You’ve probably heard of ChatGPT, a computer program that is trained to follow your instruction and provide a variety of wide ranging responses. As someone that has spent some time actually using the AI, I have to say, the results it produces can be eerily human but, did you know that computer scientists have been working alongside chatbots as early as the 1960s?
It was the late 1960’s and Joseph Weizenbaum, an MIT computer scientist, had just completed work on his revolutionary chatbot ELIZA. Weizenbaum was born in Berlin, Germany, in 1923 and fled the country with his family in 1935 to escape the political turmoil. Weizenbaum came to the United States where his road to computer science would ultimately begin. After time spent in the Air Force, Weizenbaum would go on to study as a computer scientist and eventually work in the industry. You have to remember, computers at that time were not portable devices that could fit in our pockets. In fact, they often barely fit into a room! As an associate Professor at MIT, Weizenbaum became obsessed with the way computers could directly interact with humans through language. It was this early through line between computers and human language that would work to lay the foundation for his own chatbot and eventually lay the groundwork for the AI development of programs such as ChatGPT, Siri and Alexa.
Eliza was completed in 1966 and Weizenbaum offered MIT students the opportunity to interact with the chatbot. This process consisted of messages typed into the computer by students and, responses would then be provided by ELIZA, […] routed to an electronic typewriter and printer. Weizenbaum was initially happy with the response that was garnered from users’ experience with ELIZA but, there was one thing he did begin to notice that he viewed as considerably concerning. Overtime, Weizenbaum made note of users starting to divulge deep personal information, looking for help similar to that of a therapy session. This observation ended up pushing Weizenbaum to advocate for caution when relying too heavily on computers for human thought…
“There are aspects to human life that a computer cannot understand—cannot. It’s necessary to be a human being. Love and loneliness have to do with the deepest consequences of our biological constitution. That kind of understanding is in principle impossible for the computer.”
Spanish artist Manel de Aguas doesn’t consider himself human but, something else. A founding member of the Trans-Species Society (a now defunct website), he uses technological implants to experience the world differently than the rest of humanity. Twenty-four-year-old Manel […] first made international news headlines in August of 2017 when he built the first prototype of a device that allowed him to feel atmospheric vibrations. At the time, it was nothing more than an exposed circuit board that hung on a headband at the back of his head. The following year, he started attaching a pair of fins to the sides of his head and announced his intention to have them implanted into his skull. Earlier this year, de Aguas did just that, turning those decorative fins into functional organs that perceive the temperature, humidity and atmospheric pressure and, send sounds to Manel’s brain via bone conduction.
In June of 2019, the […] artist sat down with VICE Magazine and explained his intention to have [the] artificial [organs] […] implanted:
“The atmosphere will sound inside my head, and depending on the atmospheric conditions in any given moment, I will have the experience of being submerged in one type of medium or another. As for the outer part, the organ will have an appearance inspired by the fins of flying fish and I will implant a fin on each side of my head, at the same level as the temple bone in my skull.”
“I have always felt a special connection to the rain, so when I found out that there was a way to feel this sense within me, I thought it would be good to create [an organ] that would connect me even more to rain, as well as other atmospheric phenomena. As for the shape of the organ, I have always been interested in marine species, both real and mythological, so the idea of creating a fin-shaped organ simply came from within.”
“I will be exploring the weather through this new sensory organ,” […] de Aguas posted on Instagram, where his new look has been getting a lot of attention.
Manel described himself as a propioespecie, or his own species, his response to the anthropocentrism of today’s society, which puts human beings on the highest echelon of a false hierarchy of species. In January of this year, [he] was finally able to make his dream a reality. He had the artificial fins implanted into his skull at a clinic in Japan, after being refused by several doctors in Spain. The fins weigh 500 grams, can be recharged with solar energy and can connect to various devices via WiFi.
Update:
“The hammer finally fell at £2,500 and the item was purchased by a private UK buyer.”
“The box has been valued at up to £3,000 and, includes a glass phial with unknown contents and a bottle of shark’s teeth.”
A “vampire-slaying kit”, containing a pocket-sized pistol and a 19th century copy of the New Testament, is going under the hammer. The gothic-looking container, worth between £2,000 and £3,000, also comes packed with pliers, [a] rosary and a bottle of shark’s teeth. Also inside the metal-bound box is an ivory-robed wolf carrying rosary beads, as well as a blue phial with mysterious contents, and a silver-bladed pocket knife. And inside the lid is an oval enamel painting that depicts the resurrection of Jesus Christ.
