“Somehow I see, there are ships in her eyes…”
This Saturday’s playlist submission was never released as a single and it never charted…anywhere. It’s the last track, number 12, on the original 1997 debut release of Your Body Above Me by Black Lab. An alternative rock band founded in San Franciso, CA, in 1995 by Paul Durham, the band’s name is an amalgam of band names Black Sabbath and Stereolab. The album did have two hits, one of which peaked at #6 on the Billboard Mainstream Rock chart.
There is not a bad song on this album and I nearly wore out my CD. I took notice of them when an alternative rock station showcased their first track (the #6 hit). I love Paul Durham‘s voice and, the band has had many songs used in movies and television, most notably Spider-Man (2002), Blade: Trinity and Transformers.
Twenty years ago, today, the Walt Disney World Summer Jam Concert aired on ABC at 8:00pm EDT on a Friday night. The concert was in Orlando, FL and hosted by Christina Aguilera. Directed by Jeff Palmer, performers were Aguilera, Enrique Iglesias, Smash Mouth, Destiny’s Child and BBMak.
What a Girl Wants (Aguilera)
All Star (Smash Mouth)
Be with You (Iglesias)
Say My Name (Destiny’s Child)
I Turn to You (Aguilera)
Then the Morning Comes (Smash Mouth)
Back Here (BBMak)
Genie in a Bottle (Aguilera)
Jumpin’, Jumpin’ (Destiny’s Child)
There is not a lot written about this. ~Vic
Genie in a Bottle
Say My Name & Jumpin’ Jumpin’
“Too young to know, too old to listen…”
Saturday evening’s playlist submission is Early Warning by Australian band Baby Animals. The second track from their debut album Baby Animals, it was released on April 21, 1991, as their debut single. Written by Suze DeMarchi, Dave Leslie and Eddie Parise, the song was nominated for Single of the Year and Song of the Year in 1992 by the Australian Recording Industry Association. The album was awarded Album of the Year at The Arias Awards.
I discovered this band when their third track Painless was released in the US in November 1991. Suze’s voice is stunning and powerful and, her band is as hard rocking as any from Downunder. I bought the CD and there’s not a bad song on it. It deserved Album of the Year. They broke up in 1996 but, reformed in 2007. They continue to perform and record.
Baby Animals Channel From 1992
MTV’s Video From 1991
Sixty years ago, today, The Frank Sinatra Timex Show: Welcome Home Elvis aired on ABC. It was Elvis‘ first televised appearance following his military service in West Germany. This was also Frank Sinatra‘s fourth and final Timex sponsored outing for the 1959–60 television season. Other performers were Nancy Sinatra, Joey Bishop, Sammy Davis, Jr., Peter Lawford and The Jordanaires.
After approximately eight minutes on screen and a quick promotional plug for his new film G.I. Blues, Presley was gone. The remainder of the special consisted of performances by the additional guest stars. Excerpts from this show appear in Warner Bros. 1981 documentary film This Is Elvis.
♦ Elvis got paid an at the time incredible sum of $125,000 for only a few minutes of onscreen time.
Elvis & Frank
Behind The Scenes
Four hundred, twenty years ago, Renaissance composer, lutenist and singer John Dowland (a contemporary of William Shakespeare) publishes his Second Book of Songs in London. There were 22 song titles in the book and the most well known of these is Flow, My Tears. Written as an aria and for a lute, its style and form is based on a pavane, a slow, couple-dance common in the 16th century. It’s original 1596 title was Lachrimae Pavane (literally “tears dance”) and Dowland added lyrics later.
Additional Reading & Sources:
John Dowland (Edition HH Music Publishers)
John Dowland Part I (Millenium of Music)
John Dowland Biography (Study Website)
Lachrimae: Continental Context (University of London Goldsmiths)
Flow, My Tears (Wikipedia)
Flow My Tears, the Policeman Said (Wikipedia)
Flow, my tears, fall from your springs!
Exiled for ever, let me mourn;
Where night’s black bird her sad infamy sings,
There let me live forlorn.
Down vain lights, shine you no more!
No nights are dark enough for those
That in despair their last fortunes deplore.
Light doth but shame disclose.
Never may my woes be relieved,
Since pity is fled;
And tears and sighs and groans my weary days, my weary days
Of all joys have deprived.
From the highest spire of contentment
My fortune is thrown;
And fear and grief and pain for my deserts, for my deserts
Are my hopes, since hope is gone.
Hark! you shadows that in darkness dwell,
Learn to contemn light
Happy, happy they that in hell
Feel not the world’s despite.
“If you don’t stop, you will go blind…”
Rolling down the Samsung playlist for a Sunday evening submission, we come to Adam Ant or, Stuart Leslie Goddard and Desperate But Not Serious. The fourth track from the album Friend or Foe, it was co-written by Goddard and Marco Pirroni and, released November 19, 1982, the third single from his solo debut. This is the album that brought us Goody Two Shoes that went to number #1 in Australia and the UK. Desperate didn’t fare as well peaking at #33 in the UK and #66 on Billboard’s Hot 100.
I bought the album as a cassette and nearly wore it out. This is what I term as eclectic music. It’s different, it’s catchy, Goddard has a crazy voice that he plays to the hilt and the writing is very coy and, tongue-in-cheek. He will be at The Paramount Theatre in Austin, Texas, April 28, 2021. I’ve been to that venue many times. I would love to see him there.
I hope you enjoy
Changing things a bit. I’ve got Music Mondays and I’ve had Tune Tuesdays (I may return to that) that showcase music by release date, in five year increments (if I can). Early on, I listed number ones, only. There was also my jump into the 30-Day Song Challenge back in December 2018. Now, I’m stretching Saturday out a bit for some music, too…an idea I got from the Nostalgic Italian. I might even stretch it to Sunday, if I take a notion to. It just depends upon my mood. All blogs evolve and, I’m always looking for new and different things.
This is a song on my playlist on my phone. I have a lot of music on my phone…things that I love to hear when I go out for my afternoon and evening walks or, just sitting in my Adirondack chair, watching the sunset. ~Vic
From Mix Online:
Paich recalls writing Africa on his living room piano.
“Over many years, I had been taken by the UNICEF ads with the pictures of Africa and the starving children. I had always wanted to do something to connect with that and bring more attention to the continent. I wanted to go there, too, so, I sort of invented a song that put me in Africa. I was hearing the melody in my head and, I sat down and played the music in about 10 minutes. And, then, the chorus came out. I sang the chorus out as you hear it. It was like God channeling it. I thought, ‘I’m talented but, I’m not that talented. Something just happened here!'”
Paich, then, proceeded to work on the lyrics for another six months. He brought the skeleton to drummer Jeff Porcaro with the idea of having percussion being an integral part of the composition.
“Jeff got out African sticks with bottle caps that his dad (Joe Porcaro) and Emil Richards (both percussionists) used on National Geographic films. He brought in a marimba and a wooden xylophone kind of thing. This was pre-synthesizer. We didn’t have samples back then. You’re hearing bass marimba, that other instrument and you’re hearing, probably, one of the first loops that was ever done.”
Sadly, Jeff Porcaro passed away nearly ten years later.
I hope you enjoy my Saturday evening submission.
Coming forward in time, I was reading around in the 1400s & 1500s (noticing some of the composers that died in the plague) and discovered another interesting little piece: My Lady Carey’s Dompe (a lament or dirge), a traditional English dance tune. Written for a harpsichord and, possibly, a lute, the composer remains unknown, though suggested attribution is Hugh Aston and, the specific date is questionable. It could be 1525 or, 1528 if the song was, indeed, composed for the death of William Carey, a courtier in the service of Henry VIII. Lady Carey could refer to his wife Mary Boleyn, a mistress to Henry and sister to Anne Boleyn but, could also refer to his mother, sisters or his sister-in-law.
In any case, the song is lovely and, catchy. Enjoy.
“One of the earliest surviving keyboard pieces we have…”
Hey, hey, hey…PAR-TAY! I love a jukebox and I had no idea there was a national celebration day. ~Vic
From National Day Calendar:
On the day before gathering around the turkey, gather around the nearest jukebox to celebrate National Jukebox Day! As Americans flock to their hometowns for Thanksgiving, many will head out to neighborhood bars and restaurants. They’ll catch up with friends and family and, celebrate by playing great songs on their local jukebox.
The name jukebox is thought to originate from places called juke houses or jook joints. In the early 1900s, people congregated in these establishments to drink and listen to music. Throughout history, the jukebox continued to evolve with the times. While the Blue Grass Boys played to sold-out audiences in the Grand Ole Opry, guys and gals danced the night away by playing their song over and over, again, on the jukebox at a local pub. With the advancement of technology, today’s jukebox is more versatile than ever before. Throughout each era, from big band, jazz, country and blues, to rock & roll, acoustic, and electric, and everything in between, the jukebox has played it all.
In 1889, Louis Glass and his partner William S. Arnold invented the first coin-operated player in San Francisco. They were both managers of the Pacific Phonograph Co. Formally known as the nickel-in-the-slot machine, the player included a coin operation feature on an Edison phonograph. However, it played a limited selection of songs without any amplification.
When recording artists first crooned into microphones and cut records into vinyl, an aspiring inventor in a Chicago music store worked nights to build a box that would play both sides of the record. The Automatic Entertainer was introduced by John Gabel and included 24 song selections.
The 1930s were considered the start of “The Golden Era” for jukeboxes as manufacturers including Rudolph Wurlitzer Co., The J. P. Seeburg Corp., The Rock-Ola Manufacturing Corp. and Automatic Musical Instrument Co., competed to produce them for diners, saloons and other entertainment locations.
1946 ushered in “The Silver Age” for jukeboxes as market demand for the newest and greatest technology soared. Fashionable and sleek, jukeboxes weren’t just music players, they were centerpieces often flamboyant with color and chrome. Neon and sci-fi became a tremendous influence on style as well.
The 1960s was the start of a new modern age for jukeboxes. Designs of coin-operated models went through radical changes, not only because of the availability of new materials, such as plastic but also because of the need to accommodate customer demand for more song selection.
In 1989, compact-disc mechanisms replaced the older record style players as newer technology became affordable and rapidly implemented among the general population. Jukeboxes started to become more of a novelty than a necessity.
TouchTunes founded National Jukebox Day to celebrate the iconic jukebox and the powerful memories it evokes in people.
Terry Stafford (Elvis sound-alike)
Twenty-five years ago, this week (November 19/25, 1994), the song Spin the Black Circle by Pearl Jam debuted on the Billboard Mainstream Rock chart (Page 79/ called Album Rock Tracks in 1994), entering at #16 (also its peak). Released November 8, it was the first single from their third album Vitalogy. Produced by Brendan O’ Brien, it was written by Eddie Vedder and Stone Gossard.
Mike McCready had difficulty with the leads and Jeff Ament didn’t like the punk sound at the time. Per Vedder, the lyrics reflect a love of vinyl records but, there could be interpretations of similarities with drug addiction.
The most [Vedder] will do is proselytize against the extinction of the LP, as he does in “Spin the Black Circle,” one of the few songs from Seattle in which a needle has nothing to do with heroin.
Vitalogy has a number of gripping songs that match the soaring anthems of Ten. The first three tracks are a promising start: “Last Exit,” “Not for You” and especially “Spin the Black Circle,” a revvedup thrash tribute to vinyl, rock harder than anything Pearl Jam have ever done.
From David Browne with Entertainment Weekly (December 9, 1994):
Pearl Jam still hasn’t developed an individual style to match that of its profoundly uptight singer, Eddie Vedder. Guitarists Stone Gossard and Mike McCready continue to play sloppy, characterless riffs. [T]heir punk song, ”Spin the Black Circle,” is a little flabby, like dinosaur rockers trying to prove they’re into Green Day.
The song peaked at #18 November 26 on the Billboard Hot 100 and was the first Pearl Jam single to enter this chart. It also peaked at #11 on the Billboard Alternative chart (called Modern Rock Tracks in 1994). It peaked in the top five in Australia, New Zealand and Norway.
I don’t know what this means. I don’t think it means anything.
Lyrics (From LyricFind)
See this needle
Oh see my hand
Drop, drop, dropping it down
oh so gently
here it comes
touch the flame
Turn me up
won’t turn you away
spin the black circle
spin the black, spin the black
spin the black circle
Pull it out
a paper sleeve
Oh my joy
only you deserve conceit
Oh I’m so big
and my whole world
I’d rather you
rather you, than her
spin the black circle
spin the black, spin the black
spin the black circle
Oh you’re so warm
oh, the ritual
as I lay down your crooked arm
spin the black circle
spin the black, spin the black
spin the black circle
Spin the black
Spin the black circle
Spin the black circle
This place is a neat little find in downtown Hillsborough. It is a retro flashback to times when folks could go to a record store and buy albums & 45s. These were the years prior to CDs and, in some instances, prior to cassettes. Tony, the owner, has been in business for two years, now and is doing quite well. It’s a cozy place with a couch, chairs, stools, window seats and a charming little bar. He keeps 12 beers on tap, three ciders in bottles or cans and, provides some wine and soft drinks. All are welcome and he is closed on Mondays. He is a charming fellow and agrees that today’s music with its digital format has no soul in comparison to the tracks laid down in analog. Those days are long gone even though albums are making a comeback. I’d like to see the industry go back to analog tracks. Digital doesn’t have the texture. Put the needle on the record, put the needle on the record…
All photos are my personal collection. ~Vic
Thirty years ago, today, It Ain’t Nothin’ by American country singer Keith Whitley debuted on the Billboard Hot Country chart, entering at #59. The second release from the album I Wonder Do You Think of Me, it was written by Tony Haselden and Keith was a co-producer. Released posthumously, it spent 17 weeks on the chart and became a #1 hit January 13, 1990, seven months after his death. It also reached #1 on Canada’s RPM Country chart February 3, 1990.
Lyrics (via LyricFind):
My boss is the boss’s son and that makes for a real long day.
When that day is finally done I’m facing 40 thousand cars on the interstate.
Feeling lower than a well diggers shoes
knee deep in a mess of blues.
But those blues just fade away
When I hear my baby say.
It ain’t nothin a little bit of love won’t fix
It ain’t nothin but a scratch, a little bit of love can’t stitch.
It ain’t nothin a little bit of love can’t heal.
Your love makes me feel.
No matter what hands me — it ain’t nothin, it ain’t nothin.
It was written all over her face she was about to climb the walls.
She said you gotta get me out of this place cause even
Cindarella got to go to the ball.
If you multiply hell times three that’s what this day has been like for me.
I said honey we’ll do the town.
Just don’t let it get you down.
It ain’t nothin, it ain’t nothin, it ain’t nothin, naugh it ain’t nothin, it ain’t nothin
I’ve posted enough times about the small town I live in. It’s old, it’s eclectic and it is walk-able. It’s also way too expensive, unfortunately. But, I am enjoying it while I am here. ~Vic
January 9 has been a very special day to Apple, Inc. On this day in 2001, Apple announced iTunes at MacWorld San Francisco, an application for Internet radio, music playing, ripping music from CDs and maintaining a library. The software ran on MacOS and Windows and, in 2003, you could download media from the iTunes Store. In 2005, Apple extended functionality for video and podcasts…University lectures in 2007 and, books in 2010. iTunes Radio, free music streaming, came in 2013 followed by Apple Music, paid music streaming, in 2015.
Apple has come under criticism for its digital rights management (DRM) encryption FairPlay. The protection of the music greatly limited what devices could play the files and brought about a movement to remove the restrictions. Steve Jobs penned an open letter to the music industry in February 2007. By April, non-DRM music appeared for download and the entire music catalog was DRM-free in January 2009.
“This is a day that I have been looking forward to for two and a half years. Today, Apple is going to reinvent the phone.”
Apple created the device during a secretive and unprecedented collaboration with AT&T, formerly Cingular Wireless. The development cost of the collaboration was estimated to have been $150 million over a thirty-month period. Apple rejected the “design by committee” approach that had yielded the Motorola ROKR E1, a largely unsuccessful collaboration with Motorola. Instead, Cingular Wireless gave Apple the liberty to develop the iPhone’s hardware and software in-house. The whole effort was called Project Purple 2 and began in 2005. Six weeks before the iPhone was to be released, the plastic screen was replaced with a glass one, after Jobs was upset that the screen of the prototype he was carrying in his pocket had been scratched by his keys.
With the iPhone X costing $1,000 dollars, Apple rules the world.
A song you think everybody should listen to…
I have to keep in mind, for this category, that people have their own tastes in music. One man’s dream is another man’s nightmare. I’m posting these not only because I like them but, because they are fairly unknown. And, I happen to like it very much when someone else introduces me to music I’ve never heard, before. So, I hope that anyone listening to these might enjoy them.
I don’t recall ever hearing this on the radio though, Billboard charted it as high as #29 on the Hot 100.
I picked this up from a college radio station associated with the University of Texas back in 2010. It never got any regular airplay anywhere else. Billboard has no chart record of it. And, it is the only song I have ever encountered that, the live version(s) (and there are many on YouTube) is better than the studio version. I’m also fascinated with her bassist playing the drums at the same time.
I heard this song playing over the speaker system in a grocery store in Boone three years ago. I can’t find where it ever charted on Billboard.
Two Way Radio