Hanspostcard/Max has a TV draft challenge. This is my Round Four pick.
I’ve stated, before, that I was born and raised in law enforcement. I’ve also worked in law enforcement (non-sworn) at two different agencies, one state and one county (think of me as the blond chick on Criminal Minds, sitting in front of a computer screen…though I am not blond). It can be an interesting job if you’re lucky enough to be employed with an agency that doesn’t take its political self too seriously (virtually impossible these days). I’ve met and worked with a couple of FBI agents. They were nice, everyday guys, back in the late 90s and early 2000s. I’ve seen and heard a lot of things.
The Sci-Fi geek that I am, I’m not presenting this show in that light. This show is, first and foremost, law enforcement. These are the folks, alongside first responders, to arrive at the scene of the accident, the scene of the disaster or the crime scene. In the case of these FBI agents, they investigate the weird shit. That being said, I do have a very full binder of X-Files non-sport cards and chase (special) cards, plus, all of the original series-run DVDs. ~Vic
Created and written by Chris Carter, there were many other writers, including David Duchovny (Agent Fox Mulder), Gillian Anderson (Agent Dana Scully) and Stephen King but, this was Carter’s baby. It starred Duchovny and Anderson as the dynamic duo, investigating all manner of odd, macabre, out-of-this-world or just plain gross happenings. In later years, Duchovny reduced his presence on the show and eventually left. In 2000, Robert Patrick (Agent John Doggett) was brought in as a new partner for Gillian Anderson. In 2001 Annabeth Gish (Agent Monica Reyes) showed up and, with the upcoming departure of Anderson, became Patrick’s partner. There was some chatter that the show would live on with Patrick and Gish but, it never materialized. Gish returned in the series revival but, Patrick did not. Neither of them were in the X-Files feature films.
Other regular cast members were Mitch Pileggi (Asst. Dir. Walter Skinner), William B. Davis (Cigarette Smoking Man), Nicholas Lea (Alex Krycek), Chris Owens (Jeffrey Spender, son of the Cigarette Smoking Man) and James Pickens, Jr. (Asst. Dir./Dep. Dir. Alvin Kersh). Secondary, popular characters were Tom Braidwood, Dean Haglund & Bruce Harwood (The Lone Gunmen), Don. S. Davis (Captain William Scully, Agent Scully’s father), Sheila Larken (Margaret Scully, Agent Scully’s mother), Melinda McGraw (Melissa Scully, Agent Scully’s older sister), Pat Skipper (Bill Scully, Jr., Agent Scully’s older brother), Jerry Hardin (Deep Throat), Steven Williams (Mr. X), Rebecca Toolan (Teena Mulder, Agent Mulder’s mother), Peter Donat (William Mulder, Agent Mulder’s father) and five separate actresses portrayed Samantha Mulder, the agent’s abducted, younger sister. Agent Scully also has a younger brother, Charles but, except for flashbacks, the character is uncredited.
Addendum: Honestly, I was hoping the show would continue on with Agents Doggett & Reyes. They had a lot of really good on-screen chemistry and I liked both actors. After nine years, I had grown weary of Duchovny’s primadonna attitude. When the series was revived, the magic was gone and I wasn’t impressed. Naturally, they turned Agent Reyes into a bad character and killed her off.
Addendum #2: I also have to mention that the theme song changed, just slightly, at some point. The first theme has a solid, continuous echo sound. The second theme is a double-repeating echo sound. Why it changed, I don’t know (it drove me crazy). It is never mentioned but, it did happen. Listen, below.
♦ As stated in my last draft, Mark Snow created the X-Files theme, the Starsky & Hutch theme for Season Three and many others.
♦ Gillian Anderson was nearly replaced when she got pregnant during the first season.
♦ Props from Mulder’s office are preserved at the Hollywood Entertainment Museum in LA. The I Want To Believe poster kept disappearing from the set.
♦ The agents badges read “Federal Bureau of Justice, United States Department of Investigation” as making a fake FBI badge is illegal.
♦ Gillian Anderson has stated that she based her approach to the role of Dana Scully on Jodie Foster’s performance as Clarice Starling in The Silence of the Lambs (1991).
