The six partitas for solo violin by Johann Paul von Westhoff are the earliest known published music for solo violin. Although Westhoff’s compositions were rediscovered by scholars […] in the mid-19th century, this work was not found until the late 20th century.
The collection […] was discovered […] by musicologist Peter P. Várnai. He announced his discovery in a 1971 article […] published in Die Musikforschung, volume 24. The extant copy is dated 1696 (three hundred & twenty-five years, ago) but, it may be a reprint (partial or full) of a much earlier publication by Westhoff…the Erstes Dutzend Allemanden, Couranten, Sarabanden und Giguen Violino Solo sonder Passo Continuo. [That] collection was published in Dresden in 1682 and is considered lost. The first modern edition of the partitas appeared in 1974.
Nothing is known about how or when the partitas were composed. One other work for solo violin by Westhoff survives, a 1683 suite published in an issue of Dresden’s Mercure galant. [It] is entirely possible that the composer had more solo violin works. The […] surviving partitas are historically important works […] and were most probably the inspiration for Johann Sebastian Bach‘s sonatas and partitas for solo violin.
The partitas all consist of four dances, arranged in the standard late Baroque order… an Allemande, the Courante, the Sarabande and the Gigue. The music is technically demanding. [It is] fully polyphonic with frequent instances of tricky double stopping.
Johann Paul von Westhoff was a German Baroque composer and violinist. One of the most important exponents of the Dresden violin school, he was among the highest ranked violinists of his day […].