black and white records
Movie Monday: The Dying Swan 1917
One hundred, five years ago, today, the 1917 short, silent film The Dying Swan (Russian: Umirayushchiy Lebed) was released in Russia (Moscow). Starring Vera Karalli (Gizella), Aleksandr Kheruvimov (Gizella’s Father), Vitold Polonksy (Viktor Krasovsky), Andrej Gromov (Valeriy Glinskiy) and Ivane Perestiani (Glinskiy’s Friend), it was directed by Yevgeni Bauer and written by Zoya Barantsevich.
A grief-stricken ballerina becomes the obsession of an increasingly unhinged artist.
Gizella, who is a dancer and mute, falls in love with Victor, whom she met at the lake. She believes that love is mutual but, […] sees Victor with another girl after he cancels a date with her. She becomes an object of sympathy for the artist Glinsky, who sees Gizella dancing The Dying Swan and uses her as a model for a picture on the theme of death.
When Viktor meets Gizella one day beside the lake, he takes an interest in her and begins to call on her regularly. When Viktor deceives her and she finds him with another woman, she moves away and begins a career as a ballerina.
A brokenhearted dancer and an artist desperate for inspiration form a strange collaboration in Russian director Yevgeni Bauer’s psychological drama. Morbid in the best possible way.
Additional:
The Dying Swan (Century Film Project/12-10-2017)
Full Movie
Tune Tuesday: Evelyn Knight & The Stardusters 1949
Seventy years ago, today, the #1 song on Billboard (pre-hot 100 era) was A Little Bird Told Me by Evelyn Knight, backed up by the Stardusters. Written by Harvey Oliver Brooks, the song was recorded by five different artists with Knight’s version being the only number one. Harvey Brooks was the first black American to write a major motion picture’s complete score: I’m No Angel, starring Mae West.
The Stardusters with Mary McKim
In 1950, this particular song was the subject of a landmark court case between Supreme Records in Los Angeles and Decca Records in London, England. Supreme Records founder Albert Patrick sued Decca over copyright infringement as his company had recorded and released the song with singer Paula Watson before Decca’s version was released with Knight & The Stardusters. Patrick was furious and filed for $400,000 claiming plagiarism of the arrangement.
The court ruled in favor of the defense stating that musical arrangements were not copyrightable, as style could not be protested under the law. The case opened the door for cover versions. Supreme went bankrupt shortly afterwards and Paula Watson went to work for Decca.