Hanspostcard has a song draft challenge. This is my Round Seven pick.
Pat Benatar exploded on the music scene in the Summer/Fall of 1979 with her debut album In The Heat of the Night. I was in 8th grade and the first song I remember hearing on the radio from the album was Heartbreaker. I went to my hometown’s only mall and headed into a store called Stereo Village. I wanted this song and, when I asked for it, the guy trying to help me automatically thought I was talking about Led Zepplin. When I mentioned Pat Benatar’s song, he didn’t know what I was talking about. He told me to sing some of the music for him…so, my 13 year old self obliged, right there in the middle of the store, “in front of God and everybody” (Southern colloquialism). He still didn’t know the song but, said “Nice voice!” I never did get that 45 and a few months later, rolling into the new decade, We Live For Love was released in February and, I liked it even better than Heartbreaker. Crimes of Passion, her sophomore album, came out the following August and the hits kept coming. You Better Run (The Young Rascals cover) became the second video broadcast on the debut of MTV, behind Video Killed the Radio Star by The Buggles (a 45 I managed to get my hands on). I was a devoted fan at that point without owning a single song or album. By the time of my 16th birthday, a young man I was dating presented me with the Crimes of Passion album. I was overjoyed.
I nearly got to see her perform during the 1986 Seven the Hard Way tour. It started in January 1986 and stopped, abruptly, in April. She was a mom by then and family pressures caused cancellations. Greensboro Coliseum lost out. I did get to see her for the Can’t Stop Rockin’ tour in 1995 in Raleigh. Prior to those two, my mother considered me too young to see the earlier concerts. 😭
Gravity’s Rainbow was her ninth, and the last studio album to be in the Billboard 200 chart in the top 100s, peaking at #85 on June 19, 1993 and making it to #44 in Canada for one week on July 31, 1993. Named after the Thomas Pynchon novel, it was also the last album released on Chrysalis Records. It was not one of her better albums, statistically speaking but, it yielded three singles, two of which, I love. My favorite album of hers is, of course, the tour that got cancelled in 1986. That being said, after all these years of her music catalog, Somebody’s Baby is my favorite single, released July 5, 1993 (my second favorite single is Le Bel Age). She and Spyder James had already geared down quite a bit, releasing the blues-themed True Love in 1991, to much less fanfare than Wide Awake in Dreamland from 1988. True Love was her first album that did not rate with RIAA.
I am a fan of Benatar like Hans & Max are of the Beatles. I love this one because of the lyrics, the mood, the blend of the music and her stunning voice, though, in this piece, it is not quite as “up there” as when she sings Invincible (she has a four octave range). I am normally indifferent to most lyrics, choosing to immerse myself in musical arrangements and wonderful voices but, the writing speaks to my heart and I confess that, the first time I heard this, it brought me to tears. ~Vic
BenatarGiraldo (Official Website)
Gravity’s Rainbow (RockWired/Brian Lush/06-12-2018)
Pat Benatar (Hip Online/01-05-2008)
Pat Benatar: Gravity’s Rainbow (Rolling Stone/Andrea Odintz/2003/Web Archive)
Richmond: Benatar’s Rise to Fame (Richmond Times-Dispatch/Nicole Kappatos/04-11-2017/Web Archive)
Live On Leno
Regis & Kathie Lee Show (Stripped Down Short Version)
I’m taking a break from blogging for a while. I’m kinda burned out. In fact, I’m burned out on a lot of things. I’m not sure when I will return. ~Vic
Picture of the Day
Fifteen years ago, today, the #1 film at the box office was The Passion of the Christ, a biblical drama starring Jim Caviezel, Maia Morgenstern, Monica Bellucci, Claudia Gerini and Sergio Rubini. Directed by Mel Gibson, the screenplay was co-written by Gibson and Benedict Fitzgerald. Released February 25, it was based on The Passion of Jesus in the New Testament and Clemens Brentano‘s The Dolorous Passion of Our Lord Jesus Christ, the first volume of his records (notes) from conversations regarding meditations by Anne Catherine Emmerich, a canoness, mystic, visionary and stigmatist. John Debney was composer and cinematographer was Caleb Deschanel (father of Emily & Zooey Deschanel).
The Passion of the Christ focuses on the last twelve hours of Jesus of Nazareth’s life. The film begins in the Garden of Gethsemane where Jesus has gone to pray after sitting [at] the Last Supper. Jesus must resist the temptations of Satan. Betrayed by Judas Iscariot, Jesus is then arrested and taken within the city walls of Jerusalem where leaders of the Pharisees confront him with accusations of blasphemy and, his trial results in a condemnation to death.
