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TV Tuesday: Nat Hurst, MD 1976

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University of Rochester School of Medicine Wiki Image One
University of Rochester
School of Medicine & Dentistry
Photo Credit: Dread Pirate Westley
Wikipedia

Forty-five years ago, today, the one-hour documentary Nat Hurst, MD: 20th Century American Physician aired on TV (network unknown). Written and directed by Raúl daSilva, it was produced and narrated by Jerry Carr.

The life of prominent African American medical doctor, Nathaniel Hurst, who rose from a poor family to the presidency of both a major hospital and the Monroe County Medical Association.

Raúl daSilva Summary

There is very little written about this production but, I did manage to dig up some data on Nat. ~Vic

Nat received his M.D. from the University of Rochester School of Medicine and Dentistry in 1954. He did his internship and residency in internal medicine at Rochester General Hospital. He entered private practice in 1958.

In 1976, Nat was installed as the first African-American president of the Monroe County Medical Society. In 1981, he received the Edward Mott Moore Award, the Medical Society’s highest honor and The Community Leadership Award of the Urban League of Rochester.

Nat was an expertise [sic] in geriatrics, pioneering a number of innovative programs. His interests included giving time to such projects as the Sickle Cell Anemia Project, the Inner City Health Council and the Catholic Interracial Council

Nat left an indelible imprint on Rochester’s medical community, first as an internist in the late 1950s and then as vice president, and president, of the former Park Avenue Hospital medical staff. He is credited with major involvement in the planning, building and operating of Park Ridge Hospital and Nursing Home. He later became director of the hospital’s internal medicine department and subsequently medical director of Park Ridge Hospital.

Birth: December 11, 1919, Suffolk City, VA
Death: December 22, 2000, North Carolina
Buried: White Haven Memorial Park, Pittsford, NY

Dr. Nathaniel John Hurst
Find A Grave Memorial

Hans 2021 Movie Draft: Round Seven-Pick Six-Cop Land 1997

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Cop Land Miramax IMDb & Amazon Image One
Photo Credit: Miramax, IMDb & Amazon

Hanspostcard has a movie draft challenge. This is my Round Seven pick.

Category: Crime/Film Noir
Film: Cop Land

Written and directed by James Mangold, it was executive produced by the Weinstein brothers (though their names have been removed from the Wikipedia article). Released August 6, 1997 in New York (premiere) and nationwide on August 15, it was an incredible ensemble cast of Sly Stallone, Harvey Keitel, Ray Liotta, Robert De Niro, Robert Patrick, Peter Berg, Janeane Garafalo, Edie Falco, Michael Rapoport, Annabella Sciorra, John Spencer, Cathy Moriarty, Noah Emmerich, Frank Vincent, Malik Yoba, Arthur Nascarella and, cameos of Deborah Harry & Geraldo Rivera.

Sylvester Stallone put on 40 pounds to play Nowheresville, N.J., sheriff Freddy Heflin in Cop Land […]. His town is run by Ray Donlan (Keitel) and the other New York cops who have settled there with their families. He wears blinders when it comes to their lawbreaking and mob dealings. Moe Tilden (De Niro), the internal-affairs officer out to get the goods on Cop Land, correctly pegs Freddy as “a man looking for something to do.” Keitel’s [Donlan] exudes dangerous energy. He cares for his own as long as they don’t cross him […]. Robert Patrick brings sly menace to Rucker […]. Ray Liotta […], as Gary Figgis, [is] a tainted cop who sides with Freddy.

Mangold […] has a rare talent for finding the human drama in ordinary lives.

Peter Travers
Rolling Stone
August 15, 1997

Stallone IMDb & Amazon Image Two
Photo Credit: IMDb

Writer-director James Mangold […] wrangles an impressive cast […] and spins a compelling tale of cancerous corruption among a secretive group of New York’s finest who have settled in the fictional New Jersey burg of Garrison. [Stallone] indeed looks chunky and plays the sleepy, docile Sheriff […] with sluggishness to spare in a largely commendable performance as a half-deaf small-town dreamer. [He] is not given much in the way of memorable dialogue but, he makes the character work […]. [Having] yet to replace his LP of The River with a CD, [he] carries a torch for the local Jersey girl (Sciorra) he saved from drowning…the reason for his loss of hearing in one ear…[he] once longed to be a big-city cop but, had to settle for policing them.

Freddy gradually realizes that he doesn’t like how the town has turned out.

