Hanspostcard has a movie draft challenge. This is my Round Four pick.
Film: The Breakfast Club
“So, Ahab, can I have all my doobage?”
“Chicks cannot hold dey smoke, dat’s what it is.”
“Saturday, March 24, 1984. Shermer High School, Shermer, Illinois, 60062 (fictional town). […] You see us as you want to see us… […] You see us as a brain, an athlete, a basket case, a princess and a criminal. […] That’s the way we saw each other at 7:00 this morning. We were brainwashed.”
This is my graduating class…the class of 1984 (despite the age of some of the actors). Released February 15, 1985, I was in my freshman year of college and it was a bittersweet revisit. I knew these characters…every single one of them. My high school even had a library that resembled that set. This movie was made with only a one million budget but, brought in $51 million and, in 2016, was selected for preservation with the National Film Registry of the Library of Congress. There is no CGI or special effects. There are no sweeping views of beautiful locations. There are no “shoot-em-up-bang-bang” sequences. There is some action with the cast running through the hallways, dancing while high and Judd Nelson (John Bender/The Criminal) falling through the ceiling tiles. This is, primarily, a study of human nature, parental influence, peer influence, subtle & overt abuse and the struggle to understand. It’s heartbreaking, it’s hilarious and it is so Generation X. ~Vic
Written, produced and directed by John Hughes, it also stars Emilio Estevez (Andrew Clark/The Athlete), Molly Ringwald (Claire Standish/The Princess), Ally Sheedy (Allison Reynolds/The Basket Case), Paul Gleason (Asst. Principal Richard Vernon) and John Kapelos (Carl Reed/The Janitor).
♦ The scene in which all characters sit in a circle on the floor in the library and tell stories about why they were in detention was not scripted. Writer and director John Hughes told them all to ad-lib.
♦ There is a deleted scene of Claire and Allison in the bathroom that didn’t show up until the Blu-Ray edition was released.
♦ Sixteen year old Hall hit a growth spurt during shooting and outgrew 24 year old Nelson, prompting Nelson to joke about writing letters to geneticists.
♦ Bender’s joke about the blonde, the poodle and the six foot salami has no punchline as it was never in the script.
♦ Nelson was nearly fired for method-acting harassment.
♦ Hall’s mother & sister play themselves in the movie.
♦ Keith Forsey wrote the lyrics to Don’t You (Forget About Me) and Bryan Ferry of Roxy Music was approached to sing it. Billy Idol was also approached and recorded his own version, later. An offer to Chrissie Hynde lead to her, then, husband Jim Kerr of Simple Minds.
♦ Nelson improvised the part at the closing of the film where Bender raises his fist in defiance. Everyone loved it and it has also become an iconic symbol of the 1980s as well as cinema history.
Hanspostcard has a movie draft challenge. This is my Round Three pick.
Film: The Other Side of the Mountain
“You know where you’ll find sympathy in the dictionary, don’t ya’? Between shit and suicide.”
Directed by Larry Peerce, the movie is based on the 1966 novel A Long Way Up by E. G. Valens, written about national slalom ski champion (1955) and a 1956 U.S. Olympic skiing team candidate, Jill Kinmont. Produced by Edward Feldman, the screenplay adaption was written by David Seltzer. Jill is played by Marilyn Hassett and, Beau Bridges plays Olympic skiing team member (1952) and stunt pilot Dick “Mad Dog” Buek. Dabney Coleman plays Coach Dave McCoy and Bill Vint plays Buddy Werner. Belinda Montgomery plays Audra Jo or “A.J.”, Jill’s best friend, Nan Martin plays June Kinmont and William Bryant plays Bill Kinmont. Griffin Dunne has a small part.
The film spans Jill’s slalom races to her national championship, her best friend’s polio contraction, her accident while attempting to win the Alta, UT, Snow Cup, her hospital stay, her slow rehabilitation, her heartbreak from the losses of two dear men and her triumph at becoming a teacher.
Released July 25, 1975, the film was panned by critics for being too much of a tear-jerker. That may be true but, she did have a really hard time. The sequel was released February 10, 1978 and was panned even worse. I saw them in reverse order. I was only nine years old when the first movie came out so, I didn’t get to see it until I was an adult. I saw Part II, first, when it was released to television. I enjoyed both films despite the bad reviews. Sometimes, bringing someone’s life story to the big screen is handled poorly. Jill passed away February 9, 2012.
