I couldn’t come up with any movie releases for today but, seventy years ago, on this date (as best as I can tell), the The Heiress was the most popular film at the box office. Directed, and produced, by William Wyler, it premiered in New York on October 6 and in Los Angeles on October 20. Based on the 1947 play of the same name by American playwrights Ruth and Augustus Goetz, it starred Olivia de Havilland, Montgomery Clift, Ralph Richardson, Miriam Hopkins and Vanessa Brown.
Catherine Sloper is a shy and backwards young woman who lives with her father, Dr. Austin Sloper, in 1849 New York. By all accounts, Catherine’s mother was a beautiful and graceful creature with the charm of queens. Catherine never knew her mother since she died while in childbirth but, her father often reminds her of all the things her mother was and that she is not. Catherine inherited a great deal of money after her mother passed and will inherit twice as much more at the passing of her father. So, when a poor but handsome and well-bred man, Morris Townsend, begins to court Catherine, her father becomes suspicious that he must be after her money. After all, Catherine is plain and boring. What could she possibly offer to this young man other than her money? When she refuses to give up her new beau, her father threatens to disinherit her. Will her father eventually convince her to give him up and wait for a suitable husband? Will Catherine and Morris elope and, live on the money left to her by her mother? Or, could it be that Catherine finally finds all the grace and charm of her mother only to use it against the men in her life?
♦ Montgomery Clift was so unhappy with his performance, he walked out of the Premiere.
♦ Cary Grant was interested in playing Morris Townsend but, William Wyler turned him down.
♦ Montgomery Clift took some piano lessons for the scene where he sings “Plaisir d’Amour” to Olivia de Havilland.
♦ William Wyler wanted Erroll Flynn for the role of Morris Townsend.
♦ This movie was selected to the National Film Registry, Library of Congress, in 1996.
Seventy-five years ago, today, the adventure film Frenchman’s Creek was released (or New York opening). Directed by Mitchell Leisen, it was based on the 1941 novel of the same name by Daphne Du Maurier. Starring Joan Fontaine (sister of Olivia de Havilland), Arturo de Córdova, Basil Rathbone, Nigel Bruce and Cecil Kellaway, it was produced by Buddy DeSylva (co-founder of Capitol Records) with Talbot Jennings (The Sons of Katie Elder) crafting the screenplay. The musical score included Claude DeBussy‘s Clair de Lune.
An English lady bored with London society brings her [two] children to their country home. Her servant William is also working for a French pirate who holds up with his ship and crew off the coast. They soon meet and she embarks on an adventure with the pirates!
As a beautiful, learned lady of means, Dona St. Columb had it all…and a loveless marriage. After years of being royally subjected to mistreatment, she retreats with her most prized possessions, her two children, to a secluded manor overlooking Britain’s Atlantic shoreline. [She] is enthralled with the tall tales of a scoundrel of a pirate, who has been plundering nearby coastal villages. Full of adventure and fueled by years of neglect, she sets forth to seek him out and, it is not long before she finds him…
“A Lady of Fire and Ice…A Rogue of Steel and Gallantry”
♦ The only film featuring Basil Rathbone and Nigel Bruce in which they do not play Sherlock Holmes and Dr. Watson.
♦ To make Arturo de Córdova appear taller than Joan Fontaine, he had to wear lifts in his shoes, causing him to teeter when he walked.
Unfortunately, there aren’t any video clips of this movie. There are clips of the 1998 remake. ~Vic
Twenty years ago, today, the #1 film at the box office was The Matrix, a science-fiction action film starring…Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving, Gloria Foster and Joe Pantoliano. Produced by Joel Silver, it was written and directed by The Wachowskis.
[The movie] depicts a dystopian future in which humanity is unknowingly trapped inside a simulated reality called the Matrix, created by thought-capable machines (artificial beings) to control humans while using their bodies as an energy source. Hacker and computer programmer, Neo, learns this truth and “is drawn into a rebellion against the machines”, which involves other people who have been freed from the Matrix.
The film is an example of the cyberpunk subgenre. The Wachowskis’ approach to action scenes drew upon their admiration for Japanese animation and martial arts films and, the film’s use of fight choreographers and wire fu techniques from Hong Kong action cinema, influenced subsequent Hollywood action film productions. The Matrix is known for popularizing a visual effect known as “bullet time“, in which the heightened perception of certain characters is represented by allowing the action within a shot to progress in slow-motion while the camera’s viewpoint appears to move through the scene at normal speed. The film contains numerous allusions to philosophical and religious ideas, including existentialism, Marxism, feminism, Buddhism, nihilism and postmodernism.
