Five hundred, fifty-eight years ago, today…
The Night Attack at Târgoviște (Romanian: Atacul de noapte de la Târgoviște, Turkish: Tirgovişte Baskını) was a battle fought between forces of Vlad III Țepeș (Vlad the Impaler or Vlad Dracula), Prince of Wallachia and Sultan Mehmed II (Mehmed the Conqueror) of the Ottoman Empire on […] June 17, 1462.
The conflict initially started with Vlad‘s refusal to pay the jizya (tax on non-Muslims subjects charged at 2.5%) to the sultan and [it] intensified when Vlad invaded Bulgaria. In response, Mehmed raised a great army with the objective to conquer Wallachia and annex it to his empire. The two leaders fought a series of skirmishes, the most notable one being the Night Attack where Vlad attacked the Turkish camp in the night in an attempt to kill Mehmed. The assassination attempt failed and Mehmed marched to the Wallachian capital of Târgoviște, where he found a few men with cannons. After leaving the capital, Mehmed discovered 23,844 impaled Turks whom Vlad had killed during his invasion of Bulgaria. The number is mentioned by Vlad himself in a letter to Matthias Corvinus (Matthias I). The sultan, and his troops, then sailed to Brăila and burned it to the ground before retreating to Adrianople. Both sides claimed victory in the campaign and Mehmed’s forces returned home with many captured slaves, horses and cattle.
Additional Reading & Sources:
The Night Attack on Targoviste (Burn Pit Website)
The Night Attack on Targoviste (Weapons and Warfare Website)
Night Attack at Târgoviște (Wikipedia)
Ottoman War (Wikipedia)
Submission of Wallachia (Wikipedia)
Battle of Targoviste Part I
Battle of Targoviste Part II
Jumping into the 1620s…
[The English ballad], The Ballad of Chevy Chase, [tells] the story of a large hunting party upon a parcel of hunting land (or chase) in the Cheviot Hills (a range of rolling hills straddling the Anglo-Scottish border between Northumberland and the Scottish Borders), hence the term, Chevy Chase. The hunt is led by Percy, the English Earl of Northumberland. The Scottish Earl Douglas had forbidden this hunt and interpreted it as an invasion of Scotland. In response, he attacked, causing a bloody battle [where] only 110 people survived.
There are two extant ballads […], both of which narrate the same story. As ballads existed within oral tradition[s] before being written down, other versions of this once popular song also may have existed. Moreover, other ballads used its tune without necessarily referring to [this particular ballad].
This ballad was entered in the Stationers’ Register in 1624. The title is alternatively spelled Chevy Chace. The ballad is generally thought to describe the Battle of Otterburn. Some of the verses correspond to that battle but, not all. The Battle of Otterburn took place in 1388. At that [b]attle, Henry Percy (Hotspur) was captured, not killed. He was killed in 1403 in an uprising against Henry IV.
[A]nother possibility [was] border warfare between a Percy and a Douglas in 1435 or 1436. Henry Percy of Northumberland made a raid into Scotland with 4,000 men. He was met by William Douglas, Earl of Angus at Piperden. There were great losses on each side but, the Scots prevailed.
Over time, and the various evolutions of the ballad, events and personages have gotten confused.
Additional Reading & Sources:
The Naming of Chevy Chase (Chevy Chase Historical Society)
Chevy Chase (Contemplations From the Marianas Trench)
Battle of Chevy Chase (Douglas History UK)
The Battle of Chevy Chase (Luminarium: Anthology of English Literature)
Who or What is Chevy Chase? (The Straight Dope)
Battle of Otterburn (Wikipedia)
The Ballad of Chevy Chase (Wikipedia)
The Ballad of Chevy Chase (A Cappella)
The Battle of Otterburn Ballad
Four hundred, twenty years ago, Renaissance composer, lutenist and singer John Dowland (a contemporary of William Shakespeare) publishes his Second Book of Songs in London. There were 22 song titles in the book and the most well known of these is Flow, My Tears. Written as an aria and for a lute, its style and form is based on a pavane, a slow, couple-dance common in the 16th century. It’s original 1596 title was Lachrimae Pavane (literally “tears dance”) and Dowland added lyrics later.
