Hanspostcard/Max has a TV draft challenge. This is my Round Three pick.
I was raised in law enforcement. My dad was a Probation/Parole Officer, his younger brother, a city cop in our hometown and my first cousin became a deputy. Some years later, when my dad re-married, my stepmom was Parking Enforcement for the same city police department. I grew up watching every manner of cop TV show you could find, from re-runs of Dragnet to Hawaii Five-O to Kojak to The Rookies to Baretta to Adam-12 to The Rockford Files to Police Story…and everything in-between. My personal favorite was Starsky & Hutch. I had a “thing” for Paul Michael Glaser. His picture was one of four photos I kept as a kid and young teen. The others were Lindsay Wagner, Olivia Newton-John and John Schneider. I later regretted my attachment to him. I didn’t remember most of the episodes but, I was reintroduced to the show in the 90s with re-runs. ~Vic
Created and written by William Blinn (Brian’s Song, The Rookies, Eight Is Enough & Pensacola: Wings of Gold), it starred David Soul (Det. Sgt. Kenneth Richard “Hutch” Hutchinson), Paul Michael Glaser (Det. Sgt. David Michael Starsky), Antonio Fargas (Informant Huggy Bear) and Bernie Hamilton (Captain Harold C. Dobey). In the Pilot TV Movie, Captain Dobey was played by Richard Ward. Sgt. Hutchinson was from Duluth, MN, was divorced and was a reserved, intellectual type. Sgt. Starsky was from Brooklyn, NY, was an Army veteran, had street-smarts and, could be intense & moody. Informant Huggy Bear was a flashy, ethically ambiguous bar owner that provided the two Sergeants with whatever street action knowledge he could gather. Captain Dobey was their barking & gruff but, fair boss. He had his hands full with those two. One of the main characters of the show was Starsky’s red, 1975 Ford Gran Torino (four of them, actually), nicknamed the “Striped Tomato.” In the show, Hutch calls the car that name in the episode Snowstorm (10-01-1975) but, that crack actually came from Paul Michael Glaser when Aaron Spelling showed him the car (First Season DVD Collection). Hutch’s vehicle was a beat-up, tan, 1973 Ford Galaxie 500, whose horn would blow when the door was opened.
♦ The Fix (10-08-1975)
♦ Running (with Jan Smithers/02-25-1976)
♦ The Las Vegas Strangler Part I & Part II (with Lynda Carter/09-25-1976)
♦ Nightmare (11-28-1976)
♦ Starsky’s Lady (with Season Hubley 02-12-1977)
♦ Long Walk Down A Short Dirt Road (with Lynn Anderson/03-12-1977)
♦ Fatal Charm (with Karen Valentine & Roz Kelly/09-24-1977)
♦ I Love You, Rosey Malone (10-01-1977)
♦ Blindfold (with Kim Cattrall/09-26-1978)
☆ Originally, Starsky was supposed to drive a green and white Chevy Camaro but, the producers had a contract with Ford.
☆ On numerous occasions, Paul Michael Glaser has talked about how much he hated the car, as well as playing Starsky and, that he had campaigned to be released from his contract.
☆ Zebra Three was the radio call sign for Starsky, Hutch…and the car.
☆ Starsky and Hutch were based on Lou Telano and John Sepe.
☆ The Colt Python .357 Magnum revolver used by Hutch is the same pistol carried by David Soul in his role as Officer John Davis in Magnum Force.
☆ The show had four different opening theme songs with seasons two and four crafted by Tom Scott and sounding similar. Season one was crafted by Lalo Schifrin and season three crafted by Mark Snow, known for the X-Files theme.
Forty-five years ago, today, the one-hour documentary Nat Hurst, MD: 20th Century American Physician aired on TV (network unknown). Written and directed by Raúl daSilva, it was produced and narrated by Jerry Carr.
The life of prominent African American medical doctor, Nathaniel Hurst, who rose from a poor family to the presidency of both a major hospital and the Monroe County Medical Association.
