rolling stone magazine
Hans 2021 Movie Draft: Round Four-Pick Five-The Breakfast Club 1985

Hanspostcard has a movie draft challenge. This is my Round Four pick.
Category: Comedy
Film: The Breakfast Club
“So, Ahab, can I have all my doobage?”
“Chicks cannot hold dey smoke, dat’s what it is.”
The opening narration to this film is spoken by Anthony Michael Hall (Brian Johnson/The Brain):
“Saturday, March 24, 1984. Shermer High School, Shermer, Illinois, 60062 (fictional town). […] You see us as you want to see us… […] You see us as a brain, an athlete, a basket case, a princess and a criminal. […] That’s the way we saw each other at 7:00 this morning. We were brainwashed.”
This is my graduating class…the class of 1984 (despite the age of some of the actors). Released February 15, 1985, I was in my freshman year of college and it was a bittersweet revisit. I knew these characters…every single one of them. My high school even had a library that resembled that set. This movie was made with only a one million budget but, brought in $51 million and, in 2016, was selected for preservation with the National Film Registry of the Library of Congress. There is no CGI or special effects. There are no sweeping views of beautiful locations. There are no “shoot-em-up-bang-bang” sequences. There is some action with the cast running through the hallways, dancing while high and Judd Nelson (John Bender/The Criminal) falling through the ceiling tiles. This is, primarily, a study of human nature, parental influence, peer influence, subtle & overt abuse and the struggle to understand. It’s heartbreaking, it’s hilarious and it is so Generation X. ~Vic
Written, produced and directed by John Hughes, it also stars Emilio Estevez (Andrew Clark/The Athlete), Molly Ringwald (Claire Standish/The Princess), Ally Sheedy (Allison Reynolds/The Basket Case), Paul Gleason (Asst. Principal Richard Vernon) and John Kapelos (Carl Reed/The Janitor).

You be the judge.
Trivia Bits:
♦ The scene in which all characters sit in a circle on the floor in the library and tell stories about why they were in detention was not scripted. Writer and director John Hughes told them all to ad-lib.
♦ There is a deleted scene of Claire and Allison in the bathroom that didn’t show up until the Blu-Ray edition was released.
♦ Sixteen year old Hall hit a growth spurt during shooting and outgrew 24 year old Nelson, prompting Nelson to joke about writing letters to geneticists.
♦ Bender’s joke about the blonde, the poodle and the six foot salami has no punchline as it was never in the script.
♦ Nelson was nearly fired for method-acting harassment.
♦ Hall’s mother & sister play themselves in the movie.
♦ Keith Forsey wrote the lyrics to Don’t You (Forget About Me) and Bryan Ferry of Roxy Music was approached to sing it. Billy Idol was also approached and recorded his own version, later. An offer to Chrissie Hynde lead to her, then, husband Jim Kerr of Simple Minds.
♦ Nelson improvised the part at the closing of the film where Bender raises his fist in defiance. Everyone loved it and it has also become an iconic symbol of the 1980s as well as cinema history.
Additional Reading:
Original ‘Breakfast Club’ Screenplay Found (Chicago Tribune)
The Breakfast Club Cut Content (Lost Media Archive Wiki)
Opening Scene
Music Monday: Pearl Jam 1994

Twenty-five years ago, this week (November 19/25, 1994), the song Spin the Black Circle by Pearl Jam debuted on the Billboard Mainstream Rock chart (Page 79/ called Album Rock Tracks in 1994), entering at #16 (also its peak). Released November 8, it was the first single from their third album Vitalogy. Produced by Brendan O’ Brien, it was written by Eddie Vedder and Stone Gossard.
Mike McCready had difficulty with the leads and Jeff Ament didn’t like the punk sound at the time. Per Vedder, the lyrics reflect a love of vinyl records but, there could be interpretations of similarities with drug addiction.
From Jon Pareles with The New York Times (December 4, 1994):
The most [Vedder] will do is proselytize against the extinction of the LP, as he does in “Spin the Black Circle,” one of the few songs from Seattle in which a needle has nothing to do with heroin.
From Al Weisel with Rolling Stone (December 15, 1994):
Vitalogy has a number of gripping songs that match the soaring anthems of Ten. The first three tracks are a promising start: “Last Exit,” “Not for You” and especially “Spin the Black Circle,” a revvedup thrash tribute to vinyl, rock harder than anything Pearl Jam have ever done.