Additional Reading & Sources:
John Dowland (Edition HH Music Publishers)
John Dowland Part I (Millenium of Music)
John Dowland Biography (Study Website)
Lachrimae: Continental Context (University of London Goldsmiths)
Flow, My Tears (Wikipedia)
Flow My Tears, the Policeman Said (Wikipedia)
Flow, my tears, fall from your springs!
Exiled for ever, let me mourn;
Where night’s black bird her sad infamy sings,
There let me live forlorn.
Down vain lights, shine you no more!
No nights are dark enough for those
That in despair their last fortunes deplore.
Light doth but shame disclose.
Never may my woes be relieved,
Since pity is fled;
And tears and sighs and groans my weary days, my weary days
Of all joys have deprived.
From the highest spire of contentment
My fortune is thrown;
And fear and grief and pain for my deserts, for my deserts
Are my hopes, since hope is gone.
Hark! you shadows that in darkness dwell,
Learn to contemn light
Happy, happy they that in hell
Feel not the world’s despite.
Moving forward to 1580…
A widespread belief exists that the song Greensleeves was composed by none other than King Henry VIII following an early rejection of his love by his future wife Anne Boleyn. The lyrics of this song of unrequited love have been seen to relate to his courtship of Anne in the 1520s. Many of the verses of Greensleeves imply a rich and extravagant courtship […]. Henry VIII was a composer and musician of some merit […]. [C]ourt officials […] attribute to Henry many compositions which were not his and the consensus of expert opinion, today, is that Greensleeves was composed rather later in the Tudor era, during the reign of Anne Boleyn’s daughter, Queen Elizabeth I. [T]he piece is based on an Italian style of composition that did not reach England until after Henry’s death […].
A broadside ballad […] was registered at the London Stationer’s Company in September [of] 1580, by [a] Richard Jones, as A Newe Northern Dittye of ye Ladye Greene Sleves. Six more ballads followed in less than a year, one on the same day […]. Needless to say the rights to the song were in very hot dispute. It was in 1584 that Jones printed his final version of the melody and this is the one we know today. It was titled A New Courtly Sonnet of the Lady Green Sleeves […].
Who was Lady Greensleeves
[W]hy would anyone be named for their green sleeves? Interpretations […] usually have a sexual connotation, most notably in the phrase “a green gown”, a reference to the grass stains on a woman’s dress from engaging in sexual intercourse outdoors. Was this lady a prostitute? [T]he song lyrics mention a “discourteous” rejection of the singer’s advances, suggesting to some that the lady in question was actually virtuous but, perhaps, was mistaken for a prostitute as a result of her green sleeves. [A]nother explanation is quite the opposite to promiscuity […]. [I]n heraldry, colour also had symbolisms and green indicated truth and fidelity […]. [A] knight may give a green armband to his true love to wear to show his devotion to her, giving rise to the familiar phrase “wearing your heart on your sleeve” meaning, to show your true feelings.
None of these theories, however, really seem to reflect the song’s true meaning, which clearly expresses an unrequited love by a rich man for a fair lady. All that we can confidently deduce, is that “Lady Greensleeves” is a nickname, not a title. Exactly who she was, remains a mystery.
♦ In Shakespeare’s The Merry Wives of Windsor, the character Mistress Ford refers, twice, to “the tune of ‘Greensleeves'”.
♦ The tune was the basis for “Home in the Meadow,” a recurring song throughout the 1962 epic film How the West Was Won.
♦ A rendering of the tune, titled the “Lassie Theme”, was used extensively in the Lassie television show, especially the ending credits.
