Hanspostcard has a movie draft challenge. This is my Round Eight pick.
Film: The Final Countdown
Captain Yelland: […to his Native American Weather Officer…] “Ahhh, Black Cloud, you’ve been doing unauthorized rain dances again.”
Lasky: […as a Japanese pilot is holding Laurel at gunpoint…] “Why don’t you tell him what’s going on here, Commander? You’re an expert on what’s gonna happen tomorrow…”
Captain Yelland: “Go ahead, tell him.”
Commander Richard Owens: “26 November, six carriers left the Kuril Isles north of Japan. The carriers were the Akagi, Kaga, Shokaku, Zuikaku, Hiryu, Soryu. Tomorrow at dawn, these carriers will send 353 planes to attack Pearl Harbor.”
Senator Chapman: “How in the hell do you know all that?”
F-14 Pilot #1: “Mission aborted? But, we can see ’em!”
F-14 Pilot #2: “They’re gonna let the Japs do it, again.”
Directed by Don Taylor, it was produced by Peter Vincent Douglas and Lloyd Kaufman with Kirk Douglas executive producing without credit. The story, and screenplay, was written by the team of Thomas Hunter, Peter Powell, David Ambrose and Gerry Davis. The ensemble cast was Kirk Douglas, Martin Sheen, Katharine Ross, James Farentino, Charles Durning, Ron O’Neal, Victor Mohica, Soon-Tek Oh and James Coleman, with producers Lloyd Kaufman and Peter Douglas playing small parts.
It’s 1980 and Warren Lasky (Sheen) is a Systems Analyst from Tideman Industries, working with the Department of Defense as an efficiency expert. He is dispatched by his secretive employer to board the USS Nimitz before its departure from Naval Station Pearl Harbor for naval exercises in the Pacific. Tideman Industries designed and built the carrier. Not long at sea, a strange storm appears out of nowhere and the Nimitz can neither outrun nor maneuver away from it. Passing thru the storm, electronics and people, alike, are knocked out. Once the storm is gone and everything returns to normal, Captain Yelland (Douglas), his crew and his civilian passenger discover that they have been thrown backwards in time to 1941, just hours before the attack on Pearl Harbor. What now?
It’s original premiere was in London on May 21, 1980, Japan on July 5 and the US on August 1. I didn’t get to see it at the theater but, caught it on HBO a year later. IMDb lists this as Action & Sci-Fi, which it is but, I think it fits in the Adventure/Thriller categories, too. As a contributor on IMDb, I’ve made a suggested update of the genre. Having been on board the USS Enterprise on December 7, 2001, I have a much greater appreciation for the making of this movie. It received mixed reviews and didn’t make a lot of money. Two months later, another time travel film was released…Somewhere In Time and The Philadelphia Experiment, four years later, is the reverse of this movie in time frames. ~Vic
♦ Peter Douglas is Kirk Douglas’ son with his second wife. This was his first film as producer and his only credited acting role.
♦ This was made with the full cooperation of the US Navy and 48 Nimitz crew members were credited.
♦ Filming took place on board ship at sea (exterior shots) with interior shots filmed in dry dock at Naval Station Norfolk. The USS Kitty Hawk was a stand-in, pulling into Pearl Harbor. Flight and water scenes were shot at Naval Air Station Key West.
♦ The production crew was allowed to film a real emergency landing and recovery of an aircraft that appeared in the film.
♦ The first setup to film an F-14 takeoff resulted in both camera and operator being pitched down the runway.
♦ The black and white Pearl Harbor attack footage was taken from Tora! Tora! Tora!
♦ WWII ace fighter pilot Archie Donahue was one of the Zero pilots. The Zeros were converted T-6 Texans, flying full throttle and the F-14s were flying at stall speeds so that both aircraft would be in the same shot.
♦ When filming wrapped, possibly early, the USS Nimitz was recalled to home base to participate in Operation Eagle Claw, the attempt to rescue the hostages held at the U.S. Embassy in Iran on April 24, 1980.
Archie Donahue: WWII Ace Pilot (HistoryNet/Jon Guttman/July 2007)
Filming of Final Countdown: You Want Us To Do What? (Pilots For Christ Forum/Administrator Don Gieseke/12-08-2016)
Commander Richard “Fox” Farrell: Lead F-14 Pilot (Dignity Memorial/03-31-2014)
Watch the movie for free: Daily Motion
Hanspostcard has a movie draft challenge. This is my Round Seven pick.
