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Music Monday: Now Is The Month of Maying 1595

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Thomas Morley Image One
Image Credit: All Poetry

Stepping backwards a bit, I stumbled across something prior to 1600…

Thomas Morley was an English composer, theorist, singer and organist of the Renaissance. He was one of the foremost members of the English Madrigal School. Living in London at the same time as Shakespeare, Morley was the most famous composer of secular music in Elizabethan England. [He] was active in church music as a singer, composer and organist at St Paul’s Cathedral [and] was involved in music publishing. [He] lived for a time in the same parish as Shakespeare and, a connection between the two has been long speculated but, never proven. In addition to his madrigals, [he] wrote instrumental music, including keyboard music […].

Now Is The Month of Maying is one of the most famous of the English ballets […]. It is based on the canzonet So Ben Mi Chi Ha Bon Tempo used by Orazio Vecchi […]. It was printed in […] Morley’s First Book of Ballets to Five Voyces [in] 1595. The song delights in bawdy double-entendre. It is, apparently, about spring dancing but, this is a metaphor for making love/sex. For example, a barley-break would have suggested outdoor sexual activity (rather like […] a roll in the hay). The use of such imagery and puns increased during the Renaissance.

It was also heard in 1964 on The Andy Griffith Show episode The Song Festers.

Now Is The Month of Maying Image Two
Image Credit: sheetmusicdirect.com & amazon.com

Lyrics:
Now is the month of maying,
When merry lads are playing,
Fa la la la la la la la la,
Fa la la, etc…
Each with his bonny lass
Upon the greeny grass.
Fa la la, etc…

The Spring, clad all in gladness,
Doth laugh at Winter’s sadness,
Fa la la, etc…
And to the bagpipe’s sound
The nymphs tread out their ground.
Fa la la, etc…

Fie then! Why sit we musing,
Youth’s sweet delight refusing?
Fa la la, etc…
Say, dainty nymphs, and speak,
Shall we play barley break?
Fa la la, etc…

Additional Reading & Sources:
Thomas Morley (Britannica)
Thomas Morley (Elizabethan-Era Site)
The Song Festers (IMDB)
Now Is The Month of Maying (Wikipedia)
Thomas Morley (Wikipedia)

Barney’s Voice Lessons

Tune Tuesday: Flow, My Tears 1600

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Flow My Tears Dowland Image One
Image Credit: youtube.com

Four hundred, twenty years ago, Renaissance composer, lutenist and singer John Dowland (a contemporary of William Shakespeare) publishes his Second Book of Songs in London. There were 22 song titles in the book and the most well known of these is Flow, My Tears. Written as an aria and for a lute, its style and form is based on a pavane, a slow, couple-dance common in the 16th century. It’s original 1596 title was Lachrimae Pavane (literally “tears dance”) and Dowland added lyrics later.

This is Dowland’s most famous aria and he would, occasionally, sign his name as Jo. Dolandi de Lachrimae (literally, “John of the Tears“)

Lines 8 thru 10 are quoted in Philip K. Dick‘s book Flow, My Tears, the Policeman Said, a science fiction novel set in a dystopian future. The book’s title is a direct reference to Dowland’s piece.

Additional Reading & Sources:
John Dowland (Edition HH Music Publishers)
John Dowland Part I (Millenium of Music)
John Dowland Biography (Study Website)
Lachrimae: Continental Context (University of London Goldsmiths)
Flow, My Tears (Wikipedia)
Flow My Tears, the Policeman Said (Wikipedia)

Philip K Dick Book Image Two
Image Credit: Doubleday
Philip K. Dick 1974
First Edition Hardcover
wikipedia.org & wikimedia.org

Lyrics:
Flow, my tears, fall from your springs!
Exiled for ever, let me mourn;
Where night’s black bird her sad infamy sings,
There let me live forlorn.

Down vain lights, shine you no more!
No nights are dark enough for those
That in despair their last fortunes deplore.
Light doth but shame disclose.