The Complete Movie
Hanspostcard has a movie draft challenge. This is my Round Two pick.
I don’t think I need to provide a trailer or to hack out a plot or synopsis on this one but, you might find the trivia interesting. I did my own post back in 2018.
I was 11 years old when it was released. I was such an Olivia Newton-John fan. I begged my mom to buy me the album soundtrack. I nearly wore it out. I still have it to this day. And, I remember those shoes. I was headed to seventh grade that year and ALL the girls had to have a pair of the Candies that Sandy made famous. Can you imagine a bunch of ‘tween girls in the late 70s trying to change classes, going up and down stairs in Sandy’s Candies? Oh, my… ~Vic
Released June 16, 1978 (NYC premiere was June 13), it was based on the 1971 musical created by Jim Jacobs and Warren Casey. Bronte Woodard crafted the screenplay and Randal Kleiser directed. Produced by Robert Stigwood and Allan Carr, it starred John Travolta, Olivia Newton-John, Stockard Channing, Jeff Conaway, Barry Pearl, Michael Tucci, Kelly Ward, Didi Conn, Jamie Donnelly, Dinah Manoff, Eve Arden, Frankie Avalon, Joan Blondell, Edd Byrnes, Sid Caesar, Alice Ghostley, Dody Goodman, Sha-Na-Na, Susan Buckner, Lorenzo Lamas, Fannie Flagg, Dick Patterson, Eddie Deezen, Darrell Zwerling, Ellen Travolta, Annette Charles and Dennis Stewart.
 The opening beach scene was shot at Malibu’s Leo Carrillo State Beach, making explicit reference to From Here to Eternity.
 The exterior shots of Rydell High, the Summer Nights musical number and the athletic scenes were shot at Venice High School in Los Angeles, CA.
 Look At Me, I’m Sandra Dee & Hopelessly Devoted to You, sung at the slumber party, were performed at a private home in East Hollywood.
 The drive-in movie scene and the musical number Sandy were shot & performed at Pickwick Drive-In in Burbank, CA (torn down in 1989).
 The Frosty Palace (exterior shot), Greased Lightnin’ and Beauty School Dropout were performed at Paramount Studios.
 Rydell interior shots and the dance in the gym were filmed at Huntington Park High School in Los Angeles, CA.
 The race was filmed at the Los Angeles River‘s dry riverbed, starting at the 6th Street bridge and u-turning after passing the 1st Street bridge.
 The carnival scenes, You’re the One That I Want and We Go Together were shot & performed at John Marshall High School in Los Angeles, CA.
♦ Rizzo’s hickeys were real. Stockard Channing said in an interview that Jeff Conaway insisted on applying them himself.
♦ Hopelessly Devoted to You was written and recorded after the movie had wrapped.
♦ Elvis Presley turned down the role of The Guardian Angel in the Beauty School Drop-Out scene.
♦ Due to a zipper breaking, Olivia Newton-John had to be sewn into the trousers she wears in the last sequence (the carnival at Rydell).
♦ Jeff Conaway was so infatuated with Olivia Newton-John, he was tongue-tied whenever she was around. He later married Olivia’s sister, Rona Newton-John.
♦ Danny’s blue windbreaker at the beginning of the film was intended as a nod to Rebel Without a Cause.
♦ Jamie Donnelly had prematurely grey hair, which she dyed black to play Jan. Her hair grew really quickly, so her roots had to be colored in daily with a black crayon.
♦ Rydell High is a reference to teen idol Bobby Rydell who had a million selling hit with Swingin’ School in 1960.
♦ The “blonde pineapple” line was improvised by Barry Pearl.
♦ Olivia Newton-John insisted on a screen test for the role of Sandy. She was concerned that she didn’t have the acting skills and would look too old to be a high school student. The part was originally meant for Susan Dey, who turned it down on her manager’s advice.
The soundtrack was certified 14x Platinum in Australia, Diamond in Canada and 8x Platinum in the UK & the US.
Hanspostcard has a movie draft challenge. This is my Round One pick.
