prison
Song Sunday: Unchained Melody (Righteous Brothers)
Returning to my Samsung playlist, submitted for your approval…
“I’ll be coming home, wait for me…”
This song is older than I am. My dad liked the Righteous Brothers and their music was in my house, growing up. This is one of my favorites. It has an interesting background. Composed by Alex North in 1955 (a song he’d written in the 1930s), the lyrics were written by Hy Zaret. It was the theme to the movie Unchained, a film about a convict in a medium-security prison, wanting desperately to escape and go home to his wife. This was the movie’s “Melody.” Todd Duncan was the singer for the soundtrack.
There are over 1,500 recordings of this song, with the most notable being the Righteous Brothers’ version. Recorded by the duo in 1965 for Philles Records, Bobby Hatfield won a coin toss to sing it solo on their fifth album Just Once In My Life, according to Bill Medley. [Note: According to the Encyclopedia of Great Popular Song Recordings (Google Books), Just Once In My Life is listed as their fourth album. This reflects, otherwise.] Hatfield changed the song a bit during recordings. He decided to sing “I need your love…” in the final verse much higher than previous singers.
Ken Sharp: “Bobby’s vocals on Unchained Melody […] are stunning. Did he recognize his gift?”
Medley: “I don’t think he knew how good he was. I don’t think either one of us were thinking…are we good or not? I think we were just saying…thank God people enjoy what we’re doing. We admired so many other people and we certainly didn’t feel we were above anyone but, Bobby was sensational.
I happened to produce Unchained Melody. I know a lot of people think Phil (Spector) did it but, I produced and arranged it. I had the arrangement all done and, Bobby came in, sang it twice and that was it. I played piano and sang vocal background on it. [If] I knew that it was gonna be a hit, I certainly would have brought in a better piano player [laughing].”
Soul & Inspiration: A Conversation With Bill Medley Of The Righteous Brothers
Rockcellar Magazine [Web Archive]
Ken Sharp
May 6, 2014
Recorded on the “B” side of the single Hung On You from the album Back To Back, radio DJs weren’t interested in it and flipped the record over. Per Medley, producer Phil Spector was so pissed off, he began calling the radio stations to make them stop playing the wrong song. Thankfully, he was unsuccessful and the song made it to #4 on Billboard’s Hot 100, the week of September 4, 1965. It re-appeared in the Billboard charts in 1990 when the movie Ghost was released July 13. Two versions of the song wound up in the charts at the same time, the original 1965 version and a new recording by Hatfield. [They] became the first act to have two versions of the same song in the Top 20 at the same time.
I had no idea that Elvis Presley did his own version. The first track from the album Moody Blue, it was recorded June 21, 1977 and released in March 1978. It peaked at #6 on the US Hot Country Songs chart.
Cover Me: The Stories Behind The Greatest Cover Songs Of All Time (WorldCat Library)
The Time Of My Life: A Righteous Brother’s Memoir (Google Books)
Bobby Hatfield Memorial (Spectropop)
Throwback Thursday: Silent Sentinels 1917
One hundred and two years ago, today, a group of women, organized by Women’s Rights Activist Alice Paul and the National Woman’s Party (NWP), began a picketing and protest campaign in front of the White House during the Wilson Presidency. Known as the Silent Sentinels, the protest began after a meeting with the President regarding suffrage proved fruitless with Wilson stating to the women to “…concert public opinion on behalf of women’s suffrage.” The silent protest was a new strategy for the National Suffrage Movement and served as a constant reminder of Wilson’s lack of support.
Originally founded as the Congressional Union for Woman Suffrage (CUWS) after the 1913 woman suffrage parade, they broke away from the National American Woman Suffrage Association (NAWSA), a more moderate group. CUWS only lasted three years and morphed into the NWP. The Suffragist was their weekly newsletter, containing essays, progress reports and notes on the President’s continuing indifference.
There were differing public reactions. Some approved, assisting with holding banners, bringing beverages and donating money. Some opposed their actions, including the leader of the NAWSA, Carrie Chapman Catt, whom preferred political tactics via individual states instead of a national amendment. She feared a male voter backlash.
Anti-suffragist mobs could be violent (worsening after the US entered World War I) spurred by the more insulting banners that compared Wilson to Kaiser Wilhelm. The New York Times called the protests “…silly, silent and offensive.” Massachusetts Representative Joseph Walsh referred to them as “…bewildered, deluded creatures with short skirts and short hair…” and “…nagging, iron-jawed angels.”
They were harassed, arrested, tortured and abused. Hunger strikes were met with forced feeding. On the night of November 14, 1917, known as the “Night of Terror“, the superintendent of the Occoquan Workhouse (prison), W.H. Whittaker, ordered the nearly forty guards to brutalize the suffragists. The treatment stories angered many Americans, creating more support. The protesters were finally released November 27 & 28, 1917, Alice Paul having spent five weeks there.
President Wilson finally announced his amendment support on January 8, 1918. The House barely passed the amendment the next day but, the Senate waited until October to vote. It failed by two votes. Protester arrests resumed August 6, 1918 and, by December, protestors were starting fires and burning Wilson effigies in front of the White House. Alice Paul encouraged people to vote against anti-suffrage Senators during the 1918 elections. The House, again, passed the amendment on May 21, 1919 and the Senate followed June 4 ending the six-day-a-week protest. The Nineteenth Amendment was adopted August 18, 1920.
See Iron Jawed Angels film.
