A Magazine Article From: The Chris Thomas Files
“Firstly, we are not a slave race.” ~ Chris Thomas
Those of us who have a more alternative view of world events are receiving increasingly confusing stories of who we are and, just what is the purpose of life on this wonderful planet of ours…all of this confusion being centred [around] the dates of 2011 and 2012. Over the past few years, I have taken delivery of a growing number of letters and emails and, had conversations with people who are becoming progressively more confused over information they have received, from numerous sources, about a race who call themselves Annunaki. All of this information claims that we are somehow [ascending], somewhere unspecified, where we will magically transport ourselves to a Fifth Dimension.
How do we make the leap?
Deep down, we all know we are here on Earth for a reason but, at our current level of consciousness, can’t quite grasp the details of our story. We know that we are changing, we also know that, as a race, we are set to make a huge leap in consciousness awareness…but, how? This is where the confusion arises. [H]ow do we achieve what we know we should be achieving as there does not appear to be any guidelines? This lack of known direction is creating a void, a lack of certainty, which is proving to be very unsettling.
The problem is that all of this discussion about Ascension has its attractions but, with that sense of attraction, also comes confusion. This has arisen because, while we know we should be on our amazing Earth, at the same time, this offer of ‘Ascension’ suggests that we might be able to achieve a raised consciousness by leaving the planet but, without solving any of the problems we have generated. Into this void has arisen a story which, on the face of it, has many attractions. Here we have an alien race that claim to be our makers and who have returned to Earth, at this time, to help us through our transition to a ‘fifth dimension.’ These claims centre [around] a Galactic Committee, of varying names and descriptions, who control a large fleet of space-ships, under the control of Ashtar Command, that are arriving in our solar system with the intention of transporting us off the planet.
Leaving our troubles behind…
This Annunaki Plan is seductive, offering to take care of all our troubles for us…we (humans) are taken off the planet and, so, we no longer need to worry about global warming, nuclear weapons, pollution, overpopulation and food shortages… We wouldn’t have to deal with those kinds of problems as these kind aliens will sort all of that out for us. But…having read a great deal of the information these aliens are channelling, nowhere do they state where they are meant to be taking us. Somehow or other, ascending to a fifth dimension is meant to solve all of our problems, cure all of our ills and, lead us into a future where all will be beyond our wildest dreams. However, wherever these aliens take us to, it will not be on Earth. These aliens also state that they created humans to be a race enslaved to the Annunaki. This enslavement should also be taken into account when we consider this ‘Annunaki Plan’.
My own viewpoint is that, having researched and written about human history, as recorded in the Akashic, for the past thirty years or so, there is an alternative to this alien ‘Annunaki Plan.’ Firstly, we are not a slave race. When we were first created, we freely chose to come to Earth to explore a request made by the Creator…is human life possible? This is our purpose on Earth. There is no other. Secondly, we are close to answering the Creator’s question. This is what the dates of 2011 and 2012 are about…the completion of The Human Plan, the completion of the Creator’s quest for an answer. Given we are so close to answering the Creator’s question, why would we want to leave the Earth? The answer[?] [We] don’t. If we leave the Earth, we fail in our chosen task and the repercussions of abandoning our Earth will send shock-waves through the whole Universe.
This is my purpose for writing The Annunaki Plan? or The Human Plan?, to try and clarify what our choices are […]. [It] is our choice to make. Do we abandon the Earth and travel to an unknown destination and, [an] unknown future with an alien race who claim to have created humans as their slaves? Or, do we stay on Earth and complete the task we set ourselves on, [for] the Creator’s behalf and create for ourselves a human future without limits?
Answering the Creator’s question…
Once we have answered the Creator’s question, we bring ourselves all of the answers that we need to resolve all of the problems here on Earth. [We] can save ourselves and the planet with this one act of completion. Abandoning the Earth means that we leave the Creator’s question unanswered.
[We need] to try and clarify this confusion over the ‘fifth dimension.’ As someone who has worked with the energies of the human body for over thirty years (as a psychic surgeon), my experience has taught me that the body contains a surprising amount of energy (around 12 dimensions). [Try] applying Einstein’s E=mc2 equation to the body and you will see what I mean. The ‘fifth dimension’ actually relates to the third chakra…about navel level. I am sure we would all agree that ascending to your navel is not a major step forwards in human evolution!
© Chris Thomas 2010
[..] disco didn’t quite die a natural death by collapsing under its own weight. Instead, it was killed by a public backlash that reached its peak on this day in 1979 […]. That incident, which led to at least nine injuries, 39 arrests and, the cancellation and forfeit of a Major League Baseball game, is widely credited […] or, blamed for […] dealing disco its death blow.
The event was the brainchild of Steve Dahl and Garry Meier, popular disk jockeys on Chicago’s WLUP “The Loop” FM. […] many […] rock DJs were displaced by disco [but], only Dahl was inspired to launch a semi-comic vendetta aimed at “the eradication and elimination of the dreaded musical disease.”
On May 2, the rainout of a game between the Chicago White Sox and the Detroit Tigers led to the scheduling of a doubleheader on July 12. Dahl and Meier approached the White Sox with a rather unorthodox idea for an attendance-boosting promotion […]. […] allow Dahl to blow up a dumpster full of disco records between games of the doubleheader. White Sox executive Mike Veeck embraced the idea […].