Everyone will remember this tune as What Child Is This? ~Vic
One-hundred years ago, today, the silent black & white drama film The Girl In Number 29 premiered (though not released, widely). Directed by John Ford and written by Philip D. Hurn, it was based upon the novel The Girl In The Mirror (1919) by Elizabeth Jordan. Starring Frank Mayo, Elinor Fair, Claire Anderson, Robert Bolder and Bull Montana, it is considered a lost film.
After turning out a successful drama, young playwright Laurie Devon settles down to a life of idleness. Alarmed and disgusted, his friends make every effort to get him to work again but, he refuses. One evening, while glancing into his mirror, Laurie sees a beautiful girl in the apartment across the way, holding a revolver to her head. Dashing out of his apartment house, he prevents her from pulling the trigger. He learns that her name is Doris Williams and discovers that her plight is caused by a man named Shaw. Soon after, Shaw and his thugs abduct her, and Laurie comes to her rescue, shooting her tormentor. Returning home, he confesses his crime to his sister and friends, and learns that the whole incident was a trick to restore his interest in life. The plot succeeds and Laurie writes another hit play in which his new wife Doris is the star.
Laurie Devon (Mayo) is a New York playwright who, having had one success, refuses to work on another play. One night he sees a woman (Anderson) in an apartment across the street take out a gun and place it to her forehead. He reaches her in time to save her and she tells him that she is under some terrible evil influence, which she will not disclose. Devon attempts to untangle the mystery and is led on an adventure. The woman is taken to a house on Long Island, where Devon, after a fight, rescues her. He takes out the revolver and shoots one of the pursuers, who falls to the ground. On returning home, he is heartbroken and tells his sister Barbara (Fair) and his friends that he is a murderer. His sister, and two of his friends, then confess that the whole thing was a frame-up. [T]hey had hired some actors to stage everything and that it was an attempt to get the ambitionless [sic] author to write again. The revolver used in the suicide attempt by the woman, and in the later shooting, had blanks. Devon and the woman from the apartment melt into each other’s arms at the final fade-out.
Forty-four years ago, today, the Apple Computer Company was founded by Steve Jobs, Steve Wozniak and Ronald Wayne, though Wayne sold his share back within 12 days. Headquartered in Cupertino, California, it grew from the “two Steves” into a multinational company. Jobs and Wozniak met in 1971 via mutual friend Bill Fernandez. Their partnership began with autodidact Wozniak’s blue boxes build and Jobs salesmanship. Jobs split the blue box profits with Wozniak.
Wozniak designed a video terminal and, new microcomputers, such as the Altair 8800 and the IMSAI, inspired [him] to build a microprocessor into his video terminal and have a complete computer. [He] designed computers on paper, waiting for the day he could afford a CPU. When MOS Technology released its 6502 chip in 1976, Wozniak wrote a version of BASIC for it, then began to design a computer for it to run on. When Jobs saw Wozniak’s computer, which would later become known as the Apple I, he was immediately interested in its commercial potential.
Initially, Wozniak intended to share schematics of the machine for free but, Jobs insisted that they should, instead, build and sell bare printed circuit boards for the computer. Jobs eventually convinced Wozniak to go into business together and start a new company of their own. According to Wozniak, Jobs proposed the name “Apple Computer” when he had just come back from Robert Friedland’s All-One Farm in Oregon. Jobs told Walter Isaacson that he was “…on one of my fruitarian diets…” when he conceived of the name and thought “…it sounded fun, spirited and not intimidating…plus, it would get us ahead of Atari in the phone book.”
The information on Apple, Jobs & Wozniak is extensive. This post is a mere highlight of its beginnings. I won’t be reinventing the wheel, here. I will say, though, that the very first computer I ever programmed on in 1983, using BASIC, was an Apple II. ~Vic
Now, we are in the 1570s…
Spem in Alium is Latin for “hope in any other” or “hope in another”. A 40-part Renaissance Motet, it was composed in 1570 (thereabouts) by Thomas Tallis (Tallys). Written for eight choirs of five voices each, meaning there are 40 separate voices singing individual lines of music, it is considered to be Tallis’s greatest achievement and, possibly, one of the finest compositions of all time.