David Hunter
The Hollywood Reporter
August 11, 1997

I saw this at the theater when it came out and caught it, again, a few nights ago. I was born and raised in law enforcement and, worked in it, too (non-sworn). I’ve known good cops and I’ve known some really bad ones. I love a well written cop movie and this was an unusual one in that Stallone wasn’t playing a bad ass like Rambo, Cobra, Tango, John Spartan (though I do love that movie) or Ray Quick. This character was different…subdued. His scenes with Annabella Sciorra have Springsteen playing in the background which adds depth and texture to the mood. This is clearly a period piece as all the vehicles, hair cuts and clothing styles are, effectively, early 80s. The River came out in 1980 and music from the Director’s Cut, like Blue Oyster Cult‘s Burnin’ For You came out in 1981. This also manages to cover the Crime category via IMDb and the Film Noir category, simultaneously, via Historical Dictionary of Film Noir (2010). ~Vic

Trivia Bits:
There is a disclaimer at the end of the credits which states “This film is a work of fiction. It is currently illegal for New York City Police officers to live outside the state of New York.”
♦ Arthur J. Nascarella was a real-life NYPD officer.
Debbie Harry acted in the movie but, was edited out in the final cut. She explained on a live television special that although she was cut, she still got paid.
♦ In the scene in which Ray Liotta confronts Robert Patrick in the bar, the dart that Liotta shoves up Patrick’s left nostril was made out of rubber.
♦ Tom Cruise, Tom Hanks, Gary Sinise and John Travolta were considered for Sheriff Freddy Heflin.

Stallone’s Variety Interview 2019

Awards & Nominations

The Making of an Urban Western

Flashback Friday: Macy’s Thanksgiving Day Parade 1924

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Macys Parade Clowns ABC News Image
Photo Credit: ABC News

Ninety-six years ago, today, the very first Macy’s Thanksgiving Day Parade was held.

From History Channel:

As the United States prospered during the Roaring Twenties, so did New York City’s iconic department store, Macy’s. After going public in 1922, R. H. Macy & Co. started to acquire competitors and open regional locations. Macy’s flagship store in Manhattan’s Herald Square did such a brisk business that it expanded in 1924 to cover an entire city block, stretching from Broadway to Seventh Avenue along 34th Street.

To showcase the opening of the “World’s Largest Store” and its one million square feet of retail space at the start of the busy holiday shopping season, Macy’s decided to throw New York a parade on Thanksgiving morning. In spite of its timing, the parade was not actually about Thanksgiving at all but the next major holiday on the calendar…Christmas. Macy’s hoped its “Christmas Parade” would whet the appetites of consumers for a holiday shopping feast.

[Previously], the only Thanksgiving parade that had previously passed through the city’s streets was its peculiar, and to many annoying, tradition of children painting their faces and donning tattered clothes to masquerade as “ragamuffins” who asked “Anything for Thanksgiving?” as they begged door-to-door for pennies, apples and pieces of candy.

At [9:00am EST], on the sunlit morning of November 27, 1924, Macy’s gave the children of New York a particularly special Thanksgiving treat as a police escort led the start of the parade from the intersection of 145th Street and Convent Avenue. Macy’s had promised parade-goers “a marathon of mirth” in its full-page newspaper advertisements. While the parade route may not have extended over 26 miles, its 6-mile length certainly made for a long hike for those marching from Harlem to Herald Square.

Although the parade garnered only two sentences the following day in the New York Herald, […] it proved such a smash that Macy’s announced in a newspaper advertisement the following morning that it would stage the parade, again, the following Thanksgiving. “We did not dare dream its success would be so great.”

Macy’s History (NYC Tourist)

Scoop Saturday: Nassau County Police Save Injured Hawk From Truck Bumper

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Injured Hawk Patch Image One
Photo Credit: Patch Website

I picked this up from UPI. Poor baby. I’m so glad they rescued him. ~ Vic

“The bird was trapped in the bumper and injured. The officers rescued it and gave it to wildlife rehabilitation experts.”

Two off-duty Nassau County police officers saved a hawk that was trapped in the front bumper of a truck in Freeport early Wednesday morning. According to police, Marine Bureau officers Schwaner and Leek were on their way to work, together, around 6:20am, when they drove by a black Dodge Ram pickup truck, parked near the intersection of Merrick Road and Buffalo Avenue, that had a bird in its front bumper. The officers stopped to investigate and found that the bird was a red-tailed hawk and, that it was still alive.

The officers were able to remove the bird from the bumper and brought it to the Nassau County Police Marine Bureau base in Bay Park where they contacted the Volunteers for Wildlife in Locust Valley. The volunteers came and took the bird from the police back to their facility where it is being treated for its injuries.

Alex Costello
Patch Website
June 17, 2020
Nassau County PD Tweets

Flashback Friday: USS Princeton Peacemaker Accident 1844

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USS Princeton Image One
USS Princeton 1843-1849
Image Credits: Lithograph by N. Currier, New York, 1844
U.S. Naval History & Heritage Command
history.navy.mil
wikipedia.org & wikimedia.org

Launched on September 5, 1843, the very first USS Princeton was a steam-driven propeller warship of the U.S. Navy, commanded by Captain Robert Stockton. It was the first screw-sloop in the fleet. During a cruise down the Potomac River with President John Tyler, federal officials, politicians, attorneys, a former First Lady and several hundred guests, there was a terrible long gun explosion, due, possibly to old forging technology.