Directed by Clint Eastwood, it was written by Peter Morgan and, produced by Eastwood, Kathleen Kennedy and Robert Lorenz. It stars Matt Damon (George), Cécile de France (Marie), Jay Mohr (Billy), Bryce Dallas Howard (Melanie) and, Frankie & George McLaren (twins Jason & Marcus). The film was released September 12, 2010, at the Toronto International Film Festival.
Marie is a French TV journalist that has a near death experience after nearly drowning during a tsunami. George is a psychic medium but, works in a factory and tries to avoid talking to dead people. Twins Jason & Marcus have a drug-addicted, alcoholic mom and, when Jason is killed, accidentally, Marcus is sent to a foster home. Melanie meets George in a cooking class and a psychic reading ends badly. When George is laid off, his brother Billy tries to get him to revive his psychic practice. After an impromptu trip to London, George crosses paths with Marie and Marcus. Death surrounds the three main characters and their reactions to it unfolds, slowly.
Clint Eastwood’s Hereafter considers the idea of an afterlife with tenderness, beauty and a gentle tact. I was surprised to find it enthralling. I don’t believe in woo-woo but, then, neither, I suspect, does Eastwood. This is a film about the afterlife that carefully avoids committing itself on such a possibility. The closest it comes is the idea of consciousness after apparent death. This is plausible. Many near-death survivors report the same memories, of the white light, the waiting figures and a feeling of peace.
October 19, 2010
I absolutely love this movie. It’s a thoughtful drama, without being over-the-top, with an inherent mystery built into the story line. I’m not a big Damon fan but, I am an Eastwood fan. ~Vic
Movie releases were slim pickings. Fifty years ago, today, the Latvian film Klāvs Mārtiņa dēls or Klavs – The Son of Martins was released. Written by Janis Lusis and directed by Oļģerts Dunkers, it starred Juris Kaminiskis, Lidija Freimane and Liga Liepina.
After [his] military service, Klavs, [the] son of Martins Viksna, is returning to his native village [of kolkhoz]. After [the] war, his father, the collective farm chairman […], was killed by guerrillas. Even after many years, the remote village of the Latvian countryside is still under agitation from those old days events. Klavs meets and falls in love with Bille [but], Bille is [the] daughter of Ance, his father’s first love. Klavs starts work in [the] collective farm but, after a conflict, however, decides to leave the village. After the death of his mother, Klavs [returns] and [remains in the village]. [This] is his real home.
Filmas (Latvian Movie Site Translation):
Klāvs, the son of Mārtiņš Vīksna, the first chairman of the kolkhoz, comes out of the service and starts working in his native kolkhoz but, does not understand his colleagues, so he goes to the city. The chairman of the collective farm agrees that he will eat his hat if Klav does not return. Klava’s mother Ilze dies in the hay meadow and the chairman offers the boy to come in her place as a foreman. Bille is waiting for Klava in Ilze’s house, whose mother, milkman Ance, once loved Klava’s father.
I just found out about the passing of actor Sean Connery. There are certain actors I have a thing for and he is one of them. Our birthdays are five days apart and we both have Scottish (and Irish) ancestry. He enlisted in the Royal Navy at the age of 16, was assigned to the HMS Formidable as an Able Seaman and was medically discharged at 19 for ulcers.
One of his early endeavors was as an artist’s model. He was into bodybuilding and was in a Mr. Universe contest, though the actual year is disputed. He was a footballer, playing for Bonnyrigg Rose and was once offered a contract to play professionally:
“[I] realised that a top-class footballer could be over the hill by the age of 30 and I was already 23. I decided to become an actor and it turned out to be one of my more intelligent moves.”
He was a member of the Scottish National Party and campaigned for Scottish Independence, financially supporting the party until the UK passed legislation to prohibit overseas funding. One of his two tattoos was “Scotland Forever.”