Information on where it was first performed is scarce. There appears to be some confusion regarding where it took place, as two locations…Nonsuch Palace, a royal Tudor palace in Surrey built by Henry VIII (not to be confused with Nonsuch Mansion) and Arundel House, a London townhouse originally for the Bishops of Bath & Wells…were both owned by Henry Fitzalan, the 12th/19th Earl of Arundel at one time. Most of what I have read leans towards Arundel House but, truly, I don’t think anyone really knows. It’s all a big guess. And, it is pure speculation as to why he wrote it. Some suggestions include a challenge due to an Italian composer doing same, Elizabeth’s 40th birthday or, perhaps for Mary as he was Catholic. Again, no one really knows.
The music, below, is soul stirring. ~Vic
The text of the motet:
Spem in alium nunquam habui
Praeter in te, Deus Israel
Qui irasceris et propitius eris
et omnia peccata hominum
in tribulatione dimittis
Creator caeli et terrae
respice humilitatem nostram
I have never put my hope in any other
but in Thee, God of Israel
who canst show both wrath and graciousness,
and who absolves all the sins
of man in suffering
Creator of Heaven and Earth
Regard our humility
Additional Reading & Sources:
The Belle Jar (Blog Post)
Oxford Music Online
Spem in Alium History (PDF on Super Flumina Website)
How To Buy Spem In Alium (Classic FM Website)
Tallis and His Song of Forty Parts (Zenodo Website)
Leaving the 1520s and entering the 1540s…
Formally known as the Sächsische Staatskapelle Dresden, the Staatskapelle Dresden is a Dresden-based German orchestra, one of the world’s oldest. Maurice, the Elector of Saxony (Prince Elector Moritz von Sachsen) founded it in 1548. Its precursor ensemble was Die Kurfürstlich-Sächsische und Königlich-Polnische Kapelle (The Electoral Saxon and Royal Polish Orchestra). The orchestra is the musical body of the Staatsoper Dresden (Dresden State Opera). The venue of the orchestra is the Semperoper.
Lovely music. ~Vic
Eine Alpensinfonie – Richard Strauss – Staatskapelle Dresden – Fabio Luisi
Launched on September 5, 1843, the very first USS Princeton was a steam-driven propeller warship of the U.S. Navy, commanded by Captain Robert Stockton. It was the first screw-sloop in the fleet. During a cruise down the Potomac River with President John Tyler, federal officials, politicians, attorneys, a former First Lady and several hundred guests, there was a terrible long gun explosion, due, possibly to old forging technology.
President Tyler hosted a public reception for Stockton in the White House on February 27, 1844. On February 28, [the] USS Princeton departed Alexandria, Virginia, on a demonstration cruise down the Potomac with Tyler, members of his cabinet, former First Lady Dolley Madison, Senator Thomas Hart Benton of Missouri and about 400 guests. Captain Stockton decided to fire the larger of her two long guns, Peacemaker, to impress his guests. Peacemaker was fired three times on the trip downriver and was loaded to fire a salute to George Washington as the ship passed Mount Vernon on the return trip. The guests aboard viewed the first set of firings, [then] retired below decks for lunch and refreshments.
Secretary [of the Navy] [Thomas Walker] Gilmer urged those aboard to view a final shot with the Peacemaker. When Captain Stockton pulled the firing lanyard, the gun burst. Its left side had failed, spraying hot metal across the deck and shrapnel into the crowd. Instantly killed were Gilmer, Secretary of State [Abel P.] Upshur, Captain Beverley Kennon, who was Chief of the Bureau of Construction [Equipment] and Repairs, Virgil Maxcy (a Maryland attorney with decades of experience as a state and federal officeholder), David Gardiner (a New York lawyer and politician) and the President’s valet, a black slave named Armistead. Another 16 to 20 people were injured, including several members of the ship’s crew, Senator Benton and Captain Stockton. The president was below decks and not injured.