From David Browne with Entertainment Weekly (December 9, 1994):
Pearl Jam still hasn’t developed an individual style to match that of its profoundly uptight singer, Eddie Vedder. Guitarists Stone Gossard and Mike McCready continue to play sloppy, characterless riffs. [T]heir punk song, ”Spin the Black Circle,” is a little flabby, like dinosaur rockers trying to prove they’re into Green Day.
The song peaked at #18 November 26 on the Billboard Hot 100 and was the first Pearl Jam single to enter this chart. It also peaked at #11 on the Billboard Alternative chart (called Modern Rock Tracks in 1994). It peaked in the top five in Australia, New Zealand and Norway.
The single won Best Hard Rock Performance at the 38th annual Grammy Awards. Vedder famously remarked:
I don’t know what this means. I don’t think it means anything.
Lyrics (From LyricFind)
See this needle
Oh see my hand
Drop, drop, dropping it down
oh so gently
here it comes
touch the flame
Turn me up
won’t turn you away
Spin, spin
spin the black circle
Spin, spin
spin the black, spin the black
Spin, spin
spin the black circle
Spin, spin
whoa
Pull it out
a paper sleeve
Oh my joy
only you deserve conceit
Oh I’m so big
and my whole world
I’d rather you
rather you, than her
Spin, spin
spin the black circle
Spin, spin
spin the black, spin the black
Spin, spin
spin the black circle
Spin, spin
whoa
Oh you’re so warm
oh, the ritual
as I lay down your crooked arm
Spin, spin
spin the black circle
Spin, spin
spin the black, spin the black
Spin, spin
spin the black circle
Spin, spin
[Repeat: x5]
Spin the black
circle
Spin the black circle
Spin the black circle
Tune Tuesday: Cyndi Lauper 1984

Thirty-five years ago, today, the #1 song on the Billboard Adult Contemporary chart (and, simultaneously, on the Billboard Hot 100 chart and Canadian Singles chart) was Time After Time from the album She’s So Unusual by Cyndi Lauper. Co-written by Lauper and Rob Hyman (The Hooters), it was released on January 27, the second single from the album. The title came from the 1979 movie Time After Time:
“We started by putting together a list of song titles. I thumbed through a TV Guide magazine. One movie title seemed good—a sci-fi film called “Time After Time” from 1979. I never meant for it to be the song’s real title. It was just supposed to get me thinking.” (Quote from Lauper)
It was her first #1 hit on the Billboard Hot 100.
The video for “Time After Time” was directed by Edd Griles and, its storyline is about a young woman leaving her lover behind when she becomes homesick and worried about her mother. Lauper’s mother, brother and then-boyfriend, David Wolff, appear in the video and Lou Albano, who played her father in the “Girls Just Want to Have Fun” video, can be seen as a cook.
The video opens with Lauper watching the 1936 film The Garden of Allah and the final scene, where she gets on the train and waves goodbye to David, has Lauper crying for real.
[Source]
:format(jpeg):mode_rgb():quality(40)/discogs-images/R-5330124-1390712952-7815.jpeg.jpg)
Cover artists include Miles Davis, Eva Cassidy and Lil Mo. Lauper made an acoustic version with Sarah McLachlan and performed live with McLachlan at the 2005 AMA Awards. Other live performances have been with Patti LaBelle and Lil’ Kim.
♦ Critical Reception
♦ Accolades
♦ Awards & Nominations
♦ Greatest & Best Songs
♦ Other Cover Versions
Lyrics:
[Verse 1]
Lying in my bed, I hear the clock tick and think of you
Caught up in circles, confusion is nothing new
Flashback, warm nights almost left behind
Suitcases of memories, time after…
Sometimes you picture me, I’m walking too far ahead
You’re calling to me, I can’t hear what you’ve said
Then you say, “Go slow.” I fall behind
The second hand unwinds
[Chorus]
If you’re lost, you can look and you will find me
Time after time
If you fall, I will catch you, I’ll be waiting
Time after time
If you’re lost, you can look and you will find me
Time after time
If you fall, I will catch you, I’ll be waiting (I will be waiting)
Time after time
[Verse 2]
After my picture fades and darkness has turned to gray
Watching through windows, you’re wondering if I’m OK
Secrets stolen from deep inside
The drum beats out of time
[Chorus]
If you’re lost, you can look and you will find me
Time after time
If you fall, I will catch you, I’ll be waiting
Time after time
[Instrumental break]
[Bridge]
You said, “Go slow.” I fall behind
The second hand unwinds
[Chorus]
If you’re lost, you can look and you will find me
Time after time
If you fall, I will catch you, I’ll be waiting
Time after time
If you’re lost, you can look and you will find me
Time after time
If you fall, I will catch you, I’ll be waiting (I will be waiting)
Time after time
[Outro]
Time after time
Time after time
Time after time
Time after time
Time after time
Time after time
Time after time
Time after time
Time after time
Time after… time…
Tune Tuesday: Let’s Hear It For The Boy 1984
Thirty-five years ago, today, the #1 song on the Billboard Hot 100 and Hot R & B charts (plus Cash Box) was Let’s Hear It For The Boy by Deniece Williams from the soundtrack of the movie Footloose. This was Williams second number one hit on the Billboard 100.
Composed by Tom Snow and Dean Pitchford, country singer Jana Kramer performed the song for the 2011 Footloose remake.