The Accident

President Tyler hosted a public reception for Stockton in the White House on February 27, 1844. On February 28, [the] USS Princeton departed Alexandria, Virginia, on a demonstration cruise down the Potomac with Tyler, members of his cabinet, former First Lady Dolley Madison, Senator Thomas Hart Benton of Missouri and about 400 guests. Captain Stockton decided to fire the larger of her two long guns, Peacemaker, to impress his guests. Peacemaker was fired three times on the trip downriver and was loaded to fire a salute to George Washington as the ship passed Mount Vernon on the return trip. The guests aboard viewed the first set of firings, [then] retired below decks for lunch and refreshments.

Peacemaker Explodes Image Two
Awful Explosion of the Peacemaker on board the
U.S. steam frigate Princeton on Wednesday, 28 Feb. 1844
Image Credits: Lithograph by N. Currier/Currier & Ives
Gale Research
Library of Congress
wikipedia.org & wikimedia.org

Secretary [of the Navy] [Thomas Walker] Gilmer urged those aboard to view a final shot with the Peacemaker. When Captain Stockton pulled the firing lanyard, the gun burst. Its left side had failed, spraying hot metal across the deck and shrapnel into the crowd. Instantly killed were Gilmer, Secretary of State [Abel P.] Upshur, Captain Beverley Kennon, who was Chief of the Bureau of Construction [Equipment] and Repairs, Virgil Maxcy (a Maryland attorney with decades of experience as a state and federal officeholder), David Gardiner (a New York lawyer and politician) and the President’s valet, a black slave named Armistead. Another 16 to 20 people were injured, including several members of the ship’s crew, Senator Benton and Captain Stockton. The president was below decks and not injured.

The disaster on board the Princeton killed more top U.S. government officials in a single day than any other tragedy in American history.

Additional Reading & Sources
The Aftermath
The Legacy
Fatal Cruise of the Princeton (Naval History/military.com/Wayback Machine)
USS Princeton (ibiblio.org)
Princeton I (Naval History and Heritage Command site)
Accident on a Steam Ship (Google Books)
Tyler Narrowly Escapes Death (The History Channel site)

How the USS Princeton explosion changed U.S. history.

Flashback Friday: Altamont Concert 1969

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Grace Slick Image Three
Grace Slick
Photo Credit: Bill Owens

[Note: I originally posted this, yesterday, just before midnight. In researching the data, I stumbled across Bill Owens, a photographer that was at Altamont. He was hired by the Associated Press to cover the concert. I emailed him, reference the two photos of his I posted. I hit ‘publish’ before I found his contact page and statement about photos for sale. In my haste to get this up while it was still Friday, I jumped the gun and quickly made the post private. I asked Bill what the price would be to use two of his pictures. As a photographer myself, I understand copyright issues but, I also recognize the gray area that many a blogger operate in, in the blogosphere….Fair Use (link on that, below). Anyway, this very kind gentleman has allowed my one-time use for this 50th anniversary post. He also provided me with a copy of an interview, conducted by Tony D’Souza in April 2019, covering his Altamont experience and other questions regarding his career. I will post an excerpt and attach the full interview, below. ~Vic]

Fifty years, ago, today, a free rock concert was held at the Altamont Speedway in Tracy, California. Described as “rock and roll’s all-time worst day, […], a day when everything went perfectly wrong“, the event saw violence and four deaths, the most notable being the stabbing of Meredith Hunter.

The concert featured (in order of appearance): Santana, Jefferson Airplane, The Flying Burrito Brothers and Crosby, Stills, Nash & Young, with the Rolling Stones taking the stage as the final act. The Grateful Dead were also scheduled to perform following CSNY but, declined to play shortly before their scheduled appearance due to the increasing violence at the venue.

Approximately 300,000 attended the concert, and some anticipated that it would be a “Woodstock [West Coast verson]”. Woodstock was held in Bethel, New York, in mid-August, less than four months earlier. Filmmakers Albert and David Maysles shot footage of the event and incorporated it into the 1970 documentary film titled Gimme Shelter.

[Source]

Naked Guy Image Two
The naked guy.
Photo Credit: Bill Owens

[It’s] not every day that a rock and roll band’s performance, let alone the Rolling Stones’, is accompanied by a knifing, stomping murder within a scream of the stage.

“The violence,” Keith Richard told the London Evening Standard, “just in front of the stage was incredible. Looking back, I don’t think it was a good idea to have [Hells] Angels there. But, we had them at the suggestion of the Grateful Dead. The trouble is, it’s a problem for us either way. If you don’t have them to work for you as stewards, they come, anyway and cause trouble. But, to be fair, out of the whole 300 Angels working as stewards, the vast majority did what they were supposed to do, which was to regulate the crowds as much as possible without causing any trouble. But, there were about ten or twenty who were completely out of their minds…trying to drive their motorcycles through the middle of the crowds.”

The Maysles Brothers, the film company which had shot the whole Stones’ tour, complete with its violent climax at Altamont, had gotten some remarkable footage of Hunter’s killing.