The disaster on board the Princeton killed more top U.S. government officials in a single day than any other tragedy in American history.
Additional Reading & Sources
Fatal Cruise of the Princeton (Naval History/military.com/Wayback Machine)
USS Princeton (ibiblio.org)
Princeton I (Naval History and Heritage Command site)
Accident on a Steam Ship (Google Books)
Tyler Narrowly Escapes Death (The History Channel site)
How the USS Princeton explosion changed U.S. history.
They really wanted Galileo to shut up. Four hundred, four years, today, the Catholic Church was nearly successful with an injunction. Referred to as the Galileo Affair, it started in 1610 and ended in 1633 with the Roman Inquistion.
Galileo got into trouble for supporting Copernican Heliocentrism, the mathematical model put forth by Nicolaus Copernicus (see Copernican Revolution), that suggested the Earth, and other planets, revolve around the sun at the center of the Solar System, opposing Geocentrism, backed by the Catholic Church.
In 1610, Galileo published his Sidereus Nuncius (Starry Messenger), describing the surprising observations that he had made with [a] new telescope, among them, the Galilean Moons of Jupiter. With these observations, and additional observations that followed, such as the phases of Venus, he promoted the heliocentric theory of Nicolaus Copernicus published in De revolutionibus orbium coelestium in 1543. Galileo’s discoveries were met with opposition within the Catholic Church and, in 1616, the Inquisition declared heliocentrism to be “formally heretical.” Heliocentric books were banned and Galileo was ordered to abstain from holding, teaching or defending heliocentric ideas.
On February 19, 1616, the Inquisition asked a commission of theologians, known as qualifiers, about the propositions of the heliocentric view of the universe. [It was] confirmed that Galileo had advocated the Copernican doctrines of a stationary Sun, and a mobile Earth, and as a consequence, the Tribunal of the Inquisition would have eventually needed to determine the theological status of those doctrines.
On February 24, the Qualifiers delivered their unanimous report:
“[The] proposition that the Sun is stationary at the centre of the universe is foolish and absurd in philosophy and, formally, heretical since it explicitly contradicts, in many places, the sense of Holy Scripture. [The] proposition that the Earth moves and is not at the centre of the universe receives the same judgement in philosophy and … in regard to theological truth, it is at least erroneous in faith.”
At a meeting of the cardinals of the Inquisition on the following day, Pope Paul V instructed [Cardinal] Bellarmine to deliver this result to Galileo and to order him to abandon the Copernican opinions. [Should] Galileo resist the decree, stronger action would be taken. On February 26, Galileo was called to Bellarmine’s residence and ordered:
“[To] abstain completely from teaching or defending this doctrine and opinion or, from discussing it… to abandon completely… the opinion that the [Sun] stands still at the center of the world and the [Earth] moves and, henceforth, not to hold, teach or defend it in any way whatever, either orally or in writing.”
Galileo accepted the order. He didn’t have much choice as his reputation was at stake. Shortly afterwards, all books regarding the Copernican system were banned and Galileo’s works regarding Copernicanism were banned as well. His sentence prevented him from teaching or speaking of the matter further. He remained silent only for so long.
Very interesting take on what actually happened…
Also known as the Second Treaty of Indian Springs or Treaty with the Creeks, one-hundred, ninety-five years ago, today, it was signed by the Muscogee and the U.S. government at the Indian Springs Hotel (now a museum).
The U.S. and the Muscogee had, previously, signed the Treaty of Indian Springs of 1821. On January 8, the Muscogee agreed to cede their land holdings east of the Flint River to the state of Georgia in exchange for $200,000, paid in installments.
