Movies

Movie Monday: Why Pay Rent? 1935

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Why Pay Rent Image One
Image Credit: imdb.com & amazon.com

Eighty-five years ago, today, the black & white short comedy Why Pay Rent? was released. Directed by Lloyd French and, co-written by Dolph Singer & Jack Henley, it starred Roscoe Ates, Shemp Howard, Billie Leonard, Ethel Sykes and Ron Le May.

Synopsis:

Elmer (Roscoe Ates) fixes up a room for his just-married, freeloading brother-in-law and wife. When the newlyweds show up, Henry (Shemp Howard) brings a surprise in the form of stepson Junior. The apartment is now too small so, Henry decides that they’ll buy a lot and build a do-it-yourself home, a disaster in the making when Junior switches the house’s part numbers. It doesn’t help matters that Elmer, Henry and the wives are all incompetent.

Review:

In the 1930s, the Vitaphone division of Warner Brothers made a bunch of very uninspired and, often, unfunny comedy shorts. One of them, Why Pay Rent? is a bit like One Week (with Buster Keaton) but, only if the folks building the house were dumber than a pile of bricks. In many ways, this might have worked better as a Three Stooges short, which is interesting because Shemp Howard stars in this one, as well as Roscoe Ates, an incredibly unfunny comedian whose shtick was stuttering…which was annoying rather and cruel.

This film isn’t listed as lost but, I couldn’t find any video clips of it. I did find some stills of Elmer painting himself into a corner on Getty Images. ~Vic

Trivia Bit:
♦ Some of the construction sight gags, including the final scene, were re-done two years later by Moe, Larry and Curly in The Sitter Downers.

Additional Reading:
Shemp Howard Review (DVD Talk)
Why Pay Rent? (IMDB)
Why Pay Rent? (1935) (The Three Stooges Online Filmography)

Flick Friday: The Cheyenne Kid 1930

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The Cheyenne Kid Poster Image One
Image Credit: imdb.com & amazon.com

Ninety years ago, today, the obscure, low budget, black & white western film The Cheyenne Kid was released. Directed and co-written by Jacques Jaccard, it starred Jay Wilsey, Joan Jaccard (Catherine Dirking), Yakima Canutt (co-writer & stuntman), Jack Mower and Frank Ellis.

Summary:

Buck Allen, The Cheyenne Kid, has been accused of holding up the payroll car of the Cody Dam Construction Company and is being pursued by U.S. Marshal Utah Kane and, Sheriff Hank Bates but, they lose him. Buck proceeds to the home of Betty Thorpe, where he meets Duke Porter, who is posing as his friend. [Duke], who advised him that, by running away from the law, he can keep out of jail and force the guilty party to confess. Hiding in the barn, he hears a conversation between Gorman and Madge. [H]e leaps to the floor as Gorman runs out. Gorman shoots at him but, hits Madge instead. The Marshal and Sheriff ride up and Buck, knowing that Madge needs medical attention, gives himself up and, is jailed. Marshal Kane believes that Buck is innocent and is on the hunt for the guilty party but, allows the sheriff to believe that Buck is guilty. Kane has the sheriff bring Gorman to the jail and, tells Buck and Gorman of an old Indian legend that, when two people are given one weapon between them, the survivor will be the innocent party. He throws a bull-whip between them and says that is the weapon.

In the trivia section, there is one entry:

This film is presumed lost. Please check your attic.

Additional Reading:
The Cheyenne Kid (Allmovie)
About Jay Wilsey (The Old Corral B-Westerns)

Movie Monday: The Sporting Venus 1925

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The Sporting Venus Image One
Image Credit: Mike Cline’s Then Playing Blog

Ninety-five years ago, today, the silent, black & white romance film The Sporting Venus was released by MGM. Directed by Marshall Neilan, story by Gerald Beaumont and screenplay by Thomas J. Geraghty, it was filmed at Cortachy Castle in Angus, Scotland and, MGM Studios. It starred Blanche Sweet (Neilan’s wife), Ronald Coleman, Lew Cody, Josephine Crowell and Edward Martindel. This was the first of two movies paring Sweet with Coleman.

Synopsis:

Lady Gwen, the last of the sporting Grayles, falls in love with Donald MacAllan, a bright young medical student far below her station. Gwen’s father, who opposes the match, introduces her to Prince Carlos, who wishes to marry her in order to pay off his creditors.