[Source]

Robert Hiatt, a medical resident at the Public Health Hospital in San Francisco, was the first doctor to reach 18-year-old Meredith Hunter after the fatal wounds. He was behind the stage and responded to Jagger’s call from the stage for a doctor. When Hiatt got to the scene, people were trying to get Hunter up on the stage, apparently in the hope that the Stones would stop playing and help could get through quicker.

The Stones & The Hells Angels Image
Stones on stage with Hells Angels.
Photo Credit: allthatsinteresting.com

Three others […] died (two in a hit-and-run accident, another by drowning) and, countless more were injured and wounded during the course of this daylong “free” concert. It was such a bad trip that it was almost perfect. All it lacked was mass rioting and the murder of one or more musicians.

All these things happened, and worse. Altamont was the product of diabolical egotism, hype, ineptitude, money manipulation and, at base, a fundamental lack of concern for humanity.

[Source]

Interview with Bill Owens:
bill@billowens.com
Bill Owens: Altamont 1969 (Amazon)
50 Years After Altamont: The End of the 60s (The New York Times April 15, 2019)

Bill Owens took iconic photos of the Hells Angels beating concertgoers with pool cue sticks at the Rolling Stones’ performance during the Altamont Speedway Free Festival four months after Woodstock on December 6, 1969. Altamont, which included violence almost all day and one stabbing death, is considered by historians as the end of the Summer of Love and the overall 1960’s youth ethos. This series of photos include panoramas of the massive, unruly crowd, Grace Slick and Carlos Santana on stage with the press of humanity so close in, they’re clearly performing under duress.

Of that day, Owens has written: “I got a call from a friend, she said the Associated Press wanted to hire me for a day to cover a rock and roll concert. I road my motorcycle to the event. I had two Nikons, three lenses, thirteen rolls of film, a sandwich, and a jar of water.”

Owens was so fearful of retribution by the Hells Angels that he published the photos under pseudonyms. Some of the negatives were later stolen…Owens believes by the Angels. He continues to have conflicted feelings about Altamont. He had no interest in violence and took no pride in photographing it.

In 1972, Owens released a book of black and white photography called Suburbia, also, now, an American icon. Irascible, stubborn, funny, grouchy, ornery and deeply rooted in small town life, Owens is built like a middleweight puncher and wears his hair as though he was a Marine. Indeed, Owens was never a hippie but, a clean-cut newspaper photographer, husband and father, who joined the Peace Corps to serve his country and “do good.” Turning 80 this September, Owens has also had noted careers as a craft beer brewer and pub owner, a magazine publisher many times over and, is now a distiller. His books include Suburbia, Working, Leisure and many others. He is the recipient of a Guggenheim and two NEAs. His work is collected in leading museums the world over, including the Smithsonian. Recent coverage of Owens includes an April retrospective in the New York Times (link above) of his Altamont photos for the event’s impending 50th anniversary. The photos are available for viewing at Owens’ website (link above and below).

I first met Owens at the defunct Rostel Gallery in remote and far northern Dunsmuir, CA, in late August or early September of 2008 (I remember because my daughter had just been born and the event was the first outing of her life), where they were showing images from Suburbia. These are images of people embarking on a new, modern way of life that they look excited by, but also confused, as though technology and the modish styles of the time were costumes they were still getting comfortable in. Owens’ photograph of a young suburban boy wearing cowboy boots, carrying a toy rifle and riding a Big Wheel, “Ritchie,” has always haunted me, though I couldn’t say precisely why.

Continue reading the interview HERE (PDF)

Set List
Death of Meredith Hunter
Reactions
Let It Bleed (Rolling Stone Magazine January 21, 1970)
Rock & Roll’s Worst Day (Rolling Stone Magazine February 7, 1970)
Altamont Rock Festival: ’60s Abruptly End (Livermore History March/April 2010)
Altamont Rock Festival of 1969: The Aftermath (Livermore History January/February 2011)
Biggest Rock Concert Ends (The Bulletin December 8, 1969)
Bill Owens Site (Associated Press Photographer at Altamont)
Ruling On Fair Use (American Photography May 3, 2019)


 

Throwback Thursday: Burr-Hamilton Duel 1804

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Burr-Hamilton Duel Image One
Image Credit: wikipedia.org

Two-hundred, fifteen years ago, today, Vice President Aaron Burr shot former Secretary of the Treasury Alexander Hamilton in a duel in Weehawken, New Jersey.

At dawn on the morning of July 11, […] political antagonists, and personal enemies, Alexander Hamilton and Aaron Burr met on the heights of Weehawken […], to settle their longstanding differences with a duel. The participants fired their pistols in close succession. Burr’s shot met its target immediately, fatally wounding Hamilton and leading to his death the following day. Burr escaped unharmed. This tragically extreme incident reflected the depth of animosity aroused by the first emergence of the nation’s political party system. Both men were political leaders in New York: Burr, a prominent Republican, and Hamilton, leader of the opposing Federalist Party. Burr had found himself the brunt of Hamilton’s political maneuvering on several occasions, including the unusual presidential election of 1800, in which vice-presidential candidate Burr almost defeated his running mate, presidential candidate Thomas Jefferson. In 1804, Hamilton opposed Burr’s closely fought bid for governor of New York. On the heels of this narrow defeat, Burr challenged Hamilton to a duel on the grounds that Hamilton had publicly maligned his character.