There is very little written about this production but, I did manage to dig up some data on Nat. ~Vic
Nat received his M.D. from the University of Rochester School of Medicine and Dentistry in 1954. He did his internship and residency in internal medicine at Rochester General Hospital. He entered private practice in 1958.
In 1976, Nat was installed as the first African-American president of the Monroe County Medical Society. In 1981, he received the Edward Mott Moore Award, the Medical Society’s highest honor and The Community Leadership Award of the Urban League of Rochester.
Nat was an expertise [sic] in geriatrics, pioneering a number of innovative programs. His interests included giving time to such projects as the Sickle Cell Anemia Project, the Inner City Health Council and the Catholic Interracial Council
Nat left an indelible imprint on Rochester’s medical community, first as an internist in the late 1950s and then as vice president, and president, of the former Park Avenue Hospital medical staff. He is credited with major involvement in the planning, building and operating of Park Ridge Hospital and Nursing Home. He later became director of the hospital’s internal medicine department and subsequently medical director of Park Ridge Hospital.
Birth: December 11, 1919, Suffolk City, VA
Death: December 22, 2000, North Carolina
Buried: White Haven Memorial Park, Pittsford, NY
Dr. Nathaniel John Hurst
Find A Grave Memorial
Hanspostcard has a movie draft challenge. This is my Round Six pick.
Film: El Dorado
Mississippi: “[…] My name is Alan Bourdillion Traherne.”
Cole: “Lord Almighty…”
Sheriff Harrah: “Who is he?”
Cole: “Tell him your name, Mississippi.”
Mississippi: [sigh] “Alan Bourdillion Traherne.”
Sheriff Harrah: “Well, no wonder he carries a knife.”
Mississippi: “Always make you mad, don’t I?”
Produced and directed by Howard Hawks, the film is a loose adaption of The Stars in Their Courses, a 1960 novel by Harry Brown. The screenplay was written by Leigh Brackett and starred John Wayne, Robert Mitchum, James Caan, Charlene Holt, Paul Fix, Arthur Hunnicutt, Michele Carey, R. G. Armstrong, Ed Asner, Christopher George and Johnny Crawford. Jim Davis (Jock Ewing) and John Mitchum have small parts. It was released December 17, 1966, in Japan, oddly and didn’t make it to US theaters until June 7, 1967.
Cole Thornton (Wayne) is a gunslinger for hire and land owner Bart Jason (Asner) has offered him a job. J. P. Harrah (Mitchum) is a Sheriff and an old friend of Cole’s. When Harrah informs Cole of Jason’s intention to use him to push the MacDonald family off of their land for water rights, Cole refuses the job. After shooting the youngest MacDonald son, unintentionally, during a volley of gunfire, Cole is wounded by the MacDonald daughter (Carey), in return, after he brings the deceased boy back home. Cole suffers intermittent paralysis on his right side throughout the rest of the movie. With the help of a gambler (Caan) he crosses paths with and the Sheriff’s deputy (Hunnicutt), Cole straightens out the drunken Sheriff, tangles with another gunslinger (George), derails Jason’s takeover and just might stop his previous ways for his lady, Maudie (Holt).
Mississippi repeats parts of the Edgar Allen Poe poem (except the second stanza) during the film, aggravating Cole somewhat (Caan had trouble with the word “boldly”, slurring it to sound like either “bowlie” or “bodie”). He’s also terrible with a gun and couldn’t hit the broadside of a barn (but, I love that hat!). Cole gets him a shotgun and later regrets it as he has scatter shot in his leg at the end of the movie.
This is my favorite John Wayne movie even though it is an ensemble cast. A close second is The Quiet Man where Wayne played another “Thornton” character. ~Vic
♦ Archival footage of this movie was used in The Shootist as some backstory for Wayne’s character J.B. Books.
♦ The artwork in the opening credits was painted by Olaf Wieghorst, the Swedish gunsmith.
♦ At the end of the movie, both Cole & Harrah are on crutches under the wrong arm.
♦ The bathtub scene was Mitchum’s idea.
♦ Mitchum’s brother was a bartender named Elmer. He called him by his real name by accident.