The Sporting Venus Image One
Photo Credit: imdb.com & amazon.com

Donald enlists during the World War and Carlos continues his courtship. When Donald returns from the fighting, Carlos tells him that he is engaged to Gwen and Donald, therefore, makes no attempt to see her. Gwen mistakes Donald’s seeming indifference for contempt and seeks to forget him by living riotously in several European capitals. Having exhausted her fortune, and ruined her health, Gwen returns to Scotland and goes to live in the same cottage where Donald used to study. She becomes ill and, in delirium, calls for Donald. Her old nurse goes to fetch him at the Grayle estate, which, having become wealthy, he has just bought. Donald rescues Gwen, who has wandered out in a storm, and nurses her back to health.

The Screen Review:

A Hollywood conception of Scotsmen who wear the kilt but, whose complexions betray nary a sign of the ruddy ruggedness due to Highland rain and wind, is to be seen at the Capitol this week in a picture called “The Sporting Venus” […]. [There] is a question [of] whether the Wallaces, the Bruces, the Watts and the McTavishes will smile with any satisfaction upon it. Not that they are intentionally maligned in this story but, that the men from the land of the heather are portrayed with studio-blanched complexions and, in one or two instances, wearing brocaded silk dressing gowns.

Ronald Coleman Image Two
Photo Credit: Ronald Coleman Gallery

Marshall Neilan, the director of this celluloid effusion, in his desire to depict Lady Grayle (Blanche Sweet) as a plucky person at the eleventh hour of a fast life, shows her ladyship smoking a cigarette before she breathes her last. Ronald Colman is undoubtedly a bonnie actor but, you just know that he never was born to wear a kilt, [though], he does for a few scenes. He impersonates Donald McAllen, frequently alluded to as a commoner.

Donald and the capricious lassie, Lady Gwendolyn, are happy in Scotland until the coming of Prince Carlos […]. This Prince, played by Lew Cody, is a man of many debts and a faithful valet. His creditors see only one way to get back their money and that is to have the oily gentleman marry a wealthy wife. Donald goes to France to fight, and when he returns on leave, [believes] the Prince’s story […] that [he], more or less, is to wed Lady Gwendolyn.

Lady Gwendolyn […] becomes […] a flighty young woman who gambles in millions. The young hero goes back to France, and as a surgeon, makes a great name for himself. He purchases Grayloch, the great estate of the Grayles.

With the background of Scotland, Mr. Neilan ought to have been able to make a production far stronger than this effort, which, at best, is only a mediocre diversion. It is true that it has some beautiful scenery and the settings are quite pleasing.

Mordaunt Hall
The New York Times
May 11, 1925

This film survived but, I can’t find any clips of it. Silent Era states that a premiere took place on May 10, 1925, at the Capitol Theatre in New York City and was released May 17, 1925. AFI disagrees. ~Vic

Sources:
The Sporting Venus (American Film Institute)
The Sporting Venus (IMDB)
Gentleman of the Cinema (Ronald Coleman Website)
The Screen (The New York Times)
The Sporting Venus (Wikipedia)

Flick Friday: The Girl In Number 29 1920

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The Girl In Number 29 Image One
Image Credit: Movie Poster Database
wikipedia.org & wikimedia.org

One-hundred years ago, today, the silent black & white drama film The Girl In Number 29 premiered (though not released, widely). Directed by John Ford and written by Philip D. Hurn, it was based upon the novel The Girl In The Mirror (1919) by Elizabeth Jordan. Starring Frank Mayo, Elinor Fair, Claire Anderson, Robert Bolder and Bull Montana, it is considered a lost film.

Frank Mayo & Claire Anderson Image Two
Frank Mayo & Claire Anderson
Image Credit: Motion Picture News
wikipedia.org & wikimedia.org

From AFI:

After turning out a successful drama, young playwright Laurie Devon settles down to a life of idleness. Alarmed and disgusted, his friends make every effort to get him to work again but, he refuses. One evening, while glancing into his mirror, Laurie sees a beautiful girl in the apartment across the way, holding a revolver to her head. Dashing out of his apartment house, he prevents her from pulling the trigger. He learns that her name is Doris Williams and discovers that her plight is caused by a man named Shaw. Soon after, Shaw and his thugs abduct her, and Laurie comes to her rescue, shooting her tormentor. Returning home, he confesses his crime to his sister and friends, and learns that the whole incident was a trick to restore his interest in life. The plot succeeds and Laurie writes another hit play in which his new wife Doris is the star.