Never may my woes be relieved,
Since pity is fled;
And tears and sighs and groans my weary days, my weary days
Of all joys have deprived.

From the highest spire of contentment
My fortune is thrown;
And fear and grief and pain for my deserts, for my deserts
Are my hopes, since hope is gone.

Hark! you shadows that in darkness dwell,
Learn to contemn light
Happy, happy they that in hell
Feel not the world’s despite.

Throwback Thursday: The Battle of Culloden 1746

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The Battle of Culloden Image One
Image Credit: britatheart.wordpress.com

Two-hundred, seventy-four years ago, today, the Battle of Culloden (east of Inverness), also referred to as the Battle Of Drummossie was the last confrontation of the 1745 Jacobite Rising (Forty-Five Rebellion).

The battle […] is significant as the last pitched battle fought on the British mainland. It was also the last battle of the final Jacobite Rising that commenced in 1745 when Charles Edward Stuart (Bonnie Prince Charlie), grandson of the exiled King James VII & II, arrived in Scotland from France in July and raised his standard at Glenfinnan [in August]. His aim was to put his father on the throne in place of the Hanoverian George II.

The battle was a total and bloody defeat for the Jacobites which effectively marked the end of almost sixty years of the Jacobite struggle, as never again would an armed uprising be used in the attempt to return the Stuarts to the throne. The government victory also paved the way for a sustained programme to destroy the power base of the rebel clans.

Culloden (pronounced culawden, with the emphasis on ‘oden‘) is one of the most important battles in the history of the British Isles and has international significance. It is the final battle fought on the British mainland and brings to an end more than half a century […] of Jacobite conflict, itself played out against a background of wider international wars. Its aftermath transforms the Highlands, bringing to an end the traditional way of life of the area and contributing to the subsequent clearances. The battle also holds a prominent place within the Scottish cultural legacy, frequently depicted, and commemorated, in art, music, literature and film. The battlefield, itself, is one of the most visited tourist sites in the Highlands […]. [T]he site holds a particularly high significance, and emotional connection, to many within Scotland and to the ancestors of the Scottish Diaspora.

The official return for British Army casualties (government troops) was 50 officers, and men, killed and 259 wounded [with] one missing (a proportion of the wounded later died of their wounds). Jacobite fatalities have been estimated at between 1,200-1,500 with between 400 and 500 prisoners taken in the immediate aftermath and many more in the days which followed. Only the Irish and Scottish troops in French service were treated as bona fide prisoners of war, the rest as rebels.

The Battle of Culloden Image Two
Image Credit: britishbattles.com

The battle, which lasted only 40 minutes, resulted in bitter defeat for the heavily outnumbered Jacobites. Led by the Duke of Cumberland, son of King George II, [the] devastating slaughter of the Jacobites was the result of the opening British cannonade and, subsequent tactics of the Redcoats during the attack […] when each British soldier, instead of attacking the Highlander directly in front of him, bayoneted the exposed side of the man to his right. The Highlanders finally broke and fled […].

Hunted by troops and spies, Prince Charles wandered over Scotland for five months before escaping to France and final exile. The [battle] […] marked the end of any serious attempt by the Jacobites to restore the Stuart dynasty to the British throne.

A generation before, a previous Jacobite rebellion had been thwarted by the king’s officer, George Wade, who had “pacified” and “disarmed” the highland clans. So concerned was the English establishment, and relieved by Wade’s actions, that an additional verse to the National Anthem was penned:
God grant the Marshal Wade
May be thy Mighty aid,
Victory bring;
May he sedition hush,
And like a torrent rush,
Rebellious Scots to crush,
God save the king

Fallout (Late Add):
The high ranking “rebel lords” were executed on Tower Hill in London. Britain enacted punitive laws to prevent the clans rising, again:
(1) Episcopal clergy were required to swear allegiance to the House of Hanover.
(2) The Heritable Jurisdictions Act 1749 abolished judicial rights of heritors, stripping estates from lords and clan chiefs.
(3) The Act of Proscription 1746 was enacted to destroy the clan system.
(4) The Dress Act 1746 made wearing the Highland Dress illegal in Scotland, except for the military-based kilt wearing of the Black Watch