From Songfacts [no citations]:
This was the second single from the Footloose soundtrack, following the “title track,” which was recorded by Kenny Loggins. In the film, the song was used in a scene where Kevin Bacon tries to teach Christopher Penn how to dance and Penn is having a hard time.
Once the song was written, Pitchford asked Deniece Williams and her producer George Duke to record the song. Kenny Loggins was onboard for the title track, which gave the project credibility and, Williams loved the song and the story idea for the film. She grew up in a small Indiana town with a religious environment similar to the one described in Footloose. When she saw the film, she thought the scene where they used her song was incredible. “If I had come to the film without the music in and they asked me what segment I wanted my song to be in, I would have chosen that segment.” said Williams.
♡ Best Original Song Academy Award Nomination
♥ Best Pop Vocal Performance (Single) Grammy Nomination
♥ Best R & B Vocal Performance (Album) Grammy Nomination
Tune Tuesday: Blondie 1979

Photo Credit: recort.nl
Forty years ago, today, the #1 song on the Billboard Hot 100 chart was Heart of Glass by Blondie. Written by Harry and Stein in 1974-75, its working title was Once I Had A Love. The inspiration for its writing came from The Hues Corporation‘s song Rock the Boat.
From The Guardian:
Heart of Glass was one of the first songs Blondie wrote but, it was years before we recorded it properly. We’d tried it as a ballad, as reggae but, it never quite worked. At that point, it had no title. We just called it “the disco song”. Back then, it was very unusual for a guitar band to be using computerised sound. People got nervous and angry about us bringing different influences into rock. Although we’d covered Lady Marmalade and I Feel Love at gigs, lots of people were mad at us for “going disco” with Heart of Glass. There was the Disco Sucks! movement, and there had even been a riot in Chicago, with people burning disco records. Clem Burke, our drummer, refused to play the song live at first. When it became a hit, he said: “I guess I’ll have to.” The lyrics weren’t about anyone. They were just a plaintive moan about lost love. At first, the song kept saying: “Once I had a love, it was a gas. Soon turned out, it was a pain in the ass.” We couldn’t keep saying that, so we came up with: “Soon turned out, had a heart of glass.” We kept one “pain in the ass” in – and the BBC bleeped it out for radio. ~Debbie Harry
*************
As far as I was concerned, disco was part of R&B, which I’d always liked. The Ramones went on about us “going disco” but, it was tongue-in-cheek. They were our friends. In the video, there’s a shot of the legendary Studio 54, so everyone thought we shot the video there but, it was actually in a short-lived club called the Copa or something. I came up with the phrase “heart of glass” without knowing anything about Werner Herzog or his movie of the same name, which is a great, weird film. It’s nice people now use the song to identify the period in films and documentaries. I never had an inkling it would be such a big hit, or become the song we’d be most remembered for. It’s very gratifying. ~Chris Stein

