Hans 2021 Movie Draft: Round Six-Pick Two-El Dorado 1966
Hanspostcard has a movie draft challenge. This is my Round Six pick.
Film: El Dorado
Mississippi: “[…] My name is Alan Bourdillion Traherne.”
Cole: “Lord Almighty…”
Sheriff Harrah: “Who is he?”
Cole: “Tell him your name, Mississippi.”
Mississippi: [sigh] “Alan Bourdillion Traherne.”
Sheriff Harrah: “Well, no wonder he carries a knife.”
Mississippi: “Always make you mad, don’t I?”
Produced and directed by Howard Hawks, the film is a loose adaption of The Stars in Their Courses, a 1960 novel by Harry Brown. The screenplay was written by Leigh Brackett and starred John Wayne, Robert Mitchum, James Caan, Charlene Holt, Paul Fix, Arthur Hunnicutt, Michele Carey, R. G. Armstrong, Ed Asner, Christopher George and Johnny Crawford. Jim Davis (Jock Ewing) and John Mitchum have small parts. It was released December 17, 1966, in Japan, oddly and didn’t make it to US theaters until June 7, 1967.
Cole Thornton (Wayne) is a gunslinger for hire and land owner Bart Jason (Asner) has offered him a job. J. P. Harrah (Mitchum) is a Sheriff and an old friend of Cole’s. When Harrah informs Cole of Jason’s intention to use him to push the MacDonald family off of their land for water rights, Cole refuses the job. After shooting the youngest MacDonald son, unintentionally, during a volley of gunfire, Cole is wounded by the MacDonald daughter (Carey), in return, after he brings the deceased boy back home. Cole suffers intermittent paralysis on his right side throughout the rest of the movie. With the help of a gambler (Caan) he crosses paths with and the Sheriff’s deputy (Hunnicutt), Cole straightens out the drunken Sheriff, tangles with another gunslinger (George), derails Jason’s takeover and just might stop his previous ways for his lady, Maudie (Holt).
Mississippi repeats parts of the Edgar Allen Poe poem (except the second stanza) during the film, aggravating Cole somewhat (Caan had trouble with the word “boldly”, slurring it to sound like either “bowlie” or “bodie”). He’s also terrible with a gun and couldn’t hit the broadside of a barn (but, I love that hat!). Cole gets him a shotgun and later regrets it as he has scatter shot in his leg at the end of the movie.
This is my favorite John Wayne movie even though it is an ensemble cast. A close second is The Quiet Man where Wayne played another “Thornton” character. ~Vic
♦ Archival footage of this movie was used in The Shootist as some backstory for Wayne’s character J.B. Books.
♦ The artwork in the opening credits was painted by Olaf Wieghorst, the Swedish gunsmith.
♦ At the end of the movie, both Cole & Harrah are on crutches under the wrong arm.
♦ The bathtub scene was Mitchum’s idea.
♦ Mitchum’s brother was a bartender named Elmer. He called him by his real name by accident.
♦ Wayne and Asner did not get along.
Other Goofs (There are a lot.)
Caan on Wayne
Hans 2021 Movie Draft: Round Three-Pick Five-The Other Side Of The Mountain 1975
Hanspostcard has a movie draft challenge. This is my Round Three pick.
Film: The Other Side of the Mountain
“You know where you’ll find sympathy in the dictionary, don’t ya’? Between shit and suicide.”
Directed by Larry Peerce, the movie is based on the 1966 novel A Long Way Up by E. G. Valens, written about national slalom ski champion (1955) and a 1956 U.S. Olympic skiing team candidate, Jill Kinmont. Produced by Edward Feldman, the screenplay adaption was written by David Seltzer. Jill is played by Marilyn Hassett and, Beau Bridges plays Olympic skiing team member (1952) and stunt pilot Dick “Mad Dog” Buek. Dabney Coleman plays Coach Dave McCoy and Bill Vint plays Buddy Werner. Belinda Montgomery plays Audra Jo or “A.J.”, Jill’s best friend, Nan Martin plays June Kinmont and William Bryant plays Bill Kinmont. Griffin Dunne has a small part.