Letter from December 14, 1824 (Digital Library of Georgia):
[…] Duncan Campbell and James Meriwether, U.S. Commissioners, [wrote] to Georgia Governor George M. Troup regarding obstacles the commissioners [faced] in treating with the Creeks. They [related] that proceedings [were] being conducted orally since the written method [had] failed. Also, the publication of negotiations held at Tucabatchee (Tuckabatchee or Tuckabatchie) and Pole Cat Springs [had] spread alarm throughout the nation as [had] the persistent “interference” of the Cherokees. Campbell and Meriwether negotiated the Treaty of Indian Springs [of] 1825 that was unauthorized by a majority of Creeks and, later, abrogated by the United States.
The treaty that was agreed [to] was negotiated with six chiefs of the Lower Creek, led by William McIntosh. McIntosh agreed to cede all Muscogee lands east of the Chattahoochee River, including the sacred Ocmulgee National Monument (Historic Park), to Georgia and Alabama and, accepted relocation west of the Mississippi River to an equivalent parcel of land along the Arkansas River. In compensation for the move to unimproved land, and to aid in obtaining supplies, the Muscogee nation would receive $200,000 (again), paid in decreasing installments over a period of years. An additional $200,000 was paid directly to McIntosh.
Governor Troup, and most Georgians, were in favor of the treaty and his inside man was his first cousin…William McIntosh. McIntosh paid the highest price. According to a Creek law, that McIntosh, himself, had supported, a sentence of execution awaited any Creek leader who ceded land to the United States without the full assent of the entire Creek Nation. Just before dawn on April 30, 1825, Upper Creek chief Menawa, accompanied by 200 Creek warriors (The Law Menders), attacked McIntosh at Lockchau Talofau (Acorn Bluff/McIntosh Reserve) to carry out the sentence. They set fire to his home, shot and stabbed him to death and, [killed] the elderly Coweta chief Etomme Tustunnuggee. Chillie McIntosh, the chief’s oldest son, had also been sentenced to die but, he escaped by diving through a window. Later that day, the Law Menders found [Samuel and Benjamin Hawkins, Jr.] (McIntosh’s sons-in-law), who were also signatories. They hanged Samuel and shot Benjamin but, he escaped.
A large majority of chiefs and warriors objected that McIntosh did not have sufficient authority to sign treaties or cede territory. [The] Creek Nation sent a delegation, led by Opothleyahola and [included] Menawa, to lodge an official complaint. Federal investigators (appointed by President John Quincy Adams) agreed and the U.S. government negotiated a new land cession in the 1826 Treaty of Washington. The Creeks did not, however, have their territory restored in the new treaty.
Though the Creek did retain a small tract of land on the Georgia-Alabama border and the Ocmulgee National Monument, Governor Troup refused to recognize the new treaty. [He] authorized all Georgian citizens to evict the Muscogee and ordered the land surveyed for a lottery, including the piece that was to remain in Creek hands. He threatened an attack on Federal troops if they interfered with the [previous] treaty and challenged [the President]. The president intervened with Federal troops but, Troup called out the state militia, and Adams, fearful of a civil war, conceded.
The government allowed Troup to quickly renegotiate the agreement and seize all remaining Creek lands in the state. By 1827, the Creeks were gone from Georgia. Within eight years, most of them would be relocated from Alabama to the designated Indian Territory (modern Oklahoma).
I’m still digging around in the old stuff. I found this piece and thought it interesting.
Messe de Nostre Dame (Mass of Our Lady) is a polyphonic mass composed before 1365 by French poet and composer Guillaume de Machaut […]. Widely regarded as one of the masterpieces of medieval music, and of all religious music, it is historically notable as the earliest complete setting of the Ordinary of the Mass attributable to a single composer […].
The Messe de Nostre Dame consists of 5 movements: the Kyrie (Eleison…”Lord, have mercy”), Gloria (in Excelsis Deo…”Glory to God in the highest”), Credo (Nicene Creed), Sanctus (“Holy”) and Agnus Dei (“Lamb of God”), followed by the dismissal Ite, missa est (Mass Response: Deo Gratias or “Thanks be to God”). The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. Machaut’s Messe de Nostre Dame is for four voices rather than the more common three. Machaut added a contratenor voice that moved in the same low range as the tenor, sometimes replacing it as the lowest voice.