From MPN:

Laurie Devon (Mayo) is a New York playwright who, having had one success, refuses to work on another play. One night he sees a woman (Anderson) in an apartment across the street take out a gun and place it to her forehead. He reaches her in time to save her and she tells him that she is under some terrible evil influence, which she will not disclose. Devon attempts to untangle the mystery and is led on an adventure. The woman is taken to a house on Long Island, where Devon, after a fight, rescues her. He takes out the revolver and shoots one of the pursuers, who falls to the ground. On returning home, he is heartbroken and tells his sister Barbara (Fair) and his friends that he is a murderer. His sister, and two of his friends, then confess that the whole thing was a frame-up. [T]hey had hired some actors to stage everything and that it was an attempt to get the ambitionless [sic] author to write again. The revolver used in the suicide attempt by the woman, and in the later shooting, had blanks. Devon and the woman from the apartment melt into each other’s arms at the final fade-out.

Elinor Fair & Harry Hilliard Image Three
Elinor Fair & Harry Hilliard
Image Credit: Exhibitors Herald
archive.org
wikipedia.org & wikimedia.org

Additional Reading & Sources
American Film Institute
IMDB
Web Archive
Wikipedia

Flick Friday: The Death Train 1915

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The Death Train Image
Photo Credit: anthonybalducci.blogspot.com
A Silent Film Rule:
Pies Go Splat But Damsels Never Do

Oh, it has been work looking for a film for today’s date. IMDB had plenty to choose from but, I couldn’t seem to get any further information from the others…Wikipedia, American Film Institute, Turner Classic Movies… Even the Silent Era site and Silent Hollywood were slim pickings and, Silentology had nothing.

Anyway, one hundred, five years ago, today, Episode #17 of The Hazards of Helen, The Death Train, was released. Similar to The Perils of Pauline, The Hazards of Helen was a film serial or series that ran from November 7, 1914 to February 24, 1917.

There were 119 episodes that were 12 minutes long, most of which have been lost. Based upon a novel written by John Russell Corvell and a play written by Denman Thompson, W. Scott Darling adapted the material for the silent screen and Edward T. Matlack wrote The Death Train, specifically. Directors were J. P. McGowan (1-48) and J. Gunnis Davis for the rest. The original actress was Helen Holmes (1-48), followed by Helen Gibson for the remainder of the series, with Anna Nilsson filling in for Holmes for Episode #18.

This episode also starred Rex Downs, M. J. Murchison, Edmund ‘Hoot’ Gibson, Leo D. Maloney and George A. Williams. Helen Holmes did most of her own stunts.

IMDB Summary:

The discovery that detectives are on their trail causes Doyle, Broden and Etzer, counterfeiters, to pack their paraphernalia into a trunk and express it to Lone Point. Upon its arrival at that station, a corner of the trunk is smashed. Helen thus learns of its contents. The telegrapher immediately wires to Savage, a railroad detective. The latter, accompanied by Duncan, a Secret Service detective, hastens to the scene. At their suggestion, Helen arranges a trap for the counterfeiters. When the latter appear, they are set upon by the officers. Etzer is captured but, his pals get away. Doyle eludes pursuit but, Broden later falls into Savage’s hands. Helen, watching the pursuit, ventures on the high trestle which crosses the dry bed of the Loro River. Doyle, who is hiding, sees Helen. Overpowered by a desire for revenge, the man attacks the telegrapher and makes her a prisoner. A rope lies nearby. Binding Helen, Doyle suspends his victim from the trestle and fastens the end of the line around the rails. Duncan sees this from afar. Although he rushes forward, he knows that the Keene local, due any moment, will cut the rope as it crosses the trestle. Meanwhile, Helen, after a tremendous effort, frees her hands. There is one chance for life. The girl commences swinging her body. Each time, she [manages] a wider arc. The train is crossing the trestle when Helen swings toward a beam. The engine wheels sever the rope. Helen flies through the air and reaches the beam. Doyle is captured. Savage and Duncan raise Helen to the tracks and find her uninjured.

