I just found out about the passing of actor Sean Connery. There are certain actors I have a thing for and he is one of them. Our birthdays are five days apart and we both have Scottish (and Irish) ancestry. He enlisted in the Royal Navy at the age of 16, was assigned to the HMS Formidable as an Able Seaman and was medically discharged at 19 for ulcers.
One of his early endeavors was as an artist’s model. He was into bodybuilding and was in a Mr. Universe contest, though the actual year is disputed. He was a footballer, playing for Bonnyrigg Rose and was once offered a contract to play professionally:
“[I] realised that a top-class footballer could be over the hill by the age of 30 and I was already 23. I decided to become an actor and it turned out to be one of my more intelligent moves.”
He was a member of the Scottish National Party and campaigned for Scottish Independence, financially supporting the party until the UK passed legislation to prohibit overseas funding. One of his two tattoos was “Scotland Forever.”
He managed to make it all the way to 90 but, according to his son Jason, he had been unwell for some time. He passed peacefully in his sleep at his home in the Bahamas. I think it altogether fitting and proper that Sir Sean left on Halloween during a full Blue Moon. Godspeed. ~Vic
His acting debut (uncredited) was in the UK film Lilacs in the Spring (titled Let’s Make Up in the US) in 1954, a British musical starring Errol Flynn. On UK TV, he played MacBeth, Alexander the Great and Count Vronsky. His first appearance on US TV was on The Jack Benny Program in 1957. His first credited film roll in the US was a UK/US collaboration in the movie Action of the Tiger, also in 1957. He was the first James Bond (and some say the only one), he played a savage in the distant future, became Robin Hood, was a Marshal in outer space, was King Agamemnon, was a sword-wielding immortal, did a turn as a Franciscan friar, was an Untouchable, a Provost Marshall in San Francisco, was the father of Indiana Jones, a Russian submarine Captain, appeared as King Richard, became a doctor, was a detective, a professor, played King Arthur, played an ex-con & an art thief, was a reclusive author and, was the voice of The Last Dragon. He was only in one Western in 1968. His last time on the big screen was in 2003 playing Allan Quatermain in The League of Extraordinary Gentlemen and his last time on TV was playing character John Muir in an episode of the documentary Freedom: A History of US, also in 2003. He did voice work up to 2012.
♥ 1987 Academy Award (Best Supporting Actor/The Untouchables)
♥ 1987 BAFTA (Best Actor/The Name of the Rose)
♥ 1998 BAFTA Fellowship
♥ 1972 Golden Globe (Henrietta Award/World Film Favorite-Male)
♥ 1987 Golden Globe (Best Supporting Actor/The Untouchables)
♥ 1995 Golden Globe (Cecil B. DeMille Award)
♦ 1987 BAFTA (Best Supporting Actor/The Untouchables)
♦ 1989 BAFTA (Best Supporting Actor/Indiana Jones and the Last Crusade)
♦ 1990 BAFTA (Best Actor/The Hunt for Red October)
♦ 1965 Golden Globe (Henrietta Award/World Film Favorite-Male)
♦ 1968 Golden Globe (Henrietta Award/World Film Favorite-Male)
♦ 1989 Golden Globe (Best Supporting Actor/Indiana Jones and the Last Crusade)
www.seanconnery.com (Web Archive)
Additional Reading & Sources:
Belly Buzz (Web Archive of Connery’s Military Service)
List of Work (IMDb)
List of Work (Wikipedia)
Muscle Memory (As Tom Connery)
Scottish Junior Football Association (Web Archive)
Talk-Talk UK (Archive Today Copy of Connery’s Biography)
Fifty-five years ago, today, the short, animated film Just Plane Beep was released. Produced by David DePatie & Friz Freleng and, directed by Rudy Larriva, Paul Julian was the uncredited voice of the Road Runner.
Synopsis from the Looney Tunes Fan Site (possible future broken link as Fandom is in the middle of a migration):
Wile E. Coyote chases Road Runner on foot but, Road Runner produces dust and runs off the side, smacking the coyote against a wall. While lying down on the ground, a paper for Acme War Surplus is blown towards the coyote and he sends a coupon in the mail. He receives a World War I bi-plane kit and plans to catch the Road Runner using it.
Needless to say, things don’t go well. ~Vic
Additional Reading & Sources:
Big Cartoon Database
IMDb Movie Connections List
Internet Animation Database
Looney Tunes & Merrie Melodies Filmography 1965 (Wikipedia)
Wile E. Coyote & the Road Runner (Wikipedia)
Sixty years ago, today, the Italian-German film Die rote Hand or The Red Hand was released. Directed by Kurt Meisel, written & produced by Ernst Neubach, it starred Paul Hubschmid, Hannes Messemer and Eleonora Rossi Drago.
Finding specific information on this film has been difficult. It appears that this was based upon a French terrorist organization’s bombings and assassinations that took place in Germany in September 1956, June 1957, October 1958, March 1959 and November 1959. IMDb doesn’t have a summary or synopsis but, I did find a translated plot from the German side of Wikipedia (Translate The Web Link):
This arms dealer drama takes place in Germany and Switzerland […] during the Cold War.
Manora Khan, consul of an unspecified Asian country, intends to hunt down his Cuban colleague Maria Gomez’s supply of weapons intended for her country. To this end, he orders the help of the smart Johnny Zamaris, with whom he has a common past: Johnny had once [been involved with] his great love, the actress Violetta Scotoni. [It] soon becomes apparent that no one is what he seems to be […]. Consul Khan turns out to be the leader of a secret organization called “The Red Hand” that deliberately kills competing gun-pushers. Competitor Johnny is more than just a smart Sonnyboy [sic]. [In] truth, he works as a defensive officer in his country, with the task of smashing “The Red Hand” again. Both men, who once competed for Violetta, die while serving in their respective [fatherlands], with Johnny being knocked down in the back of a black sedan with a machine gun after a final tender embrace with Violetta.
The writer and producer of this film was born in Austria but, emigrated to France after Anschluss. Unhappy with a Der Spiegel report, he wrote an opposite viewpoint. Der Speigel, in turn, panned the film.
I couldn’t find a trailer on YouTube. ~Vic
The State as a Terrorist: France and the Red Hand (Perspectives on Terrorism)
One-hundred, fourteen years ago, today, Devil’s Tower or, Bear Lodge Butte, was established as the first US National Monument by President Theodore Roosevelt. Composed of igneous rock, and possibly laccolithic, it is located in the Bear Lodge Mountains of the Black Hills, near Hulett and Sundance, in Crook County, Wyoming. It is also known as Matȟó Thípila by the Lakota and Daxpitcheeaasáao by the Crow (try to pronounce those). It got it’s religious moniker in 1875 when an interpreter for Colonel Richard Dodge, leading an expedition, misunderstood a native name and thought it meant Bad God’s Tower.
Close Encounters of the Third Kind 1977 (AMC’s Filmsite)
The Dakota Peoples (Google Books)
Satellites in the High Country (Google Books)
Devil’s Tower: First 50 Years (National Park Service PDF)
Proposed Name Change (Rapid City Journal June 22, 2015)
Native American Story & Culture (Wikipedia)
Other Native Names (Wikipedia)
Tower Ladder (Wikipedia)
In This House…
The Force Is With Us.
We don’t care what others think,
because in this house…
We Do Geek
Sixty-five years ago, today, the war film To Hell and Back was released, originally in San Antonio. Directed by Jesse Hibbs and based on the book of the same name, it starred Audie Murphy, Marshall Thompson, Charles Drake, Jack Kelly, Gregg Palmer, Paul Picerni, David Janssen, Denver Pyle, Brett Halsey (Admiral’s great-nephew) and Gordon Gebert as a young Audie.
Biopic of the wartime exploits of Audie Murphy (played by himself), the most decorated US soldier in World War II. Starting with his boyhood in Texas, where he became the head of his family at a young age, the story follows his enrollment in [the] Army where he was assigned to the 3rd Division. He fought in North Africa, Sicily and Italy, before landing in southern France and, eventually, fighting in Germany. A Medal of Honor recipient, he also received battle honors from the French and Belgian government.
The highly variable Audie Murphy delivers his best screen performance as “himself” in Universal‘s To Hell and Back. Based on the star’s autobiography, this is the story of how Murphy became America’s most-decorated soldier during WW II. After dwelling a bit on Murphy’s hard-scrabble Texas upbringing, the story moves ahead to 1942, when, as a teenager, Audie joined the army. Within a year, he was a member of the 7th Army, serving in North Africa, Italy, France and, ultimately, Germany and Austria. One by one, the members of Murphy’s Company B are killed in the war, until only three men from the original company are left. [The] others appear at the finale as ghostly images […]. The bulk of the film is given over to Murphy’s conspicuous acts of combat bravery and his killing of 240 enemy soldiers. Highlighted by excellent battle sequences, To Hell and Back is a serviceable tribute to a most complex individual.
♦ Filmed at Fort Lewis, WA, Yakima River, WA, Oak Creek Wildlife Area, WA and Universal Studios.
♦ Audie Murphy originally declined the opportunity to portray himself in the movie, not wanting people to think that he was attempting to cash in on his role as a war hero. Murphy initially suggested his friend Tony Curtis to play him.
♦ Audie Murphy’s war buddy Onclo Airheart was slated to play himself, but he declined due to the fact that the movie was to be shot during planting season.
♦ [Author] David Morell [sic] cites Audie Murphy as the inspiration for the character of John Rambo.
♦ In the movie, […] Murphy does his one-man standoff on top of a medium M-4 Sherman tank. [In] real life it happened on top of an M10 Wolverine tank destroyer.
♦ Audie Murphy’s feats of heroism and his much decorated status have been compared to those of his counterpart during World War I, Sgt. Alvin C. York […].
Murphy […] wrote poetry and songs, and, himself a sufferer, was among the first advocates for Post-Traumatic Stress Disorder. He died on May 28, 1971, when the private airplane in which he was riding crashed.
Technically, today is also a bust for Flick Friday, just like my July 24 post. There were no movie releases, today, in 1950, either, so I will grab the August 6 release. Seventy years ago, yesterday, the western film Vigilante Hideout was released. Directed by Fred C. Bannon and written by Richard Wormser, it starred Allan Lane, Black Jack (Allan Lane’s horse), Eddie Waller, Roy Barcroft and Virginia Herrick.
Rocky (Lane), a Range Detective, arrives to help Nugget (Waller) with rustlers. When he learns Nugget owns only three cows, he stays on, anyway and, soon, becomes involved in Benson’s attempt to blow open the bank’s safe. When Rocky upsets his plans, Benson (Don Haggerty), supposedly, gets rid of him by having him declared an outlaw, wanted dead or alive. Then, Benson takes a load of explosives into an old mine located directly under the bank vault.
Double-barreled justice catches up with a cold-blooded killer when “Rocky” takes up the chase! Cattle detective, Rocky Lane, arrives in town to investigate cattle disappearances only to realize just three cows, owned by eccentric inventor Nugget Clark, are involved. However, the disappearances lead to a deeper mystery involving dynamite explosions, rampaging cowboys and a water shortage.
Lane and his trusty black stallion are on hand to help old-timer Waller find water for a town which is threatening to fold up due to drought. Some crooked townsfolk don’t want the water to be found because they want to collect on the $25,000 being stashed away for an aqueduct. Lane’s job is to make sure these people don’t pose too much of a problem, while Waller goes about finding the water. The characterization of Waller as a crazed inventor of gadgets is an added attraction to this oater with a realistic bent.
Full Synopsis (Turner Classic Movies)
American Film Institute
The Complete Movie
Eighty years ago, today, the Technicolor Special (Warner Bros. Series) short family musical Cinderella’s Feller was released. Directed by William C. McGann and produced by Gordon Hollingshead, it starred Juanita Quigley, Scotty Beckett, Maris Wrixon, Virginia Brissac and, Terry as Rex the Dog, the Cairn Terrier best known as Toto in the MGM film The Wizard of Oz.
I can’t find much written about this little short, though it is on YouTube in its entirety. It’s only a little over 19 minutes long. It is not listed on Turner Classic Movies or the American Film Institute but, does show up on the British Film Institute…which I find odd.
The site Letterboxd simply states:
The story of Cinderella with a children’s cast.
IMDB is not much longer:
The famous fairy tale is musicalized and given a modern 1940s spin with the principal characters (Cinderella, Prince Charming and the Wicked Step Sisters) all played by children.
I guess the story of The Little Glass Slipper needs no explaining.
♦ This short was produced toward the tail end of Shirley Temple‘s reign as Hollywood’s #1 box office star and it’s reasonable to assume it was made to showcase young talent that Warner Brothers may have thought had a shot at replicating Temple’s success.
Eighty-five years ago, today, the black & white short comedy Why Pay Rent? was released. Directed by Lloyd French and, co-written by Dolph Singer & Jack Henley, it starred Roscoe Ates, Shemp Howard, Billie Leonard, Ethel Sykes and Ron Le May.
Elmer (Roscoe Ates) fixes up a room for his just-married, freeloading brother-in-law and wife. When the newlyweds show up, Henry (Shemp Howard) brings a surprise in the form of stepson Junior. The apartment is now too small so, Henry decides that they’ll buy a lot and build a do-it-yourself home, a disaster in the making when Junior switches the house’s part numbers. It doesn’t help matters that Elmer, Henry and the wives are all incompetent.
In the 1930s, the Vitaphone division of Warner Brothers made a bunch of very uninspired and, often, unfunny comedy shorts. One of them, Why Pay Rent? is a bit like One Week (with Buster Keaton) but, only if the folks building the house were dumber than a pile of bricks. In many ways, this might have worked better as a Three Stooges short, which is interesting because Shemp Howard stars in this one, as well as Roscoe Ates, an incredibly unfunny comedian whose shtick was stuttering…which was annoying rather and cruel.
Ninety years ago, today, the obscure, low budget, black & white western film The Cheyenne Kid was released. Directed and co-written by Jacques Jaccard, it starred Jay Wilsey, Joan Jaccard (Catherine Dirking), Yakima Canutt (co-writer & stuntman), Jack Mower and Frank Ellis.
Buck Allen, The Cheyenne Kid, has been accused of holding up the payroll car of the Cody Dam Construction Company and is being pursued by U.S. Marshal Utah Kane and, Sheriff Hank Bates but, they lose him. Buck proceeds to the home of Betty Thorpe, where he meets Duke Porter, who is posing as his friend. [Duke], who advised him that, by running away from the law, he can keep out of jail and force the guilty party to confess. Hiding in the barn, he hears a conversation between Gorman and Madge. [H]e leaps to the floor as Gorman runs out. Gorman shoots at him but, hits Madge instead. The Marshal and Sheriff ride up and Buck, knowing that Madge needs medical attention, gives himself up and, is jailed. Marshal Kane believes that Buck is innocent and is on the hunt for the guilty party but, allows the sheriff to believe that Buck is guilty. Kane has the sheriff bring Gorman to the jail and, tells Buck and Gorman of an old Indian legend that, when two people are given one weapon between them, the survivor will be the innocent party. He throws a bull-whip between them and says that is the weapon.
In the trivia section, there is one entry:
This film is presumed lost. Please check your attic.
One-hundred years ago, today, the silent black & white drama film The Girl In Number 29 premiered (though not released, widely). Directed by John Ford and written by Philip D. Hurn, it was based upon the novel The Girl In The Mirror (1919) by Elizabeth Jordan. Starring Frank Mayo, Elinor Fair, Claire Anderson, Robert Bolder and Bull Montana, it is considered a lost film.
After turning out a successful drama, young playwright Laurie Devon settles down to a life of idleness. Alarmed and disgusted, his friends make every effort to get him to work again but, he refuses. One evening, while glancing into his mirror, Laurie sees a beautiful girl in the apartment across the way, holding a revolver to her head. Dashing out of his apartment house, he prevents her from pulling the trigger. He learns that her name is Doris Williams and discovers that her plight is caused by a man named Shaw. Soon after, Shaw and his thugs abduct her, and Laurie comes to her rescue, shooting her tormentor. Returning home, he confesses his crime to his sister and friends, and learns that the whole incident was a trick to restore his interest in life. The plot succeeds and Laurie writes another hit play in which his new wife Doris is the star.
Laurie Devon (Mayo) is a New York playwright who, having had one success, refuses to work on another play. One night he sees a woman (Anderson) in an apartment across the street take out a gun and place it to her forehead. He reaches her in time to save her and she tells him that she is under some terrible evil influence, which she will not disclose. Devon attempts to untangle the mystery and is led on an adventure. The woman is taken to a house on Long Island, where Devon, after a fight, rescues her. He takes out the revolver and shoots one of the pursuers, who falls to the ground. On returning home, he is heartbroken and tells his sister Barbara (Fair) and his friends that he is a murderer. His sister, and two of his friends, then confess that the whole thing was a frame-up. [T]hey had hired some actors to stage everything and that it was an attempt to get the ambitionless [sic] author to write again. The revolver used in the suicide attempt by the woman, and in the later shooting, had blanks. Devon and the woman from the apartment melt into each other’s arms at the final fade-out.
Oh, it has been work looking for a film for today’s date. IMDB had plenty to choose from but, I couldn’t seem to get any further information from the others…Wikipedia, American Film Institute, Turner Classic Movies… Even the Silent Era site and Silent Hollywood were slim pickings and, Silentology had nothing.
