Hans 2021 Movie Draft: Round Twelve-Pick Four-Tron 1982
Hanspostcard has a movie draft challenge. This is my Round Twelve and final pick. Thanks for the invitation, Hans!
This has been my worst category as I love science fiction anything. I have struggled over these past six months trying to pick just one. My choice would change, daily. I finally settled on one that is part of my teen years and became a cultural cult classic. I still have the sticker that I got when I went to see this at the theater in 1982. Like The Breakfast Club, this movie means something to me. Released the summer before my junior year, this movie got me interested in computers and graphics. There is also the memory of a scene I saw in the original release at the theater, that disappeared in subsequent showings on HBO, TV and the VHS tapes, and made me crazy:
The 20th Anniversary DVD edition includes a deleted love scene: Tron and Yori go to her apartment, where she pushes a button on the wall. [T]he walls [disappear] and her uniform changes into a different costume. Also included are a partially completed “morning after” scene…(all dialog tracks for this short scene are lost).
All the data on the Internet states that the scene was removed from the final cut. I beg to differ. I distinctly remember seeing them go to her “apartment.” That being said, what I remember from the scene is a little different from the “official deleted scene” (she glowed, her hair was blowing around and her helmet floated off her head). I think a shortened version of that scene was released to theaters and when the movie was released to HBO & VHS tapes, they wiped all of it out. This is a very clear memory. The prologue to the movie, when released to theaters, was also removed. The “original” opening monologue (that I’ve never heard) was restored in the 20th Anniversary DVD. ~Vic
Directed by Steve Lisberger, the screenplay was written by Charles S. Haas & Lisberger, adapted from the original story by Bonnie MacBird (whom is married to DARPA-connected computer scientist Alan Kay). Produced by Donald Kushner, it starred Jeff Bridges, Bruce Boxleitner, David Warner, Cindy Morgan, Barnard Hughes, Dan Shor and Peter Jurasik and, was released July 9.
Kevin Flynn is a software engineer and an ex-employee at ENCOM. He runs a video arcade and tries to hack into ENCOM’s mainframe, looking for proof that his video games were plagiarized. The Master Control Program stops him. Programmer Alan Bradley and engineer Dr. Lora Baines, his girlfriend, discover that they have lost access to their projects. When Alan questions Senior Exec. VP Ed Dillinger about the restriction, Dillinger states that extra security is needed to stop outside hacking. When Alan leaves, Dillinger asks the MCP about the issues and realizes that the MCP has become a power-hungry virtual intelligence. Dillinger is blackmailed into complying with the MCP’s wishes due to his theft of Flynn’s material. Alan, Lora & Flynn break into ENCOM and Flynn winds up digitized inside the mainframe when the MCP uses an experimental laser to dissect him. Flynn must navigate his way around a strange digital landscape where all the programs resemble the users that created them and find his way back out.
♦ [T]he Motion Picture Academy refused to nominate Tron for a special-effects award because, as director Steven Lisberger put it, “The Academy thought we cheated by using computers”.
♦ Originally MacBird envisioned Flynn more comedically, suggesting the then-30-year-old Robin Williams for the role.
♦ Bruce Boxleitner and Peter Jurasik would later work together on Babylon 5.
♦ Nine script revisions caused bitter credit disputes.
♦ Though it made $50 million from a $17 million budget and had $70 million in merchandise sales, it was considered a financial failure.
♦ The ENCOM laser bay was real. It was actually the target bay for the twenty-beam SHIVA solid-state laser facility at the Lawrence Livermore National Laboratory
♦ The soundtrack was primarily composed by Wendy Carlos with two additional tracks provided by Journey after Supertramp had to leave the project.
Bruce & Cindy Discuss Deleted Scenes (Beyond The Marquee/12-24-2013)
Tron Then and Now (Digital Content Producer/Archive/07-07-2012)
Deleted Love Scene (Fandom Wiki)
Tron 30th Anniversary Screening Review (Nuke The Fridge/10-30-2012)
Tron’s 20th Anniversary (SFGate/01-09-2002)
End of line…
Opening Scene (Missing Prologue)
Officially Deleted Scene
Bruce Boxleitner & Cindy Morgan @ California Convention
(helmets coming off mentioned) 11-16-2013
Song Saturday: Call Me (Blondie)
Returning to my phone playlist, I submit for your approval on this chilly Saturday night, Blondie‘s Call Me, the theme from the 1980 movie American Gigolo. I was 13 when this film came out and, with its “R” rating, I wasn’t allowed to see it (I caught it on HBO, later, tho…). The drum beat opens the movie as Richard Gere cruises in a black Mercedes. This movie was so bad-ass (to a teenager) and Siskel & Ebert gave it a decent rating but, the rest of the critics panned it. Oh, well. This was the movie that put Gere on my radar (I hadn’t seen Looking For Mr. Goodbar).
Produced and co-written by Giorgio Moroder, he originally approached Stevie Nicks to assist in composing and performing a song for the soundtrack but, she was prevented by contract to another company. Moroder then asked Debbie Harry and she fashioned lyrics, and the melody, in a few hours.
The song made it to the #1 spot on Billboard’s Hot 100 and stayed there for six weeks. It also made it to #1 in Canada, the UK and in Record World magazine. There are 20 covers of this song with Blondie re-recording it in 2014 and, a live cover done in 2002.
Wayback Wednesday: Chris Rock 1999
Twenty years ago, today, the HBO special Bigger & Blacker, a stand-up routine by comedian Chris Rock, premiered. It was recorded at the Apollo Theater in Harlem. The, now, defunct DreamWorks Records released a DVD on July 13.
List of Guests (Aired Special)
In his third HBO stand-up special, Chris Rock brings his critically acclaimed brand of social commentary-themed humor to this 1999 stand-up comedy presentation. Also released as an album, Chris Rock: Bigger and Blacker features Rock on-stage extolling his razor-sharp wit and wisdom on such topics as gun control, President Clinton, homophobia, racism, black leaders and relationships.
Grammy Award (Best Comedy Album)