Addendum: “Culloden is viewed by the Scottish people as a war grave. To my fellow Americans, stepping onto the Culloden battlefield would be like visiting Gettysburg or Normandy. And, since Scotland views it as a grave, you could also liken it to Arlington Cemetery. You don’t simply walk onto any of these places with a light spirit.” ~Brit At Heart

Sources:
Ascanius (Web Archive)
Battle of Culloden (Britannica)
Battle of Culloden (British Battles)
Battle of Culloden (Historic Environment Scotland)
Battle of Culloden (Wikipedia)
Battle of Culloden Moor (Web Archive)
Culloden (National Trust for Scotland)
Culloden 1745 Culloden 2010 (Bluestocking)
Culloden Ghosts (About Aberdeen)
Culloden Moor (Web Archive)
The Battle of Culloden (Historic UK)

2020 Anniversary Lament

Documentary From 1964

Music Monday: Spem In Alium 1570

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Thomas Tallis Image One
Thomas Tallis (1505-1585)
Portrait by Gerard van der Gucht
Engraving by Niccolò Haym
Image Credit: wikipedia.org & wikimedia.org

Now, we are in the 1570s…

Spem in Alium is Latin for “hope in any other” or “hope in another”. A 40-part Renaissance Motet, it was composed in 1570 (thereabouts) by Thomas Tallis (Tallys). Written for eight choirs of five voices each, meaning there are 40 separate voices singing individual lines of music, it is considered to be Tallis’s greatest achievement and, possibly, one of the finest compositions of all time.

Information on where it was first performed is scarce. There appears to be some confusion regarding where it took place, as two locations…Nonsuch Palace, a royal Tudor palace in Surrey built by Henry VIII (not to be confused with Nonsuch Mansion) and Arundel House, a London townhouse originally for the Bishops of Bath & Wells…were both owned by Henry Fitzalan, the 12th/19th Earl of Arundel at one time. Most of what I have read leans towards Arundel House but, truly, I don’t think anyone really knows. It’s all a big guess. And, it is pure speculation as to why he wrote it. Some suggestions include a challenge due to an Italian composer doing same, Elizabeth’s 40th birthday or, perhaps for Mary as he was Catholic. Again, no one really knows.

The music, below, is soul stirring. ~Vic

Arundel House Image Three
Artist: Wenceslaus Hollar
Arundel House
Image Credit: wikipedia.org & wikimedia.org

The text of the motet:

Spem in alium nunquam habui
Praeter in te, Deus Israel
Qui irasceris et propitius eris
et omnia peccata hominum
in tribulatione dimittis
Domine Deus
Creator caeli et terrae
respice humilitatem nostram

Nonsuch Palace Image Two
Artist: Georg Hoefnagel 1568
Watercolour of the south frontage of Nonsuch Palace
Image Credit: wikipedia.org & wikimedia.org

 

English Translation:

I have never put my hope in any other
but in Thee, God of Israel
who canst show both wrath and graciousness,
and who absolves all the sins
of man in suffering
Lord God,
Creator of Heaven and Earth
Regard our humility

Additional Reading & Sources:
The Belle Jar (Blog Post)
Oxford Music Online
Spem in Alium History (PDF on Super Flumina Website)
How To Buy Spem In Alium (Classic FM Website)
Tallis and His Song of Forty Parts (Zenodo Website)

TV Tuesday: All Creatures Great & Small 1975

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All Creatures Image One
Image Credit: imdb.com

Forty-five years ago, today, the Hallmark Hall of Fame television movie All Creatures Great and Small aired on NBC. Based on two novels by James Alfred Wight (pen name James Herriot), If Only They Could Talk (1970) and It Shouldn’t Happen To A Vet (1972), it was the first of a series of films and TV series based on his work. Directed by Claude Whatham and produced by David Susskind, it starred Simon Ward (as James Herriot), Anthony Hopkins, Lisa Harrow, Brian Stirner and Freddie Jones.

