Hans 2021 Song Draft: Round Four-Pick 13-Baker Street-Gerry Rafferty (1978)
Hanspostcard has a song draft challenge. This is my Round Four pick.
I nearly abandoned the rest of the 1970s for the 1980s until Quinn’s pick. Listening, again, to Tears for Fears reminded me of how much I love a saxophone in rock music. I think I might stay in 1978 for a little while. It was a good year, musically…for me, anyway. I can remember buying this 45 at a Woolworths in my hometown’s only mall. I also remember playing it on my little suitcase record player. I was eleven at the time. There’s not much that Gerry Rafferty put out that I didn’t like. ~Vic
A Scotsman (I am from Clan MacPherson), Rafferty’s first band was The Humblebums (founded in 1965), joining comic Billy Connolly and Tam Harvey in 1969. Harvey departed shortly afterwards and, in 1971, Rafferty recorded his first solo album when he and Connolly parted company. In 1972, he joined with Joe Egan to form Stealers Wheel, their biggest hit being Stuck In The Middle With You from their first, self-titled album. After disbanding in 1975, legal issues over Stealers Wheel prevented him from releasing new material for three years.
Baker Street, the second track from the album City To City, was released February 3, 1978 or, possibly, January 20, 1978, depending and entered the Billboard Hot 100 chart the week of April 22, 1978. It made it to #2 the week of June 24, 1978 and stayed there, stuck behind Andy Gibb‘s Shadow Dancing, for six weeks (as a side note, my paternal aunt gave me the Shadow Dancing 8-track album for my twelfth birthday and it was shoved into a brand new stereo system from my parents):
“…Baker Street was a smash and it allegedly took some serious chart chicanery to keep it out of the #1 spot. [It] stalled out at #2 right as […] Gibb’s Shadow Dancing was in the midst of its seven-week run at #1. According to legend, the chart tabulators at Billboard had actually figured out that Baker Street had finally ascended to the #1 spot in one of those [seven] weeks and they’d called the new chart into the producers at Casey Kasem’s radio show, America’s Top 40 [sic]. But, because of a last-minute correction, Kasem had to re-record the end of that week’s show, putting Shadow Dancing back on top.
According to rumor, Bill Wardlow, Billboard chart director, made the call to keep Shadow Dancing at #1. Wardlow had supposedly gone to dinner with Andy Gibb’s managers and he’d mentioned that Baker Street had knocked Shadow Dancing out of the #1 spot. Gibb had been scheduled to perform at a Billboard-sponsored show in New York and his label threatened to pull him from the bill if Billboard didn’t keep Shadow Dancing on top…so that’s why Baker Street never got to #1. This is all pure speculation and hearsay but, it’s a good story. Record labels have been doing everything in their power to game the Billboard charts ever since those charts began and it certainly seems possible that Baker Street could’ve been a casualty of all that.
The Number Ones Bonus Tracks
September 22, 2020
“While doing a bit of research the other day, I found myself poking around the edition of Billboard dated February 17, 1973 (PDF), as one does.
Here’s some of what’s inside:
Willis “Bill” Wardlow has been named associate publisher of Billboard. Over the next several years, Wardlow would be responsible for occasionally jiggering the Billboard charts to reward or punish record labels and to do favors for industry friends. As we learned a few years ago, his manipulations led to Gerry Rafferty’s “Baker Street” spending only 12 hours at #1.”
J. A. Bartlett
The Only War
The Hits Just Keep On Comin’
February 24, 2021
40 Years Later: Gerry Rafferty’s Baker Street ~ The Most Controversial No. 2 Song Ever? (DJ Rob Blog/04-17-2018)
Baker Street: The Mystery of Rock’s Greatest Sax Riff (The Atlantic/Adam Chandler/12-17-2015)
Scott Paton: Billboard Insider Comment (The Hits Just Keep On Comin’ Website/AT40 From The Inside/09-16-2013)
Smoking The Bible
Movie Monday: Why Pay Rent? 1935
Eighty-five years ago, today, the black & white short comedy Why Pay Rent? was released. Directed by Lloyd French and, co-written by Dolph Singer & Jack Henley, it starred Roscoe Ates, Shemp Howard, Billie Leonard, Ethel Sykes and Ron Le May.
Elmer (Roscoe Ates) fixes up a room for his just-married, freeloading brother-in-law and wife. When the newlyweds show up, Henry (Shemp Howard) brings a surprise in the form of stepson Junior. The apartment is now too small so, Henry decides that they’ll buy a lot and build a do-it-yourself home, a disaster in the making when Junior switches the house’s part numbers. It doesn’t help matters that Elmer, Henry and the wives are all incompetent.
