cash box

Song Sunday: Take A Chance On Me (ABBA)

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uDiscover Abba Image
Image Credit: uDiscover Music

Returning to my Samsung playlist…submitted for your approval. ~Vic

“My love is strong enough to last when things are rough, It’s magic…”

I have loved ABBA since their music showed up on the radio. Their first album in 1973 didn’t make it to the US. They finally got noticed, here, with their second album in 1974. I clearly remember hearing Waterloo during the summer after second grade (I was seven). I was permanently hooked. I still love them and I am in my middle 50s.

The second track from the album ABBA: The Album, released in December 1977, Take A Chance On Me peaked at #3 on Billboard’s Hot 100 & #9 on Billboard’s Adult Contemporary, in July 1978 and, #5 on Cash Box in April 1978. Written and produced by Benny Andersson & Björn Ulvaeus, the song was one of ABBA’s first singles in which their manager Stig Anderson did not assist with writing the lyrics […]. In the UK Charts, it was number #1 and, of ABBA’s Top 20 biggest songs, this song is #4. It was a #1 hit in Austria, Belgium and Ireland. It was certified Gold in Canada, Denmark, the UK & the US.

English duo Erasure did a version of the song, released in June of 1992. It was the third track on their album Abba-esque. I am not fond of the remake but, I am including two videos, below.

I was also lucky to come across an actual live version of them singing this on a 1978 Olivia Newton-John television special. Most “live” videos are them lip-synching.

ABBA: The Official Site

Lyrics

Official Video

Olivia’s Show

Erasure Version

Erasure Top of the Pops

Song Sunday: Sail On (Commodores)

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Commodores Pinterest Image
Image Credit: Pinterest

Returning to my Samsung playlist…submitted for your approval. ~Vic

“I know it’s a shame but, I’m giving you back your name…”

Written by Lionel Richie and, produced by James Anthony Carmichael & the Comodores, this was released on July 27, 1979. I was 12 years old and it was the summer before 8th grade. I loved it as soon as I heard it on the radio.

The 8th track from the album Midnight Magic, it was the first single released from the album and it entered the Hot 100 on August 11, peaking at #4. It did very well in the Netherlands, New Zealand and the UK. Richie re-recorded the song with Tim McGraw for his tenth album Tuskegee.

Additional:
The Commodores~Sail On (Saved on the Internet Archive)
Cash Box: A Sparkling Ballad (World Radio History/August 11, 1979)
Billboard: A Surprising Country Flavored Ballad (World Radio History/August 11, 1979)
Record World: A Beautiful Country-Colored Ballad (World Radio History/August 11, 1979)
Real Reason Why Richie Left (Grunge/A. C. Grimes/March 30, 2020)
The Commodores (Encyclopedia of Alabama/Ben Berntson/July 3, 2012)
Commodores Official Website

Lyrics

Full Version

Richie & McGraw

Tune Tuesday: Let’s Hear It For The Boy 1984

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Rolling Stone Image One
Photo Credit: Rolling Stone

Thirty-five years ago, today, the #1 song on the Billboard Hot 100 and Hot R & B charts (plus Cash Box) was Let’s Hear It For The Boy by Deniece Williams from the soundtrack of the movie Footloose. This was Williams second number one hit on the Billboard 100.

Composed by Tom Snow and Dean Pitchford, country singer Jana Kramer performed the song for the 2011 Footloose remake.

Deniece Williams Image Two
Image Credit: classic45s.com

From Songfacts [no citations]:

This was the second single from the Footloose soundtrack, following the “title track,” which was recorded by Kenny Loggins. In the film, the song was used in a scene where Kevin Bacon tries to teach Christopher Penn how to dance and Penn is having a hard time.

Once the song was written, Pitchford asked Deniece Williams and her producer George Duke to record the song. Kenny Loggins was onboard for the title track, which gave the project credibility and, Williams loved the song and the story idea for the film. She grew up in a small Indiana town with a religious environment similar to the one described in Footloose. When she saw the film, she thought the scene where they used her song was incredible. “If I had come to the film without the music in and they asked me what segment I wanted my song to be in, I would have chosen that segment.” said Williams.

Best Original Song Academy Award Nomination
Best Pop Vocal Performance (Single) Grammy Nomination
Best R & B Vocal Performance (Album) Grammy Nomination

Lyrics

Tune Tuesday: Reunited 1979

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Peaches & Herb Image One
Photo Credit: mm-group.org

Forty years ago, today, the #1 song on the Billboard Hot R&B chart (and the Hot 100 chart, simultaneously, plus Cash Box) was Reunited by Peaches & Herb (Herb Fame & Linda “Peaches #3” Greene). The song was co-written by Dino Fekaris and Freddie Perren, whom also co-wrote Shake Your Groove Thing, a previous Peaches & Herb song and, I Will Survive, the Gloria Gaynor hit. This was a sequel piece to the duo’s (Herb Fame & Francine “Peaches” Hurd Barker) previous song (We’ll Be) United released in 1968, a cover of The Intruders hit from 1966.

The song sold over two million copies, was the Billboard #5 song for 1979 and the RPM (Canadian) #9 song for 1979 (Wayback Machine). Artists Louise Mandrell (with husband R. C. Bannon), Faith No More and Lulu (with Cliff Richard) have done cover versions. [This link reflects David Hasselhoff and Raven-Symone as cover artists but, I can’t verify. ~Vic]

Nominated for:
American Music Award: Favorite Soul/R&B Song
Grammy: Best R&B Vocal Performance By A Duo, Group Or Chorus

Lyrics

Tune Tuesday: Blue Velvet 1963

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Bobby Vinton Image
Photo Credit: popularmusicofthefiftiesandsixties.blogspot.com

We are traveling back to 1963! Fifty-five years ago, today, the #1 Billboard Hot 100 song was Bobby Vinton‘s version of Blue Velvet.

The song was written and composed by Lee Morris and Bernie Wayne (whom also wrote “There She Is”, The Miss America song).

Tony Bennett recorded the first version in 1951 with Percy Faith‘s Orchestra. It’s highest rank was on Cash Box Top 50 at #12. The Clovers (Love Potion No. 9) recorded a version in 1955 that reached #14 on Billboard’s R&B chart.

Though there have been many, many versions of the song recorded, including versions from Bobby Rydell, Brenda Lee, Pat Boone, Sammy Davis Jr., The Lettermen, Isabella Rossellini and Barry Manilow, Bobby Vinton‘s version was the most popular…and my favorite. ~Vic