academy award nomination
I couldn’t come up with any movie releases for today but, seventy years ago, on this date (as best as I can tell), the The Heiress was the most popular film at the box office. Directed, and produced, by William Wyler, it premiered in New York on October 6 and in Los Angeles on October 20. Based on the 1947 play of the same name by American playwrights Ruth and Augustus Goetz, it starred Olivia de Havilland, Montgomery Clift, Ralph Richardson, Miriam Hopkins and Vanessa Brown.
Catherine Sloper is a shy and backwards young woman who lives with her father, Dr. Austin Sloper, in 1849 New York. By all accounts, Catherine’s mother was a beautiful and graceful creature with the charm of queens. Catherine never knew her mother since she died while in childbirth but, her father often reminds her of all the things her mother was and that she is not. Catherine inherited a great deal of money after her mother passed and will inherit twice as much more at the passing of her father. So, when a poor but handsome and well-bred man, Morris Townsend, begins to court Catherine, her father becomes suspicious that he must be after her money. After all, Catherine is plain and boring. What could she possibly offer to this young man other than her money? When she refuses to give up her new beau, her father threatens to disinherit her. Will her father eventually convince her to give him up and wait for a suitable husband? Will Catherine and Morris elope and, live on the money left to her by her mother? Or, could it be that Catherine finally finds all the grace and charm of her mother only to use it against the men in her life?
♦ Montgomery Clift was so unhappy with his performance, he walked out of the Premiere.
♦ Cary Grant was interested in playing Morris Townsend but, William Wyler turned him down.
♦ Montgomery Clift took some piano lessons for the scene where he sings “Plaisir d’Amour” to Olivia de Havilland.
♦ William Wyler wanted Erroll Flynn for the role of Morris Townsend.
♦ This movie was selected to the National Film Registry, Library of Congress, in 1996.
Thirty-five years ago, today, the #1 song on the Billboard Hot 100 and Hot R & B charts (plus Cash Box) was Let’s Hear It For The Boy by Deniece Williams from the soundtrack of the movie Footloose. This was Williams second number one hit on the Billboard 100.
From Songfacts [no citations]:
This was the second single from the Footloose soundtrack, following the “title track,” which was recorded by Kenny Loggins. In the film, the song was used in a scene where Kevin Bacon tries to teach Christopher Penn how to dance and Penn is having a hard time.
Once the song was written, Pitchford asked Deniece Williams and her producer George Duke to record the song. Kenny Loggins was onboard for the title track, which gave the project credibility and, Williams loved the song and the story idea for the film. She grew up in a small Indiana town with a religious environment similar to the one described in Footloose. When she saw the film, she thought the scene where they used her song was incredible. “If I had come to the film without the music in and they asked me what segment I wanted my song to be in, I would have chosen that segment.” said Williams.
Forty-five years ago, today, the most popular film at the box office was Blazing Saddles, a satirical Mel Brooks-directed western starring Cleavon Little, Gene Wilder, Slim Pickens, Harvey Korman, Madeline Kahn, Mel Brooks (three on-screen characters), Alex Karras, David Huddleston, John Hillerman, Dom DeLuise, Count Basie (as himself), Rodney Allen Rippy (as a young Bart), with uncredited appearances by Anne Bancroft, Aneta Corsaut (Helen Crump) and Patrick Labyorteaux (JAG TV series). Released February 7, it was produced by Michael Hertzberg and based on a story by Andrew Bergman. Bergman collaborated with Brooks, Richard Pryor, Norman Steinberg and Al Uger to craft the screenplay and, John Morris (The Woman in Red & Dirty Dancing) was composer.
The Ultimate Western Spoof. A town where everyone seems to be named Johnson is in the way of the railroad. In order to grab their land, Hedley Lemar [sic] (Harvey Korman), a politically connected nasty person, sends in his henchmen to make the town unlivable. After the sheriff is killed, the town demands a new sheriff from the Governor (Mel Brooks). Hedley convinces him to send the town the first Black sheriff (Cleavon Little) in the west. Bart is a sophisticated urbanite who will have some difficulty winning over the townspeople.
“[…] comedies, like Mel Brooks’s “Blazing Saddles,” the best title of the year to date, are like Chinese food. A couple of hours later you wonder where it went. You wonder why you laughed as consistently as you did. [It] is every Western you’ve ever seen turned upside down and inside out, braced with a lot of low burlesque […]. The trouble is that [it] has no real center of gravity. Harvey Korman, a gifted comic actor who is so fine as Carol Burnett’s television co‐star, tries very hard to be funny as a crooked businessman and sometimes succeeds. But, it’s apparent that he’s hard put to keep up with the movie’s restless shifting from satire to parody to farce to blackout sketch. [It] has no dominant personality and, it looks as if it includes every gag thought up in every story conference. Whether good, bad or mild, nothing was thrown out.”
From Roger Ebert:
“It’s a crazed grab bag of a movie that does everything to keep us laughing except hit us over the head with a rubber chicken. At its best, his comedy operates in areas so far removed from taste that (to coin his own expression) it rises below vulgarity. One of the hallmarks of Brooks’ movie humor has been his willingness to embrace excess.”
“The writing process on Blazing Saddles was the complete opposite of the writing process on Young Frankenstein. Blazing Saddles was more or less written in the middle of a drunken fistfight. There were five of us all yelling loudly for our ideas to be put into the movie. Not only was I the loudest but, luckily, I also had the right as director to decide what was in or out.”
♦ James Earl Jones was to be the original Sheriff. Richard Pryor was next in line but, the studio wouldn’t finance it due to Pryor’s background.
♦ Gig Young was originally cast as the “Waco Kid” but, collapsed on set and was replaced with Wilder.
♦ Warner Bros. almost didn’t release the film. The executives thought it too vulgar for the American public.
♦ Governor William J. Le Petomane (Brooks) was a take-off on the stage name of a French Flatulist.
Sixty-five years ago, today, the most popular film at the box office was It Should Happen to You. I am changing my wording from “#1” to “most popular” as I am having great difficulty determining if my “older movie” posts are actually number ones. It is hard to tell.
Starring Judy Holliday, Peter Lawford, Jack Lemmon and Michael O’Shea, this romantic comedy (Rom-Com) was written by Garson Kanin, directed by George Cukor, was originally titled A Name For Herself and was supposed to be a Danny Kaye movie.
Holliday is Gladys Glover of Binghamton, N.Y., who has come to N.Y.C. to make a name for herself and does so by plastering her moniker across a Columbus Circle billboard.
Gladys Glover has just lost her modelling job when she meets filmmaker Pete Sheppard shooting a documentary in Central Park. For Pete, it’s love at first sight but, Gladys has her mind on other things…like making a name for herself. Through a fluke of advertising, she winds up with her name plastered over 10 billboards throughout city. Suddenly, all of New York is clamoring for Gladys Glover without knowing why and playboy Evan Adams III is making a play for Gladys that even Pete knows will be hard to beat.
♦ This film was the début of actor Jack Lemmon.
♦ Teenage John Saxon has an uncredited cameo in Central Park.
♦ Gossip columnists reported that during the filming of It Should Happen to You, Holliday dated her co-star Peter Lawford. The actress was having marital problems at the time and did, reportedly, enjoy a romantic fling with Lawford (it only lasted until the production wrapped) which may be why their scenes together have a genuine spark.
♦ The same year of the movie release, co-star Peter Lawford married Patricia Kennedy, daughter of Joseph P. Kennedy and sister of the future President. Of the extended Kennedy clan, Lawford was closest to his brother-in-law Robert.