Hey, hey, hey…PAR-TAY! I love a jukebox and I had no idea there was a national celebration day. ~Vic
From National Day Calendar:
On the day before gathering around the turkey, gather around the nearest jukebox to celebrate National Jukebox Day! As Americans flock to their hometowns for Thanksgiving, many will head out to neighborhood bars and restaurants. They’ll catch up with friends and family and, celebrate by playing great songs on their local jukebox.
The name jukebox is thought to originate from places called juke houses or jook joints. In the early 1900s, people congregated in these establishments to drink and listen to music. Throughout history, the jukebox continued to evolve with the times. While the Blue Grass Boys played to sold-out audiences in the Grand Ole Opry, guys and gals danced the night away by playing their song over and over, again, on the jukebox at a local pub. With the advancement of technology, today’s jukebox is more versatile than ever before. Throughout each era, from big band, jazz, country and blues, to rock & roll, acoustic, and electric, and everything in between, the jukebox has played it all.
In 1889, Louis Glass and his partner William S. Arnold invented the first coin-operated player in San Francisco. They were both managers of the Pacific Phonograph Co. Formally known as the nickel-in-the-slot machine, the player included a coin operation feature on an Edison phonograph. However, it played a limited selection of songs without any amplification.
When recording artists first crooned into microphones and cut records into vinyl, an aspiring inventor in a Chicago music store worked nights to build a box that would play both sides of the record. The Automatic Entertainer was introduced by John Gabel and included 24 song selections.
The 1930s were considered the start of “The Golden Era” for jukeboxes as manufacturers including Rudolph Wurlitzer Co., The J. P. Seeburg Corp., The Rock-Ola Manufacturing Corp. and Automatic Musical Instrument Co., competed to produce them for diners, saloons and other entertainment locations.
1946 ushered in “The Silver Age” for jukeboxes as market demand for the newest and greatest technology soared. Fashionable and sleek, jukeboxes weren’t just music players, they were centerpieces often flamboyant with color and chrome. Neon and sci-fi became a tremendous influence on style as well.
The 1960s was the start of a new modern age for jukeboxes. Designs of coin-operated models went through radical changes, not only because of the availability of new materials, such as plastic but also because of the need to accommodate customer demand for more song selection.
In 1989, compact-disc mechanisms replaced the older record style players as newer technology became affordable and rapidly implemented among the general population. Jukeboxes started to become more of a novelty than a necessity.
TouchTunes founded National Jukebox Day to celebrate the iconic jukebox and the powerful memories it evokes in people.
Terry Stafford (Elvis sound-alike)
Thirty years ago, today, It Ain’t Nothin’ by American country singer Keith Whitley debuted on the Billboard Hot Country chart, entering at #59. The second release from the album I Wonder Do You Think of Me, it was written by Tony Haselden and Keith was a co-producer. Released posthumously, it spent 17 weeks on the chart and became a #1 hit January 13, 1990, seven months after his death. It also reached #1 on Canada’s RPM Country chart February 3, 1990.
Lyrics (via LyricFind):
My boss is the boss’s son and that makes for a real long day.
When that day is finally done I’m facing 40 thousand cars on the interstate.
Feeling lower than a well diggers shoes
knee deep in a mess of blues.
But those blues just fade away
When I hear my baby say.
It ain’t nothin a little bit of love won’t fix
It ain’t nothin but a scratch, a little bit of love can’t stitch.
It ain’t nothin a little bit of love can’t heal.
Your love makes me feel.
No matter what hands me — it ain’t nothin, it ain’t nothin.
It was written all over her face she was about to climb the walls.
She said you gotta get me out of this place cause even
Cindarella got to go to the ball.
If you multiply hell times three that’s what this day has been like for me.
I said honey we’ll do the town.
Just don’t let it get you down.
It ain’t nothin, it ain’t nothin, it ain’t nothin, naugh it ain’t nothin, it ain’t nothin