From Wikipedia

It is 1937 and newly qualified vet James Herriot travels to Yorkshire to apply for the post of assistant in Siegfried Farnon’s practice. He soon learns the facts of country life but, struggles to overcome the prejudices of the Darrowby locals who are skeptical of the novice vet’s ability. In between cases, Herriot courts pretty farmer’s daughter Helen Alderson and finally marries her.

From Turner Classic Movies:

A gentle, episodic account of author Herriot’s apprenticeship in the mid-1930s to an eccentric rural English veterinarian and his awkward courtship of a farmer’s daughter.

All Creatures Image Two
Photo Credit: tmdb.org & watchviooz.com

From IMDB:

The story of a young veterinarian’s apprenticeship to a somewhat eccentric, older vet in the English countryside and the young man’s hesitating courtship of the daughter of a local farmer.

Filming began May 1974 in Malton, North Yorkshire with studio work in London. The film wasn’t released in the UK until May 9, 1975, opening in London at Studio Two on Oxford Street.

Trivia Bits:
♦ Although born in Sunderland, England, James Herriot spent the first twenty-three years of his life in Glasgow, Scotland and never lost the accent, as can be heard in television interviews. Simon Ward however, plays him as a Londoner.
♦ Known to the cast and crew as “All Creatures Grunt and Smell”.

Movie Monday: Leisurely Pedestrians 1889

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Leisurely Pedestrians Image One
Image Credit: wikipedia.org

I am going WAY back this time…back to the days of moving pictures and short films. Sticking with my five year increments, one-hundred & thirty years ago, William Friese-Greene, an English inventor, and professional photographer, shot a silent, actuality film in the Autumn of 1889. It was titled Leisurely Pedestrians, Open Topped Buses and Hansom Cabs with Trotting Horses.

From Wikipedia:

[…] shot by inventor and film pioneer William Friese-Greene on celluloid film using his ‘machine’ camera, the 20 feet of film […] was shot […] at Apsley Gate, Hyde Park, London. [It] was claimed to be the first motion picture [but] Louis Le Prince successfully shot on glass plate before 18 August 1887 and on paper negative in October 1888. It may, nonetheless, be the first moving picture film on celluloid and the first shot in London.

It is now considered a lost film with no known surviving prints and only one possible still image extant.

Leisurely Pedestrians Image Two
Image Credit: wikipedia.org

An article in This Is Bristol UK from December 17, 2009, (via The Wayback Machine) has an interview with David Friese-Greene, the great-grandson. From the article:

My great-grandfather was an idealist and a brilliant inventor, with 71 patents to his name but, he was a dreadful businessman. He died without ever having made a penny out of his inventions. He married his first wife Helena Friese when he was just 19 and incorporated her surname with his, because he felt it sounded more impressive. Tragically, Helena died at the age of 21 […].

It was during the late 1880s, shortly after Helena’s death, that Friese-Greene first began to experiment with the idea of creating moving pictures. […] in 1890, he patented [a] new device, which he dubbed the chronophotographic camera. Unfortunately, he was so pleased with his creation that, he wrote to the great American inventor, Thomas Edison, telling him what he had come up with and, even, included plans and designs […]. William never heard back from the inventor of the electric light bulb, though, the following year, Edison patented his own version of a movie camera and went down in many history books as the inventor of cinema.

In fact, William died a pauper but, [was] still passionate about his most famous creation. He was at a cinema industry meeting in London, which had been called to discuss the poor state of the British film industry in 1921. He had got to his feet to speak about his vision of how film could be used to create educational documentaries when he fell down dead. It is said he had just 21 pence in his pockets when he died.

