soundtrack
Song Sunday: Unchained Melody (Righteous Brothers)

Returning to my Samsung playlist, submitted for your approval…
“I’ll be coming home, wait for me…”
This song is older than I am. My dad liked the Righteous Brothers and their music was in my house, growing up. This is one of my favorites. It has an interesting background. Composed by Alex North in 1955 (a song he’d written in the 1930s), the lyrics were written by Hy Zaret. It was the theme to the movie Unchained, a film about a convict in a medium-security prison, wanting desperately to escape and go home to his wife. This was the movie’s “Melody.” Todd Duncan was the singer for the soundtrack.
There are over 1,500 recordings of this song, with the most notable being the Righteous Brothers’ version. Recorded by the duo in 1965 for Philles Records, Bobby Hatfield won a coin toss to sing it solo on their fifth album Just Once In My Life, according to Bill Medley. [Note: According to the Encyclopedia of Great Popular Song Recordings (Google Books), Just Once In My Life is listed as their fourth album. This reflects, otherwise.] Hatfield changed the song a bit during recordings. He decided to sing “I need your love…” in the final verse much higher than previous singers.
Ken Sharp: “Bobby’s vocals on Unchained Melody […] are stunning. Did he recognize his gift?”
Medley: “I don’t think he knew how good he was. I don’t think either one of us were thinking…are we good or not? I think we were just saying…thank God people enjoy what we’re doing. We admired so many other people and we certainly didn’t feel we were above anyone but, Bobby was sensational.
I happened to produce Unchained Melody. I know a lot of people think Phil (Spector) did it but, I produced and arranged it. I had the arrangement all done and, Bobby came in, sang it twice and that was it. I played piano and sang vocal background on it. [If] I knew that it was gonna be a hit, I certainly would have brought in a better piano player [laughing].”
Soul & Inspiration: A Conversation With Bill Medley Of The Righteous Brothers
Rockcellar Magazine [Web Archive]
Ken Sharp
May 6, 2014

Recorded on the “B” side of the single Hung On You from the album Back To Back, radio DJs weren’t interested in it and flipped the record over. Per Medley, producer Phil Spector was so pissed off, he began calling the radio stations to make them stop playing the wrong song. Thankfully, he was unsuccessful and the song made it to #4 on Billboard’s Hot 100, the week of September 4, 1965. It re-appeared in the Billboard charts in 1990 when the movie Ghost was released July 13. Two versions of the song wound up in the charts at the same time, the original 1965 version and a new recording by Hatfield. [They] became the first act to have two versions of the same song in the Top 20 at the same time.
I had no idea that Elvis Presley did his own version. The first track from the album Moody Blue, it was recorded June 21, 1977 and released in March 1978. It peaked at #6 on the US Hot Country Songs chart.
Cover Me: The Stories Behind The Greatest Cover Songs Of All Time (WorldCat Library)
The Time Of My Life: A Righteous Brother’s Memoir (Google Books)
Bobby Hatfield Memorial (Spectropop)
Song Sunday: Oblivion Theme

“But our love was a song, sung by a dying swan…”
This Sunday evening’s Samsung playlist submission comes from the movie Oblivion. I never saw the movie at the theater but, caught it on HBO at my uncle’s house (I was dog-sitting). It is a fascinating movie and very sad. It is visually stunning with a unique cast and Tom Cruise loves to play the action hero. At the end of the movie, as the credits roll, this song kicks in. It immediately gave me chills and made me cry.
Director Joseph Kosinski chose French electronic band M83 to compose the soundtrack for the movie and brought in Joseph Trapanese to co-write the score. He’d used Daft Punk for Tron: Legacy but, wanted a different sound for Oblivion.
Written by Anthony Gonzalez and Susanne Sundfør, Sundfør handled lead vocals. She has a stunning voice. Released as a single on March 26, 2013, the only chart that the song shows up in is the French SNEP singles chart. It debuted at 114 the week of April 20 but, only lasted for three weeks. Sundfør made her US television debut on Jimmy Kimmel Live! on April 17.
“Don’t forget to stick around for the credits that are set to M83’s brilliant title song, Oblivion featuring Susanne Sundfør.”
Movie Review: Space Survivors Battle Oblivion
The Express Tribune
Ameer Hamza Ahmad
May 6, 2013

“Also, the film’s closing credits track, also called “Oblivion” and featuring vocals by Susanne Sundfor, might be the best theme song since “Skyfall.”
Oblivion Review: 10 Things You Should Know
Moviefone
Drew Taylor
April 18, 2013
“…and now we get to hear “Oblivion,” a slow, stately and gorgeous six-minute collaboration with the Norwegian singer Susanne Sundfør.”
M86 – “Oblivion” (Feat. Susanne Sundfør)
Stereogum
Tom Breihan
March 26, 2013
Additional Reading:
M83 Enter ‘Oblivion’ With Tom Cruise (Rolling Stone/Steve Baltin/February 13, 2013)
US Debut
Main Theme Music
Tune Tuesday: Can’t Stop The Feeling 2016

Five years ago, today, the #1 song on the Billboard Hot 100 was Can’t Stop The Feeling by Justin Timberlake. Released on May 6, 2016, it is the second track from the Trolls motion picture soundtrack album. It debuted at #1 on the chart and was the best selling digital song of 2016.
Written by Timberlake, Max Martin and Shellback, Timberlake was also executive producer of the album. It was nominated for an Academy Award (Best Original Song), a Golden Globe (Best Original Song) and won a Grammy for Best Song Written for Visual Media.
The sunny song, which arrived a few minutes after midnight, has the potential to be a contender for the song of the summer. He was tapped to pen and perform new songs for the animated movie, and he will also voice the character Branch.
Jon Blistein
Rolling Stone
May 6, 2016
Can’t Stop the Feeling is a straight-up pop hit that is funky and fun, with a solid disco feel that will inspire you to get up and dance, as the lyrics instruct us all to do. The song gives off a feeling of pure joy that only a talent as great as Timberlake could bring to the table.
Jon Niles
Music Times
May 6, 2016