From Roger Ebert:
If ever there was a film with the correct title, that film is Mel Gibson’s “The Passion of the Christ.” The movie is 126 minutes long and, I would guess that at least 100 of those minutes, maybe more, are concerned, specifically and graphically, with the details of the torture and death of Jesus. This is the most violent film I have ever seen.
What Gibson has provided for me, for the first time in my life, is a visceral idea of what the Passion consisted of. That his film is superficial in terms of the surrounding message — that we get only a few passing references to the teachings of Jesus — is, I suppose, not the point. This is not a sermon or a homily but, a visualization of the central event in the Christian religion. Take it or leave it.
David Ansen, a critic I respect, finds in Newsweek that Gibson has gone too far. “The relentless gore is self-defeating,” he writes. “Instead of being moved by Christ’s suffering or awed by his sacrifice, I felt abused by a filmmaker intent on punishing an audience, for who knows what sins.” This is a completely valid response to the film, and I quote Ansen because I suspect he speaks for many audience members, who will enter the theater in a devout or spiritual mood and emerge deeply disturbed. You must be prepared for whippings, flayings, beatings, the crunch of bones, the agony of screams, the cruelty of the sadistic centurions, the rivulets of blood that crisscross every inch of Jesus’ body. Some will leave before the end.
♦ On February 11, 2008, Benedict Fitzgerald filed a lawsuit against Mel Gibson and the production company Icon Productions, alleging the unfair deprivation of compensation and deception on the overall expense of the film production budget after the blockbuster box office success of the film The Passion of the Christ, including, but not limited to, “fraud, breach of contract & unjust enrichment” seeking unspecified damages.
♦ Jim Caviezel experienced a shoulder separation when the 150lbs cross dropped on his shoulder. The scene is still in the movie.
♦ In an interview with Newsweek magazine, Jim Caviezel spoke about a few of the difficulties he experienced while filming. This included being accidentally whipped twice, which has left a 14-inch scar on his back. Caviezel also admitted he was struck by lightning while filming the Sermon on the Mount and during the crucifixion, experienced hypothermia during the dead of winter in Italy.
Fifty years ago, today, the most popular film at the box office was The Wrecking Crew, a comedy Spy-Fi starring Dean Martin, Elke Sommer, Sharon Tate (Polanski), Nancy Kwan, Nigel Green, Tina Louise and Chuck Norris, making his film début. Opening in the U.S. (NYC) on February 5, it was directed by Phil Karlson, produced by Irving Allen, written by (screenplay) William P. McGivern with music by Hugo Montenegro and Dean Martin serving as Executive Producer, uncredited. Bruce Lee was listed as the ‘Karate Advisor’, choreographing the fight scenes.
The movie was based on Donald Hamilton’s novel of the same name, his second spy thriller about Matt Helm, a fictional U.S. Agent & assassin. Martin played Helm in three previous films and this movie was the last of the series despite the announcement at the end of the film of a fifth installment. Hamilton has written 27 Helm novels spanning 1960 to 1993 with #28 still unpublished, though, finished in the late 1990s.
This was the second to the last movie Sharon Tate (Polanski) made before her murder on August 9, 1969 and the last one released before her death. The Thirteen Chairs was released two months afterwards.
Summary from Rotten Tomatoes:
Secret agent Matt Helm is called on to stop a plan to steal over one billion dollars in gold. With the help of the fumbling female [British] agent Freya, the two race against time to stop the devious plan of Count Contini and his henchmen. The Count is aided by a bevy of beauties who attempt to throw the world economy into chaos with the heist. Helm is constantly interrupted just before his amorous adventures can be set in motion by the overzealous […] Freya.
♦ The working title of the film was House of 7 Joys.
♦ Dean Martin was so distraught over the murder of his co-star and friend, Sharon Tate, that he abandoned the next, already announced, “Matt Helm” motion picture series installment (to be titled “The Ravagers”) and, never played the character again. This is contrary to the post that the series ended due to poor ratings.
♦ Bruce Lee was the martial arts adviser for this film. He also was brought in to train and teach Sharon Tate with her martial arts scenes.
♦ Karate champion Mike Stone was Dean Martin’s fight double. Stone was Priscilla Presley’s boyfriend after she left Elvis.
I can’t find an actual trailer for this movie but, I did find some snippets.