The film spans Jill’s slalom races to her national championship, her best friend’s polio contraction, her accident while attempting to win the Alta, UT, Snow Cup, her hospital stay, her slow rehabilitation, her heartbreak from the losses of two dear men and her triumph at becoming a teacher.
Dick Buek was killed in a plane crash on November 3, 1957, two days shy of his 28th birthday (Club of 27?). Buddy Werner was killed in an avalanche in Switzerland on April 12, 1964.
Released July 25, 1975, the film was panned by critics for being too much of a tear-jerker. That may be true but, she did have a really hard time. The sequel was released February 10, 1978 and was panned even worse. I saw them in reverse order. I was only nine years old when the first movie came out so, I didn’t get to see it until I was an adult. I saw Part II, first, when it was released to television. I enjoyed both films despite the bad reviews. Sometimes, bringing someone’s life story to the big screen is handled poorly. Jill passed away February 9, 2012.
An Amazing Interview/Jill Kinmont Boothe (Ezine Articles)
The Mad Dog of Donner Summit (Sierra Sun)
The Death of a True Hero (Wired)
The Complete Movie
TV Tuesday: Trapped 1950
Seventy years ago, today, the television anthology series Trapped debuted on WOR-TV in New York. Also known as Trapped: Tales of the Supernatural, the host was John Carradine and some guest actors were Charles Korvin, Elizabeth Morgan, Helen Baron, Rita Gam, Fran Malis, George L. Smith, Stanley Tackney and Harry Townes. There were 57 episodes that were 30 minutes long.
There are no pictures or video of this program and very little has been written about it. I did manage to find an article on Light’s Out host Frank Gallop that referenced Trapped:
In accordance with Gallop, other hosts who aimed to set a mood of terror at the time included Andy Christopher […] (Mr. Black), James Monks (Tales of the Black Cat […]) and Lee Bowman (Eye Witness […]). Similarly, Jack La Rue (Lights Out), Boris Karloff (The Boris Karloff Mystery Playhouse) and John Carradine (Trapped: Tales of the Supernatural […]) offered external examples of film stars hired for TV hosting roles in which an emphasis was placed on their associations with the horror genre [with] typecasting as villainous and/or monstrous characters as part of their respective series façade. Due to a lack of surviving/missing material associated with some live series pre-1955, in the cases of some hosts, it is not always possible to definitively discern to what extent horror elements were adopted as part of a series persona.
Frank Gallop: The Ghoulish Host of Lights Out
Taylor & Francis Online
Historical Journal of Film, Radio and Television
March 20, 2020
Trapped (1950-1952) (Classic TV Archive)
Town Tuesday: The Colonial Inn
The structure known today as the Colonial Inn was built on Lot 15 in 1838 as a hotel and was locally called Spencer’s Tavern […] but, was advertised as the Orange Hotel (a name which lasted into the 1880s). The structure was built for Isaac (Isaiah) Spencer (from Hyde County) who had purchased the property in late 1837. In 1841, Richardson Nichols purchased the property from Spencer and expanded the main structure. In 1856, Nichols sold the structure to the “Hillsborough Improvement Company” which consisted of Alfred, Henry and Cave Stroud.
Stroud family history has it that Henry’s wife (Sarah) saved the Inn from looting by Union troops by displaying her husband’s Masonic apron. Upon seeing the apron, a sympathetic Union officer, [whom] was a fellow Mason, protected the site from destruction.
William F. Strayhorn may have purchased or, at least, managed the business beginning in 1868 and, the property was purchased by local businessmen Henry N. Brown and Charles M. Latimer (who was also the county treasurer) in 1870. Brown and Latimer apparently lost the property through bankruptcy in 1872, with Strayhorn managing or operating the hotel until at least then. Perhaps related is that Strayhorn had been living in Twin Chimneys across the street from the hotel but, lost it due to financial problems in January 1869. [It] was purchased by David C. Parks in December 1872. In 1885, Parks sold the property to neighboring property owner Emily Pogue, who sold it back to Parks in 1888. [At] this time, it became known as the Occoneechee Hotel.