The information is rather wonky and, not only have I never studied music theory, my education on Catholic Mass is limited to a short stint as a member in an Anglican church in Austin, TX, a decade ago. That being said, what I find fascinating about this composition is that Machaut combined each part into an artistic whole, the earliest known example of it unified. Previously, the items were performed non-consecutively and, separated by prayers and chants.
[Instrumental Version of The Kyrie by Guillaume de Machaut]
[Modern Take on Kyrie by Patrick Lenk]
And, just because I could, I’m ending with Mr. Mister.
Now that I have access to some old Billboard magazines, thirty years ago, today, Everything Is Broken, by American singer/songwriter, author and visual artist Bob Dylan, debuted on the Billboard Mainstream Rock chart (called Album Rock Tracks back in 1989), entering at #23. Released from the album Oh Mercy, his 26th studio album, the song is a reflection of Dylan’s detachment from his world. It peaked at number eight after eight weeks on the chart.
The track found on Oh Mercy is an April 1989 re-working of a take recorded the previous month. Originally recorded as “Broken Days” in March 1989, Dylan had re-written the song entirely by April, giving it its current name.
“I sat next to him for two months while he wrote [Oh Mercy] and it was extraordinary. Bob overwrites. He keeps chipping away at his verses. He has a place for all his favorite couplets and those couplets can be interchangeable. I’ve seen the same lyrics show up in two or three different songs as he cuts and pastes them around, so, it’s not quite as sacred ground as you might think.”
From All Dylan:
“Most of them [the songs on “Oh Mercy”] are stream-of-consciousness songs, the kind that come to you in the middle of the night, when you just want to go back to bed. The harder you try to do something, the more it evades you. These weren’t like that.”
~Bob Dylan (to Edna Gundersen, September 21, 1989)
“While it would be unfair to compare ‘Oh Mercy’ to Dylan’s Sixties recordings, it sits well alongside his impressive body of work.”
~Clinton Heylin (Behind The Shades)
[While] promoting The Traveling Wilburys in the fall of 1988, George Harrison discussed some of Dylan’s upcoming work. Harrison [was] enthused about Dylan’s new songs…informing a skeptical world that the experience of recording the Wilburys had given him the urge to write again.
[Bono], lead singer of U2, paid Dylan a visit at his home. When he asked Dylan if he had written any new songs, Dylan showed him the ones stored in his drawer. Bono urged him to record the songs but, Dylan was reluctant.
Lyrics [via LyricFind]
Broken lines, broken strings
Broken threads, broken springs
Broken idols, broken heads
People sleeping in broken beds
Ain’t no use jiving
Ain’t no use joking
Everything is broken
Broken bottles, broken plates
Broken switches, broken gates
Broken dishes, broken parts
Streets are filled with broken hearts
Broken words never meant to be spoken
Everything is broken
Bridge: Seem like every time you stop and turn around
Something else just hit the ground
Broken cutters, broken saws
Broken buckles, broken laws
Broken bodies, broken bones
Broken voices on broken phones
Take a deep breath, feel like you’re chokin’
Everything is broken
Every time you leave and go off someplace
Things fall to pieces in my face
Broken hands on broken ploughs
Broken treaties, broken vows
Broken pipes, broken tools
People bending broken rules
Hound dog howling, bull frog croaking
Everything is broken
One-hundred, ninety-nine years ago, today, the real Daniel Boone passed away. Two days prior, I posted about the television show Daniel Boone that was hardly accurate in its portrayal or his frame of life despite being a popular show.
From The History Channel:
On September 26, 1820 the great pioneering frontiersman Daniel Boone dies quietly in his sleep at his son’s home near present-day Defiance, Missouri.