[…] organizers […] grossly [underestimated] the appeal of the 98-cent discount tickets offered to anyone who brought a disco record to the park to add to the explosive-rigged dumpster. WLUP and the White Sox expected perhaps 5,000 more fans than the average draw of 15,000 or so […]. What they got, instead, was a raucous sellout crowd of 40,000+ and an even more raucous overflow crowd of as many as 40,000 more outside on Shields Avenue.
What followed was utter chaos, as fans by the thousands stormed the field, […] began to wreak havoc, shimmying up the foul poles, tearing up the grass and lighting vinyl bonfires on the diamond while the stadium scoreboard implored them to return to their seats. Conditions were judged too dangerous for the scheduled game to begin and the Detroit Tigers were awarded a win by forfeit.
In the weeks before the event, Dahl invited his listeners to bring records they wanted to see destroyed to Comiskey Park. Owner Bill Veeck was concerned the promotion might become a disaster […]. His fears were substantiated when he saw the people walking towards the ballpark that afternoon. […] many carried signs that described disco in profane terms.
Some leapt turnstiles, climbed fences and entered through open windows. Attendees were supposed to deposit their records into a large box [but], once the box was overflowing, many people brought their discs to their seats. Many of the records were not collected by staff and were thrown like flying discs from the stands. Tigers designated hitter Rusty Staub remembered that the records would slice through the air and land sticking out of the ground. He urged teammates to wear batting helmets when playing their positions. “It wasn’t just one, it was many. Oh, God almighty, I’ve never seen anything so dangerous in my life.” Attendees also threw firecrackers, empty liquor bottles and lighters onto the field. The game was stopped several times because of the rain of foreign objects.
Dozens of hand-painted banners with such slogans as “Disco Sucks” were hung from the ballpark’s seating decks. Dahl set off the explosives, destroying the records and tearing a large hole in the outfield grass. […] the first of 5,000 to 7,000 attendees rushed onto the field […]. The batting cage was destroyed and, the bases were pulled up and stolen. Among those taking to the field was 21-year-old aspiring actor Michael Clarke Duncan […]. Duncan slid into third base, had a silver belt buckle stolen and went home with a bat from the dugout. Some attendees danced in circles around the burning vinyl shards.
Chicago police in full riot gear arrived (9:08pm) to the applause of the baseball fans remaining in the stands. Those on the field hastily dispersed upon seeing the police. Tigers manager Sparky Anderson refused to allow his players to take the field […] due to safety concerns. Anderson […] demanded that the game be forfeited to the Tigers. He argued that, under baseball’s rules, a game can only be postponed due to an Act of God, and that, as the home team, the White Sox were responsible for field conditions.
Forty years ago, today, the #1 song on the Billboard Hot 100 chart was Heart of Glass by Blondie. Written by Harry and Stein in 1974-75, its working title was Once I Had A Love. The inspiration for its writing came from The Hues Corporation‘s song Rock the Boat.
From The Guardian:
Heart of Glass was one of the first songs Blondie wrote but, it was years before we recorded it properly. We’d tried it as a ballad, as reggae but, it never quite worked. At that point, it had no title. We just called it “the disco song”. Back then, it was very unusual for a guitar band to be using computerised sound. People got nervous and angry about us bringing different influences into rock. Although we’d covered Lady Marmalade and I Feel Love at gigs, lots of people were mad at us for “going disco” with Heart of Glass. There was the Disco Sucks! movement, and there had even been a riot in Chicago, with people burning disco records. Clem Burke, our drummer, refused to play the song live at first. When it became a hit, he said: “I guess I’ll have to.” The lyrics weren’t about anyone. They were just a plaintive moan about lost love. At first, the song kept saying: “Once I had a love, it was a gas. Soon turned out, it was a pain in the ass.” We couldn’t keep saying that, so we came up with: “Soon turned out, had a heart of glass.” We kept one “pain in the ass” in – and the BBC bleeped it out for radio. ~Debbie Harry
As far as I was concerned, disco was part of R&B, which I’d always liked. The Ramones went on about us “going disco” but, it was tongue-in-cheek. They were our friends. In the video, there’s a shot of the legendary Studio 54, so everyone thought we shot the video there but, it was actually in a short-lived club called the Copa or something. I came up with the phrase “heart of glass” without knowing anything about Werner Herzog or his movie of the same name, which is a great, weird film. It’s nice people now use the song to identify the period in films and documentaries. I never had an inkling it would be such a big hit, or become the song we’d be most remembered for. It’s very gratifying. ~Chris Stein
In season one, DJ Johnny Fever not only plays Blondie’s “Heart of Glass” on his broadcast but, home audiences actually hear him announce the band’s, and the song’s, names. It was fantastic promotion for the up-and-coming Blondie, whose huge breakthrough album, Parallel Lines (with other seminal singles like Hanging on the Telephone and One Way or Another), came out the same month WKRP in Cincinnati debuted. The band reportedly gave the show a Gold record plaque celebrating the album’s major sales numbers as a “Thank You” card. It can be seen in the background as set design on several episodes in later seasons.
Unlike many DJs from that era, Fever played punk as well as rock and soul. The range of music on the show gave this fictional radio station a better playlist than most of the era’s real ones. […] although the show helped break Blondie’s “Heart of Glass” big, the exception, in Fever’s case, was disco. “I asked him to play one disco record and he threatened to throw himself in front of Donna Summer‘s tour bus,” Travis complains in “Baby, If You’ve Ever Wondered,” from season two.
As of April 20, 2011, Heart of Glass is #259 of Rolling Stone Magazine’s 500 Greatest Songs of All Time.