Moving Picture World

This is one of the lost pieces so, there isn’t a YouTube clip and I could only find one picture. ~Vic

Additional Reading
Lost Films (European Union/German site)
Silent Era
Silent Hollywood (More on Helen Holmes)

TV Tuesday: Mister Jerico 1970

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Mister Jerico Image One
Image Credit: imdb.com & media-amazon.com

Fifty years ago, today, the British crime-comedy, made-for-tv movie Mister Jerico aired on ABC. Directed by Sidney Hayers, it starred Patrick Macnee, Connie Stevens, Herbert Lom, Marty Allen and Bruce Boa.

Summaries:

Smooth con man Dudley Jerico sets out to rob corrupt millionaire Victor Rosso [sic] of his legendary Gemini diamond.

A conman hatches a plan to swindle a corrupt millionaire out of his treasured priceless diamond by claiming to have discovered its twin. However, his plot is disrupted by a rival hustler who comes up with the same idea and, the two crooks must each convince their suspicious target that they can be trusted and the other is lying.

Reviews:

This disappointing comedy caper evidently got the green light due to the popularity of Patrick Macnee‘s dapper superspy John Steed in The Avengers. Unfortunately, this attempt to turn Macnee into an equally charismatic jewel thief just can’t compete with its bigger budgeted competition, despite the catchy title track from Lulu and the star’s stunning array of flowery shirts. Herbert Lom is good value as the object of Macnee’s felonious attentions (in a role similar to the one he played in the Michael Caine caper Gambit three years before) but, this lacklustre yarn, ultimately, can’t cut it in the excitement or suspense stakes.

Jeremy Aspinall of RadioTimes

Mister Jerico Image Two
Image Credit: wikipedia.org & wikimedia.org

Mister Jerico is one of those charming and fluffy capers that the 1960s did well, quite similar to the higher-budgeted Gambit or How to Steal a Million. The palette is sun-soaked, the plot buoyant and just this side of ridiculous. The second half of the film, in particular, moves along at a nice pace, complicating matters without making anything seem too serious. If you think too deeply about the story, it will all appear very nonsensical but, this is a stylized caper film not intended for deeper scrutiny. It’s a surface film and as such it’s quite enjoyable.

Lauren Humphries of Suddenly, A Shot Rang Out… Blog

A fun film with a very Avengers feel to it, which should be obvious given the cast and crew. Allen is a little out of place but, Macnee and Lom are great, as is Laurie Johnson‘s score. I’ll even admit, against that, Lulu‘s theme song is catchy. Apparently [it was] intended as a pilot for a Macnee series to follow The Avengers but, instead, [was] released theatrically (though, in the US, it only ended up as a TV movie of the week).

Dave W. of Actors Compendium

Trivia Bits:
Filmed in Malta and Associated British Elstree Studios in Hertfordshire.
♦ The lead role was originally offered to Robert Wagner but, he was not available.

Additional Reading & Sources:
Rotten Tomatoes
RadioTimes
Cinedelica
Cult TV Blog
Allmovie Overview
Mubi

Video Link: (Late Update)
YouTube Link (Video will not embed as the owner of the account disabled embedding.)

TV Tuesday: The Death of the Incredible Hulk 1990

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Death of the Hulk Image One
Image Credit: imdb.com

Thirty years ago, today, the television movie The Death of the Incredible Hulk aired on NBC. Created by Kenneth Johnson (The Bionic Woman, Alien Nation Series and “V”) and based on the Hulk character by Stan Lee & Jack Kirby, this was the last of three films produced after the end of The Incredible Hulk TV series. Starring Bill Bixby (reprising his role from the series), Lou Ferrigno, Elizabeth Gracen (Black Widow-type character), Philip Sterling (Doctor Strange-type character), Andreas Katsulas, and a bit part for Carla Ferrigno, it was produced (executive) and directed by Bixby. There was an uncredited flashback cameo of Susan Sullivan from the original pilot episode. A fourth film was planned but, was canceled due to disappointing ratings for this movie.

IMDB Summary:

[This was] the finale of the television series about Dr. David Banner, a scientist who transforms into a mighty, larger-than-life creature called the Hulk when he gets angry. Desperately attempting to purge himself of his monster-like alter ego, Banner sneaks into a research laboratory. During the critical experiment to purge him of the Hulk, once and for all, a spy sabotages the laboratory. Banner falls in love with the spy, Jasmin, who performs missions only because her sister is being held hostage by Jasmin’s superiors. Banner and Jasmin attempt to escape from the enemy agents to rebuild their lives together but, the Hulk is never far from them.