He managed to make it all the way to 90 but, according to his son Jason, he had been unwell for some time. He passed peacefully in his sleep at his home in the Bahamas. I think it altogether fitting and proper that Sir Sean left on Halloween during a full Blue Moon. Godspeed. ~Vic
His acting debut (uncredited) was in the UK film Lilacs in the Spring (titled Let’s Make Up in the US) in 1954, a British musical starring Errol Flynn. On UK TV, he played MacBeth, Alexander the Great and Count Vronsky. His first appearance on US TV was on The Jack Benny Program in 1957. His first credited film roll in the US was a UK/US collaboration in the movie Action of the Tiger, also in 1957. He was the first James Bond (and some say the only one), he played a savage in the distant future, became Robin Hood, was a Marshal in outer space, was King Agamemnon, was a sword-wielding immortal, did a turn as a Franciscan friar, was an Untouchable, a Provost Marshall in San Francisco, was the father of Indiana Jones, a Russian submarine Captain, appeared as King Richard, became a doctor, was a detective, a professor, played King Arthur, played an ex-con & an art thief, was a reclusive author and, was the voice of The Last Dragon. He was only in one Western in 1968. His last time on the big screen was in 2003 playing Allan Quatermain in The League of Extraordinary Gentlemen and his last time on TV was playing character John Muir in an episode of the documentary Freedom: A History of US, also in 2003. He did voice work up to 2012.
♥ 1987 Academy Award (Best Supporting Actor/The Untouchables)
♥ 1987 BAFTA (Best Actor/The Name of the Rose)
♥ 1998 BAFTA Fellowship
♥ 1972 Golden Globe (Henrietta Award/World Film Favorite-Male)
♥ 1987 Golden Globe (Best Supporting Actor/The Untouchables)
♥ 1995 Golden Globe (Cecil B. DeMille Award)
♦ 1987 BAFTA (Best Supporting Actor/The Untouchables)
♦ 1989 BAFTA (Best Supporting Actor/Indiana Jones and the Last Crusade)
♦ 1990 BAFTA (Best Actor/The Hunt for Red October)
♦ 1965 Golden Globe (Henrietta Award/World Film Favorite-Male)
♦ 1968 Golden Globe (Henrietta Award/World Film Favorite-Male)
♦ 1989 Golden Globe (Best Supporting Actor/Indiana Jones and the Last Crusade)
www.seanconnery.com (Web Archive)
Additional Reading & Sources:
Belly Buzz (Web Archive of Connery’s Military Service)
List of Work (IMDb)
List of Work (Wikipedia)
Muscle Memory (As Tom Connery)
Scottish Junior Football Association (Web Archive)
Talk-Talk UK (Archive Today Copy of Connery’s Biography)
Fifty-five years ago, today, the short, animated film Just Plane Beep was released. Produced by David DePatie & Friz Freleng and, directed by Rudy Larriva, Paul Julian was the uncredited voice of the Road Runner.
Synopsis from the Looney Tunes Fan Site (possible future broken link as Fandom is in the middle of a migration):
Wile E. Coyote chases Road Runner on foot but, Road Runner produces dust and runs off the side, smacking the coyote against a wall. While lying down on the ground, a paper for Acme War Surplus is blown towards the coyote and he sends a coupon in the mail. He receives a World War I bi-plane kit and plans to catch the Road Runner using it.
Needless to say, things don’t go well. ~Vic
Additional Reading & Sources:
Big Cartoon Database
IMDb Movie Connections List
Internet Animation Database
Looney Tunes & Merrie Melodies Filmography 1965 (Wikipedia)
Wile E. Coyote & the Road Runner (Wikipedia)
Sixty years ago, today, the Italian-German film Die rote Hand or The Red Hand was released. Directed by Kurt Meisel, written & produced by Ernst Neubach, it starred Paul Hubschmid, Hannes Messemer and Eleonora Rossi Drago.
Finding specific information on this film has been difficult. It appears that this was based upon a French terrorist organization’s bombings and assassinations that took place in Germany in September 1956, June 1957, October 1958, March 1959 and November 1959. IMDb doesn’t have a summary or synopsis but, I did find a translated plot from the German side of Wikipedia (Translate The Web Link):
This arms dealer drama takes place in Germany and Switzerland […] during the Cold War.
Manora Khan, consul of an unspecified Asian country, intends to hunt down his Cuban colleague Maria Gomez’s supply of weapons intended for her country. To this end, he orders the help of the smart Johnny Zamaris, with whom he has a common past: Johnny had once [been involved with] his great love, the actress Violetta Scotoni. [It] soon becomes apparent that no one is what he seems to be […]. Consul Khan turns out to be the leader of a secret organization called “The Red Hand” that deliberately kills competing gun-pushers. Competitor Johnny is more than just a smart Sonnyboy [sic]. [In] truth, he works as a defensive officer in his country, with the task of smashing “The Red Hand” again. Both men, who once competed for Violetta, die while serving in their respective [fatherlands], with Johnny being knocked down in the back of a black sedan with a machine gun after a final tender embrace with Violetta.