[Source]

Burr-Hamilton Duel Image Two
Image Credit:
wikipedia.org & flickr.com

Alexander Hamilton, the chief architect of America’s political economy, was born on the Caribbean island of Nevis [and] came to the American colonies in 1773 as a poor immigrant. (There is some controversy as to the year of his birth, but it was either 1755 or 1757.) In 1776, he joined the Continental Army in the American Revolution and his […] remarkable intelligence brought him to the attention of General George Washington. Aaron Burr, born into a prestigious New Jersey family in 1756, was also intellectually gifted and [..] graduated from the College of New Jersey (later Princeton) at the age of 17. He joined the Continental Army in 1775 […]. In 1790, he defeated Alexander Hamilton’s father-in-law in a race for the U.S. Senate. Hamilton came to detest Burr, whom he regarded as a dangerous opportunist, and […] often spoke ill of him.

In the 1800 election, Jefferson and Burr became running mates […]. Under the electoral procedure then prevailing, president and vice president were voted for, separately. […] the candidate who received the most votes was elected president, and the second in line, vice president. What at first seemed but an electoral technicality […] developed into a major constitutional crisis when Federalists in the lame-duck Congress threw their support behind Burr. After a remarkable 35 tie votes, a small group of Federalists changed sides and voted in Jefferson’s favor. Alexander Hamilton, who had supported Jefferson as the lesser of two evils, was instrumental in breaking the deadlock.

[Source]

Burr-Hamilton Duel Image Three
Image Credit: loc.gov

The duel was fought at a time when the practice was being outlawed in the northern United States and it had immense political ramifications. Burr survived the duel and was indicted for murder in both New York and New Jersey, though these charges were later either dismissed or resulted in acquittal. The harsh criticism and animosity directed toward him following the duel brought an end to his political career. The Federalist Party was already weakened by the defeat of John Adams in the presidential election of 1800 and was further weakened by Hamilton’s death.

[Burr] spent [many] years in Europe. He finally returned to New York City in 1812, where he resumed his law practice and spent the remainder of his life in relative obscurity.

[Source]

Throwback Thursday: Memorial Day

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Memorial Day Image One
Image Credit: youtube

Memorial Day, as celebrated, has come and gone. The weekend BBQs and party gatherings are over. Some folks have returned to work after their Monday off while others took the entire week off and, possibly, headed to the beach to herald the “summer season”. I am posting, today, because from 1868 to 1970, Memorial Day was observed on May 30.

Our American Memorial Day has quite a rich, lengthy history and one that has its own area of research. Columbus State University in Georgia has a Center For Memorial Day Research and the University of Mississippi in Oxford has The Center For Civil War Research that covers Memorial Day in their data.

So, what IS the origin of our Memorial Day? That’s a good question and the following took two days to research.

May we remember them, ALL. ~Vic

Warrenton, Virginia 1861
A newspaper article from the Richmond Times-Dispatch in 1906 reflects Warrenton‘s claims that the first Confederate Memorial Day was June 3, 1861…the location of the first Civil War soldier’s grave ever to be decorated.

Arlington Heights, Virginia 1862
On April 16, 1862, some ladies and a chaplain from Michigan […] proposed gathering some flowers and laying them on the graves of the Michigan soldiers that day. They did so and the next year, they decorated the same graves.

Savannah, Georgia 1862
Women in Savannah decorated soldiers’ graves on July 21, 1862 according the the Savannah Republican.

Gettysburg, Pennsylvania 1863
The November 19, 1863, cemetery dedication at Gettysburg was a ceremony of commemoration at the graves of dead soldiers. Some have, therefore, claimed that President Abraham Lincoln was the founder of Memorial Day.

Boalsburg, Pennsylvania 1864
On July 4, 1864, ladies decorated soldiers’ graves according to local historians in Boalsburg. Boalsburg promotes itself as the birthplace of Memorial Day.

Knoxville, Tennessee 1865
The first decoration of the graves of Union soldiers of which there is any record was witnessed by Surgeon Fred W. Byers, of the [96th] Illinois volunteer infantry, now surgeon general of the National Guard of the State of Wisconsin (Spring 1865).

Jackson, Mississippi 1865
The incident in Mrs. [Sue Landon Adams] Vaughan’s life, which assured her name a permanent place in history, occurred at Jackson […] when she founded Decoration Day by first decorating the graves of Confederate and Federal soldiers alike, in a Jackson cemetery on April 26, 1865.

