the righteous brothers

Song Sunday: Unchained Melody (Righteous Brothers)

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Genius Image
Image Credit: Genius

Returning to my Samsung playlist, submitted for your approval…

“I’ll be coming home, wait for me…”

This song is older than I am. My dad liked the Righteous Brothers and their music was in my house, growing up. This is one of my favorites. It has an interesting background. Composed by Alex North in 1955 (a song he’d written in the 1930s), the lyrics were written by Hy Zaret. It was the theme to the movie Unchained, a film about a convict in a medium-security prison, wanting desperately to escape and go home to his wife. This was the movie’s “Melody.” Todd Duncan was the singer for the soundtrack.

There are over 1,500 recordings of this song, with the most notable being the Righteous Brothers’ version. Recorded by the duo in 1965 for Philles Records, Bobby Hatfield won a coin toss to sing it solo on their fifth album Just Once In My Life, according to Bill Medley. [Note: According to the Encyclopedia of Great Popular Song Recordings (Google Books), Just Once In My Life is listed as their fourth album. This reflects, otherwise.] Hatfield changed the song a bit during recordings. He decided to sing “I need your love…” in the final verse much higher than previous singers.

Ken Sharp: “Bobby’s vocals on Unchained Melody […] are stunning. Did he recognize his gift?”

Medley: “I don’t think he knew how good he was. I don’t think either one of us were thinking…are we good or not? I think we were just saying…thank God people enjoy what we’re doing. We admired so many other people and we certainly didn’t feel we were above anyone but, Bobby was sensational.

I happened to produce Unchained Melody. I know a lot of people think Phil (Spector) did it but, I produced and arranged it. I had the arrangement all done and, Bobby came in, sang it twice and that was it. I played piano and sang vocal background on it. [If] I knew that it was gonna be a hit, I certainly would have brought in a better piano player [laughing].”

Soul & Inspiration: A Conversation With Bill Medley Of The Righteous Brothers
Rockcellar Magazine [Web Archive]
Ken Sharp
May 6, 2014

Amazon & IMDb Image Two
Photo Credit: IMDb & Amazon

Recorded on the “B” side of the single Hung On You from the album Back To Back, radio DJs weren’t interested in it and flipped the record over. Per Medley, producer Phil Spector was so pissed off, he began calling the radio stations to make them stop playing the wrong song. Thankfully, he was unsuccessful and the song made it to #4 on Billboard’s Hot 100, the week of September 4, 1965. It re-appeared in the Billboard charts in 1990 when the movie Ghost was released July 13. Two versions of the song wound up in the charts at the same time, the original 1965 version and a new recording by Hatfield. [They] became the first act to have two versions of the same song in the Top 20 at the same time.

I had no idea that Elvis Presley did his own version. The first track from the album Moody Blue, it was recorded June 21, 1977 and released in March 1978. It peaked at #6 on the US Hot Country Songs chart.

Cover Me: The Stories Behind The Greatest Cover Songs Of All Time (WorldCat Library)
The Time Of My Life: A Righteous Brother’s Memoir (Google Books)
Bobby Hatfield Memorial (Spectropop)

Lyrics

Tune Tuesday: Lloyd Price 1959

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Lloyd Price Image One
Photo Credit: youtube.com

Sixty years ago, today, the #1 song on the Billboard Hot 100 and the Billboard Hot R&B/Hip-Hop charts was Stagger Lee. The song references a murder that took place on December 27, 1895 (though some accounts say Christmas night). “Stag” Lee Shelton, born in Texas on March 16, 1865 (the same year John B. Stetson started his famous cowboy hat company), owner of the Modern Horseshoe Club, shot William “Billy” Lyons at the Bill Curtis Saloon after an argument.