From Comics Bulletin:

The Incredible Hulk Returns and The Trial of the Incredible Hulk actually served as backdoor pilots for possible Thor and Daredevil series that never materialized. The third film, The Death of the Incredible Hulk was originally supposed to be the same sort of experiment, introducing She-Hulk, with Iron Man scheduled for the following film.

Bill Bixby Image Two
Image Credit: imdb.com

[However], when it finally came together, it, instead, served as a swan-song for Bill Bixby and focused on one last attempt at a cure for Banner’s Hulk-itis. Unfortunately, even though it wasn’t intended to really be the end of the Hulk on television (the plan was to have him return from the grave with Banner’s mind in the Hulk body), Bill Bixby’s health went south and he died before a proposed Rebirth of the Incredible Hulk film could get underway.

Brigette Nielson She-Hulk Image Three
Photo Credit: syfy.com

Trivia Bits:
♦ After the ratings failure of this film, NBC decided not to continue the series. CBS already wanted nothing to do with The Incredible Hulk, prior to The Incredible Hulk Returns (1989). [For] the planned next installment, […] Bill Bixby tried to reach an agreement with ABC and they turned him down. [Then], he did the same for the Fox Network, who agreed to air another movie. Bixby and Fox were doing business together until Bixby was diagnosed with prostate cancer, causing production […] [to] shut down.

Brigette Nielsen was due to be cast in the female role [of She-Hulk]. This was due to be made about 1991. [There] are a handful of photos that feature Nielsen in full makeup and costume, offering a glimpse of what might have been.

NBC Promo

Trailer

Flick Friday: The Roman 1910

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The Roman 1910 Image One
Image Credit: imdb.com & amazon.com

One hundred, ten years ago, the silent, black & white short film The Roman was released. Directed by Francis Boggs and written by Edward Bulwer-Lytton, it starred Hobart Bosworth, Betty Harte, Robert Z. Leonard and Tom Santschi. It was filmed at the studios of the Selig Polyscope Company.

The Moving Picture World (January-June 1910 Archive):

Perhaps the most attractive feature of this picture is the reproduction of early Roman costumes and Roman surroundings. It is a story of political intrigue, with all the contests and disagreeable features, connected therewith in the ancient city. But, the reproduction of manners and customs and, the historically correct scenery and settings, add immensely to the interest and, insure attention when, perhaps, the mere political story would scarcely be considered. The greatest service the motion picture can do is in the direction of educating the people, and a film like this, which faithfully illustrates long past and, perhaps, partially forgotten life, is of vast importance and, deserves a cordial reception. The Selig players have brought enthusiasm to their work and, have put much ability and life into the interpretation of this play.

American Film Institute (AFI) History:

This film may have been based on the 1835 novel Rienzi, the Last of the Tribunes, by Edward Bulgar-Lytton [sic]. An advertisement in the [February] 19, 1910, Film Index billed Bosworth above the title, “Hobart Bosworth in The Roman,” and labeled the movie “Film De Art of the Classics,” declaring: “Its teachings are based upon the scriptures and traditions of the early history of the eternal city.” The advertisement also suggested that theater owners book The Roman as a “Special Lenten Picture.”

A young woman [orders] her girl slave to deposit in the waters of the Tiber a child which she has cause to be rid of. The infant is found by one of the aristocracy and adopted. In later years she is betrothed but, just before the wedding, the ruler of the land claims the young woman, on the ground that she was born in slavery. By military force, she is torn from the arms of her foster father and taken to the ruling house where she is held captive for only a few hours, as the father and young lover, have aroused a popular rebellion which overthrows the ruler, end[ing] in his death and the defeat of his defenders. (Variety February 19, 1910)

One Trivia Bit:
♦ Per [Hobart] Bosworth, first picture made at Selig’s (Studio at 1845 Allesandro Street, now Glendale Blvd.) in the Edendale (now Silver Lake) plant of Los Angeles.

[There was not much written about this film and no video clip(s). The image, above, doesn’t seem to jive with the TCM synopsis. But, that is all I could find.