The indefatigable voyager was 86. Boone was born in 1734 (he has two different dates of birth due to the 1752 Gregorian calendar switch) to Quaker parents living in Berks County, Pennsylvania. Following a squabble with the Pennsylvania Quakers, Boone’s family decided to head south and west for less crowded regions and they eventually settled in the Yadkin Valley of North Carolina. There the young Daniel Boone began his life-long love for wilderness, spending long days exploring the still relatively unspoiled forests and mountains of the region. An indifferent student who never learned to write more than a crude sentence or two, Boone’s passion was for the outdoors, and he quickly became a superb marksman, hunter and woodsman. (It should be noted here that historian John Mack Faragher stated that Boone “acquired a level of literacy that was the equal of most men of his times. He was often the only literate person in groups of frontiersmen.”)
In May of 1769, Boone and five companions crossed over the Cumberland Gap and explored along the south fork of the Kentucky River. Boone returned in 1773 with his family, hoping to establish a permanent settlement. An Indian attack prevented that first attempt from succeeding (Boone’s eldest son James and, William Russell‘s son Henry were captured and tortured to death, a prelude to Dunmore’s War.) but, Boone returned two years later to open the route that became known as Boone’s Trace (or the Wilderness Road) between the Cumberland Gap and a new settlement along the Kentucky River called Fortress Boonesboro. Boonesboro eventually became one of the most important gateways for the early American settlement of the Trans-Appalachian West.
After the French and Indian War (1754–1763) broke out between the French and British, and their respective Indian allies, North Carolina Governor Matthew Rowan called up a militia, for which Boone volunteered. He served under Captain Hugh Waddell on the North Carolina frontier. Waddell’s unit was assigned to serve in the command of General Edward Braddock […].
Boone served in the North Carolina militia during [the] “Cherokee Uprising“. His militia expeditions went deep into Cherokee territory beyond the Blue Ridge Mountains and he was separated from his wife for about two years.
On December 22, 1769, Boone and a fellow hunter, Benjamin Cutbirth, were captured by a party of Shawnees, who confiscated all of their skins and told them to leave and never return.
[During the Revolutionary War], Boone’s daughter Jemima and two other teenaged girls were captured outside Boonesborough by an Indian war party on July 5, 1776. The incident became the most celebrated event of Boone’s life. James Fenimore Cooper created a fictionalized version of the episode in his classic novel The Last of the Mohicans (1826).
He lived quite an eventful life.
♦ In February 1778, Boone was adopted into the Shawnee tribe as a prisoner to replace a fallen warrior (a Shawnee custom) and was named Sheltowee (Big Turtle), eventually escaping.
♦ In September 1778, he was court-martialed due to misunderstandings during the Siege of Boonesborough.
♦ There is some indication that Boone crossed paths with Abraham Lincoln’s grandfather.
♦ In 1780, Boone was [a] Lieutenant Colonel in the Fayette County militia. In October, his brother Ned was killed by Shawnees and beheaded for a trophy, as the they thought they had killed Boone.
♦ In 1781, he was elected as a representative to the Virginia General Assembly.
♦ [Traveling] to Richmond to take his seat in the legislature, […] British dragoons under Banastre Tarleton captured Boone and several other legislators near Charlottesville. The British released Boone on parole several days later.
♦ In 1782, he was elected sheriff of Fayette County.
♦ By 1787, he owned seven slaves.
♦ In 1798, a warrant was issued for Boone’s arrest after he ignored a summons to testify in a court case, although the sheriff never found him.
♦ Also in 1798, the Kentucky assembly named Boone County in his honor.
♦ From 1799 to 1804, he served as syndic and commandant, appointed by the Spanish governor of Spanish Louisiana (now St. Charles County, Missouri).
♦ American painter John James Audubon claimed to have gone hunting with Boone in the woods of Kentucky around 1810 (some historians believe Boone visited his brother Squire near Kentucky in 1810).
♦ Boone died of natural causes at his son Nathan’s home. He was 85.