From the St. Louis Globe-Democrat December 28, 1895:

William Lyons, 25, a levee hand, was shot in the abdomen yesterday evening at 10 o’clock in the saloon of Bill Curtis, at Eleventh and Morgan Streets, by Lee Sheldon [sic], a carriage driver. Lyons and Sheldon [sic] were friends and were talking together. Both parties, it seems, had been drinking and were feeling in exuberant spirits. The discussion drifted to politics, and an argument was started, the conclusion of which was that Lyons snatched Sheldon’s [sic] hat from his head. The latter indignantly demanded its return. Lyons refused, and Sheldon [sic] withdrew his revolver and shot Lyons in the abdomen. When his victim fell to the floor Sheldon [sic] took his hat from the hand of the wounded man and coolly walked away. He was subsequently arrested and locked up at the Chestnut Street Station. Lyons was taken to the Dispensary, where his wounds were pronounced serious. Lee Sheldon [sic] is also known as ‘Stag’ Lee.

Quote from Cecil Brown (author of Stagolee Shot Billy):

“Lee Shelton belonged to a group of pimps known in St. Louis as the ‘Macks’. The Macks were not just ‘urban strollers’. They presented themselves as objects to be observed.”

Lloyd Price Image Two
Image Credit: amazon.com

Shelton’s first trial in July, 1896, ended in a hung jury. The second trial in October 1897 returned a guilty verdict and a sentence of 25 years in prison at Jefferson Penitentiary. Shelton was pardoned and released from prison by Governor Folk on Thanksgiving in 1909. He returned to prison in May of 1911 for robbery & assault. He was granted an additional parole by Governor Hadley on February 8, 1912 but, died in the prison hospital of tuberculosis in March as Missouri’s Attorney General, Elliot Major, objected.

The original version of this song was the Stack O’ Lee Blues from 1924. It has some shocking lyrics and has absolutely nothing to do with the Stagger Lee version penned by Price and Harold Logan.

This song has been covered by Pat Boone (can you imagine?), Ike & Tina Turner, The Righteous Brothers, James Brown, Wilson Pickett, Doc Watson, The Youngbloods and, even, Huey Lewis and the News.

[I grew up dancing to this song. It was a shagging staple. Have you ever seen Shag: The Movie? ~Vic]

Analog Version

Shag: The Movie

Fellow blogger Badfinger always lists lyrics. I will take his lead.

Lyrics
The night was clear and the moon was yellow
And the leaves came tumblin’ down…

I was standin’ on the corner
When I heard my bull-dog bark.
He was barkin’ at the two men
Who were gamblin’ in the dark.

It was Stagger Lee and Billy,
Two men who gambled late.
Stagger Lee threw a seven,
Billy swore that he threw eight.

“Stagger Lee,” said Billy,
“I can’t let you go with that.
You have won all my money,
And my brand-new Stetson hat.”

Stagger Lee went home
And he got his. 44.
He said, “I’m goin’ to the ballroom
Just to pay that debt I owe.”

Go, Stagger Lee

Stagger Lee went to the ballroom
And he strolled across the ballroom floor.
He said “You did me wrong, Billy.”
And he pulled his. 44.

“Stagger Lee,” said Billy,
“Oh, please don’t take my life!
I’ve got three hungry children,
And a very sickly wife.”

Stagger Lee shot Billy
Oh, he shot that poor boy so hard
That a bullet went through Billy
And broke the bartender’s bar.

Go, Stagger Lee, go, Stagger Lee!
Go, Stagger Lee, go, Stagger Lee!

30-Day Song Challenge: Day 26

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Music Challenge Image
Photo Credit: goodreads.com

A song that makes you want to fall in love…

So many love songs. So little time.
“You’d think that people would have had enough of silly love songs…
I look around me and I see it isn’t so…
Some people want to fill the world with silly love songs…
And what’s wrong with that…
It isn’t silly, love isn’t silly, love isn’t silly at all…”

Gives me chills…every time. For a song that was created to be the theme to a prison film, it has to be one of the greatest love songs ever written.


 

Originally released in 1967, this was re-released in 1972 and it made it to #2 on the Billboard 100. I am posting the full orchestral version with the ‘late lament’ in tact (including gong) considering we are officially in winter. This is a masterpiece. More chills…


 

I was very fortunate to get to see these two, live, with my mom at Carowinds in 1976. I was ten when the song came out and I remember it playing on the radio, vividly. Even at that young of an age, the words of love and longing struck a chord with me (pun intended) that remains to this day.


 

Oh, Pat Benatar…her music is a large part of my teen years. Her first album was released three days before my 13th birthday. What a way to grow up. She and her hubby, Neil, have rocked us all.