bruce springsteen

Hans 2021 Movie Draft: Round Seven-Pick Six-Cop Land 1997

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Cop Land Miramax IMDb & Amazon Image One
Photo Credit: Miramax, IMDb & Amazon

Hanspostcard has a movie draft challenge. This is my Round Seven pick.

Category: Crime/Film Noir
Film: Cop Land

Written and directed by James Mangold, it was executive produced by the Weinstein brothers (though their names have been removed from the Wikipedia article). Released August 6, 1997 in New York (premiere) and nationwide on August 15, it was an incredible ensemble cast of Sly Stallone, Harvey Keitel, Ray Liotta, Robert De Niro, Robert Patrick, Peter Berg, Janeane Garafalo, Edie Falco, Michael Rapoport, Annabella Sciorra, John Spencer, Cathy Moriarty, Noah Emmerich, Frank Vincent, Malik Yoba, Arthur Nascarella and, cameos of Deborah Harry & Geraldo Rivera.

Sylvester Stallone put on 40 pounds to play Nowheresville, N.J., sheriff Freddy Heflin in Cop Land […]. His town is run by Ray Donlan (Keitel) and the other New York cops who have settled there with their families. He wears blinders when it comes to their lawbreaking and mob dealings. Moe Tilden (De Niro), the internal-affairs officer out to get the goods on Cop Land, correctly pegs Freddy as “a man looking for something to do.” Keitel’s [Donlan] exudes dangerous energy. He cares for his own as long as they don’t cross him […]. Robert Patrick brings sly menace to Rucker […]. Ray Liotta […], as Gary Figgis, [is] a tainted cop who sides with Freddy.

Mangold […] has a rare talent for finding the human drama in ordinary lives.

Peter Travers
Rolling Stone
August 15, 1997

Stallone IMDb & Amazon Image Two
Photo Credit: IMDb

Writer-director James Mangold […] wrangles an impressive cast […] and spins a compelling tale of cancerous corruption among a secretive group of New York’s finest who have settled in the fictional New Jersey burg of Garrison. [Stallone] indeed looks chunky and plays the sleepy, docile Sheriff […] with sluggishness to spare in a largely commendable performance as a half-deaf small-town dreamer. [He] is not given much in the way of memorable dialogue but, he makes the character work […]. [Having] yet to replace his LP of The River with a CD, [he] carries a torch for the local Jersey girl (Sciorra) he saved from drowning…the reason for his loss of hearing in one ear…[he] once longed to be a big-city cop but, had to settle for policing them.

Freddy gradually realizes that he doesn’t like how the town has turned out.

David Hunter
The Hollywood Reporter
August 11, 1997

I saw this at the theater when it came out and caught it, again, a few nights ago. I was born and raised in law enforcement and, worked in it, too (non-sworn). I’ve known good cops and I’ve known some really bad ones. I love a well written cop movie and this was an unusual one in that Stallone wasn’t playing a bad ass like Rambo, Cobra, Tango, John Spartan (though I do love that movie) or Ray Quick. This character was different…subdued. His scenes with Annabella Sciorra have Springsteen playing in the background which adds depth and texture to the mood. This is clearly a period piece as all the vehicles, hair cuts and clothing styles are, effectively, early 80s. The River came out in 1980 and music from the Director’s Cut, like Blue Oyster Cult‘s Burnin’ For You came out in 1981. This also manages to cover the Crime category via IMDb and the Film Noir category, simultaneously, via Historical Dictionary of Film Noir (2010). ~Vic

Trivia Bits:
There is a disclaimer at the end of the credits which states “This film is a work of fiction. It is currently illegal for New York City Police officers to live outside the state of New York.”
♦ Arthur J. Nascarella was a real-life NYPD officer.
Debbie Harry acted in the movie but, was edited out in the final cut. She explained on a live television special that although she was cut, she still got paid.
♦ In the scene in which Ray Liotta confronts Robert Patrick in the bar, the dart that Liotta shoves up Patrick’s left nostril was made out of rubber.
♦ Tom Cruise, Tom Hanks, Gary Sinise and John Travolta were considered for Sheriff Freddy Heflin.

Stallone’s Variety Interview 2019

Awards & Nominations

The Making of an Urban Western

Tune Tuesday: Dancing In The Dark 1984

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Bruce Springsteen Image One
Photo Credit: dailymail.co.uk & YouTube

Thirty-five years ago, today, the #1 song on the Billboard Hot Mainstream Rock chart was Dancing in the Dark from the album Born in the USA by Bruce Springsteen. The music video was directed by Brian De Palma (Carrie/Scarface/The Untouchables) and it introduced the world to a, then, unknown Courteney Cox. This was his biggest hit single and the album is, to this day, his best selling. The song also went to #1 with Cash Box, in Canada, with Radio & Records and, went on to #1 in 1985 in Belgium & The Netherlands. Notable cover version artists are Kermit the Frog, Mary Chapin Carpenter and Pete Yorn.

Bruce Springsteen Image Two
Image Credit: wikipedia.org

Awards
Best Rock Vocal Performance, Male Grammys
Grammy Hall of Fame Grammys
Pop/Rock Single American Music Awards
International Album of the Year Juno Awards
Best Stage Performance MTV Video Music Awards

Nominations
Grammys: 2
American Music Awards: 2
Brit Awards: 1
MTV Video Music Awards: 1

Lyrics

30-Day Song Challenge: Day 19

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Music Challenge Image
Photo Credit: goodreads.com

A song that makes you think about life…

Three songs, submitted for your approval.

“There’s no free rides, no one said it’d be easy…
The old man told me this my son I’m telling it to you…

Days turn to minutes…
And minutes to memories…

So, suck it up and tough it out…
Be the best you can…”


 

Though I am not really a Springsteen fan, I love this song.

“You might need somethin’ to hold on to…
When all the answers, they don’t amount to much…
Somebody that you could just to talk to…
And a little of that Human Touch…

Do you think what I’m askin’s too much?”


 

“There’s a light at each end of this tunnel…
You shout, ’cause you’re just as far in as you’ll ever be out…
And these mistakes you’ve made, you’ll just make them again…
If you only try turning around…

But you can’t jump the track, we’re like cars on a cable…
And life’s like an hourglass, glued to the table…
No one can find the rewind button now…”


 

Late add…