An Oral History of Blondie
From CityBeat:
In season one, DJ Johnny Fever not only plays Blondie’s “Heart of Glass” on his broadcast but, home audiences actually hear him announce the band’s, and the song’s, names. It was fantastic promotion for the up-and-coming Blondie, whose huge breakthrough album, Parallel Lines (with other seminal singles like Hanging on the Telephone and One Way or Another), came out the same month WKRP in Cincinnati debuted. The band reportedly gave the show a Gold record plaque celebrating the album’s major sales numbers as a “Thank You” card. It can be seen in the background as set design on several episodes in later seasons.
From NPR:
Unlike many DJs from that era, Fever played punk as well as rock and soul. The range of music on the show gave this fictional radio station a better playlist than most of the era’s real ones. […] although the show helped break Blondie’s “Heart of Glass” big, the exception, in Fever’s case, was disco. “I asked him to play one disco record and he threatened to throw himself in front of Donna Summer‘s tour bus,” Travis complains in “Baby, If You’ve Ever Wondered,” from season two.
As of April 20, 2011, Heart of Glass is #259 of Rolling Stone Magazine’s 500 Greatest Songs of All Time.
Awards & Nominations
♦ Best Selling International Single (Juno 1980)
♦ Rock & Roll Hall of Fame (2006)
♦ Grammy Hall of Fame (2016)
Lyrics:
[Verse 1]
Once I had a love and it was a gas
Soon turned out had a heart of glass
Seemed like the real thing, only to find
Mucho mistrust, love’s gone behind
Once I had a love and it was divine
Soon found out I was losing my mind
It seemed like the real thing but I was so blind
Mucho mistrust, love’s gone behind
[Chorus]
In between
What I find is pleasing and I’m feeling fine
Love is so confusing, there’s no peace of mind
If I fear I’m losing you, it’s just no good
You teasing like you do
[Verse 2]
Once I had a love and it was a gas
Soon turned out had a heart of glass
Seemed like the real thing, only to find
Mucho mistrust, love’s gone behind
[Chorus]
Lost inside
Adorable illusion and I cannot hide
I’m the one you’re using, please don’t push me aside
We could’ve made it cruising, yeah
[Bridge]
Yeah, riding high
On love’s true bluish light
[Verse 3]
Once I had a love and it was a gas
Soon turned out to be a pain in the ass
Seemed like the real thing only to find
Mucho mistrust, love’s gone behind
[Chorus]
In between
What I find is pleasing and I’m feeling fine
Love is so confusing, there’s no peace of mind
If I fear I’m losing you, it’s just no good
You teasing like you do
Movie Monday: The Cat in the Hat 2003


Fifteen years ago, today, the #1 movie at the box office was The Cat In The Hat, starring Mike Myers, Alec Baldwin, Kelly Preston, Dakota Fanning, Spencer Breslin and, Sean Hayes with cameos from Clint Howard and Paris Hilton. Dan Castellaneta did Thing One and Thing Two voice work.
IMDB Summary:
“Conrad and Sally Walden are home alone with their pet fish. It is raining outside and there is nothing to do until The Cat in the Hat walks in the front door. He introduces them to their imagination and, at first, it’s all fun and games until things get out of hand and, The Cat must go, go, go, before their parents get back.”
Interesting Trivia:
♦ Tim Allen was originally cast as The Cat but, had to drop out due to a scheduling conflict for The Santa Clause II.
♦ There was so much smog during the shoot that the sky had to be digitally replaced.
♦ Audrey Geisel, Dr. Seuss’s widow, was appalled by this movie and decided to reject any future adaptations of her late husband’s work. She was so furious after she saw the film that she legally forbade Hollywood from making anymore live-action stories (all subsequent films have been animated).
♦ Mike Myers said that the Cat’s personality is a composite of director/producer Bruce Paltrow, his Saturday Night Live (1975) character “Linda Richman” and, actor Charles Nelson Reilly.
♦ Peter Travers of Rolling Stone Magazine had a different take:
“I hated How The Grinch Stole Christmas, which was a smash for Jim Carrey. Cat, another over-blown Hollywood raid on Dr. Seuss, has a draw in Mike Myers, who, inexplicably, plays the Cat by mimicking Bert Lahr as the Cowardly Lion in The Wizard of Oz.”
Awards:
♡ Film Music (David Newman/2004 Broadcast Music, Inc. (BMI) Film & TV Awards)
♠ Worst Excuse for an Actual Movie (2004/Golden Raspberry (Razzie) Awards)
♠ Worst Film (2004/Dallas-Fort Worth Film Critics Association (DFWFCA) Awards)
♠ Worst Picture (2003/The Stinkers Bad Movie Awards *Site Defunct July 1, 2007*)
♠ Worst Screenplay for a Film Grossing More than $100 Million Using Hollywood Math (Alec Berg, David Mandel & Jeff Schaffer/2003/The Stinkers Bad Movie Awards)
♠ Most Annoying Non-Human Character (2003/The Stinkers Bad Movie Awards)
♠ The Spencer Breslin Award for Worst Performance by a Child (Spencer Breslin/2003/The Stinkers Bad Movie Awards)
♢ 21 Nominations [Not all bad. The kids & teens liked this and, the hair & makeup was noticed by the Guild. The Teen Choice Awards nominated Sean Hayes for Choice Movie Hissy Fit, which I found amusing. ~Vic]