(Johann) Christoph Graupner: born January 13, 1683, in Kirchberg, Saxony and died May 10, 1760 in Darmstadt, Hesse-Darmstadt. In 1706, because of a threat of Swedish invasion, he sought refuge at Hamburg, where he was harpsichordist at the opera under R. Keiser. The most significant genres in which Graupner worked were the chorale cantata, the trio sonata and the concerto. He composed about 1,300 cantatas. His trio sonatas and concerti represent a German assimilation of these Italian forms. Characteristically, the trio sonatas are written in fugal style. Graupner also wrote several operas, many overtures and symphonies and, harpsichord partitas and sonatas.
Christoph Graupner was one of the principal German composers of the period of J.S. Bach and Georg Philipp Telemann. He was highly thought of in his day, much like George Frederic Handel or Telemann, with whom he maintained a lifetime friendship. Composers Johann David Heinichen and Johann Friedrich Fasch were also close friends of his. His first teachers were Mylius and the organist Nikolaus Küster (PDF), whom Graupner followed to Reichenbach in 1694. He entered the Leipzig Thomasschule in 1696, where J.D. Heinichen was a fellow student[…]. [H]e studied under Johann Schelle and Johann Kuhnau and befriended Telemann and his future colleague Gottfried Grünewald […]. Leaving Leipzig in 1706, […] Graupner went to Hamburg […]. [He] composed, there, his first five operas that received great public acclaim […]. In 1709, he became Vice-Kapellmeister at the court of Ernst Ludwig, Landgrave of Hessen-Darmstadt […]. He wrote many operas up to 1719, when he turned to sacred and instrumental composition. [His] remaining years of […] life were spent at the court at Darmstadt. [He] was a prolific and tireless composer. Though blind later in life, he produced immense amounts of music […].
Christoph Graupner is one of the most fascinating, yet, at the same time, underestimated composers of German baroque music: the era of Bach, Händel, Telemann and many other nearly forgotten composers.
Graupner Digital Online
A rare documentary by Scottish folk singer Donovan P. Leitch. Insights into his life with rare recordings from the beginning of his career as a folk singer. Portions of the film was [sic] filmed on St. Ives, Cornwall on Porthminster [B]each in 1966.
It shows Donovan’s life before becoming famous, when he was busking and living in Saint Ives with his friend Gypsy Dave. And, then, when the fame came in with Ready Steady Go! Donovan and his friends are seen smoking marihuana [sic], very shocking for its time. This warned the police to keep him under surveillance and ended up arresting him for drugs [sic] possession in mid-1966.
Born Donovan Philips Leitch in Glasgow, Scotland on May 10, 1946, Donovan was part of the British folk scene and the British music invasion in America. His style was distinctive and incredibly eclectic. As a child, Donovan was vaccinated with the polio vaccine and contracted polio. Though the vaccine was later made safer with the Sabin oral vaccine, the disease and treatment left Donovan with a limp. The public never knew this.
He established close relationships with leading musicians of the time including Joan Baez, Brian Jones of the Rolling Stones and, the Beatles. He taught John Lennon and Paul McCartney […] his finger-picking guitar technique. On his first trip to the USA, he performed in New York with Pete Seeger, […] appeared on The Ed Sullivan Show, Hullabaloo, and Shindig! He gained critical acclaim and acceptance when he performed at the Newport Folk Festival in 1965.
[E]arly on, he was compared with Bob Dylan […]. By 1966, [he] had become one of the first British pop musicians to adopt the flower power image. His music contained many drug references during this time. His recordings were also the first pop music to contain the sound of the sitar, later copied by other famed music groups. [He] was the first high-profile British pop star to be arrested for possession of marijuana. Though Donovan’s drug use appeared to have been moderate, and his drug use was not on the scale of others such as Jimi Hendrix and Brian Jones who later died from overdoses, his use of LSD is referred to in many of his lyrics. Public attention was drawn to his drug use by [the] TV documentary, A Boy Called Donovan, which was broadcast during that year and newspaper coverage of the drug scene in England.
The Hurdy Gurdy Man of the Psychedelic Sixties: Donovan Leitch