international significance. It is the final battle fought on the British mainland and brings to an end more than half a century […] of Jacobite conflict, itself played out against a background of wider international wars. Its aftermath transforms the Highlands, bringing to an end the traditional way of life of the area and contributing to the subsequent clearances. The battle also holds a prominent place within the Scottish cultural legacy, frequently depicted, and commemorated, in art, music, literature and film. The battlefield, itself, is one of the most visited tourist sites in the Highlands […]. [T]he site holds a particularly high significance, and emotional connection, to many within Scotland and to the ancestors of the Scottish Diaspora.
The official return for British Army casualties (government troops) was 50 officers, and men, killed and 259 wounded [with] one missing (a proportion of the wounded later died of their wounds). Jacobite fatalities have been estimated at between 1,200-1,500 with between 400 and 500 prisoners taken in the immediate aftermath and many more in the days which followed. Only the Irish and Scottish troops in French service were treated as bona fide prisoners of war, the rest as rebels.
Image Credit: britishbattles.com
The battle, which lasted only 40 minutes, resulted in bitter defeat for the heavily outnumbered Jacobites. Led by the Duke of Cumberland, son of King George II, [the] devastating slaughter of the Jacobites was the result of the opening British cannonade and, subsequent tactics of the Redcoats during the attack […] when each British soldier, instead of attacking the Highlander directly in front of him, bayoneted the exposed side of the man to his right. The Highlanders finally broke and fled […].
Hunted by troops and spies, Prince Charles wandered over Scotland for five months before escaping to France and final exile. The [battle] […] marked the end of any serious attempt by the Jacobites to restore the Stuart dynasty to the British throne.
A generation before, a previous Jacobite rebellion had been thwarted by the king’s officer, George Wade, who had “pacified” and “disarmed” the highland clans. So concerned was the English establishment, and relieved by Wade’s actions, that an additional verse to the National Anthem was penned: God grant the Marshal Wade
May be thy Mighty aid,
Victory bring;
May he sedition hush,
And like a torrent rush,
Rebellious Scots to crush,
God save the king
Addendum: “Culloden is viewed by the Scottish people as a war grave. To my fellow Americans, stepping onto the Culloden battlefield would be like visiting Gettysburg or Normandy. And, since Scotland views it as a grave, you could also liken it to Arlington Cemetery. You don’t simply walk onto any of these places with a light spirit.” ~Brit At Heart
After turning out a successful drama, young playwright Laurie Devon settles down to a life of idleness. Alarmed and disgusted, his friends make every effort to get him to work again but, he refuses. One evening, while glancing into his mirror, Laurie sees a beautiful girl in the apartment across the way, holding a revolver to her head. Dashing out of his apartment house, he prevents her from pulling the trigger. He learns that her name is Doris Williams and discovers that her plight is caused by a man named Shaw. Soon after, Shaw and his thugs abduct her, and Laurie comes to her rescue, shooting her tormentor. Returning home, he confesses his crime to his sister and friends, and learns that the whole incident was a trick to restore his interest in life. The plot succeeds and Laurie writes another hit play in which his new wife Doris is the star.
Laurie Devon (Mayo) is a New York playwright who, having had one success, refuses to work on another play. One night he sees a woman (Anderson) in an apartment across the street take out a gun and place it to her forehead. He reaches her in time to save her and she tells him that she is under some terrible evil influence, which she will not disclose. Devon attempts to untangle the mystery and is led on an adventure. The woman is taken to a house on Long Island, where Devon, after a fight, rescues her. He takes out the revolver and shoots one of the pursuers, who falls to the ground. On returning home, he is heartbroken and tells his sister Barbara (Fair) and his friends that he is a murderer. His sister, and two of his friends, then confess that the whole thing was a frame-up. [T]hey had hired some actors to stage everything and that it was an attempt to get the ambitionless [sic] author to write again. The revolver used in the suicide attempt by the woman, and in the later shooting, had blanks. Devon and the woman from the apartment melt into each other’s arms at the final fade-out.
You must be logged in to post a comment.