Tim Kennedy, a country dentist, has decided to get rid of Esther, his wife who, after an accident, has become an invalid. But, things are not as easy as it seems… Things will go very wrong indeed.
Yes, I am still alive. I took a break for health reasons. ~Vic
Image Credit: Amazon
Seventy-five years, ago, today, the TV movie Stage Door aired. The information on this movie is limited but, there is a record of it in the IMDb. Based on a 1936 stage play, written by Edna Ferber and George S. Kaufman…
[It is] about a group of struggling actresses who room at the Footlights Club, a fictitious theatrical boardinghouse in New York City, modeled after the real-life Rehearsal Club. The three-act comedy opened on Broadway on October 22, 1936, at the Music Box Theatre and ran for 169 performances. The play was adapted into the 1937 film of the same name and was also adapted for television.
An additional one-hour television adaption aired on CBS in April of 1955. There are plenty of clips on YouTube from the 1937 movie but, nothing from either television version.
Seventy-five years, ago, today, the black & white TV Movie Just For Fun aired on the BBC. Created/devised and written by Richard Hearne, he stars as Mr. Pastry:
…an old man with a walrus moustache [sic], dressed in a black suit or raincoat and with a trademark bowler hat. [T]he the bumbling old man would have adventures, partly slapstick, partly comic dance, with two young friends. Jon Pertwee also starred in the show in a variety of roles. The Mr. Pastry character had originated in the 1936 stage show Big Boy in which Hearne had appeared with Fred Emney.
Rocky Nelson is a New York City cop who, after making a major bust and selling the rights of his story to Hollywood, decides to try his luck out as an actor. However, when he gets there, the directors think that he is too short to be an actor. He is, then, approached by someone who offers him a job at a Hollywood security agency because he would fit in there being an ex-cop and, while working there, he could come in contact with some Hollywood heavyweights who could give him the break he needs. [At] the same time, he gets to live in Dean Martin’s guest house.
Rocky Nelson is a former New York cop who is trying to make it as an actor in Hollywood. However, like most actor wannabees, he is still looking for his big break and his lack of stature doesn’t endear him to the directors. So, he is currently working for Beverly Hills Patrol, a private security agency that caters to the needs of the Hollywood elite and, who also try to keep things quiet for their clients. [Every] now and then, Rocky comes across a case which requires him to slip into his old mold of cop, which doesn’t make his boss or the police lieutenant that he encounters, happy.
Smooth con man Dudley Jerico sets out to rob corrupt millionaire Victor Rosso [sic] of his legendary Gemini diamond.
A conman hatches a plan to swindle a corrupt millionaire out of his treasured priceless diamond by claiming to have discovered its twin. However, his plot is disrupted by a rival hustler who comes up with the same idea and, the two crooks must each convince their suspicious target that they can be trusted and the other is lying.
Reviews:
This disappointing comedy caper evidently got the green light due to the popularity of Patrick Macnee‘s dapper superspy John Steed in The Avengers. Unfortunately, this attempt to turn Macnee into an equally charismatic jewel thief just can’t compete with its bigger budgeted competition, despite the catchy title track from Lulu and the star’s stunning array of flowery shirts. Herbert Lom is good value as the object of Macnee’s felonious attentions (in a role similar to the one he played in the Michael Caine caper Gambit three years before) but, this lacklustre yarn, ultimately, can’t cut it in the excitement or suspense stakes.
Mister Jerico is one of those charming and fluffy capers that the 1960s did well, quite similar to the higher-budgeted Gambit or How to Steal a Million. The palette is sun-soaked, the plot buoyant and just this side of ridiculous. The second half of the film, in particular, moves along at a nice pace, complicating matters without making anything seem too serious. If you think too deeply about the story, it will all appear very nonsensical but, this is a stylized caper film not intended for deeper scrutiny. It’s a surface film and as such it’s quite enjoyable.
A fun film with a very Avengers feel to it, which should be obvious given the cast and crew. Allen is a little out of place but, Macnee and Lom are great, as is Laurie Johnson‘s score. I’ll even admit, against that, Lulu‘s theme song is catchy. Apparently [it was] intended as a pilot for a Macnee series to follow The Avengers but, instead, [was] released theatrically (though, in the US, it only ended up as a TV movie of the week).
Cosmic-Observation 