In 1951, the movie The Magic Box was released. Starring Robert Donat, it was a biographical piece about Friese-Greene’s life.

There is additional information on this WordPress blog: William Friese-Greene & Me

Tune Tuesday: The Beatles 1964

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The Beatles Image One
Photo Credit: moptoptours.com

Fifty-five years ago, today, the #1 song on the Billboard Hot 100 chart was I Want to Hold Your Hand. Written by Paul McCartney and John Lennon, it was recorded October 17, 1963, at EMI Studios in London.

From The Beatles Dot Com:

[…] it was the first Beatles record to be made using four-track equipment. It was also the group’s first American number one, entering the Billboard Hot 100 chart on 18 January 1964 at number forty-five and starting the British Invasion of the American music industry.

The Beatles Image Two
Photo Credit: beatlephotoblog.com

From The Beatles Bible:

“A telegram came through to Brian from Capitol Records of America. He came running in to the room saying, ‘Hey, look. You are number one in America!’ I Want To Hold Your Hand had gone to number one. Well, I can’t describe our response. We all tried to climb onto Big Mal’s back to go round the hotel suite: ‘Wey-hey!’ And that was it, we didn’t come down for a week.”

~Paul McCartney

“It was such a buzz to find that it had gone to number one. We went out to dinner that evening with Brian and George Martin. George took us to a place which was a vault, with huge barrels of wine around. It was a restaurant and its theme was… well, the bread rolls were shaped like penises, the soup was served out of chamber pots and the chocolate ice cream was like a big turd. And, the waiter came ’round and tied garters on all the girls’ legs. I’ve seen some pictures of us. There is a photograph around of Brian with the pot on his head. It was a great feeling because we were booked to go to America directly after the Paris trip, so it was handy to have a number one. We’d already been hired by Ed Sullivan so, if it had been a number two or number ten we’d have gone anyway but, it was nice to have a number one. We did have three records out in America before this one. The others were on two different labels. It was only after all the publicity and the Beatlemania in Europe that Capitol Records decided, ‘Oh, we will have them.’ They put out I Want To Hold Your Hand as our first single but, in fact, it was our fourth.

~George Harrison

The Beatles Image Three
Image/Photo Credit: beatles.ncf.ca (Ottawa Beatles Site)
Los Angeles Times Article 02-10-1964 (left)
Ed Sullivan Show Shots 02-09-1964 (right)

From the Ottawa Journal:

Will We All Become Beatle Nuts?
Here’s What the Reviewers Say…

“Anyone who is not a teenage girl obviously is unqualified to comment on the sight of The Beatles in action. Heaven knows we’ve heard them enough. It has been impossible to get a radio weather bulletin or time signal without running into “I Want To Hold Your Hand.” And now, having seen the four performers on Ed Sullivan’s show Sunday night, Beatlemania is even more of a mystery to an elderly viewer.”

~Cynthia Lowry (Associated Press)

“It is now clear why President de Gaulle has been giving England such a hard time about the Common Market. He undoubtedly saw The Beatles and decided nothing doing. As you certainly know, America saw the four-member rock’n’roll British group live on television last night. Pandemonium reigned. Vive La France.”

~Rick DuBrow (United Press International)

“”You can tell right away its The Beatles and not anyone else,” is the opinion of a 15-year-old specialist on the topic who saw them on the Ed Sullivan show. The age of 15 (or 16, or 14 or 13) is essential in Beatle experts. And, so, taking the above axiom as gospel, an attempt was made to find out just what is musically unique about the English group that is now visiting our shores.”

~Theodore Strongin (The New York Times)

“It seems The Beatles came, sang and conquered…all that is but, the TV reviewers. Most of the time, these reviewers have real troubles finding something to write about. Ask them… When Elvis Presley first appeared on the popular musical scene and made his TV début, did they praise him? No. In fact, most beat singers who come under the TV reviewer’s eagle eye rarely receive a word of praise. It seems obvious the reviewers came to bury the teenage favorites and not to praise them. Again, the teenage taste has been mocked. As long as this superior feeling is put across, the younger generation will continue to make their idols…and won’t give a darn who likes them.”