There’s no record of the box’s origin but, the 1842 copy of the New Testament within does bear the inscription of an Isabella Swarbrick. The current owner from the West Midlands, who wishes to remain anonymous, said that they do not know very much about its history. “I have had it in my own collection for three years now,” they said. “I bought it from a large antiques fair in Newark-on-Trent. I loved the look of the Gothic box and, when I opened it, I just had to have it. I thought it was so interesting…a great conversation piece.”
Photo Credit: news.sky.com
Charles Hanson, owner of the Derbyshire-based Hansons Auctioneers, the firm selling the box, said: “People are fascinated by stories of vampires, hence their continued appearance in films and on TV today. They have been part of popular culture for more than 200 years. The publication of John Polidori‘s The Vampyre in 1819 had a major impact and that was followed by Bram Stoker‘s 1897 classic Dracula.”
He added: “However, a belief in vampires and strange superstitions goes back even further and persists to this day. The task of killing a vampire was extremely serious and historical accounts suggested the need for particular methods and tools. Items of religious significance, such as crucifixes and Bibles, were said to repel these monsters, hence their strong presence in the kit we have found.”
The box will be sold online on [July 16] as part of a five-day-long antiques and collector’s auction.
A 25-year-old man clad in “Joker” makeup “menacingly waved” a pocketknife at several teenagers as he drove past them Tuesday in Haddon Township, authorities said. Assoumou Diby was stopped a short time [after] cruising past the group on the 400 block of West Crystal Lake Avenue on Tuesday, the Camden County Prosecutor’s Office and Haddon Township police said in a statement Wednesday.
It’s blurry but, here’s a visual…a man in joker makeup arrested by Haddon Twp, NJ, police after allegedly waving a pocketknife at children. The arrest followed days of sightings, scares and calls to police, who say, until last night, the behavior wasn’t criminal. @FOX29philly
Diby, of Haddon Township, was charged with unlawful possession of a weapon following his arrest. Earlier in the week, police said they received multiple reports from people who saw a man in Joker makeup walking around town, noting it’s not a crime [to] simply do that.
Diby is due to make a first appearance in municipal court July 16.
“[It can] meow out of one mouth and eat out of the other.”
Meet Biscuits & Gravy: The Two-Faced Oregon Kitten
When Kyla King got up Wednesday morning to check on her pregnant cat, she knew there was a good chance she’d find a litter of newborn kittens. She walked outside to the special crate she had put the expectant mother into overnight and noticed four tiny kittens. But, then she noticed two more hiding behind their mom. So, Kyla picked one up and set it down with the rest of the litter. She picked up the last kitten and found herself face-to-face with two tiny noses, four eyes tightly shut and two mewing mouths.
Kyla said she sent a picture to her husband, BJ King, with a text that read: “We have 6-1/3 kitty cats now!”
Kyla reached out to their vet to learn more about the kitten’s condition, how to care for it and its odds of survival. She learned there wasn’t much to be done medically for the tiny creature. All she could do was make it comfortable and help it eat. “It doesn’t really know how to nurse properly because it has two mouths so, I’ve been trying to feed it,” Kyla said. “And, I mean, I’m gonna do the best I can but, these animals don’t usually live too long.”
Photo Credit: dailyhive.com
Cats with two faces are known as Janus cats, after the Roman god Janus, often depicted with two faces in mythology. They suffer from a rare congenital defect called diprosopus, or cranial duplication. Most Janus cats don’t live longer than a day but, one defied the odds. His name was Frank and Louie and he passed away in 2014 at the age of 15. The Guinness Book of World Records named him the world’s longest surviving Janus cat.
In looking thru odd stories, this caught my attention. From Oddity Central:
A Creepy Art Installation Freaking People Out on Google Maps
By Spooky on May 15th, 2020
An eerie art installation located in a barren field in the Finnish countryside recently went viral after someone accidentally stumbled upon it while searching on Google Maps. With quarantine and isolation measures still in place in many countries around the world, people are spending a lot of time online looking for cool places to visit once they can travel again. Many are using free tools, like Google Maps, and end [up] going deeper down the rabbit hole than they originally anticipated. That’s probably how some people recently discovered The Silent People, […] creepy-looking [figures] that left them scratching their heads about why anyone would fill a field with hundreds of scarecrows and dress them as real people.
Seen from afar, The Silent People [site] looks like a perfectly still army of people all facing the same way. It’s only when you take a closer look that you realize it’s made up of wooden frames covered in human clothes and heads made of [peat], which does a surprisingly good job of emulating human hair. Even knowing that it’s an art installation, you still feel uneasy looking at the almost one thousand still [bodies] but, knowing absolutely nothing about it and [suddenly] finding it on Google Maps can really freak a person out.