Addendum: I continued to dig and found the, above, write-ups via the Internet Archive database and AFI. Turner Classic Movies synopsis was WAY off. ~Vic]

TV Tuesday: American Movie Awards 1980

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AMA Screen Capture Image
Image Credit: americanmovieawards.com & The Wayback Machine
Screen Capture

Forty years ago, today, the very first American Movie Awards was televised on NBC. Filmed at the Wilshire Theatre, the ceremony honored film, actors, directors, screenwriters, music, favorites and a special recognition. Co-hosts were David Frost (also Executive Producer) and Dudley Moore with Angie Dickinson as Co-Hostess. Susan Anton was a performer. Judging by what few images I could find, the trophy was designed to resemble the Empire State Building.

Suzanne Somers Image Two
Photo Credit: Getty Images

Presenters were:

Peter Falk, Anthony Franciosa, William Holden, Christopher Lee, Jack Lemmon, Rita Moreno, Ricky Schroder, Suzanne Somers, Donna Summer and Donald Sutherland.

Winners:
♦ Best Film: Rocky II
♦ Best Actor: Alan Alda (The Seduction of Joe Tynan)
♦ Best Actress: Sally Field (Norma Rae)
♦ Best Supporting Actor: Robert Duvall (Apocalypse Now)
♦ Best Supporting Actress: Meryl Streep (The Deer Hunter)
♦ Best Director: Michael Cimino (The Deer Hunter)
♦ Best Screenplay: The China Syndrome
♦ Best Original Song: Every Which Way But Loose (Every Which Way But Loose)
♦ Favorite Film Star-Female: Jane Fonda
♦ Favorite Film Star-Male: Burt Reynolds
Special Marquee: Clint Eastwood (Distinguished and Continuing Career)

There was another ceremony in March 1982 at a different location and a relaunch in 2013 with ceremonies in 2014, 2015, 2016, 2017 and 2018 focusing mainly on Independent Film. I doubt there will be anymore ceremonies as the website was taken down last year. There are no videos of the event on YouTube, either.

Angie & Dudley Image Three
Photo Credit: Getty Images

TV Tuesday: All Creatures Great & Small 1975

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All Creatures Image One
Image Credit: imdb.com

Forty-five years ago, today, the Hallmark Hall of Fame television movie All Creatures Great and Small aired on NBC. Based on two novels by James Alfred Wight (pen name James Herriot), If Only They Could Talk (1970) and It Shouldn’t Happen To A Vet (1972), it was the first of a series of films and TV series based on his work. Directed by Claude Whatham and produced by David Susskind, it starred Simon Ward (as James Herriot), Anthony Hopkins, Lisa Harrow, Brian Stirner and Freddie Jones.

From Wikipedia

It is 1937 and newly qualified vet James Herriot travels to Yorkshire to apply for the post of assistant in Siegfried Farnon’s practice. He soon learns the facts of country life but, struggles to overcome the prejudices of the Darrowby locals who are skeptical of the novice vet’s ability. In between cases, Herriot courts pretty farmer’s daughter Helen Alderson and finally marries her.

From Turner Classic Movies:

A gentle, episodic account of author Herriot’s apprenticeship in the mid-1930s to an eccentric rural English veterinarian and his awkward courtship of a farmer’s daughter.

All Creatures Image Two
Photo Credit: memorabletv.com

From IMDB:

The story of a young veterinarian’s apprenticeship to a somewhat eccentric, older vet in the English countryside and the young man’s hesitating courtship of the daughter of a local farmer.

Filming began May 1974 in Malton, North Yorkshire with studio work in London. The film wasn’t released in the UK until May 9, 1975, opening in London at Studio Two on Oxford Street.

Trivia Bits:
♦ Although born in Sunderland, England, James Herriot spent the first twenty-three years of his life in Glasgow, Scotland and never lost the accent, as can be heard in television interviews. Simon Ward however, plays him as a Londoner.
♦ Known to the cast and crew as “All Creatures Grunt and Smell”.

TV Tuesday: Beggarman Thief 1979

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Beggarman, Thief Image
Image Credit: imdb.com

Forty years ago, today, Part I of the mini-series Beggarman, Thief aired on NBC. Based on the novel of the same name by Irwin Shaw, it was the sequel to the novel and mini-series Rich Man, Poor Man that aired from February through March 1976 on ABC. An additional sequel, Rich Man, Poor Man Book II aired from September 1976 to March 1977, also on ABC but, was not based on the actual sequel novel.