In 1908, Thomas A. Corbin purchased the property and renamed the complex the Corbinton Inn. In 1921, W. L. Foushee […] purchased the property from a H. L. Akers and by 1924, renamed the hotel the Colonial Inn. In 1946, Paul Henderson purchased the property from Foushee […].
During Henderson’s ownership, a “fine-dining” restaurant was added within the hotel structure. In December 1952, Charles and Ann Crawford purchased the property and business and, expanded the structure. They operated the business successfully until they, in turn, sold it to James and Maxine Freeland in 1969. The Freelands also expanded the structure and, continued the hotel and restaurant business at the location.
It fell into disrepair for many years. When I moved to this town in 2011, it looked bad.
The good news is, new owners are re-building. ~Vic
The Colonial Inn Hillsborough (Facebook)
Old Town Cemetery (Hillsborough Government Site PDF)
Colonial Inn (Open Orange)
The Colonial Inn 1838-1969 (Rootsweb)
The Colonial Inn: It’s History & Significance (World Now PDF)
Throwback Thursday: Flatwoods Monster 1952
Sixty-seven years ago, today, Flatwoods, WV, in Braxton County, was the site of a reported encounter with a scary entity. At 7:15pm:
[May] brothers Ed, 13, and Freddie, 12, had been playing in their schoolyard with their 10-year-old friend Tommy Hyer. After noticing a pulsing red light streak across the sky and crash on a nearby farm, the three youngsters ran to grab the Mays boys’ mother, then high-tailed it up that hill to check out where the light had landed. A few other boys, one with a dog, showed up, too.
They ran back down, in sheer and credible terror.
“Seven Braxton County residents on Saturday reported seeing a 10-foot Frankenstein-like monster in the hills above Flatwoods,” a local newspaper reported afterward. “A National Guard member, [17-year-old] Gene Lemon, was leading the group when he saw what appeared to be a pair of bright eyes in a tree.”
Lemon screamed and fell backward, the news account said, “when he saw a 10-foot monster with a blood-red body and a green face that seemed to glow.” It may have had claws for hands. It was hard to tell because of the dense mist.
The story made the local news, then got picked up by national radio and big papers all over the country […]. Mrs. May and the National Guard kid ended up going to New York to talk to CBS […].
But, rattled eyewitnesses weren’t the only reason the story took off. Americans were truly frightened in 1952, made anxious by atomic bombs and what seemed like a new world made by mad scientists. Even LIFE magazine, probably the most popular publication in the nation at the time, had, just a few months earlier, published a seemingly credible trend story about flying saucers. Spook stories sprout best when the seed lands in a bed fertile with anxiety and that was 1952 Cold War America […]. [I]t prompted a U.S. Air Force UFO inquiry, part of a project called Project Blue Book that dispatched a handful of investigators around the country to look into such claims.
One writer who stoked the story (a lot) was Gray Barker, a Braxton County native who investigated the monster and, then, became one of the more prominent UFO myth makers, ever. It was Barker who wrote about Flatwoods, then introduced the mythology of government “Men in Black” after he heard that two Air Force investigators had “reportedly” shown up in Flatwoods, posing as magazine writers.
People grin about it now and take Monster souvenir money from hundreds of Monster tourists every week. But, it scared people plenty back then […]. “One of the boys peed his pants,” said John Gibson, a high-school freshman at the time, who knew them all. “Their dog (Rickie) ran with his tail between his legs.”
To this day, tourists come out of their way to Flatwoods to visit its monster museum and buy Green Monsters and t-shirts. Freddie and Ed are still alive and, still standing by their story. They are in their late 70s now. They are no longer talking to reporters. They got tired after 100,000 interviews […]. [T]he brothers did appear in a recent documentary about the Flatwoods Phantom.
[The Air Force] concluded that bright, but common, meteors had streaked across the eastern U.S. at dusk that night, seen by many in Baltimore, among other places. And, the monster with the claw-like arms? Likely an owl, they said.
And, so, the Flatwoods Monster, also known as the Green Monster, [or] the Phantom of Flatwoods, who was reportedly seven feet tall, or 10 feet tall, or 13 feet tall, or 17 feet tall, became that most peculiar American invention…a legend emblazoned on t-shirts. [Source]
Flatwoods Monster Episode on The History Channel’s Project Blue Book