♦ Wayne and Asner did not get along.
Caan on Wayne
Forty-four years ago, today, the Apple Computer Company was founded by Steve Jobs, Steve Wozniak and Ronald Wayne, though Wayne sold his share back within 12 days. Headquartered in Cupertino, California, it grew from the “two Steves” into a multinational company. Jobs and Wozniak met in 1971 via mutual friend Bill Fernandez. Their partnership began with autodidact Wozniak’s blue boxes build and Jobs salesmanship. Jobs split the blue box profits with Wozniak.
Wozniak designed a video terminal and, new microcomputers, such as the Altair 8800 and the IMSAI, inspired [him] to build a microprocessor into his video terminal and have a complete computer. [He] designed computers on paper, waiting for the day he could afford a CPU. When MOS Technology released its 6502 chip in 1976, Wozniak wrote a version of BASIC for it, then began to design a computer for it to run on. When Jobs saw Wozniak’s computer, which would later become known as the Apple I, he was immediately interested in its commercial potential.
Initially, Wozniak intended to share schematics of the machine for free but, Jobs insisted that they should, instead, build and sell bare printed circuit boards for the computer. Jobs eventually convinced Wozniak to go into business together and start a new company of their own. According to Wozniak, Jobs proposed the name “Apple Computer” when he had just come back from Robert Friedland’s All-One Farm in Oregon. Jobs told Walter Isaacson that he was “…on one of my fruitarian diets…” when he conceived of the name and thought “…it sounded fun, spirited and not intimidating…plus, it would get us ahead of Atari in the phone book.”
The information on Apple, Jobs & Wozniak is extensive. This post is a mere highlight of its beginnings. I won’t be reinventing the wheel, here. I will say, though, that the very first computer I ever programmed on in 1983, using BASIC, was an Apple II. ~Vic
Forty years ago, today, Part I of the mini-series Beggarman, Thief aired on NBC. Based on the novel of the same name by Irwin Shaw, it was the sequel to the novel and mini-series Rich Man, Poor Man that aired from February through March 1976 on ABC. An additional sequel, Rich Man, Poor Man Book II aired from September 1976 to March 1977, also on ABC but, was not based on the actual sequel novel.
This sequel to “Rich Man, Poor Man” is set in the ’60s and focuses on wannabe Hollywood filmmaker Gretchen, black-sheep Army officer Billy and, Billy’s cousin Wesley, who’s tracking his father’s killer in France.
The two-part, four-hour sequel to Irwin Shaw’s “Rich Man, Poor Man” and the vastly successful mini-series made from it (and the subsequent, less-successful short-lived series, “Rich Man, Poor Man Book II,” during the 1976-77 season). Moviemaker Gretchen Jordache, the sister not seen in either of the predecessors, strives to pull the family together after the murder of brother Tom (in the mini-series) and the disappearance of brother Rudy (in the later series), by first re-establishing contact with her soldier son and, then, patching things up with her sister-in-law, Kate, Tom’s widow.
Casey Kasem’s Network Promo Advertisement
Casey Kasem’s Intro to Part II
One-hundred, three years ago, today, the HMHS Britannic, sister ship to the RMS Titanic, sank in the Aegean Sea. On its way to pick up more wounded soldiers near the Gulf of Athens, a loud explosion shook the ship at 8:12am.
In the wake of the Titanic disaster on April 14, 1912, the White Star Line made several modifications in the construction of its already-planned sister ship. First, the name was changed from Gigantic to Britannic and the design of the hull was altered to make it less vulnerable to icebergs. In addition, it was mandated that there be enough lifeboats on board to accommodate all passengers, which had not been the case with the Titanic.
The nearly 50,000-ton luxury vessel was launched in 1914 but, was requisitioned soon afterward by the British government to serve as a hospital ship during World War I. In this capacity, Captain Charlie Bartlett led the Britannic on five successful voyages bringing wounded British troops back to England from various ports around the world.
