Seventy-five years ago, today, the #1 song on Billboard (pre-hot 100 era) was My Heart Tells Me (Should I Believe My Heart?) by Glen Gray, his Casa Loma Orchestra and singer Eugenie Baird. Written by Harry Warren (Lullaby of Broadway, Jeepers Creepers & That’s Amore) with lyrics by Mack Gordon (Chattanooga Choo-Choo), this was the theme for the 1943 musical film Sweet Rosie O’Grady. Betty Grable sang the song in the movie.
Glen Gray & his Orchestral version was number one for five weeks from January 29 to February 26, boosted by the popularity of the musical. As a popular standard for the 1940s, other well-known artists with their own versions include Etta Jones (1961), Frank Sinatra (1945), Nat King Cole (1958) and Tony Bennett (1955). Glenn Miller & his orchestra had a go in 1944, broadcasting to German soldiers. From Dance in the City (Page 191):
“One of the paradoxes of the Nazi terror was that SS officers themselves demonstrated a fondness for swing (Vogel, 1962).
Mike Zwerin (1985), in his exploration of jazz under the Nazis, described a Luftwaffe pilot who switched on the BBC hoping to catch a few bars of Glenn Miller before bombing the antenna from which these forbidden sounds were being broadcast. Allied propagandists recognised the potential for exploiting the contradictory allure that jazz possessed with Nazi society.
The sound barrier of 1944 was marked on the one hand by the music of the Nazi marches and on the other by the big band swing of Glenn Miller. The Allies attempted to exploit the popularity of swing inside Germany. On October 30, 1944, Miller’s swing tunes were aimed at German soldiers through the American Broadcast Station in Europe (ABSIE) in an effort to persuade them to lay down their arms.
Major Miller addressed German soldiers in their own language with the assistance of Ilse Weinberger, a German compere and translator. Ilse introduced Glenn Miller as the ‘magician of swing’ and, through a strange act of cultural alchemy, tunes like Long Ago and Far Away and My Heart Tells Me were rendered in German by vocalist Johnny Desmond.”
In 1913, The Revenue Act or the Underwood Act or the Underwood Tariff or the Underwood Tariff Act or the Underwood-Simmons Act or, simply, the Tariff Act (Federal Income Tax) was signed into law (re-imposed) by President Woodrow Wilson after the ratification of the Sixteenth Amendment. It was sponsored/introduced by House Majority Leader Oscar Underwood from Alabama.
The very first personal income tax was signed into law in 1861 by Abraham Lincoln as a way to fund the Civil War. It was largely ineffective and, was, originally, a flat rate tax before being repealed and replaced with the Revenue Act of 1862, converting the flat rate into a progressive rate. This act ended in 1866.
When the U.S. Supreme Court struck down the income tax provision of the Wilson-Gorman Tariff Act of 1894 via Pollock vs Farmers’ Loan & Trust in 1895, that opened the door for the Sixteenth Amendment 18 years later, affirming that “…the Constitution did not deny Congress the power to impose a tax on real and personal property“… Yay for us.
Other things from October 3…