The writer and producer of this film was born in Austria but, emigrated to France after Anschluss. Unhappy with a Der Spiegel report, he wrote an opposite viewpoint. Der Speigel, in turn, panned the film.
I couldn’t find a trailer on YouTube. ~Vic
The State as a Terrorist: France and the Red Hand (Perspectives on Terrorism)
One-hundred, fourteen years ago, today, Devil’s Tower or, Bear Lodge Butte, was established as the first US National Monument by President Theodore Roosevelt. Composed of igneous rock, and possibly laccolithic, it is located in the Bear Lodge Mountains of the Black Hills, near Hulett and Sundance, in Crook County, Wyoming. It is also known as Matȟó Thípila by the Lakota and Daxpitcheeaasáao by the Crow (try to pronounce those). It got it’s religious moniker in 1875 when an interpreter for Colonel Richard Dodge, leading an expedition, misunderstood a native name and thought it meant Bad God’s Tower.
Close Encounters of the Third Kind 1977 (AMC’s Filmsite)
The Dakota Peoples (Google Books)
Satellites in the High Country (Google Books)
Devil’s Tower: First 50 Years (National Park Service PDF)
Proposed Name Change (Rapid City Journal June 22, 2015)
Native American Story & Culture (Wikipedia)
Other Native Names (Wikipedia)
Tower Ladder (Wikipedia)
In This House…
The Force Is With Us.
We don’t care what others think,
because in this house…
We Do Geek
Sixty-five years ago, today, the war film To Hell and Back was released, originally in San Antonio. Directed by Jesse Hibbs and based on the book of the same name, it starred Audie Murphy, Marshall Thompson, Charles Drake, Jack Kelly, Gregg Palmer, Paul Picerni, David Janssen, Denver Pyle, Brett Halsey (Admiral’s great-nephew) and Gordon Gebert as a young Audie.
Biopic of the wartime exploits of Audie Murphy (played by himself), the most decorated US soldier in World War II. Starting with his boyhood in Texas, where he became the head of his family at a young age, the story follows his enrollment in [the] Army where he was assigned to the 3rd Division. He fought in North Africa, Sicily and Italy, before landing in southern France and, eventually, fighting in Germany. A Medal of Honor recipient, he also received battle honors from the French and Belgian government.
The highly variable Audie Murphy delivers his best screen performance as “himself” in Universal‘s To Hell and Back. Based on the star’s autobiography, this is the story of how Murphy became America’s most-decorated soldier during WW II. After dwelling a bit on Murphy’s hard-scrabble Texas upbringing, the story moves ahead to 1942, when, as a teenager, Audie joined the army. Within a year, he was a member of the 7th Army, serving in North Africa, Italy, France and, ultimately, Germany and Austria. One by one, the members of Murphy’s Company B are killed in the war, until only three men from the original company are left. [The] others appear at the finale as ghostly images […]. The bulk of the film is given over to Murphy’s conspicuous acts of combat bravery and his killing of 240 enemy soldiers. Highlighted by excellent battle sequences, To Hell and Back is a serviceable tribute to a most complex individual.
♦ Filmed at Fort Lewis, WA, Yakima River, WA, Oak Creek Wildlife Area, WA and Universal Studios.
♦ Audie Murphy originally declined the opportunity to portray himself in the movie, not wanting people to think that he was attempting to cash in on his role as a war hero. Murphy initially suggested his friend Tony Curtis to play him.
♦ Audie Murphy’s war buddy Onclo Airheart was slated to play himself, but he declined due to the fact that the movie was to be shot during planting season.
♦ [Author] David Morell [sic] cites Audie Murphy as the inspiration for the character of John Rambo.
♦ In the movie, […] Murphy does his one-man standoff on top of a medium M-4 Sherman tank. [In] real life it happened on top of an M10 Wolverine tank destroyer.
♦ Audie Murphy’s feats of heroism and his much decorated status have been compared to those of his counterpart during World War I, Sgt. Alvin C. York […].