From Roger Ebert:
“The Matrix” is a visually dazzling cyberadventure, full of kinetic excitement but, it retreats to formula just when it’s getting interesting. It’s kind of a letdown when a movie begins by redefining the nature of reality and ends with a shoot-out. We want a leap of the imagination, not one of those obligatory climaxes with automatic weapons fire.
I’ve seen dozens if not hundreds of these exercises in violence, which recycle the same tired ideas: Bad guys fire thousands of rounds but, are unable to hit the good guy. Then, it’s down to the final showdown between good and evil…a martial arts battle in which the good guy gets pounded until he’s almost dead, before he finds the inner will to fight back. Been there, seen that (although rarely done this well).
“The Matrix” did not bore me. It interested me so much, indeed, that I wanted to be challenged even more. I wanted it to follow its material to audacious conclusions, to arrive not simply at victory but, at revelation.
From Darren Aronofsky:
“I walked out of The Matrix with Jared and I was thinking, ‘What kind of science fiction movie can people make now?'” Aronofsky says. “The Wachowskis basically took all the great sci-fi ideas of the 20th century and rolled them into a delicious pop culture sandwich that everyone on the planet devoured. Suddenly Philip K. Dick‘s ideas no longer seemed that fresh. Cyberpunk? Done.”
From M. Night Shyamalan:
[…] Mr. Shyamalan is not much of a cinema historian. Among the directors he admires are Peter Weir, Cameron Crowe, Alfred Hitchcock and the Wachowski Brothers. “Whatever you think of ‘The Matrix,’ every shot is there because of the passion they have! You can see they argued it out!”
♦ For the cell phone conversation scene between Neo and Morpheus in the MetaCortex office, Keanu Reeves actually climbed up the window without a stuntman, which was 34 floors up.
♦ Will Smith was approached to play Neo but, turned down the offer in order to star in Wild Wild West (1999). He later admitted that, at the time, he was “not mature enough as an actor” and that, if given the role, he “would have messed it up”. He had no regrets, saying that “Keanu was brilliant as Neo.”
♦ In an online interview when the film was first released, the Wachowskis revealed that they’d both take the Blue Pill when given Neo’s choice.
Eighty years ago, today, the #1 film at the box office was Kentucky, a Romeo & Juliet type film with elements of the Hatfields & McCoys thrown in. Starring Loretta Young, Richard Greene and Walter Brennan, the backdrop of the story is horseracing.
During the Civil War, two of the oldest families in Kentucky, the Dillons and the Goodwins, begin a long and bitter feud that has lasted into 1938. When Jack Dillon refuses to enter his father’s banking business he, under an assumed name, gets a job as a trainer in Sally Goodwin’s stables. A romance develops between them. When Sally’s father dies, the entire estate, including the horses, has to be sold at auction to pay his debts. A note turns up left by Sally’s father that, according to a wager made between him and the elder Dillon, any one horse in the Dillon stable can be claimed by the Goodwins. Complications arise when Sally finds out that Jack is a Dillon.
♦ A number of famous Kentucky-bred champion racehorses are presented including Gallant Fox, Omaha, Hard Tack, Chance Play and Man of War, who is called the greatest racehorse.
♦ Two Kentucky Derby winners, Willie “Smokey” Saunders and Charlie Burrell, were employed for the film.
♦ Don Ameche was originally cast for the male lead but, was replaced by Richard Greene after undergoing a tonsillectomy.
♦ Arleen Whelan was originally scheduled for the female lead.
There’s not really a trailer for this movie but, I did find this:
Tommy Lee Jones won an Oscar and a Golden Globe for Best Supporting Actor and, the film was nominated for Best Cinematography, Film Editing, Best Original Score, Sound, Sound Effects Editing and Best Picture. Jones reprised his role of U.S. Marshal Samuel Gerard in the spin-off U.S. Marshals.
The television show started before I was born and I was just an infant when it ceased production. I have picked up a re-run or two over the years. Harrison Ford managed to capture the intensity that David Janssen displayed nearly 30 years earlier. ~Victoria