In an address to the demonstrators, King declared that the Vietnam War was “a blasphemy against all that America stands for.” He also stated that “we must combine the fervor of the civil rights movement with the peace movement.” King first began speaking out against American involvement in Vietnam in the summer of 1965.
In addition to his moral objections to the war, he argued that the war diverted money and attention from domestic programs to aid the black poor. He was strongly criticized by other prominent civil rights leaders for attempting to link civil rights and the antiwar movement.
Dr. King had never been neutral on the war in Vietnam but, he had been silent. He felt, as did the leaders of most other civil rights organizations, that the movement should concentrate on the domestic struggle. They were concerned that opposition to President Johnson’s foreign policy would result in loss of support for passing and enforcing civil rights laws at home. On July 5 1965, Dr. King told a college audience in Virginia that “the war in Vietnam must be stopped.” His friends and contacts in the Johnson Administration told him he was treading in dangerous waters and should back off.
By 1967, Dr. King was ready to speak his mind publicly. His first statement was made on February 25 at an anti-war conference in California, along with several Senators who also opposed the war. He said it was immoral and, also, took money and attention from the anti-poverty program. After the walk down State Street on March 25, Dr. King addressed a rally.
There are videos of March 25, 1965 and videos of April 1, 1967 but, nothing for this date. ~Vic
Sources & Additional Reading:
MLK Leads Chicago Antiwar March (The History Channel)
Vietnam War (Stanford University King Institute)
Jack D. Speigel (Chicago Tribune)
Saturday, March 25, 1967 (Wikipedia)
King At Chicago (Jo Freeman’s Website)
[..] disco didn’t quite die a natural death by collapsing under its own weight. Instead, it was killed by a public backlash that reached its peak on this day in 1979 […]. That incident, which led to at least nine injuries, 39 arrests and, the cancellation and forfeit of a Major League Baseball game, is widely credited […] or, blamed for […] dealing disco its death blow.
The event was the brainchild of Steve Dahl and Garry Meier, popular disk jockeys on Chicago’s WLUP “The Loop” FM. […] many […] rock DJs were displaced by disco [but], only Dahl was inspired to launch a semi-comic vendetta aimed at “the eradication and elimination of the dreaded musical disease.”
On May 2, the rainout of a game between the Chicago White Sox and the Detroit Tigers led to the scheduling of a doubleheader on July 12. Dahl and Meier approached the White Sox with a rather unorthodox idea for an attendance-boosting promotion […]. […] allow Dahl to blow up a dumpster full of disco records between games of the doubleheader. White Sox executive Mike Veeck embraced the idea […].
[…] organizers […] grossly [underestimated] the appeal of the 98-cent discount tickets offered to anyone who brought a disco record to the park to add to the explosive-rigged dumpster. WLUP and the White Sox expected perhaps 5,000 more fans than the average draw of 15,000 or so […]. What they got, instead, was a raucous sellout crowd of 40,000+ and an even more raucous overflow crowd of as many as 40,000 more outside on Shields Avenue.
What followed was utter chaos, as fans by the thousands stormed the field, […] began to wreak havoc, shimmying up the foul poles, tearing up the grass and lighting vinyl bonfires on the diamond while the stadium scoreboard implored them to return to their seats. Conditions were judged too dangerous for the scheduled game to begin and the Detroit Tigers were awarded a win by forfeit.
In the weeks before the event, Dahl invited his listeners to bring records they wanted to see destroyed to Comiskey Park. Owner Bill Veeck was concerned the promotion might become a disaster […]. His fears were substantiated when he saw the people walking towards the ballpark that afternoon. […] many carried signs that described disco in profane terms.
Some leapt turnstiles, climbed fences and entered through open windows. Attendees were supposed to deposit their records into a large box [but], once the box was overflowing, many people brought their discs to their seats. Many of the records were not collected by staff and were thrown like flying discs from the stands. Tigers designated hitter Rusty Staub remembered that the records would slice through the air and land sticking out of the ground. He urged teammates to wear batting helmets when playing their positions. “It wasn’t just one, it was many. Oh, God almighty, I’ve never seen anything so dangerous in my life.” Attendees also threw firecrackers, empty liquor bottles and lighters onto the field. The game was stopped several times because of the rain of foreign objects.
Dozens of hand-painted banners with such slogans as “Disco Sucks” were hung from the ballpark’s seating decks. Dahl set off the explosives, destroying the records and tearing a large hole in the outfield grass. […] the first of 5,000 to 7,000 attendees rushed onto the field […]. The batting cage was destroyed and, the bases were pulled up and stolen. Among those taking to the field was 21-year-old aspiring actor Michael Clarke Duncan […]. Duncan slid into third base, had a silver belt buckle stolen and went home with a bat from the dugout. Some attendees danced in circles around the burning vinyl shards.
Chicago police in full riot gear arrived (9:08pm) to the applause of the baseball fans remaining in the stands. Those on the field hastily dispersed upon seeing the police. Tigers manager Sparky Anderson refused to allow his players to take the field […] due to safety concerns. Anderson […] demanded that the game be forfeited to the Tigers. He argued that, under baseball’s rules, a game can only be postponed due to an Act of God, and that, as the home team, the White Sox were responsible for field conditions.
After 59 years, the iconic Route 66 enters the realm of history on this day in 1985, when the American Association of State Highway and Transportation Officials decertifies the road and votes to remove all its highway signs. Measuring some 2,200 miles in its heyday, Route 66 stretched from Chicago, Illinois to Santa Monica, California, passing through eight states. According to a New York Times article about its decertification, most of Route 66 followed a path through the wilderness forged in 1857 by U.S. Navy Lieutenant Edward Beale at the head of a caravan of camels. Over the years, wagon trains and cattlemen eventually made way for trucks and passenger automobiles.
The idea of building a highway along this route surfaced in Oklahoma in the mid-1920s as a way to link the state to cities like Chicago and Los Angeles. Highway Commissioner Cyrus S. Avery touted it as a way of diverting traffic from Kansas City, Missouri and Denver. In 1926, the highway earned its official designation as Route 66. The diagonal course of Route 66 linked hundreds of mostly rural communities to the cities along its route, allowing farmers to more easily transport grain and other types of produce for distribution. The highway was also a lifeline for the long-distance trucking industry, which by 1930 was competing with the railroad for dominance in the shipping market.
Route 66 was the scene of a mass westward migration during the 1930s, when more than 200,000 people traveled from the poverty-stricken Dust Bowl to California. John Steinbeck immortalized the highway, which he called the “Mother Road”, in his classic 1939 novel The Grapes of Wrath. Beginning in the 1950s, the building of a massive system of interstate highways made older roads increasingly obsolete and, by 1970, modern four-lane highways had bypassed nearly all sections of Route 66. In October 1984, Interstate-40 bypassed the last original stretch of Route 66 at Williams, Arizona and, the following year, the road was decertified. According to the National Historic Route 66 Federation, drivers can still use 85 percent of the road and Route 66 has become a destination for tourists from all over the world.
Often called the Main Street of America, Route 66 became a pop culture mainstay over the years, inspiring its own song (written in 1947 [sic] by Bobby Troup, Route 66 was later recorded by artists as varied as Nat King Cole, Chuck Berry and The Rolling Stones) as well as a 1960s television series. More recently, the historic highway was featured prominently in the hit animated film Cars (2006).