Directed by Lawrence Doheny, it starred (in credit order) Jean Simmons, Glenn Ford, Lynn Redgrave, Tovah Feldshuh and Andrew Stevens.

From IMDB:

This sequel to “Rich Man, Poor Man” is set in the ’60s and focuses on wannabe Hollywood filmmaker Gretchen, black-sheep Army officer Billy and, Billy’s cousin Wesley, who’s tracking his father’s killer in France.

From TCM:

The two-part, four-hour sequel to Irwin Shaw’s “Rich Man, Poor Man” and the vastly successful mini-series made from it (and the subsequent, less-successful short-lived series, “Rich Man, Poor Man Book II,” during the 1976-77 season). Moviemaker Gretchen Jordache, the sister not seen in either of the predecessors, strives to pull the family together after the murder of brother Tom (in the mini-series) and the disappearance of brother Rudy (in the later series), by first re-establishing contact with her soldier son and, then, patching things up with her sister-in-law, Kate, Tom’s widow.

Casey Kasem’s Network Promo Advertisement

Casey Kasem’s Intro to Part II

Flick Friday: Love Me Tender 1956

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Love Me Tender Image
Image Credit: imdb.com

I usually do movie posts in five year increments but, this one kinda fell in my lap. Sixty-three years ago, today, Elvis Presley made his acting debut in the film Love Me Tender. Directed by Robert D. Webb, it was originally titled The Reno Brothers and was based on a story written by Maurice Geraghty. When Presley’s single Love Me Tender passed one million copies, a first for a single, the title to the film was changed. This was the only movie in which Presley played an historical figure and the only movie in which he did not receive top billing.

With Robert Buckner as screenwriter and produced by David Wiesbart, it starred Richard Egan, Debra Paget, Elvis, Robert Middleton, William Campbell, Neville Brand and Mildred Dunnock.

Elvis plays Clint Reno, one of the Reno Brothers who stayed home while his brother went to fight in the Civil War for the Confederate army. When his brother Vance comes back from the war, he finds that his old girlfriend Cathy has married Clint. The family has to struggle to reach stability with this issue. Vance is involved in a train robbery, while a Confederate soldier, of Federal Government money. There is a conflict of interest, when Vance tries to return the money, against the wishes of some of his fellow Confederates.

[Source]

Trivia Bits:
♦ Originally, this movie had no singing in it. Songs were added to cash in on Elvis Presley’s stardom.
Priscilla Presley reportedly copied Debra Paget’s unique hairstyle from this film to attract Elvis in 1959.
♦ According to Penny Stallings‘ “Flesh and Fantasy”, Presley developed a crush on co-star Debra Paget, which went unreciprocated because she was seeing Howard Hughes at the time.
♦ When the film played in theaters, Elvis Presley’s fans were screaming so loud that audiences couldn’t hear any of his lines.

Trailer


 

The Actual Movie

TV Tuesday: Cross of Fire 1989

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Cross of Fire Image
Image Credit: vidimovie.com

Thirty years ago, today, Part I of the mini-series Cross of Fire aired on NBC. Based on the kidnapping, rape and murder of Madge Oberholtzer, it starred John Heard, Mel Harris, David Morse, George Dzundza and Lloyd Bridges. Directed by Paul Wendkos and written by Robert Crais, it was filmed in Kansas, though the historical events occurred in Indiana.

John Heard plays the part of D. C. Stephenson, the Grand Dragon of the Indiana Branch of KKK.

The two-part TV movie Cross of Fire is set in the 1920s, when the Ku Klux Klan was at the height of its political power in Indiana. Part One, originally telecast November 5, 1989, details the resurgence of the Klan (which had been created during the Reconstruction era) under the leadership of David “Steve” Stephenson […]. Cloaking himself in the twin veils of patriotism and morality, Stephenson rails against such “deviates” as blacks, Jews and Catholics, gaining political clout and financial kickbacks as his “invisible empire” grows. Part Two […], telecast November 6, traces the fall of Stephenson…not because his followers have wised up but, because of a 1925 rape and murder charge.