~Sandy Gardiner (Ottawa Journal)

Though this song didn’t win any awards, The Beatles did receive The Best New Artist award at the 7th Annual Grammy Awards.

Lyrics:
Oh yeah, I’ll tell you something,
I think you’ll understand,
Then I’ll say that something,
I wanna hold your hand,
I wanna hold your hand,
I wanna hold your hand.
Oh please say to me
You’ll let me be your man,
And please say to me,
You’ll let me hold your hand,
Now let me hold your hand,
I wanna hold your hand.
And when I touch you
I feel happy inside,
It’s such a feeling
That my love I can’t hide,
I can’t hide, I can’t hide.
Yeah, you got that something,
I think you’ll understand,
When I feel that something,
I wanna hold your hand,
I wanna hold your hand,
I wanna hold your hand.
And when I touch you
I feel happy inside,
It’s such a feeling
That my love I can’t hide,
I can’t hide, I can’t hide.
Yeah, you got that something,
I think you’ll understand,
When I feel that something,
I wanna hold your hand,
I wanna hold your hand,
I wanna hold your hand.

Tune Tuesday: Evelyn Knight & The Stardusters 1949

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Evelyn Knight Image
Image Credit: tias.com

Seventy years ago, today, the #1 song on Billboard (pre-hot 100 era) was A Little Bird Told Me by Evelyn Knight, backed up by the Stardusters. Written by Harvey Oliver Brooks, the song was recorded by five different artists with Knight’s version being the only number one. Harvey Brooks was the first black American to write a major motion picture’s complete score: I’m No Angel, starring Mae West.

The Stardusters Image
Image Credit: pinterest.com
The Stardusters with Mary McKim

In 1950, this particular song was the subject of a landmark court case between Supreme Records in Los Angeles and Decca Records in London, England. Supreme Records founder Albert Patrick sued Decca over copyright infringement as his company had recorded and released the song with singer Paula Watson before Decca’s version was released with Knight & The Stardusters. Patrick was furious and filed for $400,000 claiming plagiarism of the arrangement.

The court ruled in favor of the defense stating that musical arrangements were not copyrightable, as style could not be protested under the law. The case opened the door for cover versions. Supreme went bankrupt shortly afterwards and Paula Watson went to work for Decca.

Soul Reintegration: The Process Begins

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A PDF Essay From: The Chris Thomas Files

Soul Reintegration Image
Image Credit: re-integration.com

New Energies

Humanity is primed to undergo the greatest shift in consciousness that has ever been seen in the history of our Universe. Seven thousand years of human history, “The Human Plan”, is approaching its fruition and 2012 promises to be the year when all of our hard work, our aspirations and dreams, finally come together to re-merge the whole of the soul back into the physical body. But how will this happen? How will we know when the time is tight? How will we be at the end of this change? The change we are undergoing has never been attempted, anywhere, in the whole of Creation, so, we are having to feel our way into our new future but, there are some clues and signposts along the way. One such “signpost” has just begun to emerge from the mists that shroud our future.

The Present

Over the past ten years, more and more people are waking up to the fact that all is not well in the world. Political posturing and lies are being uncovered. Real conspiracies are being brought to light and, the mood of the population is for clarity and the end of being subject to the whims of an “Elite” (also known as Illuminati, Cabal, Bilderbergers, etc…). All of this uncovering is a part of our own awakening.

For almost 300 years, we have been mislead by those who see themselves as being above the rest of humanity and these “Elite” have forced themselves into positions of political power in order to create an agenda to which the rest of the world was subjected without our conscious knowledge. As we moved into the 21st century, cracks began to appear in the elitists’ plans and, more and more people have become aware that an agenda is at work and, that this agenda affects every man, woman and child on the planet. However, we have been largely powerless to do much about it. Any signs of discontent are stomped on, immediately, with increasing severity. The media is controlled to the point where the Elite can tell any lie without being questioned and any proof of the Elites’ agenda is ridiculed as a “conspiracy theory”. But, the energy is changing.