♦ Dana Scully was named after the famous sports journalist Vin Scully. Mulder is the maiden name of Chris Carter’s mother.
♦ Chris Carter lists All the President’s Men (1976) as one of his inspirations for the series. There are numerous references to the film, including the shadowy informer Deep Throat, meetings in underground parking garages and hints at conspiracies which stretch all the way to the F.B.I.
X-Files Original Opening
X-Files Second Opening…Can you hear the difference?
Hanspostcard has a movie draft challenge. This is my Round Seven pick.
Category: Crime/Film Noir
Film: Cop Land
Written and directed by James Mangold, it was executive produced by the Weinstein brothers (though their names have been removed from the Wikipedia article). Released August 6, 1997 in New York (premiere) and nationwide on August 15, it was an incredible ensemble cast of Sly Stallone, Harvey Keitel, Ray Liotta, Robert De Niro, Robert Patrick, Peter Berg, Janeane Garafalo, Edie Falco, Michael Rapoport, Annabella Sciorra, John Spencer, Cathy Moriarty, Noah Emmerich, Frank Vincent, Malik Yoba, Arthur Nascarella and, cameos of Deborah Harry & Geraldo Rivera.
Sylvester Stallone put on 40 pounds to play Nowheresville, N.J., sheriff Freddy Heflin in Cop Land […]. His town is run by Ray Donlan (Keitel) and the other New York cops who have settled there with their families. He wears blinders when it comes to their lawbreaking and mob dealings. Moe Tilden (De Niro), the internal-affairs officer out to get the goods on Cop Land, correctly pegs Freddy as “a man looking for something to do.” Keitel’s [Donlan] exudes dangerous energy. He cares for his own as long as they don’t cross him […]. Robert Patrick brings sly menace to Rucker […]. Ray Liotta […], as Gary Figgis, [is] a tainted cop who sides with Freddy.
Mangold […] has a rare talent for finding the human drama in ordinary lives.
Writer-director James Mangold […] wrangles an impressive cast […] and spins a compelling tale of cancerous corruption among a secretive group of New York’s finest who have settled in the fictional New Jersey burg of Garrison. [Stallone] indeed looks chunky and plays the sleepy, docile Sheriff […] with sluggishness to spare in a largely commendable performance as a half-deaf small-town dreamer. [He] is not given much in the way of memorable dialogue but, he makes the character work […]. [Having] yet to replace his LP of The River with a CD, [he] carries a torch for the local Jersey girl (Sciorra) he saved from drowning…the reason for his loss of hearing in one ear…[he] once longed to be a big-city cop but, had to settle for policing them.
Freddy gradually realizes that he doesn’t like how the town has turned out.
The Hollywood Reporter
August 11, 1997
I saw this at the theater when it came out and caught it, again, a few nights ago. I was born and raised in law enforcement and, worked in it, too (non-sworn). I’ve known good cops and I’ve known some really bad ones. I love a well written cop movie and this was an unusual one in that Stallone wasn’t playing a bad ass like Rambo, Cobra, Tango, John Spartan (though I do love that movie) or Ray Quick. This character was different…subdued. His scenes with Annabella Sciorra have Springsteen playing in the background which adds depth and texture to the mood. This is clearly a period piece as all the vehicles, hair cuts and clothing styles are, effectively, early 80s. The River came out in 1980 and music from the Director’s Cut, like Blue Oyster Cult‘s Burnin’ For You came out in 1981. This also manages to cover the Crime category via IMDb and the Film Noir category, simultaneously, via Historical Dictionary of Film Noir (2010). ~Vic
♦ There is a disclaimer at the end of the credits which states “This film is a work of fiction. It is currently illegal for New York City Police officers to live outside the state of New York.”
♦ Arthur J. Nascarella was a real-life NYPD officer.
♦ Debbie Harry acted in the movie but, was edited out in the final cut. She explained on a live television special that although she was cut, she still got paid.
♦ In the scene in which Ray Liotta confronts Robert Patrick in the bar, the dart that Liotta shoves up Patrick’s left nostril was made out of rubber.
♦ Tom Cruise, Tom Hanks, Gary Sinise and John Travolta were considered for Sheriff Freddy Heflin.
The Making of an Urban Western