Kingston, Georgia 1865
An historic road-side marker indicates Kingston as the location of the “First Decoration, or Memorial Day” (Late April 1865).

Charleston, South Carolina 1865
On May 1, 1865, in Charleston, recently freed African-Americans reburied Union soldiers originally buried in a mass grave in a Confederate prison camp. The event was reported in Charleston and northern newspapers and, some historians today cite it as “the first Decoration Day.”

Cemetery Image Two
Photo Credit: heraldbulletin.com & townnews.com

Columbus, Mississippi 1866
Thus was established a custom which has become national in its adoption – Decoration Day – having its origin with the ladies of Columbus. Columbus also claims the distinction of being the first to decorate the graves of both Confederate and Federal soldiers, alike (Friendship Cemetery April 25, 1866). [See the poem The Blue & The Gray by Francis Miles Finch}

Columbus, Georgia 1866
To the State of Georgia belongs the credit of having inaugurated what has since become the universal custom of decorating annually the graves of the heroic dead. The initial ceremonies which ushered Memorial Day into life were held in Linnwood Cemetery, at Columbus, on April 26, 1866.

Memphis, Tennessee 1866
Yesterday was the day appointed throughout the South as a day of sweet remembrance for our brothers who now sleep their last long sleep, the sleep of death. That day (the 26th day of April) has, and will be, set apart, annually, as a day to be commemorated by all the purely Southern people in the country, as that upon which we are to lay aside our usual vocations of life and, devote to the memory of our friends, brothers, husbands and sons, who have fallen in our late struggle for Southern independence.

Carbondale, Illinois 1866
A stone marker in Carbondale claims that place as the location of the first Decoration Day, honoring the Union soldiers buried there. General John A. Logan, who would later become commander-in-chief of the Grand Army of the Republic, the largest of the Union veterans’ organizations, officiated at the ceremony (April 29, 1866).

Waterloo, New York 1866
On Saturday, May 5, 1866, the first complete observance of what is now known as Memorial Day was held in Waterloo. On May 26, 1966, President Lyndon B. Johnson designated an “official” birthplace of the holiday by signing the presidential proclamation naming Waterloo, New York, as the holder of the title.

Richmond, Virginia 1866
The anniversary of the death of Stonewall Jackson was observed to-day by floral decorations of the graves of Confederate soldiers at Hollywood and Oakwood (May 10, 1866).

May 3, 1866 [they] formed the Ladies’ Hollywood Memorial Association, with the immediate aim of caring for and commemorating the graves of Confederate soldiers. All disposed to co-operate with us will repair, in such groups and at such hours as may be convenient, on Thursday, May 31st, 1866, to Hollywood Cemetery, to mark, by every appropriate means in our power, our sense of the heroic services and sacrifices of those who were dear to us in life and we honored in death.

Petersburg, Virginia 1866
It was in May of this year, 1866, that we inaugurated, in Petersburg, the custom, now universal, of decorating the graves of those who fell in the Civil War. Our intention was simply to lay a token of our gratitude and affection upon the graves of the brave citizens who fell June 9, 1864, in defence of Petersburg…

Decoration Day Image Three
Image Credit: pdxretro.com & cardcow.com

Southern Appalachian Decoration Day
From The Bitter Southerner:

Dinner on the grounds is not a phrase I hear these days. Just reading the phrase takes me back to those times with my grandmother at her church on […] Decoration Day Sunday. I grew up in north Alabama in the 1960s. Dinner on the grounds was a special occasion that followed the work of cleaning up the graveyard and placing fresh flowers beside the headstones. It provided a time to remember and celebrate the lives of the dear departed. ~Betsy Sanders

Today, we are here to eat, remember and bask in the Southern fascination of death […]. It’s Decoration Day. The South claims death with as much loyalty as we claim our children. J.T. Lowery, a former pastor […] misses when Decoration Day meant keeping company with headstones during dinner on the ground. Opal Flannigan is depending on women […] to uphold a tradition so old it’s hard to say when it emerged. German and Scots-Irish immigrants who birthed much of the Southern Appalachia’s culture in Virginia, Tennessee and the Carolinas likely brought these traditions [with them]. ~Jennifer Crossley Howard

From UNC Press Blog:

Many rural community cemeteries in western North Carolina hold “decorations.” A decoration is a religious service in the cemetery when people decorate graves to pay respect to the dead. The group assembles at outdoor tables, sometime in an outdoor pavilion, for the ritual “dinner on the ground.” There are variations of this pattern but, the overall pattern is fairly consistent.

Nationwide Observance 1868
In 1866, veterans of the Union army formed the beginnings of the Grand Army of the Republic, a fraternal organization designed expressly to provide aid, comfort and political advocacy for veterans’ issues in post-war America. In 1868, the leadership of the G. A. R. sought through the following order to have the various local and regional observances of decorating soldier graves made into something like a national tradition.

Headquarters Grand Army Of The Republic
Adjutant-General’s Office, 446 Fourteenth St.
Washington, D. C., May 5, 1868.
General Orders No. 11.

