british film institute
Up until this point, the only TV shows I have been posting were American. I will be branching out a bit. Naturally, the first non-American show I choose doesn’t have a lot of information written about it…or a video. ~Vic
Fifty-five years ago, today, the British comedy mini-series It’s Not Me, It’s Them! debuted on BBC2. Produced by Graeme Muir and written by Donald Churchill (The Hound of the Baskervilles), it starred Churchill, Norman Bird (Fawlty Towers), Jack Bligh (Doctor Who), George Betton (Coronation Street) and Anthony Dawes (Fawlty Towers).
[This was] an early series from the pen of actor/writer Donald Churchill, focused on Albert Curfew, […] a young man unable to hold down a job for any length of time. The title came from a regular saying of Curfew’s every time he lost his job. Churchill (who also starred as well as wrote the scripts) claimed he based the series on a close friend of his. Guest stars in the single season show included Liz Fraser, Bill Kerr and Kate O’Mara.
Eighty years ago, today, the Technicolor Special (Warner Bros. Series) short family musical Cinderella’s Feller was released. Directed by William C. McGann and produced by Gordon Hollingshead, it starred Juanita Quigley, Scotty Beckett, Maris Wrixon, Virginia Brissac and, Terry as Rex the Dog, the Cairn Terrier best known as Toto in the MGM film The Wizard of Oz.
I can’t find much written about this little short, though it is on YouTube in its entirety. It’s only a little over 19 minutes long. It is not listed on Turner Classic Movies or the American Film Institute but, does show up on the British Film Institute…which I find odd.
The site Letterboxd simply states:
The story of Cinderella with a children’s cast.
IMDB is not much longer:
The famous fairy tale is musicalized and given a modern 1940s spin with the principal characters (Cinderella, Prince Charming and the Wicked Step Sisters) all played by children.
I guess the story of The Little Glass Slipper needs no explaining.
♦ This short was produced toward the tail end of Shirley Temple‘s reign as Hollywood’s #1 box office star and it’s reasonable to assume it was made to showcase young talent that Warner Brothers may have thought had a shot at replicating Temple’s success.