Sixty years ago, today, the 17th annual Golden Globe Awards ceremony was held and aired on KTTV in Los Angeles (an independent station in 1960). The Globes are given by members of the Hollywood Foreign Press Association, the first gathering in 1944. Recognition is for excellence in film (American and International) and television (American). The 1960 ceremony was honoring work done in 1959.
♥ Best Drama Film: Ben Hur
♥ Best Comedy Film: Some Like It Hot
♥ Best Musical Film: Porgy & Bess
♥ Best International (Understanding) Film: The Diary of Anne Frank
♥ Best Drama Actor: Anthony Franciosa
♥ Best Drama Actress: Elizabeth Taylor
♥ Best (Comedy/Musical) Actor: Jack Lemmon
♥ Best (Comedy/Musical) Actress: Marilyn Monroe
♥ Best Supporting Actor: Stephen Boyd
♥ Best Supporting Actress: Susan Kohner
♥ Best Director: William Wyler
♥ Best Original Score: Ernest Gold
♥ Cecil B.deMille Award: Bing Crosby
♥ Television Achievement: Edward R. Murrow
♥ Henrietta Awards (World Film Favorite): Doris Day & Rock Hudson
♥ Samuel Goldwyn Award: Room at the Top
♥ Special Award (Silent Film Star): Ramon Novarro
♦ Two and a half years later, on August 4, 1962, Marilyn Monroe was found dead in her Los Angeles home.
♦ On June 5, 1968, Robert F. Kennedy was shot three times inside the Ambassador Hotel and died 26 hours later.
Additional Reading & Sources:
17th Golden Globe Awards (Wiki)
Winners & Nominees (Golden Globes site)
17th Annual Golden Globes (IMDb)
1960 Awards (IMDb)
Marilyn Monroe (Wiki)
Robert F. Kennedy (Wiki)
Video clips are few and rare. ~Vic
Seventy-five years ago, today, the adventure film Frenchman’s Creek was released (or New York opening). Directed by Mitchell Leisen, it was based on the 1941 novel of the same name by Daphne Du Maurier. Starring Joan Fontaine (sister of Olivia de Havilland), Arturo de Córdova, Basil Rathbone, Nigel Bruce and Cecil Kellaway, it was produced by Buddy DeSylva (co-founder of Capitol Records) with Talbot Jennings (The Sons of Katie Elder) crafting the screenplay. The musical score included Claude DeBussy‘s Clair de Lune.
An English lady bored with London society brings her [two] children to their country home. Her servant William is also working for a French pirate who holds up with his ship and crew off the coast. They soon meet and she embarks on an adventure with the pirates!
As a beautiful, learned lady of means, Dona St. Columb had it all…and a loveless marriage. After years of being royally subjected to mistreatment, she retreats with her most prized possessions, her two children, to a secluded manor overlooking Britain’s Atlantic shoreline. [She] is enthralled with the tall tales of a scoundrel of a pirate, who has been plundering nearby coastal villages. Full of adventure and fueled by years of neglect, she sets forth to seek him out and, it is not long before she finds him…
“A Lady of Fire and Ice…A Rogue of Steel and Gallantry”
♦ The only film featuring Basil Rathbone and Nigel Bruce in which they do not play Sherlock Holmes and Dr. Watson.
♦ To make Arturo de Córdova appear taller than Joan Fontaine, he had to wear lifts in his shoes, causing him to teeter when he walked.
Unfortunately, there aren’t any video clips of this movie. There are clips of the 1998 remake. ~Vic
Seventy-five years ago, today, the #1 song on Billboard (pre-hot 100 era) was My Heart Tells Me (Should I Believe My Heart?) by Glen Gray, his Casa Loma Orchestra and singer Eugenie Baird. Written by Harry Warren (Lullaby of Broadway, Jeepers Creepers & That’s Amore) with lyrics by Mack Gordon (Chattanooga Choo-Choo), this was the theme for the 1943 musical film Sweet Rosie O’Grady. Betty Grable sang the song in the movie.
Glen Gray & his Orchestral version was number one for five weeks from January 29 to February 26, boosted by the popularity of the musical. As a popular standard for the 1940s, other well-known artists with their own versions include Etta Jones (1961), Frank Sinatra (1945), Nat King Cole (1958) and Tony Bennett (1955). Glenn Miller & his orchestra had a go in 1944, broadcasting to German soldiers. From Dance in the City (Page 191):
“One of the paradoxes of the Nazi terror was that SS officers themselves demonstrated a fondness for swing (Vogel, 1962).
Mike Zwerin (1985), in his exploration of jazz under the Nazis, described a Luftwaffe pilot who switched on the BBC hoping to catch a few bars of Glenn Miller before bombing the antenna from which these forbidden sounds were being broadcast. Allied propagandists recognised the potential for exploiting the contradictory allure that jazz possessed with Nazi society.
The sound barrier of 1944 was marked on the one hand by the music of the Nazi marches and on the other by the big band swing of Glenn Miller. The Allies attempted to exploit the popularity of swing inside Germany. On October 30, 1944, Miller’s swing tunes were aimed at German soldiers through the American Broadcast Station in Europe (ABSIE) in an effort to persuade them to lay down their arms.
Major Miller addressed German soldiers in their own language with the assistance of Ilse Weinberger, a German compere and translator. Ilse introduced Glenn Miller as the ‘magician of swing’ and, through a strange act of cultural alchemy, tunes like Long Ago and Far Away and My Heart Tells Me were rendered in German by vocalist Johnny Desmond.”