From The History Channel:

By proclamation of General John A. Logan of the Grand Army of the Republic, the first major Memorial Day observance is held to honor those who died “in defense of their country during the late rebellion.” Known to some as “Decoration Day,” mourners honored the Civil War dead by decorating their graves with flowers. On the first Decoration Day, General James Garfield made a speech at Arlington National Cemetery, after which 5,000 participants helped to decorate the graves of the more than 20,000 Union and Confederate soldiers buried in the cemetery.

The 1868 celebration was inspired by local observances that had taken place in various locations in the three years since the end of the Civil War. In fact, several cities claim to be the birthplace of Memorial Day, including Columbus, Mississippi; Macon, Georgia; Richmond, Virginia; Boalsburg, Pennsylvania; and Carbondale, Illinois. In 1966, the federal government, under the direction of President Lyndon B. Johnson, declared Waterloo, New York, the official birthplace of Memorial Day. They chose Waterloo, which had first celebrated the day on May 5, 1866, because the town had made Memorial Day an annual, community-wide event, during which businesses closed and, residents decorated the graves of soldiers with flowers and flags.

By the late 19th century, many communities across the country had begun to celebrate Memorial Day and, after World War I, observers began to honor the dead of all of America’s wars. In 1971, Congress declared Memorial Day a national holiday to be celebrated the last Monday in May. Today, Memorial Day is celebrated at Arlington National Cemetery with a ceremony in which a small American flag is placed on each grave. It is customary for the president or vice president to give a speech honoring the contributions of the dead and to lay a wreath at the Tomb of the Unknown Soldier. More than 5,000 people attend the ceremony annually. Several Southern states continue to set aside a special day for honoring the Confederate dead, which is usually called Confederate Memorial Day.

Throwback Thursday: Hour Glass 1946

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Hour Glass Image One
Photo Credit: eyesofageneration.com

Seventy-three years, ago, today, the long forgotten variety show Hour Glass debuted on NBC. It was the first hour-long musical/skit/comedy in television history. Co-hosts were Helen Parrish and Eddie Mayehoff. Edgar Bergen appeared on November 14 performing his ventriloquism, a rare thing for radio personalities. He later became host of the program.

From Wikipedia

Hour Glass was sponsored by Standard Brands, promoting Chase and Sanborn Coffee and, Tenderleaf Tea. The program included comedians, musicians, entertaining films (such as a film of dance in South America) and a long, live commercial for the sponsor’s products. Such famous names as Doodles Weaver, Bert Lahr, Dennis Day, Jerry Colonna, Peggy Lee and Joe Besser appeared on the program.

The Columbia History of American Television attributed the program’s short life to its cost, saying, “Standard Brands invested $200,000 in this series over its ten-month tenure at a time when that level of investment just couldn’t be supported and sustained, leading to the Hour Glass’s abbreviated run.” Another factor was that James Petrillo, president of the American Federation of Musicians, forbade musicians from performing on television without an agreement between the AFM and the networks, thus, limiting directors, and performers, to use of recorded music.

Hour Glass Image Two
Photo Credit: eyesofageneration.com

From the Television Academy Foundation:

It is historically important, however, in that it exemplified the issues faced by networks, sponsors and advertising agencies in television’s formative years. The program was produced by the J. Walter Thompson agency […]. The lines of responsibility were not completely defined in those early years and the nine-month run of Hour Glass was punctuated by frequent squabbling among the principals. Each show was assembled by seven Thompson employees working in two teams, each putting together a show over two weeks in a frenzy of production. It must have been the curiosity factor that prompted some stars to appear on the show because they certainly were not paid much money. Hour Glass had a talent budget of only $350 a week, hardly more than scale for a handful of performers. Still, Standard Brands put an estimated $200,000 into the program’s nine-month run, by far the largest amount ever devoted to a sponsored show at that time. In February 1947, Standard Brands canceled Hour Glass. They were pleased with the show’s performance in terms of beverage sales and its overall quality, yet, were leery about continuing to pour money into a program that did not reach a large number of households (it is unclear if the show was broadcast anywhere other than NBC’s interconnected stations in New York and Philadelphia). The strain between NBC and Thompson played a role as well. Still, Hour Glass did provide Thompson with a valuable blueprint for the agency’s celebrated and long-running production, Kraft Television Theatre.

More information from Eyes of a Generation

Throwback Thursday: The Carolina Parakeet 1918

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Carolina Parakeet Image One
Image Credit: cornell.edu
John James Audubon painting…1825

One hundred and one years ago, today, the last known Carolina Parakeet, a small, green, neotropical parrot native to the United States, died in captivity at the Cincinnati Zoo.

It was the only indigenous parrot to the Mid-Atlantic, Southeast & Midwest states. They ranged from southern New York, to the southern tip of Wisconsin, to Eastern Colorado, down to Central & Eastern Texas, across the Gulf of Mexico to the seaboard and all parts in-between. Also called a Carolina Conure (conuropsis carolinensis), they had a bright yellow head with a reddish-orange face and a pale beak.