Murphy […] wrote poetry and songs, and, himself a sufferer, was among the first advocates for Post-Traumatic Stress Disorder. He died on May 28, 1971, when the private airplane in which he was riding crashed.
Technically, today is also a bust for Flick Friday, just like my July 24 post. There were no movie releases, today, in 1950, either, so I will grab the August 6 release. Seventy years ago, yesterday, the western film Vigilante Hideout was released. Directed by Fred C. Bannon and written by Richard Wormser, it starred Allan Lane, Black Jack (Allan Lane’s horse), Eddie Waller, Roy Barcroft and Virginia Herrick.
Rocky (Lane), a Range Detective, arrives to help Nugget (Waller) with rustlers. When he learns Nugget owns only three cows, he stays on, anyway and, soon, becomes involved in Benson’s attempt to blow open the bank’s safe. When Rocky upsets his plans, Benson (Don Haggerty), supposedly, gets rid of him by having him declared an outlaw, wanted dead or alive. Then, Benson takes a load of explosives into an old mine located directly under the bank vault.
Double-barreled justice catches up with a cold-blooded killer when “Rocky” takes up the chase! Cattle detective, Rocky Lane, arrives in town to investigate cattle disappearances only to realize just three cows, owned by eccentric inventor Nugget Clark, are involved. However, the disappearances lead to a deeper mystery involving dynamite explosions, rampaging cowboys and a water shortage.
Lane and his trusty black stallion are on hand to help old-timer Waller find water for a town which is threatening to fold up due to drought. Some crooked townsfolk don’t want the water to be found because they want to collect on the $25,000 being stashed away for an aqueduct. Lane’s job is to make sure these people don’t pose too much of a problem, while Waller goes about finding the water. The characterization of Waller as a crazed inventor of gadgets is an added attraction to this oater with a realistic bent.
Full Synopsis (Turner Classic Movies)
American Film Institute
The Complete Movie
Eighty years ago, today, the Technicolor Special (Warner Bros. Series) short family musical Cinderella’s Feller was released. Directed by William C. McGann and produced by Gordon Hollingshead, it starred Juanita Quigley, Scotty Beckett, Maris Wrixon, Virginia Brissac and, Terry as Rex the Dog, the Cairn Terrier best known as Toto in the MGM film The Wizard of Oz.
I can’t find much written about this little short, though it is on YouTube in its entirety. It’s only a little over 19 minutes long. It is not listed on Turner Classic Movies or the American Film Institute but, does show up on the British Film Institute…which I find odd.
The site Letterboxd simply states:
The story of Cinderella with a children’s cast.
IMDB is not much longer:
The famous fairy tale is musicalized and given a modern 1940s spin with the principal characters (Cinderella, Prince Charming and the Wicked Step Sisters) all played by children.
I guess the story of The Little Glass Slipper needs no explaining.
♦ This short was produced toward the tail end of Shirley Temple‘s reign as Hollywood’s #1 box office star and it’s reasonable to assume it was made to showcase young talent that Warner Brothers may have thought had a shot at replicating Temple’s success.
Eighty-five years ago, today, the black & white short comedy Why Pay Rent? was released. Directed by Lloyd French and, co-written by Dolph Singer & Jack Henley, it starred Roscoe Ates, Shemp Howard, Billie Leonard, Ethel Sykes and Ron Le May.
Elmer (Roscoe Ates) fixes up a room for his just-married, freeloading brother-in-law and wife. When the newlyweds show up, Henry (Shemp Howard) brings a surprise in the form of stepson Junior. The apartment is now too small so, Henry decides that they’ll buy a lot and build a do-it-yourself home, a disaster in the making when Junior switches the house’s part numbers. It doesn’t help matters that Elmer, Henry and the wives are all incompetent.
In the 1930s, the Vitaphone division of Warner Brothers made a bunch of very uninspired and, often, unfunny comedy shorts. One of them, Why Pay Rent? is a bit like One Week (with Buster Keaton) but, only if the folks building the house were dumber than a pile of bricks. In many ways, this might have worked better as a Three Stooges short, which is interesting because Shemp Howard stars in this one, as well as Roscoe Ates, an incredibly unfunny comedian whose shtick was stuttering…which was annoying rather and cruel.