Music Monday: Magnificat 1733
Two hundred, ninety years ago…Johann Sebastian Bach performs a revised version of his Magnificat in D major, BWV 243, ending the mourning period for Augustus II the Strong, Elector of Saxony and King of Poland.
Johann Sebastian Bach‘s Magnificat, BWV 243, is a musical setting of the biblical canticle Magnificat. It is scored for five vocal parts (two sopranos, alto, tenor and bass) and a Baroque orchestra including trumpets and timpani. It is the first major liturgical composition on a Latin text by Bach. In 1723, after taking up his post as Thomaskantor in Leipzig, Bach set the text of the Magnificat in a twelve movement composition in the key of E-flat major. For a performance at Christmas he inserted four hymns (laudes) related to that feast. This version, including the Christmas interpolations, was given the number 243.1 in the catalogue of Bach’s works.
Likely for the feast of Visitation of 1733 or another feast in or around that year, Bach produced a new version of his Latin Magnificat, without the Christmas hymns…instrumentation of some movements were altered or expanded and, the key changed from E-flat major to D major for performance reasons of the trumpet parts. This version of Bach’s Magnificat is known as BWV 243.2 (previously BWV 243). After publication of both versions in the 19th century, the second became the standard for performance. It is one of Bach’s most popular vocal works.
In Leipzig, the Magnificat was regularly part of Sunday services, sung in German on ordinary Sundays but more elaborately and in Latin on the high holidays (Christmas, Easter and Pentecost) and on the three Marian feasts Annunciation, Visitation and Purification.
Apart from an early setting of the Kyrie, on a mixed Greek and German text (BWV 233a), all of Bach’s known liturgical compositions in Latin were composed during his tenure as Thomaskantor in Leipzig, from 1723 until his death in 1750. Compared to Lutheran practice elsewhere, an uncharacteristic amount of Latin was used in church services in Leipzig. An early account of Bach showing interest in liturgical practices in Leipzig dates from 1714 when he noted down the order of the service on the first Sunday in Advent during a visit to the town.
Bach assumed the position of Thomaskantor on May 30, 1723, the first Sunday after Trinity, performing an ambitious cantata in 14 movements, Die Elenden sollen essen, BWV 75, followed by a comparable cantata, Die Himmel erzählen die Ehre Gottes, BWV 76 the next Sunday.
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12 thoughts on “Music Monday: Magnificat 1733”
January 31, 2023 at 5:32 AM
I used to read music a bit, but that would drive me crazy, much less trying to play it.
January 31, 2023 at 10:34 AM
I could read music when I was 10 years old…but, that stuff wasn’t in Latin…or German for that matter.
I guess back then, people had time to perfect a craft. Modern humans survive on soundbites, cellphones and fast food.
February 1, 2023 at 5:23 AM
I have a gut feeling that humans were more intelligent in those times, no distractions, except for the plague.
February 1, 2023 at 10:36 AM
I agree. The average human, now…
January 31, 2023 at 11:37 PM
I’ve heard of this one… I never could read proper music…I always played by ear but I can slowly read tabs.
January 31, 2023 at 11:51 PM
I wish I had retained my 10 year old ability to read music.
January 31, 2023 at 11:53 PM
I’m not sure I would want to know… I broke some rules by the way I played…well my friends also…so I guess it has it’s up and downs.
February 1, 2023 at 12:08 AM
Whatever way it works for you. Many play by sound, alone.
February 1, 2023 at 12:23 AM
Yea that is how I do it…no…I’ve gotten lazy….I go to youtube lol
February 1, 2023 at 10:34 AM
February 1, 2023 at 4:58 PM
Not a classical music guy, but I definitely appreciate the talent it takes to play that form.
February 1, 2023 at 9:17 PM
I didn’t grow up listening to classical music. I developed a love for it doing music posts.