Hiljainen Kansa: The Silent People of Suomussalmi, Finland
By Kaushik Patowary on March 28, 2015
Motorists driving along Highway 5, about 30 km north of the small town of Suomussalmi, in north-eastern Finland, are greeted by a peculiar sight. A crowd of almost a thousand figures stand silently on a field near the road. In the morning with light behind them, this motionless army appears morose, even menacing. But, when a light breeze picks up their colorful dresses and blows them around their still bodies, they appear to have sprung into life.
This army of scarecrow-like figures called “The Silent People” or “Hiljainen Kansa” in Finnish, were the creation of local artist Reijo Kela. They were first displayed in 1988 in a field in Lassila, a neighbourhood of Helsinki. Later in 1994, these were on display in the Market Place of Helsinki’s Senate Square, then on the banks of the river Jalonuoma, Ämmänsaari and finally moved to this location in 1994 itself.
Photo Credit: Palm Beach County
Water Utilities Department
Facebook Post
I haven’t done one of these since 2013. I read a lot and sometimes I come across some strange things. This is an article from United Press International:
Wet Wipes Clog All Four Pumps At Florida Wastewater Facility
April 15, 2020 (UPI) Utility officials in a Florida county are reminding residents not to flush wet wipes down the toilet after all four of the wastewater facility’s pumps clogged at the same time.
The Palm Beach County Water Utilities Department said in a Facebook post that all four pumps at the organization’s wastewater pumping facility in Boca Raton ended up clogged at the same time “for the first time ever.” The post blamed the clogs on increased use of wet wipes.
“It took a team of three utility mechanics to dissemble and reassemble the pumps in order to remove the compacted wipes,” the post said. The department said residents who find themselves “low on toilet paper” amid shortages from the COVID-19 pandemic should remember that all wet wipes, including those labeled “flushable,” should be thrown in the trash and not disposed of in the toilet.
Wait a minute. Are these folks insinuating that “residents who find themselves low on toilet paper” are using Clorox and/or Lysol wet wipes in lieu of TP? Or, are we talking baby wipes here? The article isn’t all that clear. Either way…just…DAMN. ~Vic
An ancient Egyptian statue appears to have started moving on its own, much to the amazement of scientists and museum curators. The statue of Neb-Senu, believed to date to 1800 B.C., is housed in the Manchester Museum in England, at least for now. But, if the statue keeps moving, there’s no telling where it will end up. “I noticed one day that it had turned around,” museum curator Campbell Price told the Manchester Evening News. “I thought it was strange because it is in a case and I am the only one who has a key. I put it back but, then, the next day, it had moved again […]. We set up a time-lapse video and, although the naked eye can’t see it, you can clearly see it rotate.”
The [10in. (25cm)] statue was acquired by the museum in 1933, according to the New York Daily News. The video clearly shows the artifact slowly turning counterclockwise during the day but, remaining stationary at night. This daytime movement led British physicist Brian Cox to believe the statue’s movement is due to the vibration created by museum visitors’ footsteps. “Brian thinks it’s differential friction, where two surfaces, the stone of the statuette and glass shelf it is on, cause a subtle vibration, which is making the statuette turn […]. But, it has been on those surfaces since we have had it and it has never moved before […]. And, why would it go around in a perfect circle?” said Price.
On his blog, Price […] speculates that the statue “was carved of steatite and, then, fired [which] may imply that it is now vulnerable to magnetic forces.” Steatite, also known as soapstone, is a soft stone often used for carving. Oddly, the statue turns 180 degrees to face [backwards], then turns no more. This led some observers to wonder if the statue moves to show visitors the inscription on its back which asks for sacrificial offerings consisting of bread, beer, oxen and fowl.
None of the proposed explanations satisfies Price. “It would be great if someone could solve the mystery,” he said. But, Paul Doherty (d. 2017), senior scientist at the Exploratorium in San Francisco, believes the statue’s movement isn’t caused by any supernatural force but, by something quite ordinary…vibrational, stick-slip friction, sometimes called stick-slip vibration. As Doherty told LiveScience, “[If] the glass shelf, on which the statue rests, vibrates even slightly, […] the vibrating glass moves the statue in the same direction, […] causing it to turn around.” An everyday example can occur when someone uses an electric blender on a kitchen countertop […]. The vibration of the blender can cause a nearby coffee cup to walk across the countertop.
But, why would the statue stop moving after turning 180 degrees? Doherty believes the statue stops turning because it’s asymmetrically weighted […]. “One side of the statue has more weight than the other side,” [Doherty said]. After turning around on the shelf, the statue’s uneven bottom reaches a more stable position and stops turning. Besides the footsteps of passing museum visitors, the source of the stick-slip vibration “…could be some trolley that goes by during the day or a train that passes during the day,” Doherty said.