Cosmic Forces

The year 2012 has long been prophesised as the end of the world. Many have taken this statement literally and, see this year as being one of catastrophe and the end of all things to do with Earth. But this is not the case. It is the end of life as we have known it for the past seven thousand years and a change into a new way of being. This duality of endings and new beginnings is not accidental but, has been planned for 7,000 years and, planned in such a way that a number of different forces and energies all combine together at the same time to produce a new reality.

Time Line

In 1996, a new energy was connected to the Earth from deep within the Universe. This new energy is designed to provide us with all that we would need to bring about a change of consciousness. This new energy began by gradually changing the way in which we see ourselves, our place on Earth and our place within the Universe. In 2002, the Earth altered Her own energy patterns. This change on an Earth level was purely to help humans to move on. The traditional “base-note” frequency of the Earth was 7.56 Hz. In 2002, this was raised to 3.5 kHz. This massive change in frequency was to accommodate the needs of people so that the higher self could be re-integrated back into the physical body.

By 2005, we had reached the point where we humans could begin to move forwards. We had, to a certain extent, absorbed and come to terms with the “push” generated by the 1996 energy but, we were still far away from our goal. As we moved through this period, the first people to re-integrate the soul back into the body began to so do. These re-integrations were very successful and virtually no problems were encountered. People undergoing this process is still underway today but, only gradually.

By the end of October 2010, we had raised our individual and collective energies to the point where we could begin a new acceleration. Between the start of November 2010 and the 28th of October 2011, humans raised their own base-note energy frequencies into full alignment with the Earth’s new frequency. By the end of October 2011, we had reached full frequency parity with the Earth at 3.5 kHz. Whilst a major step forwards, this was not the start of full soul re-integration. A number of events need to occur before we can achieve that.

During this period, there were numerous attempts to distract us and prevent us from fully understanding our potential. The two Gulf Wars, Afghanistan, the attack on New York’s twin towers on the 11th of September 2001, the bombing of London on the 7th of July, 2005, and, the attack on Libya in 2011 were all engineered by the Elite and carried out by secret services (CIA & MI6), as well as the military-industrial complex in order to create as much fear as possible in the population.

Add to these atrocities, the deliberate manipulation of the banks and money markets and, we have a population that is subdued, fearful and, more importantly, fearful of their futures. Adding to this level of fear is the total myth of man-made global warming. Instead of moving into our consciousness shift with an open heart and understanding, the Elite attempted to stop this change in its tracks by forcing people to see the world as one where they were unlikely to survive. Fortunately, we are not on our own.

The Earth

All too often we forget that this lump of rock we live on has a consciousness of Her own and despite this lack of human regard, the Earth still sees us as Her “Children”. The Earth, too, has been heavily involved in The Human Plan. In fact, nothing could have been planned and worked out without Her. Along with the new energy source that arrived in 1996, the orbit of the solar system brought us into growing alignment with the centre of our galaxy. The energy arriving from the centre of the galaxy also added to the impetus for change. This galactic alignment has become more direct since 1996 and we are now, at the end of 2011, bathed in positive energy patterns never before seen. All of these new energy sources are acting together to help us.

When we began to help ourselves and completed our base-note frequency acceleration, the Earth could begin a new phase of development. This, She began on the 13th of December 2011. This new source of energy brought about by the Earth is feeding into the human mass-consciousness and its purpose is to bring about a new wave of change. The level of dissatisfaction brought about by the activities of the Elite means that the human mass-consciousness has reached critical mass. This new Earth energy is there to gently push the human mass-consciousness to a point where we create a tsunami for change.

To continue reading, download the PDF version HERE.

[Note: This PDF was originally posted on the One-Vibration Forum on December 17, 2011.]