From Audubon:

[…] lived in old forests along rivers. It is the only species classified in the genus Conuropsis. It was called puzzi la née (“head of yellow”) or pot pot chee by the Seminole and, kelinky in Chickasaw.

The last known wild specimen was killed in Okeechobee County, Florida, in 1904, and the last captive bird died at the Cincinnati Zoo on February 21, 1918. This was the male specimen, called “Incas”, who died within a year of his mate, “Lady Jane”. Coincidentally, Incas died in the same aviary cage in which the last Passenger Pigeon, “Martha“, had died nearly four years earlier. It was not until 1939, however, that it was determined that the Carolina Parakeet had become extinct. Some theorists at this time, though, believed a few may have been smuggled out of the country in mid 20th century and may have repopulated elsewhere, although the odds of this are extremely low. Additional reports of the bird were made in Okeechobee County, Florida, until the late 1920s, but these are not supported by specimens.

Carolina Parakeet Area Image Two
Image Credit: cornell.edu & birdsna.org

The Carolina Parakeet is believed to have died out because of a number of different threats. To make space for more agricultural land, large areas of forest were cut down, taking away its habitat. The bird’s colorful feathers (green body, yellow head and red around the bill) were in demand as decorations in ladies’ hats. The birds were also kept as pets and could be bred easily in captivity. However, little was done by owners to increase the population of tamed birds. Finally, they were killed in large numbers because farmers considered them a pest, although many farmers valued them for controlling invasive cockleburs. It has also been hypothesized that the introduced honeybee helped contribute to its extinction by taking many of the bird’s nesting sites.

A factor that contributed to their extinction was the unfortunate flocking behavior that led them to return immediately to a location where some of the birds had just been killed. This led to even more being shot by hunters as they gathered about the wounded and dead members of the flock.

This combination of factors extirpated the species from most of its range until the early years of the 20th century. However, the last populations were not much hunted for food or feathers, nor did the farmers in rural Florida consider them a pest, as the benefit of the birds’ love of cockleburs clearly outweighed the minor damage they did to the small-scale garden plots. The final extinction of the species is somewhat of a mystery but, the most likely cause seems to be that the birds succumbed to poultry disease, as suggested by the rapid disappearance of the last, small but, apparently healthy and reproducing flocks of these highly social birds. If this is true, the very fact that the Carolina Parakeet was finally tolerated to roam in the vicinity of human settlements proved its undoing. The fact remains, however, that persecution significantly reduced the bird’s population over many decades.

Carolina Parakeet Image Three
Photo Credit: wikipedia.org

From Birds of North America:

A consumer of sandspurs, cockleburs, thistles, pine seeds and bald cypress balls, as well as fruits, buds and seeds of many other plant species, the Carolina Parakeet was evidently a fairly typical psittacid with catholic feeding habits, loud vocalizations and highly social tendencies. However, unlike many other parrots, it was clearly a species well adapted to survive cold winter weather. Although generally regarded with favor by early settlers, the parakeet was also known locally as a pest species in orchards and fields of grain and, was persecuted to some extent for crop depredations. Its vulnerability to shooting was universally acknowledged and was due to a strong tendency for flocks not to flee under fire but, to remain near wounded con-specifics that were calling in distress.

[…] there are no known ways to evaluate many issues in Carolina Parakeet biology except through extrapolations from the biology of closely related species and through reasoned interpretations of the fragmentary writings of observers who have long since passed from the scene. Fortunately, early naturalists prepared a few accounts with substantial amounts of useful information.

Carolina Parakeet Imag Four
Image Credit: newdinosaurs.com & Brenda Lyons

From All About Birds:

Outside of the breeding season the parakeet formed large, noisy flocks that fed on cultivated fruit, tore apart apples to get at the seeds and, ate corn and other grain crops. It was therefore considered a serious agricultural pest and was slaughtered in huge numbers by wrathful farmers. This killing, combined with forest destruction throughout the bird’s range and, hunting for its bright feathers to be used in the millinery trade, caused the Carolina Parakeet to begin declining in the 1800s. The bird was rarely reported outside Florida after 1860 and was considered extinct by the 1920s.

I had no idea that my area of the U.S. had a native parrot species. It is a crying shame that this beautiful, lively bird was driven to extinction. They were easily tamed and had long life spans. Perhaps, there are some still in existence and carefully hidden. ~Vic

Tune Tuesday: The Charleston 1924

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The Charleston Dance Image
Photo Credit: flavorwire.com

Ninety-five years ago, today, (as best as I can tell) the #1 song playing was The Charleston. Composed by James P. Johnson with lyrics by Cecil Mack, it was originally featured in the Broadway musical Runnin’ Wild that premiered in New York on October 29, 1923. It was first recorded by Arthur Gibbs & His Gang and was released November 23, 1923.

This is some fancy foot work.