[From Allmovie]

Madge Oberholtzer’s Dying Declaration [Warning: graphic descriptions]
Stephenson’s Murder Conviction
Aftermath and Fallout

♠ The scandal reached the governor. He was indicted and tried but, the conclusion was a hung jury. He wasn’t retried due to the statute of limitations but, left office disgraced with his political career destroyed.

Primetime Emmy Award

Flick Friday: The Heiress 1949

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The Heiress Image One
Photo Credit: imdb.com

I couldn’t come up with any movie releases for today but, seventy years ago, on this date (as best as I can tell), the The Heiress was the most popular film at the box office. Directed, and produced, by William Wyler, it premiered in New York on October 6 and in Los Angeles on October 20. Based on the 1947 play of the same name by American playwrights Ruth and Augustus Goetz, it starred Olivia de Havilland, Montgomery Clift, Ralph Richardson, Miriam Hopkins and Vanessa Brown.

The Heiress Image Two
Image Credit: imdb.com

Summary:

Catherine Sloper is a shy and backwards young woman who lives with her father, Dr. Austin Sloper, in 1849 New York. By all accounts, Catherine’s mother was a beautiful and graceful creature with the charm of queens. Catherine never knew her mother since she died while in childbirth but, her father often reminds her of all the things her mother was and that she is not. Catherine inherited a great deal of money after her mother passed and will inherit twice as much more at the passing of her father. So, when a poor but handsome and well-bred man, Morris Townsend, begins to court Catherine, her father becomes suspicious that he must be after her money. After all, Catherine is plain and boring. What could she possibly offer to this young man other than her money? When she refuses to give up her new beau, her father threatens to disinherit her. Will her father eventually convince her to give him up and wait for a suitable husband? Will Catherine and Morris elope and, live on the money left to her by her mother? Or, could it be that Catherine finally finds all the grace and charm of her mother only to use it against the men in her life?

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Trivia Bits:
♦ Montgomery Clift was so unhappy with his performance, he walked out of the Premiere.
♦ Cary Grant was interested in playing Morris Townsend but, William Wyler turned him down.
♦ Montgomery Clift took some piano lessons for the scene where he sings “Plaisir d’Amour” to Olivia de Havilland.
♦ William Wyler wanted Erroll Flynn for the role of Morris Townsend.
♦ This movie was selected to the National Film Registry, Library of Congress, in 1996.

Academy Awards & Nominations
Other Awards & Nominations

TV Tuesday: The Flame Is Love 1979

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The Flame Is Love Image One
Photo Credit: amazon.com

Forty years ago, today, the television film The Flame Is Love aired on NBC. Based on the Barbara Cartland novel of the same name, it starred Linda Purl, Shane Briant, Timothy Dalton, Richard Johnson and Joan Greenwood. Directed and co-produced by Michael O’Herlihy, it was written by Hindi Brooks (teleplay) and filmed in Ireland.

Synopsis from The Movie Database:

This sudsy made-for-TV melodrama is based on a Barbara Cartland novel and follows the romantic exploits of an American heiress who sets sail for exciting Paris at the turn-of-the-century. She is traveling there to meet her fiance but, ends up falling in love with a French journalist.

Synopsis from the actual novel:

Reluctant to accept her arranged marriage to an English Duke she has never met, beautiful, young, American oil heiress, Emmeline Nevada Holtz, nicknamed “Vada” after the state, travels to Paris to buy her trousseau before meeting her husband-to-be. When her travelling companion, Nancy Sparling, has an accident and hurts her leg, Vada assumes her name to avoid unwelcome attention. [She] travels on with just her elderly maid, determined to make the most of her last chance to explore Bohemian Paris and, the wonders of the city that she had heard and read so much about. At her hotel she finds a handsome intruder in her suite, not a thief as she at first thinks but, a journalist looking to interview the famous heiress Emmeline. Smitten by this charismatic Frenchman and his talk of poetry, Vada finds herself agreeing to go with him to the Soleil d’Or, wellspring of the Symbolist movement. Soon, they are deeply and uncontrollably in love, a love that is surely doomed by her deception, her betrothal to the Duke and, now, a terrifying ordeal at a Satanist Black Mass on the dark side of the City of Light.

Timothy Dalton’s character Marquis de Guaita is based on Stanislas de Guaita, the founder of Kabbalistic Order of the Rose-Cross (Rosicrucians).

The Complete Movie