[Immediately after the explosion], Captain Bartlett ordered the closure of the watertight doors and sent out a distress signal. However, the blast had already managed to flood six whole compartments, even more extensive damage than that which had sunk the Titanic. Still, the Britannic had been prepared for such a disaster and would have stayed afloat except for two critical matters.
First, Captain Bartlett decided to try to run the Britannic aground on the nearby island of Kea. This might have been successful but, earlier, the ship’s nursing staff had opened the portholes to air out the sick wards. Water poured in through the portholes as the Britannic headed towards Kea. Second, the disaster was compounded when some of the crew attempted to launch lifeboats without orders. Since the ship was still moving as fast as it could, the boats were sucked into the propellers, killing those on board.
Less than 30 minutes later, Bartlett realized that the ship was going to sink and ordered it abandoned. The lifeboats were launched and even though the Britannic sank at 9:07, less than an hour after the explosion, nearly 1,100 people managed to make it off the ship. In fact, most of the 30 people who died were in the prematurely launched lifeboats.
In 1975, famed ocean explorer Jacques Cousteau found the Britannic lying on its side 400 feet below the surface of the Aegean.
“She dipped her head a little, then a little lower and still lower. All the deck machinery fell into the sea like a child’s toys. Then, she took a fearful plunge, her stern rearing hundreds of feet into the air until with a final roar, she disappeared into the depths, the noise of her going resounding through the water with undreamt-of violence…”
Britannic was the largest ship lost in the First World War.
The cause, whether it was a torpedo from an enemy submarine or a mine, was not apparent. It would later be revealed that the mines were planted in the Kea Channel on October 12, 1916, by SM U-73 under the command of Gustav Sieß (German language link).
From the TV Film
Forty years ago, today, the #1 song on the Billboard Hot Country chart was If I Said You Had A Beautiful Body Would You Hold It Against Me by The Bellamy Brothers from Pasco County Florida. Written by David Bellamy, the song’s title is a reference to the Groucho Marx line from You Bet Your Life. Bellamy was fond of the show and Marx’s comment stuck with him.
Released in March, it was the second single from the album The Two and Only and their first #1 hit on Billboard’s Hot Country Singles chart, with Let Your Love Flow reaching #1 on Billboard’s Hot 100 in May of 1976. The title […] shown on the original single was “If I Said You Have a Beautiful Body Would You Hold It Against Me” but, on the album and subsequent releases, the title is shown as “… Had …”.
Forty years ago, today, the #1 song on the Billboard Hot 100 chart was Heart of Glass by Blondie. Written by Harry and Stein in 1974-75, its working title was Once I Had A Love. The inspiration for its writing came from The Hues Corporation‘s song Rock the Boat.
From The Guardian:
Heart of Glass was one of the first songs Blondie wrote but, it was years before we recorded it properly. We’d tried it as a ballad, as reggae but, it never quite worked. At that point, it had no title. We just called it “the disco song”. Back then, it was very unusual for a guitar band to be using computerised sound. People got nervous and angry about us bringing different influences into rock. Although we’d covered Lady Marmalade and I Feel Love at gigs, lots of people were mad at us for “going disco” with Heart of Glass. There was the Disco Sucks! movement, and there had even been a riot in Chicago, with people burning disco records. Clem Burke, our drummer, refused to play the song live at first. When it became a hit, he said: “I guess I’ll have to.” The lyrics weren’t about anyone. They were just a plaintive moan about lost love. At first, the song kept saying: “Once I had a love, it was a gas. Soon turned out, it was a pain in the ass.” We couldn’t keep saying that, so we came up with: “Soon turned out, had a heart of glass.” We kept one “pain in the ass” in – and the BBC bleeped it out for radio. ~Debbie Harry
As far as I was concerned, disco was part of R&B, which I’d always liked. The Ramones went on about us “going disco” but, it was tongue-in-cheek. They were our friends. In the video, there’s a shot of the legendary Studio 54, so everyone thought we shot the video there but, it was actually in a short-lived club called the Copa or something. I came up with the phrase “heart of glass” without knowing anything about Werner Herzog or his movie of the same name, which is a great, weird film. It’s nice people now use the song to identify the period in films and documentaries. I never had an inkling it would be such a big hit, or become the song we’d be most remembered for. It’s very gratifying. ~Chris Stein
In season one, DJ Johnny Fever not only plays Blondie’s “Heart of Glass” on his broadcast but, home audiences actually hear him announce the band’s, and the song’s, names. It was fantastic promotion for the up-and-coming Blondie, whose huge breakthrough album, Parallel Lines (with other seminal singles like Hanging on the Telephone and One Way or Another), came out the same month WKRP in Cincinnati debuted. The band reportedly gave the show a Gold record plaque celebrating the album’s major sales numbers as a “Thank You” card. It can be seen in the background as set design on several episodes in later seasons.