In the 1930s, the Vitaphone division of Warner Brothers made a bunch of very uninspired and, often, unfunny comedy shorts. One of them, Why Pay Rent? is a bit like One Week (with Buster Keaton) but, only if the folks building the house were dumber than a pile of bricks. In many ways, this might have worked better as a Three Stooges short, which is interesting because Shemp Howard stars in this one, as well as Roscoe Ates, an incredibly unfunny comedian whose shtick was stuttering…which was annoying rather and cruel.
This film isn’t listed as lost but, I couldn’t find any video clips of it. I did find some stills of Elmer painting himself into a corner on Getty Images. ~Vic
♦ Some of the construction sight gags, including the final scene, were re-done two years later by Moe, Larry and Curly in The Sitter Downers.
Shemp Howard Review (DVD Talk)
Why Pay Rent? (IMDB)
Why Pay Rent? (1935) (The Three Stooges Online Filmography)
TV Tuesday: American Movie Awards 1980
Forty years ago, today, the very first American Movie Awards was televised on NBC. Filmed at the Wilshire Theatre, the ceremony honored film, actors, directors, screenwriters, music, favorites and a special recognition. Co-hosts were David Frost (also Executive Producer) and Dudley Moore with Angie Dickinson as Co-Hostess. Susan Anton was a performer. Judging by what few images I could find, the trophy was designed to resemble the Empire State Building.
Peter Falk, Anthony Franciosa, William Holden, Christopher Lee, Jack Lemmon, Rita Moreno, Ricky Schroder, Suzanne Somers, Donna Summer and Donald Sutherland.
♦ Best Film: Rocky II
♦ Best Actor: Alan Alda (The Seduction of Joe Tynan)
♦ Best Actress: Sally Field (Norma Rae)
♦ Best Supporting Actor: Robert Duvall (Apocalypse Now)
♦ Best Supporting Actress: Meryl Streep (The Deer Hunter)
♦ Best Director: Michael Cimino (The Deer Hunter)
♦ Best Screenplay: The China Syndrome
♦ Best Original Song: Every Which Way But Loose (Every Which Way But Loose)
♦ Favorite Film Star-Female: Jane Fonda
♦ Favorite Film Star-Male: Burt Reynolds
♦ Special Marquee: Clint Eastwood (Distinguished and Continuing Career)
There was another ceremony in March 1982 at a different location and a relaunch in 2013 with ceremonies in 2014, 2015, 2016, 2017 and 2018 focusing mainly on Independent Film. I doubt there will be anymore ceremonies as the website was taken down last year. There are no videos of the event on YouTube, either.
Flashback Friday: Losing Cobain & The 27s
Twenty-five years ago, today, according to most accounts, Kurt Cobain committed suicide. His body was discovered on April 8 by Gary Smith, an electrician that was there to install a security system. Seeing Cobain lying inside, Smith initially thought the singer was asleep until he saw blood oozing from his ear. He also found a suicide note with a pen stuck through it inside a flower-pot. A shotgun purchased for Cobain by his friend Dylan Carlson was found resting on Cobain’s chest. Cobain’s death certificate stated that he died as a result of a “contact perforating shotgun wound to the head” and concluded that his death was a suicide.
While it is true that Cobain suffered from stomach pains, drug addiction, clinical depression and bi-polar disorder, there are disputes to the official ruling. Courtney Love‘s own estranged father wrote a book and suggested that his daughter had her husband murdered.
Cobain was described as a “Generation X icon” and “the last real rock star“. He was only 27.
Twenty-seven appears to be a striking number. From The History Channel:
The untimely deaths of famous musicians at age 27 may be coincidence but, it is [a] tragic coincidence. The mythology of the 27 Club gained prominence with the death of Kurt Cobain in 1994 since he died at the same age as iconic rock musicians, including Jimi Hendrix, Janis Joplin and Jim Morrison, when they died in the 1970s. The premature death of Amy Winehouse at age 27 in 2011, again, renewed interest in the age’s apparent curse. This is a list of some of the artists and musicians who died at the far too young age of 27.
Robert Johnson…Blues singer-songwriter-musician (May 8, 1911 – August 16, 1938)
Brian Jones…The Rolling Stones founder (February 28, 1942 – July 3, 1969)
Alan “Blind Owl” Wilson…Canned Heat co-founder (July 4, 1943 – September 3, 1970)
Jimi Hendrix…Rock singer-songwriter-guitarist (November 27, 1942 – September 18, 1970)
Janis Joplin…Rock-soul-blues singer-songwriter (January 19, 1943 – October 4, 1970)
Jim Morrison…The Doors co-founder (December 8, 1943 – July 3, 1971)
Ron “Pigpen” McKernan…Grateful Dead founding member (September 8, 1945 – March 8, 1973)
Kurt Cobain (February 20, 1967 – April 5, 1994)
Amy Winehouse…Singer-songwriter (September 14, 1983 – July 23, 2011)
Late Add from fellow blogger Badfinger20:
Pete Ham…Badfinger founding member (April 27, 1947 – April 24, 1975)
OH, the music we have lost. ~Vic