Category: Crime/Film Noir
Film: Cop Land
Written and directed by James Mangold, it was executive produced by the Weinstein brothers (though their names have been removed from the Wikipedia article). Released August 6, 1997 in New York (premiere) and nationwide on August 15, it was an incredible ensemble cast of Sly Stallone, Harvey Keitel, Ray Liotta, Robert De Niro, Robert Patrick, Peter Berg, Janeane Garafalo, Edie Falco, Michael Rapoport, Annabella Sciorra, John Spencer, Cathy Moriarty, Noah Emmerich, Frank Vincent, Malik Yoba, Arthur Nascarella and, cameos of Deborah Harry & Geraldo Rivera.
Sylvester Stallone put on 40 pounds to play Nowheresville, N.J., sheriff Freddy Heflin in Cop Land […]. His town is run by Ray Donlan (Keitel) and the other New York cops who have settled there with their families. He wears blinders when it comes to their lawbreaking and mob dealings. Moe Tilden (De Niro), the internal-affairs officer out to get the goods on Cop Land, correctly pegs Freddy as “a man looking for something to do.” Keitel’s [Donlan] exudes dangerous energy. He cares for his own as long as they don’t cross him […]. Robert Patrick brings sly menace to Rucker […]. Ray Liotta […], as Gary Figgis, [is] a tainted cop who sides with Freddy.
Mangold […] has a rare talent for finding the human drama in ordinary lives.
Writer-director James Mangold […] wrangles an impressive cast […] and spins a compelling tale of cancerous corruption among a secretive group of New York’s finest who have settled in the fictional New Jersey burg of Garrison. [Stallone] indeed looks chunky and plays the sleepy, docile Sheriff […] with sluggishness to spare in a largely commendable performance as a half-deaf small-town dreamer. [He] is not given much in the way of memorable dialogue but, he makes the character work […]. [Having] yet to replace his LP of The River with a CD, [he] carries a torch for the local Jersey girl (Sciorra) he saved from drowning…the reason for his loss of hearing in one ear…[he] once longed to be a big-city cop but, had to settle for policing them.
Freddy gradually realizes that he doesn’t like how the town has turned out.
The Hollywood Reporter
August 11, 1997
I saw this at the theater when it came out and caught it, again, a few nights ago. I was born and raised in law enforcement and, worked in it, too (non-sworn). I’ve known good cops and I’ve known some really bad ones. I love a well written cop movie and this was an unusual one in that Stallone wasn’t playing a bad ass like Rambo, Cobra, Tango, John Spartan (though I do love that movie) or Ray Quick. This character was different…subdued. His scenes with Annabella Sciorra have Springsteen playing in the background which adds depth and texture to the mood. This is clearly a period piece as all the vehicles, hair cuts and clothing styles are, effectively, early 80s. The River came out in 1980 and music from the Director’s Cut, like Blue Oyster Cult‘s Burnin’ For You came out in 1981. This also manages to cover the Crime category via IMDb and the Film Noir category, simultaneously, via Historical Dictionary of Film Noir (2010). ~Vic
♦ There is a disclaimer at the end of the credits which states “This film is a work of fiction. It is currently illegal for New York City Police officers to live outside the state of New York.”
♦ Arthur J. Nascarella was a real-life NYPD officer.
♦ Debbie Harry acted in the movie but, was edited out in the final cut. She explained on a live television special that although she was cut, she still got paid.
♦ In the scene in which Ray Liotta confronts Robert Patrick in the bar, the dart that Liotta shoves up Patrick’s left nostril was made out of rubber.
♦ Tom Cruise, Tom Hanks, Gary Sinise and John Travolta were considered for Sheriff Freddy Heflin.
The Making of an Urban Western
Hanspostcard has a movie draft challenge. This is my Round Six pick.
Film: El Dorado
Mississippi: “[…] My name is Alan Bourdillion Traherne.”
Cole: “Lord Almighty…”
Sheriff Harrah: “Who is he?”
Cole: “Tell him your name, Mississippi.”
Mississippi: [sigh] “Alan Bourdillion Traherne.”
Sheriff Harrah: “Well, no wonder he carries a knife.”
Mississippi: “Always make you mad, don’t I?”
Produced and directed by Howard Hawks, the film is a loose adaption of The Stars in Their Courses, a 1960 novel by Harry Brown. The screenplay was written by Leigh Brackett and starred John Wayne, Robert Mitchum, James Caan, Charlene Holt, Paul Fix, Arthur Hunnicutt, Michele Carey, R. G. Armstrong, Ed Asner, Christopher George and Johnny Crawford. Jim Davis (Jock Ewing) and John Mitchum have small parts. It was released December 17, 1966, in Japan, oddly and didn’t make it to US theaters until June 7, 1967.
Cole Thornton (Wayne) is a gunslinger for hire and land owner Bart Jason (Asner) has offered him a job. J. P. Harrah (Mitchum) is a Sheriff and an old friend of Cole’s. When Harrah informs Cole of Jason’s intention to use him to push the MacDonald family off of their land for water rights, Cole refuses the job. After shooting the youngest MacDonald son, unintentionally, during a volley of gunfire, Cole is wounded by the MacDonald daughter (Carey), in return, after he brings the deceased boy back home. Cole suffers intermittent paralysis on his right side throughout the rest of the movie. With the help of a gambler (Caan) he crosses paths with and the Sheriff’s deputy (Hunnicutt), Cole straightens out the drunken Sheriff, tangles with another gunslinger (George), derails Jason’s takeover and just might stop his previous ways for his lady, Maudie (Holt).
Mississippi repeats parts of the Edgar Allen Poe poem (except the second stanza) during the film, aggravating Cole somewhat (Caan had trouble with the word “boldly”, slurring it to sound like either “bowlie” or “bodie”). He’s also terrible with a gun and couldn’t hit the broadside of a barn (but, I love that hat!). Cole gets him a shotgun and later regrets it as he has scatter shot in his leg at the end of the movie.
This is my favorite John Wayne movie even though it is an ensemble cast. A close second is The Quiet Man where Wayne played another “Thornton” character. ~Vic
♦ Archival footage of this movie was used in The Shootist as some backstory for Wayne’s character J.B. Books.
♦ The artwork in the opening credits was painted by Olaf Wieghorst, the Swedish gunsmith.
♦ At the end of the movie, both Cole & Harrah are on crutches under the wrong arm.
♦ The bathtub scene was Mitchum’s idea.
♦ Mitchum’s brother was a bartender named Elmer. He called him by his real name by accident.
♦ Wayne and Asner did not get along.
Caan on Wayne
Hanspostcard has a movie draft challenge. This is my Round Five pick.
Film: The Ninth Gate
A French/Spanish Roman Polanksi vehicle (director & producer), he co-wrote the screenplay with John Brownjohn and Enrique Urbizu. Loosely based on the 1993 book El Club Dumas, a Spanish language novel by Arturo Pérez-Reverte Gutiérrez, the Polanski/Brownjohn script removed a sub-plot, changed the two main characters’ names and altered the finale. Filmed in France, Portugal and Spain, it stars Johnny Depp (Corso), Frank Langella (Balkan), Lena Olin, Barbara Jefford and, Emmanuelle Seigner (mysterious woman & Polanski’s wife). Actor Allen Garfield suffered a stroke prior to filming and Polanski incorporated Garfield’s paralysis as part of the character. Released August 25, 1999, in Belgium, France and Spain (premiere), and November 1999 at the Stockholm International Film Festival, it wasn’t released, widely, in the US until March 10, 2000.
I would have to describe the movie like this…:
“[It] is a riddle, wrapped in a mystery, inside an enigma…”
October 1, 1939
Dean Corso is a bit of a sleazy rare book dealer from New York with questionable ethics. Boris Balkan, a wealthy collector, hires Corso to determine if a book he owns (the book to the left/above) is authentic. The author, supposedly, wrote the book with help from the Devil and only three copies of the book are known to exist after the author was burned at the stake during the Inquisition, along with his works. Corso must find the other two to complete his investigation. Balkan believes that the owner of the book would have the power to summon said Devil. As the skeptical Corso travels and searches, he is followed by a mysterious woman. He eventually becomes obsessed with his task and desires the complete truth. The movie twists and turns to it’s bizarre ending. Depp is a strange cat but, he makes really interesting movies. Visually, Polanski intended for Corso to resemble Philip Marlowe. ~Vic
Hanspostcard has a movie draft challenge. This is my Round Four pick.
Film: The Breakfast Club
“So, Ahab, can I have all my doobage?”
“Chicks cannot hold dey smoke, dat’s what it is.”
“Saturday, March 24, 1984. Shermer High School, Shermer, Illinois, 60062 (fictional town). […] You see us as you want to see us… […] You see us as a brain, an athlete, a basket case, a princess and a criminal. […] That’s the way we saw each other at 7:00 this morning. We were brainwashed.”
This is my graduating class…the class of 1984 (despite the age of some of the actors). Released February 15, 1985, I was in my freshman year of college and it was a bittersweet revisit. I knew these characters…every single one of them. My high school even had a library that resembled that set. This movie was made with only a one million budget but, brought in $51 million and, in 2016, was selected for preservation with the National Film Registry of the Library of Congress. There is no CGI or special effects. There are no sweeping views of beautiful locations. There are no “shoot-em-up-bang-bang” sequences. There is some action with the cast running through the hallways, dancing while high and Judd Nelson (John Bender/The Criminal) falling through the ceiling tiles. This is, primarily, a study of human nature, parental influence, peer influence, subtle & overt abuse and the struggle to understand. It’s heartbreaking, it’s hilarious and it is so Generation X. ~Vic
Written, produced and directed by John Hughes, it also stars Emilio Estevez (Andrew Clark/The Athlete), Molly Ringwald (Claire Standish/The Princess), Ally Sheedy (Allison Reynolds/The Basket Case), Paul Gleason (Asst. Principal Richard Vernon) and John Kapelos (Carl Reed/The Janitor).
♦ The scene in which all characters sit in a circle on the floor in the library and tell stories about why they were in detention was not scripted. Writer and director John Hughes told them all to ad-lib.
♦ There is a deleted scene of Claire and Allison in the bathroom that didn’t show up until the Blu-Ray edition was released.
♦ Sixteen year old Hall hit a growth spurt during shooting and outgrew 24 year old Nelson, prompting Nelson to joke about writing letters to geneticists.
♦ Bender’s joke about the blonde, the poodle and the six foot salami has no punchline as it was never in the script.
♦ Nelson was nearly fired for method-acting harassment.
♦ Hall’s mother & sister play themselves in the movie.
♦ Keith Forsey wrote the lyrics to Don’t You (Forget About Me) and Bryan Ferry of Roxy Music was approached to sing it. Billy Idol was also approached and recorded his own version, later. An offer to Chrissie Hynde lead to her, then, husband Jim Kerr of Simple Minds.
♦ Nelson improvised the part at the closing of the film where Bender raises his fist in defiance. Everyone loved it and it has also become an iconic symbol of the 1980s as well as cinema history.
Hanspostcard has a movie draft challenge. This is my Round Three pick.
Film: The Other Side of the Mountain
“You know where you’ll find sympathy in the dictionary, don’t ya’? Between shit and suicide.”
Directed by Larry Peerce, the movie is based on the 1966 novel A Long Way Up by E. G. Valens, written about national slalom ski champion (1955) and a 1956 U.S. Olympic skiing team candidate, Jill Kinmont. Produced by Edward Feldman, the screenplay adaption was written by David Seltzer. Jill is played by Marilyn Hassett and, Beau Bridges plays Olympic skiing team member (1952) and stunt pilot Dick “Mad Dog” Buek. Dabney Coleman plays Coach Dave McCoy and Bill Vint plays Buddy Werner. Belinda Montgomery plays Audra Jo or “A.J.”, Jill’s best friend, Nan Martin plays June Kinmont and William Bryant plays Bill Kinmont. Griffin Dunne has a small part.
The film spans Jill’s slalom races to her national championship, her best friend’s polio contraction, her accident while attempting to win the Alta, UT, Snow Cup, her hospital stay, her slow rehabilitation, her heartbreak from the losses of two dear men and her triumph at becoming a teacher.
Released July 25, 1975, the film was panned by critics for being too much of a tear-jerker. That may be true but, she did have a really hard time. The sequel was released February 10, 1978 and was panned even worse. I saw them in reverse order. I was only nine years old when the first movie came out so, I didn’t get to see it until I was an adult. I saw Part II, first, when it was released to television. I enjoyed both films despite the bad reviews. Sometimes, bringing someone’s life story to the big screen is handled poorly. Jill passed away February 9, 2012.
The Complete Movie
Hanspostcard has a movie draft challenge. This is my Round Two pick.
I don’t think I need to provide a trailer or to hack out a plot or synopsis on this one but, you might find the trivia interesting. I did my own post back in 2018.
I was 11 years old when it was released. I was such an Olivia Newton-John fan. I begged my mom to buy me the album soundtrack. I nearly wore it out. I still have it to this day. And, I remember those shoes. I was headed to seventh grade that year and ALL the girls had to have a pair of the Candies that Sandy made famous. Can you imagine a bunch of ‘tween girls in the late 70s trying to change classes, going up and down stairs in Sandy’s Candies? Oh, my… ~Vic
Released June 16, 1978 (NYC premiere was June 13), it was based on the 1971 musical created by Jim Jacobs and Warren Casey. Bronte Woodard crafted the screenplay and Randal Kleiser directed. Produced by Robert Stigwood and Allan Carr, it starred John Travolta, Olivia Newton-John, Stockard Channing, Jeff Conaway, Barry Pearl, Michael Tucci, Kelly Ward, Didi Conn, Jamie Donnelly, Dinah Manoff, Eve Arden, Frankie Avalon, Joan Blondell, Edd Byrnes, Sid Caesar, Alice Ghostley, Dody Goodman, Sha-Na-Na, Susan Buckner, Lorenzo Lamas, Fannie Flagg, Dick Patterson, Eddie Deezen, Darrell Zwerling, Ellen Travolta, Annette Charles and Dennis Stewart.
 The opening beach scene was shot at Malibu’s Leo Carrillo State Beach, making explicit reference to From Here to Eternity.
 The exterior shots of Rydell High, the Summer Nights musical number and the athletic scenes were shot at Venice High School in Los Angeles, CA.
 Look At Me, I’m Sandra Dee & Hopelessly Devoted to You, sung at the slumber party, were performed at a private home in East Hollywood.
 The drive-in movie scene and the musical number Sandy were shot & performed at Pickwick Drive-In in Burbank, CA (torn down in 1989).
 The Frosty Palace (exterior shot), Greased Lightnin’ and Beauty School Dropout were performed at Paramount Studios.
 Rydell interior shots and the dance in the gym were filmed at Huntington Park High School in Los Angeles, CA.
 The race was filmed at the Los Angeles River‘s dry riverbed, starting at the 6th Street bridge and u-turning after passing the 1st Street bridge.
 The carnival scenes, You’re the One That I Want and We Go Together were shot & performed at John Marshall High School in Los Angeles, CA.
♦ Rizzo’s hickeys were real. Stockard Channing said in an interview that Jeff Conaway insisted on applying them himself.
♦ Hopelessly Devoted to You was written and recorded after the movie had wrapped.
♦ Elvis Presley turned down the role of The Guardian Angel in the Beauty School Drop-Out scene.
♦ Due to a zipper breaking, Olivia Newton-John had to be sewn into the trousers she wears in the last sequence (the carnival at Rydell).
♦ Jeff Conaway was so infatuated with Olivia Newton-John, he was tongue-tied whenever she was around. He later married Olivia’s sister, Rona Newton-John.
♦ Danny’s blue windbreaker at the beginning of the film was intended as a nod to Rebel Without a Cause.
♦ Jamie Donnelly had prematurely grey hair, which she dyed black to play Jan. Her hair grew really quickly, so her roots had to be colored in daily with a black crayon.
♦ Rydell High is a reference to teen idol Bobby Rydell who had a million selling hit with Swingin’ School in 1960.
♦ The “blonde pineapple” line was improvised by Barry Pearl.
♦ Olivia Newton-John insisted on a screen test for the role of Sandy. She was concerned that she didn’t have the acting skills and would look too old to be a high school student. The part was originally meant for Susan Dey, who turned it down on her manager’s advice.
The soundtrack was certified 14x Platinum in Australia, Diamond in Canada and 8x Platinum in the UK & the US.
Hanspostcard has a movie draft challenge. This is my Round One pick.
Directed by Clint Eastwood, it was written by Peter Morgan and, produced by Eastwood, Kathleen Kennedy and Robert Lorenz. It stars Matt Damon (George), Cécile de France (Marie), Jay Mohr (Billy), Bryce Dallas Howard (Melanie) and, Frankie & George McLaren (twins Jason & Marcus). The film was released September 12, 2010, at the Toronto International Film Festival.
Marie is a French TV journalist that has a near death experience after nearly drowning during a tsunami. George is a psychic medium but, works in a factory and tries to avoid talking to dead people. Twins Jason & Marcus have a drug-addicted, alcoholic mom and, when Jason is killed, accidentally, Marcus is sent to a foster home. Melanie meets George in a cooking class and a psychic reading ends badly. When George is laid off, his brother Billy tries to get him to revive his psychic practice. After an impromptu trip to London, George crosses paths with Marie and Marcus. Death surrounds the three main characters and their reactions to it unfolds, slowly.
Clint Eastwood’s Hereafter considers the idea of an afterlife with tenderness, beauty and a gentle tact. I was surprised to find it enthralling. I don’t believe in woo-woo but, then, neither, I suspect, does Eastwood. This is a film about the afterlife that carefully avoids committing itself on such a possibility. The closest it comes is the idea of consciousness after apparent death. This is plausible. Many near-death survivors report the same memories, of the white light, the waiting figures and a feeling of peace.
October 19, 2010
I absolutely love this movie. It’s a thoughtful drama, without being over-the-top, with an inherent mystery built into the story line. I’m not a big Damon fan but, I am an Eastwood fan. ~Vic
Movie releases were slim pickings. Fifty years ago, today, the Latvian film Klāvs Mārtiņa dēls or Klavs – The Son of Martins was released. Written by Janis Lusis and directed by Oļģerts Dunkers, it starred Juris Kaminiskis, Lidija Freimane and Liga Liepina.
After [his] military service, Klavs, [the] son of Martins Viksna, is returning to his native village [of kolkhoz]. After [the] war, his father, the collective farm chairman […], was killed by guerrillas. Even after many years, the remote village of the Latvian countryside is still under agitation from those old days events. Klavs meets and falls in love with Bille [but], Bille is [the] daughter of Ance, his father’s first love. Klavs starts work in [the] collective farm but, after a conflict, however, decides to leave the village. After the death of his mother, Klavs [returns] and [remains in the village]. [This] is his real home.
Filmas (Latvian Movie Site Translation):
Klāvs, the son of Mārtiņš Vīksna, the first chairman of the kolkhoz, comes out of the service and starts working in his native kolkhoz but, does not understand his colleagues, so he goes to the city. The chairman of the collective farm agrees that he will eat his hat if Klav does not return. Klava’s mother Ilze dies in the hay meadow and the chairman offers the boy to come in her place as a foreman. Bille is waiting for Klava in Ilze’s house, whose mother, milkman Ance, once loved Klava’s father.
I just found out about the passing of actor Sean Connery. There are certain actors I have a thing for and he is one of them. Our birthdays are five days apart and we both have Scottish (and Irish) ancestry. He enlisted in the Royal Navy at the age of 16, was assigned to the HMS Formidable as an Able Seaman and was medically discharged at 19 for ulcers.
One of his early endeavors was as an artist’s model. He was into bodybuilding and was in a Mr. Universe contest, though the actual year is disputed. He was a footballer, playing for Bonnyrigg Rose and was once offered a contract to play professionally:
“[I] realised that a top-class footballer could be over the hill by the age of 30 and I was already 23. I decided to become an actor and it turned out to be one of my more intelligent moves.”
He was a member of the Scottish National Party and campaigned for Scottish Independence, financially supporting the party until the UK passed legislation to prohibit overseas funding. One of his two tattoos was “Scotland Forever.”
He managed to make it all the way to 90 but, according to his son Jason, he had been unwell for some time. He passed peacefully in his sleep at his home in the Bahamas. I think it altogether fitting and proper that Sir Sean left on Halloween during a full Blue Moon. Godspeed. ~Vic
His acting debut (uncredited) was in the UK film Lilacs in the Spring (titled Let’s Make Up in the US) in 1954, a British musical starring Errol Flynn. On UK TV, he played MacBeth, Alexander the Great and Count Vronsky. His first appearance on US TV was on The Jack Benny Program in 1957. His first credited film roll in the US was a UK/US collaboration in the movie Action of the Tiger, also in 1957. He was the first James Bond (and some say the only one), he played a savage in the distant future, became Robin Hood, was a Marshal in outer space, was King Agamemnon, was a sword-wielding immortal, did a turn as a Franciscan friar, was an Untouchable, a Provost Marshall in San Francisco, was the father of Indiana Jones, a Russian submarine Captain, appeared as King Richard, became a doctor, was a detective, a professor, played King Arthur, played an ex-con & an art thief, was a reclusive author and, was the voice of The Last Dragon. He was only in one Western in 1968. His last time on the big screen was in 2003 playing Allan Quatermain in The League of Extraordinary Gentlemen and his last time on TV was playing character John Muir in an episode of the documentary Freedom: A History of US, also in 2003. He did voice work up to 2012.
♥ 1987 Academy Award (Best Supporting Actor/The Untouchables)
♥ 1987 BAFTA (Best Actor/The Name of the Rose)
♥ 1998 BAFTA Fellowship
♥ 1972 Golden Globe (Henrietta Award/World Film Favorite-Male)
♥ 1987 Golden Globe (Best Supporting Actor/The Untouchables)
♥ 1995 Golden Globe (Cecil B. DeMille Award)
♦ 1987 BAFTA (Best Supporting Actor/The Untouchables)
♦ 1989 BAFTA (Best Supporting Actor/Indiana Jones and the Last Crusade)
♦ 1990 BAFTA (Best Actor/The Hunt for Red October)
♦ 1965 Golden Globe (Henrietta Award/World Film Favorite-Male)
♦ 1968 Golden Globe (Henrietta Award/World Film Favorite-Male)
♦ 1989 Golden Globe (Best Supporting Actor/Indiana Jones and the Last Crusade)
www.seanconnery.com (Web Archive)
Additional Reading & Sources:
Belly Buzz (Web Archive of Connery’s Military Service)
List of Work (IMDb)
List of Work (Wikipedia)
Muscle Memory (As Tom Connery)
Scottish Junior Football Association (Web Archive)
Talk-Talk UK (Archive Today Copy of Connery’s Biography)
Fifty-five years ago, today, the short, animated film Just Plane Beep was released. Produced by David DePatie & Friz Freleng and, directed by Rudy Larriva, Paul Julian was the uncredited voice of the Road Runner.
Synopsis from the Looney Tunes Fan Site (possible future broken link as Fandom is in the middle of a migration):
Wile E. Coyote chases Road Runner on foot but, Road Runner produces dust and runs off the side, smacking the coyote against a wall. While lying down on the ground, a paper for Acme War Surplus is blown towards the coyote and he sends a coupon in the mail. He receives a World War I bi-plane kit and plans to catch the Road Runner using it.
Needless to say, things don’t go well. ~Vic
Additional Reading & Sources:
Big Cartoon Database
IMDb Movie Connections List
Internet Animation Database
Looney Tunes & Merrie Melodies Filmography 1965 (Wikipedia)
Wile E. Coyote & the Road Runner (Wikipedia)
Sixty years ago, today, the Italian-German film Die rote Hand or The Red Hand was released. Directed by Kurt Meisel, written & produced by Ernst Neubach, it starred Paul Hubschmid, Hannes Messemer and Eleonora Rossi Drago.
Finding specific information on this film has been difficult. It appears that this was based upon a French terrorist organization’s bombings and assassinations that took place in Germany in September 1956, June 1957, October 1958, March 1959 and November 1959. IMDb doesn’t have a summary or synopsis but, I did find a translated plot from the German side of Wikipedia (Translate The Web Link):
This arms dealer drama takes place in Germany and Switzerland […] during the Cold War.