Unlike many DJs from that era, Fever played punk as well as rock and soul. The range of music on the show gave this fictional radio station a better playlist than most of the era’s real ones. […] although the show helped break Blondie’s “Heart of Glass” big, the exception, in Fever’s case, was disco. “I asked him to play one disco record and he threatened to throw himself in front of Donna Summer‘s tour bus,” Travis complains in “Baby, If You’ve Ever Wondered,” from season two.
As of April 20, 2011, Heart of Glass is #259 of Rolling Stone Magazine’s 500 Greatest Songs of All Time.
A song that makes you want to fall in love…
So many love songs. So little time.
“You’d think that people would have had enough of silly love songs…
I look around me and I see it isn’t so…
Some people want to fill the world with silly love songs…
And what’s wrong with that…
It isn’t silly, love isn’t silly, love isn’t silly at all…”
Gives me chills…every time. For a song that was created to be the theme to a prison film, it has to be one of the greatest love songs ever written.
Originally released in 1967, this was re-released in 1972 and it made it to #2 on the Billboard 100. I am posting the full orchestral version with the ‘late lament’ in tact (including gong) considering we are officially in winter. This is a masterpiece. More chills…
I was very fortunate to get to see these two, live, with my mom at Carowinds in 1976. I was ten when the song came out and I remember it playing on the radio, vividly. Even at that young of an age, the words of love and longing struck a chord with me (pun intended) that remains to this day.
Oh, Pat Benatar…her music is a large part of my teen years. Her first album was released three days before my 13th birthday. What a way to grow up. She and her hubby, Neil, have rocked us all.
A song that is a classic favorite…
I could be here all day with this but, these classics have staying power. I LOVE these three pieces.
I was very fortunate to see The Who in concert but, Keith Moon was long gone by then. I had just reached my 12th birthday when he passed.
“Don’t cry, don’t raise your eye, it’s only teenage wasteland…”
“Let’s get together before we get much older…”
I’ve never seen The Eagles live but, from some videos, particularly the early years, they pretty much stay true to their studio recordings instead of trying to re-write history on stage. I detest recorded live music or live video…unless I am there at the concert. I also detest musicians screwing up their own songs. If you recorded a song a certain way and I fall in love with it, I expect you to sing it to me the same way on stage. That is what I paid for.
This is an excellent live video though the ending is a little different. All this is missing is the guitarron mexicano. RIP Glenn Frey.
“Hopeless romantics, here we go again…”
This is one of those songs that you really need to listen to with headphones. The analog tracks they laid down back then…music swirled from ear to ear or, speaker to speaker on a stereo system. I haven’t heard a digitally created song sound like this.
“I’ve been this way ten years to the day…”
A song from your preteen years…
I’m going to take a leap of faith, here and assume this means the tween years, a term that wasn’t around in the 1970s. And, since it doesn’t say ‘childhood’, I will stay in the 10, 11 & 12 year range. I will select one song from each year.
It was tough choosing. There was a lot of good stuff but, this will have to be my favorite from that year. This video was created by Rob Chismar and he posted it on Facebook (with a public setting) about seven years ago…The Wreck of the Edmund Fitzgerald:
More good stuff but, I picked this one:
Isn’t It Time
This choice was by far the hardest. 1978 was a great year for music but, this one-hit-wonder is my choice: