Three hundred, fifty-five years ago, John Blow, an English Baroque organist, composed the “club anthem” I Will Always Give Thanks, collaborating with Pelham Humfrey and William Turner. There is not a lot written about this song but, there are two suggestions of it either being an honoring of the victory over the Dutch in 1665 or a simple commemoration of the three men working together.
In late 1668, Blow was appointed to Westminster Abbey as its organist and three of his students were William Croft, Jeremiah Clarke and Henry Purcell. In 1685, he became the private musician to King James II. He was the choir-master at St. Paul’s Cathedral in 1687 and became Composer to the Chapel Royal in 1699.
As a side note, 1665 was a bad year. Sounds familiar. ~Vic
Additional Reading & Sources:
Choral Evensong/John Blow Death Anniversary (BBC October 1, 2008)
John Blow Biography (encyclopedia.com)
Tales for Our Time (Mark Steyn Online)
John Blow Anthems (The Gramophone Newsletter Site)
John Blow Commemoration (Westminster Abbey Site)
A Journal of the Plague Year (Wikipedia)
Battle of Lowestoft (Wikipedia)
Great Plague of London (Wikipedia)
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Coming to 1635…
Fiori musicali (Musical Flowers) is a collection of liturgical organ music by Girolamo Frescobaldi, first published in 1635. It contains three organ masses and two secular capriccios. Generally acknowledged as one of Frescobaldi’s best works, Fiori Musicali influenced composers during at least two centuries. Johann Sebastian Bach was among its admirers and parts of it were included in the celebrated Gradus ad Parnassum, a highly influential 1725 treatise by Johann Joseph Fux which was in use even in the 19th century.
Fiori Musicali was first published in Venice in 1635, when Frescobaldi was working as [the] organist of St. Peter’s Basilica in Rome, under the patronage of Pope Urban VIII and his nephew Cardinal Francesco Barberini. It may have been conceived as music for St. Mark’s Basilica or a similarly important church. The collection was printed by Giacomo Vincenti (a celebrated publisher who had previously published reprints of Frescobaldi’s capriccios) and dedicated to Cardinal Antonio Barberini, Francesco‘s younger brother.
The full title of Frescobaldi’s work is Fiori musicali di diverse compositioni, toccate, kyrie, canzoni, capricci, e recercari, in partitura. Before Fiori musicali, Frescobaldi seldom published liturgical music. The organ mass was still in its infancy and composers seldom published such music. [It] is one of the most influential collections of music in European history. Frescobaldi’s collection was studied by Henry Purcell and Johann Sebastian Bach (the latter copied the entire work for his own use).
Toccata avanti la Messa della Dominica (before the mass)
Kyrie della Domenica
The Full Collection
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