Manora Khan, consul of an unspecified Asian country, intends to hunt down his Cuban colleague Maria Gomez’s supply of weapons intended for her country. To this end, he orders the help of the smart Johnny Zamaris, with whom he has a common past: Johnny had once [been involved with] his great love, the actress Violetta Scotoni. [It] soon becomes apparent that no one is what he seems to be […]. Consul Khan turns out to be the leader of a secret organization called “The Red Hand” that deliberately kills competing gun-pushers. Competitor Johnny is more than just a smart Sonnyboy [sic]. [In] truth, he works as a defensive officer in his country, with the task of smashing “The Red Hand” again. Both men, who once competed for Violetta, die while serving in their respective [fatherlands], with Johnny being knocked down in the back of a black sedan with a machine gun after a final tender embrace with Violetta.
The writer and producer of this film was born in Austria but, emigrated to France after Anschluss. Unhappy with a Der Spiegel report, he wrote an opposite viewpoint. Der Speigel, in turn, panned the film.
I couldn’t find a trailer on YouTube. ~Vic
The State as a Terrorist: France and the Red Hand (Perspectives on Terrorism)
One-hundred, fourteen years ago, today, Devil’s Tower or, Bear Lodge Butte, was established as the first US National Monument by President Theodore Roosevelt. Composed of igneous rock, and possibly laccolithic, it is located in the Bear Lodge Mountains of the Black Hills, near Hulett and Sundance, in Crook County, Wyoming. It is also known as Matȟó Thípila by the Lakota and Daxpitcheeaasáao by the Crow (try to pronounce those). It got it’s religious moniker in 1875 when an interpreter for Colonel Richard Dodge, leading an expedition, misunderstood a native name and thought it meant Bad God’s Tower.
Close Encounters of the Third Kind 1977 (AMC’s Filmsite)
The Dakota Peoples (Google Books)
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Sixty-five years ago, today, the war film To Hell and Back was released, originally in San Antonio. Directed by Jesse Hibbs and based on the book of the same name, it starred Audie Murphy, Marshall Thompson, Charles Drake, Jack Kelly, Gregg Palmer, Paul Picerni, David Janssen, Denver Pyle, Brett Halsey (Admiral’s great-nephew) and Gordon Gebert as a young Audie.
Biopic of the wartime exploits of Audie Murphy (played by himself), the most decorated US soldier in World War II. Starting with his boyhood in Texas, where he became the head of his family at a young age, the story follows his enrollment in [the] Army where he was assigned to the 3rd Division. He fought in North Africa, Sicily and Italy, before landing in southern France and, eventually, fighting in Germany. A Medal of Honor recipient, he also received battle honors from the French and Belgian government.
The highly variable Audie Murphy delivers his best screen performance as “himself” in Universal‘s To Hell and Back. Based on the star’s autobiography, this is the story of how Murphy became America’s most-decorated soldier during WW II. After dwelling a bit on Murphy’s hard-scrabble Texas upbringing, the story moves ahead to 1942, when, as a teenager, Audie joined the army. Within a year, he was a member of the 7th Army, serving in North Africa, Italy, France and, ultimately, Germany and Austria. One by one, the members of Murphy’s Company B are killed in the war, until only three men from the original company are left. [The] others appear at the finale as ghostly images […]. The bulk of the film is given over to Murphy’s conspicuous acts of combat bravery and his killing of 240 enemy soldiers. Highlighted by excellent battle sequences, To Hell and Back is a serviceable tribute to a most complex individual.
♦ Filmed at Fort Lewis, WA, Yakima River, WA, Oak Creek Wildlife Area, WA and Universal Studios.
♦ Audie Murphy originally declined the opportunity to portray himself in the movie, not wanting people to think that he was attempting to cash in on his role as a war hero. Murphy initially suggested his friend Tony Curtis to play him.
♦ Audie Murphy’s war buddy Onclo Airheart was slated to play himself, but he declined due to the fact that the movie was to be shot during planting season.
♦ [Author] David Morell [sic] cites Audie Murphy as the inspiration for the character of John Rambo.
♦ In the movie, […] Murphy does his one-man standoff on top of a medium M-4 Sherman tank. [In] real life it happened on top of an M10 Wolverine tank destroyer.
♦ Audie Murphy’s feats of heroism and his much decorated status have been compared to those of his counterpart during World War I, Sgt. Alvin C. York […].
Murphy […] wrote poetry and songs, and, himself a sufferer, was among the first advocates for Post-Traumatic Stress Disorder. He died on May 28, 1971, when the private airplane in which he was riding crashed.