Anyway, one hundred, five years ago, today, Episode #17 of The Hazards of Helen, The Death Train, was released. Similar to The Perils of Pauline, The Hazards of Helen was a film serial or series that ran from November 7, 1914 to February 24, 1917.
There were 119 episodes that were 12 minutes long, most of which have been lost. Based upon a novel written by John Russell Corvell and a play written by Denman Thompson, W. Scott Darling adapted the material for the silent screen and Edward T. Matlack wrote The Death Train, specifically. Directors were J. P. McGowan (1-48) and J. Gunnis Davis for the rest. The original actress was Helen Holmes (1-48), followed by Helen Gibson for the remainder of the series, with Anna Nilsson filling in for Holmes for Episode #18.
The discovery that detectives are on their trail causes Doyle, Broden and Etzer, counterfeiters, to pack their paraphernalia into a trunk and express it to Lone Point. Upon its arrival at that station, a corner of the trunk is smashed. Helen thus learns of its contents. The telegrapher immediately wires to Savage, a railroad detective. The latter, accompanied by Duncan, a Secret Service detective, hastens to the scene. At their suggestion, Helen arranges a trap for the counterfeiters. When the latter appear, they are set upon by the officers. Etzer is captured but, his pals get away. Doyle eludes pursuit but, Broden later falls into Savage’s hands. Helen, watching the pursuit, ventures on the high trestle which crosses the dry bed of the Loro River. Doyle, who is hiding, sees Helen. Overpowered by a desire for revenge, the man attacks the telegrapher and makes her a prisoner. A rope lies nearby. Binding Helen, Doyle suspends his victim from the trestle and fastens the end of the line around the rails. Duncan sees this from afar. Although he rushes forward, he knows that the Keene local, due any moment, will cut the rope as it crosses the trestle. Meanwhile, Helen, after a tremendous effort, frees her hands. There is one chance for life. The girl commences swinging her body. Each time, she [manages] a wider arc. The train is crossing the trestle when Helen swings toward a beam. The engine wheels sever the rope. Helen flies through the air and reaches the beam. Doyle is captured. Savage and Duncan raise Helen to the tracks and find her uninjured.
Moving Picture World
This is one of the lost pieces so, there isn’t a YouTube clip and I could only find one picture. ~Vic
Fifty years ago, today, the British crime-comedy, made-for-tv movie Mister Jerico aired on ABC. Directed by Sidney Hayers, it starred Patrick Macnee, Connie Stevens, Herbert Lom, Marty Allen and Bruce Boa.
A conman hatches a plan to swindle a corrupt millionaire out of his treasured priceless diamond by claiming to have discovered its twin. However, his plot is disrupted by a rival hustler who comes up with the same idea and, the two crooks must each convince their suspicious target that they can be trusted and the other is lying.
This disappointing comedy caper evidently got the green light due to the popularity of Patrick Macnee‘s dapper superspy John Steed in The Avengers. Unfortunately, this attempt to turn Macnee into an equally charismatic jewel thief just can’t compete with its bigger budgeted competition, despite the catchy title track from Lulu and the star’s stunning array of flowery shirts. Herbert Lom is good value as the object of Macnee’s felonious attentions (in a role similar to the one he played in the Michael Caine caper Gambit three years before) but, this lacklustre yarn, ultimately, can’t cut it in the excitement or suspense stakes.
Jeremy Aspinall of RadioTimes
Mister Jerico is one of those charming and fluffy capers that the 1960s did well, quite similar to the higher-budgeted Gambit or How to Steal a Million. The palette is sun-soaked, the plot buoyant and just this side of ridiculous. The second half of the film, in particular, moves along at a nice pace, complicating matters without making anything seem too serious. If you think too deeply about the story, it will all appear very nonsensical but, this is a stylized caper film not intended for deeper scrutiny. It’s a surface film and as such it’s quite enjoyable.
Lauren Humphries of Suddenly, A Shot Rang Out… Blog
A fun film with a very Avengers feel to it, which should be obvious given the cast and crew. Allen is a little out of place but, Macnee and Lom are great, as is Laurie Johnson‘s score. I’ll even admit, against that, Lulu‘s theme song is catchy. Apparently [it was] intended as a pilot for a Macnee series to follow The Avengers but, instead, [was] released theatrically (though, in the US, it only ended up as a TV movie of the week).
Dave W. of Actors Compendium
Video Link: (Late Update)
YouTube Link (Video will not embed as the owner of the account disabled embedding.)